Try Audacity if you need only 16 tracks. The most recent beta works with
screen readers.
Reaper is also well respected, and the ReAccess scripts make it very blind
friendly.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of ali
kazi
Sent: Friday,
According to an interview I heard, 44.1KHz came from a marketing decision --
one of the executives at Phillips wanted a particular Beethoven work to fit
on a single disc.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Raymond Grote
Sent: Saturda
I haven't installed it yet, because I'm still waiting on some assistance to
get one of my USB keyboards out of the storage space my studio is in at the
moment, but I have read the manual end to end.
One thing that struck me was its similarity to older DOS based sequencers,
in that the approach ten
gt;> ideas is a huge bonus to me. What I think is that a rather large
>>> section
>>> of modern computer users have very little pacients and if the product
>>> has
>>> no fancy graphics they dismiss it out of hand after 3 minutes of using
>>> it.
at that one. Thanks!
- Original Message -
From: "Nicole Massey"
To: "QWS list"
Sent: Tuesday, August 09, 2011 8:04 AM
Subject: RE: Re[2]: QWS List is QWS harder to use than most midi
applications?
> Transforms to convert the major and minor scales to a Hajaz scale
d in F major, and used the major to minor to
>>>>>> turn
>>>>>> it into something rather different from the original. Picking
>>>>>> something
>>>>>> that people know quite well for demonstration purposes really hellped
>
that you don't often here people playing straight
out, rather, you hear them used in slight variations.
On 8/9/11, Nicole Massey wrote:
> Dorian is a minor scale with a raised sixth. And it's actually fairly
> useful, especially in jazz.
>
> Mixolydian (lowered seventh scale
Because the GS wavetable synth probably doesn't have those features. Either
that, or they didn't code for it to respond to those MIDI commands.
MIDI is a grab bag -- you take out what you want for your particular
application when you write the code for it and just about everything is
optional. I'v
Then the important question is, will this volume control respond to MIDI
volume? (Continuous Controller 7)
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of Raymond
Grote
Sent: Saturday, August 13, 2011 4:57 PM
To: QWS list
Subject: Re: QWS List r
all of the ones who get this, we may commend or
>> recognize the author's work in some way.
>>
>> 2011/8/13, Raymond Grote :
>>> Yes, it has nothing to do with midi volume, it just changes the volume
>>> of
>>> Bassmidi's sound. By efault it's al
It might be a worthwhile endeavor to create a set of quick start tutorials
with associated MIDI files so that someone could, if completely new to
sequencers, get a handle on what it can do and how to use it.
This could start with the barest basics -- loading a MIDI file and getting
it to play. The
s though as the
tutorials are not aimed at showing how well or poorly I can play!
Anyway, I'll keep you posted how I get on making the tutorials.
With best regards,
James.
On 15/08/2011, Nicole Massey wrote:
> It might be a worthwhile endeavor to create a set of quick start tutorial
Ah, but a quick start set doesn't cover every feature, it gets someone to
the point where they can create something effectively. Documenting every
feature is a huge task, though as you suggested distributed work is much
easier than massed work. (To paraphrase one of my college Psychology
instructor
Just a stab in the dark, KSP might mean Keyboard Sensitive Pressure,
indicating the sound has aftertouch response built in. The W might mean
Wide, the D might mean Dark.
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Raymond Grote
Sent: Tuesday, August 16, 2011 6:54 PM
rthur.
- Original Message -
From: Nicole Massey <mailto:ny...@gypsyheir.com>
To: QWS list <mailto:qws@AndreLouis.COM>
Sent: Wednesday, August 17, 2011 10:20 AM
Subject: RE: QWS List question about abbreviations in instrument names
Just a stab in the dark, KSP mi
Here's a brief explanation of the various MIDI modes. Well, maybe not brief,
though probably about as comprehensive as anyone is going to want. And of
course, we first start out with a bit of history.
When MIDI first came out there were only two things that governed mode. One
was the Omni Mode on/
sult.
Most Sincerely,
Bobbi
------
From: "Nicole Massey"
Sent: Wednesday, September 21, 2011 7:59 PM
To: "QWS list"
Subject: RE: QWS List QWS Audio Tutorials
> Here's a brief explanation of the various MIDI modes. Well, maybe not
> brief,
> though pr
I suspect that we won't see much change in this. It covers the basics well
enough for most applications. I don't project any changes in the way that
their wavetable synth does anything. This is even more true with the
increase in external virtual synthesizer environments available for free or
next
Both are correct -- there are standard numbers for certain things that are
in common use. Sustain pedal is designated as number 64, for example. That
said, any manufacturer is not required to use these numbers in their
products if they don't want to.
Here are the ones I know off the top of my head
On 06/11/2011, Brian Williams wrote:
>> hi nicole
>> many thanks, thats a good start. it would be useful to find a complete
>> set
>> of numbers. I omitted to state i am using a roland exr5 keyboard.
>> Brian
>>
If I was going to suggest an additional function for QWS it wouldn't be
audio -- Audacity and Reaper cover that base. I'd probably suggest something
that sent a tune request, local off, or other system common messages. That
would be useful.
-Original Message-
From: mai...@andrelouis.com [m
midi menu already.
Regards
Andre
From: Nicole Massey
on Monday, November 21, 2011 9:41 PM
> If I was going to suggest an additional function for QWS it wouldn't be
> audio -- Audacity and Reaper cover that base. I'd probably suggest
> something
> that sent a tune reques
To whom are you speaking? You didn't quote any of the prior message in
yours, so we don't know to whom you're directing your question.
If you're asking me, then I use a DAW instead of a MIDI sequencer -- right
tool for the right job.
-Original Message-
From: mai...@andrelouis.com [mailto:
Why does everyone want to turn every program into a DAW? I've heard people
refer to Reason as a DAW recently, which it isn't, and now the desire to
turn QWS into a DAW?
If QWS starts adding a bunch of DAW features like audio and the like I'll
stop using it. This application bloat philosophy drive
> probably need to be almost completely recoded, which takes up way too much
> energy especially for one person. I can use audio editors for my audio
> recording and mixing needs and QWS for the midi stuff. It's more primitive
> and it probably takes longer, but I've gro
They did it because they had too many characters in the name for it to fit
on the screen of the device, and it became a convention.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Alfredo The Writer of music scores
Sent: Sunday, December 11, 2011
aybe i'm just not looking hard enough.
- Original Message -
From: "Nicole Massey"
To: "QWS list"
Sent: Sunday, December 11, 2011 8:16 AM
Subject: RE: QWS List QWS Instrument abbreviation in instrument
configuration
> They did it because they had too many ch
Makes sense. I did this with my MT-32 when I made the spreadsheet that has
all of my programs in it. (I also use another DOS based sequencer that
doesn't have instrument lists because it predated the concept)
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On
True. As someone who started out in MIDI when the concept of a second port
was not even thought of yet, that's one of the great values of it.
It depends on how your system allows you to allocate channels as if what you
want to do will work. Any device set to the same MIDI channel as another
device
Open it in Wordpad instead. For some reason it won't open in Word. I had
this same problem, and it opened fine in Wordpad.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Herman Slobbe
Sent: Thursday, December 22, 2011 12:51 PM
To: QWS list
Subjec
want to modify in beats and ticks. And then mix
>>tracks and have all of the QWS midi functions for midi editing. That's the
>>utmost I could ever expect a program like QWS to do. But will it ever
>>happen? Probably not. There's no real strong need for it and it woul
MIDI clock is one of the messages in MIDI known as System Real Time
messages, IIRC. What it does is simple -- it tells all devices reading it
the tempo and where the first beat of a measure is. It's used to synchronize
multiple devices, like drum machines, ADAT's, and hardware sequencers. It's
a le
measures and tempo don't
get too out of sync. If I have the above problem when I venture to include
multiple synths, i'll try and see if it helps. If not i'll just have to do
as best I can without. Am I understanding this right?
----- Original Message -
From: "Nicole Massey
Yes. Look up a "loopback" program for this. Hubi's Loopback Generator is one
that is well respected.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Herman Slobbe
Sent: Wednesday, December 28, 2011 12:03 PM
To: QWS list
Subject: QWS List To links
I've been thinking about this situation.
QWS will only record what's coming in. This indicates to me that there is
additional content on other channels coming from the keyboard as drum data
that isn't on channel 10. Most keyboards don't send program change messages
when they start playing, so of c
il:
Skypename:
Facebook:
---
Music should strike fire from the heart of man, and bring tears from the
eyes of woman.
Ludwig Van Beethoven
Music expresses that which cannot be said and on which it is impossible to
be silent.
Victor Hugo
- Original Message -
From: "Nicole Mas
Actually, every MIDI sequencer I've used at a professional level had a
feature to take a MIDI track and get it into a proper tempo. Voyetra called
this the "Tap Tempo" feature, for example.
You played along with the track tapping the tempo on a key on the synth, and
that would determine the tempo o
tely is a start and could help if used carefully.
- Original Message -
From: "Nicole Massey"
To: "QWS list"
Sent: Friday, December 30, 2011 12:45 PM
Subject: RE: QWS List Changing midi tempo separately,
> Actually, every MIDI sequencer I've used at a profe
What might be nice is if the program chased patch names in the same way some
older sequencers like Sequencer Plus chased controllers. Say I jump to
measure 54 in a track. The program would look back to the previous
controller change and update things so that when I hit play the controller
sounded c
e. And, as often as I like to change instruments on tracks,
that, as wellas the alerts, could get annoying at least for me.
- Original Message -
From: "Nicole Massey"
To: "QWS list"
Sent: Monday, February 06, 2012 4:31 PM
Subject: RE: QWS List bank an program numbers
nstruments on tracks,
>that, as wellas the alerts, could get annoying at least for me.
>
>- Original Message -
>From: "Nicole Massey"
>To: "QWS list"
>Sent: Monday, February 06, 2012 4:31 PM
>Subject: RE: QWS List bank an program numbers
>
>
Well, since I have no idea what you're talking about, I would say that I
probably don't use them, though I may use them under a different name.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Steve Matzura
Sent: Tuesday, February 07, 2012 2:30 PM
ld depend on where you were when you played and
>saved the file. And, as often as I like to change instruments on tracks,
>that, as wellas the alerts, could get annoying at least for me.
>
>- Original Message -
>From: "Nicole Massey"
>To: "QWS list"
&g
I have a copy of Sonar 3 Producer, but though I installed it I never got
around to messing with it much. I'm very old school in my MIDI work. But I
can't give up any keys anyway, as I use them all -- five semesters of piano,
including a semester of Jazz piano, did that to me.
-Original Messag
I'm getting noticeable latency from my Axiom to the sound source, which is
just the Microsoft wavetable synth. Any thoughts?
To unsubscribe or change list options, see http://lists.andrelouis.com
for archived list posts, see http://www.mail-archive.com/qws@andrelouis.com
bject: Re: QWS List Latency
you said it yourself
it is the microsoft wavetable that slows things down.
Brian
-Oprindelig meddelelse-
From: Nicole Massey
Sent: Friday, February 24, 2012 4:02 PM
To: QWS list
Subject: QWS List Latency
I'm getting noticeable latency from my Axiom to
;ve seen. But
version 2.02 is good too, just with a bit more latency and not much new
that I can see. The only real difference is that the playback seems to
studder less often when loading soundfont samples, but I'd still
recommend 1.06.
On 2/24/2012 10:02 AM, Nicole Massey wrote:
>
Okay, now that I've gotten a chance to work with QWS, finally, (Took forever
to dig through the garage to get my Axiom) I've gotten a chance to figure
out how it works.
There's always a learning curve. I had to bite the bullet and "read the
friendly manual" to find out how to set up a track for rec
Sequencer Plus has you press the R key, then start the sequence with a space
bar hit. It's what I'm most used to, as it's the sequencer I've been using
for over two decades. So that's why I'm a bit disoriented with this. I'll
get used to it. What I'd love is that you hit ctrl+r with the trigger to
a
pickup to the first measure, you'd be better off waiting til a measure
after the count-in before you start so that the pickup is recorded properly.
On 2/25/2012 6:40 PM, Nicole Massey wrote:
> Sequencer Plus has you press the R key, then start the sequence with a
space
> bar hit. It
Any place where QWS has similar functions to Sequencer Plus Gold 4x will be
comfortable for me, as I can literally do a completed song, including
controller assignments, in about an hour and a half. Yeah, it requires that
I run a DOS box, with Jaws for DOS and a Doubletalk, but I'm an "If it ain't
List First Impressions
Doesn't the note editor help you with the correction of small portions of
the music? I ask because of the measure problem you are having. Also, the
zoom option can help you to check the song beat per beat instead of whole
measures.
Good luck!
- Original Message -
I've got BSMIDI loaded now, just need to track down some fonts.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Raymond Grote
Sent: Monday, February 27, 2012 2:10 PM
To: QWS list
Subject: Re: QWS List [QWS] Changing Microsft GM to another synth?
With some time to get comfortable with the format I can probably add a bunch
of stuff. All of my synth patch lists are already in a spreadsheet, so a
bit of manipulation should make it possible to dump the lot into something
usable in QWS.
-Original Message-
From: mai...@andrelouis.com [m
[QWS] Changing Microsoft GM to another synth?
Hi, get in touch off list and I'll organise to send you some, they're big so
we'll have to use dropbox or sendspace or something but it's all doable,
,smile>.
hth.
Cheers!
-Original Message-
From: Nicole Massey
Sent:
The simple answer to this is to put the sequential program change number in
a comment at the end of each line. Using the fill command in Excel and
filling a series it would take about five minutes to include these numbers.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andre
I'm starting to run into some interesting things in the program.
First, I'm getting strange pitch transposition and other such effects. On
lower tracks I notice that there's a problem with what I play coming out a
whole step lower than what I played, or sometimes a whole step higher.
Removing all p
PM
To: QWS list
Subject: Re: QWS List Strange Behavior with QWS
Hi,
Easy fix. Turn off the midi clock. Bassmidi doesn't like it. Midi clock can
be found in the midi menu of QWS.
On 3/7/2012 4:48 PM, Nicole Massey wrote:
> I'm starting to run into some interesting things in the progra
Okay, just took a look at this. There's something I don't quite understand,
though. This listing deals with a lot of sounds -- a huge number of sounds.
But in a cursory look I didn't run into a General MIDI list of sounds in it.
I've got everything set to bank -1 for now, using a GS map, and things
Someone here mentioned something about wanting BassMIDI as their default
sound source on their computer. This is easy to do.
First install BassMIDI and load a soundfont you like to it.
For Windows:
Click on Start, then Control Panel, then Sound and Multimedia Devices.
CTRL+TAB to the Audio tab, a
Windows is this for? Because since Windows Vista, they took
the midi devices list out. So now the only way to change it is in the
registry i believe. That's one thing I liked in XP, but since most of the
stuff I use has a midi device setting anyway, I just use that.
On 3/11/2012 4:30 PM, N
QWS has stopped responding.
I get no sound from it either using BassMIDI or the Microsoft GS Wavetable
Synthesizer. MIDI files still play in Winamp, as does all other audio. I've
changed nothing on my setup. Files I got full response from a couple of days
ago now give me nothing.
Any ideas?
To uns
ake I did a few days ago: check Midi Thru
The shortcut is control+h.
- Original Message -
From: "Nicole Massey"
To: "QWS list"
Sent: Monday, March 12, 2012 4:29 PM
Subject: QWS List The Sound of Silence
> QWS has stopped responding.
> I get no sound from
, gs reset, etc, but I guess those commands send messages to the
keyboard and not to the computer, so not sure...
- Original Message -----
From: "Nicole Massey"
To: "QWS list"
Sent: Monday, March 12, 2012 4:51 PM
Subject: RE: QWS List The Sound of Silence
No joy -- does
our midi devices in control panel? What
instruments are assigned to which ports?
On 3/12/12, Nicole Massey wrote:
> Yeah, tried the resets, and no joy. My keyboard isn't capable of sound
> -- it's just a controller. I removed media player from my system
completely.
>
S List The Sound of Silence
Nicole, in the track properties, it likely had the playback port assigned to
your keyboard. Change that, make certain all tracks reflect it, & u should
be ok.
On 3/12/12, Nicole Massey wrote:
> Nope, tried that when I was doing basic troubleshooting. Found a trac
-----
From: "Nicole Massey"
To: "QWS list"
Sent: Monday, March 12, 2012 6:39 PM
Subject: RE: QWS List The Sound of Silence
Nope, no playback port. This is only a controller, and it doesn't even come
up as a playback port option here. This is a very stripped down setup.
I d
com [mailto:mai...@andrelouis.com] On Behalf Of
Jackie McBride
Sent: Monday, March 12, 2012 8:02 PM
To: QWS list
Subject: Re: QWS List The Sound of Silence
Nicole, that's a standard jaws keystroke. NVDA is insert end. I can't
remember WinEyes--alt shift s, maybe? Dunno.
On 3/12/12, Nicole Massey
evice would all of a sudden decide to go on strike when used by
QWS.
On 3/12/2012 3:29 PM, Nicole Massey wrote:
> QWS has stopped responding.
> I get no sound from it either using BassMIDI or the Microsoft GS
> Wavetable Synthesizer. MIDI files still play in Winamp, as does all
&
List The Sound of Silence
Glad to hear it. Normally Bassmidi seems to cooperate and wouldn't exhibit
such behavior randomly.
On 3/13/2012 6:40 PM, Nicole Massey wrote:
> Yeah, it was the synchro start issue. Fixed now.
>
> -Original Message-
> From: mai...@andreloui
I haven't run into this yet, but it's going to put a serious twist in my
knickers down the line, as note conflicts are sometimes a good thing. For
example, if you overlap two notes in an E-mu proteus module on the
percussion map you get a flanged effect, and you can control this with the
amount of
nteresting
flanging effects.
On 3/14/2012 7:23 PM, Nicole Massey wrote:
> I haven't run into this yet, but it's going to put a serious twist in
> my knickers down the line, as note conflicts are sometimes a good
> thing. For example, if you overlap two notes in an E-mu proteu
that leave
Proteus in the dust. But that's another topic so I will just leave it.
Maybe we are referring to different Proteus's here, because all I know of
are the Proteus 1, 2, and 3, which were pop/rock, orchestral, and world
instruments. Probably the wrong order, but still.
On 3/14/2
clean-up tool, and perhaps an alert about it. The
way it's handled now is good for the average user, which is why I said what
I did about the configuration option, but for the more advanced users it
presents a bit of an irritation.
- Original Message -
From: "Nicole Massey&qu
I can't seem to figure that list out for myself. I get a general MIDI map,
which seems not to be reflected anywhere on the list from what I've seen. (That
said, I haven't gone through all 128 banks)
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf O
>From what I've seen of it BassMIDI doesn't have a format -- it's just a
sound font player, so the format of the sound font is what you use.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Steve Matzura
Sent: Tuesday, March 20, 2012 5:47 AM
To: QW
This is not for the faint of heart, and only do this if you're comfortable with
your setup skills and know that you're comfortable enough with how Windows
works to fix things again.
Log on as administrator. Set everything up as you want it to be. Go to
C:\documents and settings\ and rename your
Okay, here's a little question I have about the quantize, quantize note
length, and set note length options in QWS.
Will.5 give me quantization to the half note? How about .25 to set
quantization or note length to whole notes? And if so will .33 give me
quantization to a dotted half note, so I can
I'll just play with things to get it right. Has anyone been on this road
before?
On 3/23/2012 7:37 PM, Nicole Massey wrote:
> Okay, here's a little question I have about the quantize, quantize
> note length, and set note length options in QWS.
> Will.5 give me quantization to th
olution Question
Hi,
You can use the note editor for this. And the set length tool can help here
too.
On 3/24/2012 12:26 AM, Nicole Massey wrote:
> I'd like to be able to set lengths to something larger than a quarter
note.
> I guess I could change the time signature and go that route,
- Original Message -----
From: "Nicole Massey"
To: "QWS list"
Sent: Saturday, March 24, 2012 2:24 PM
Subject: RE: QWS List Resolution Question
> The note editor is still a very gray area for me, as I'm still not
> sure how to do much in it. I suspect that's a par
Here's a possibility. Perhaps the V stands for Velocity while the M stands
for Modulation, indicating which control is used to do something in the
sound. What happens when you play a VSW sound harder or softer, or move the
mod wheel on an MSW sound? Perhaps some sort of Wah effect?
-Original
#x27;s not very good sounding though as
you can hear it fade between the two samples especially if you do it right
in the middle of a note. But, I do believe that it is what VSW and MSW mean.
On 3/25/2012 5:21 PM, Nicole Massey wrote:
> Here's a possibility. Perhaps the V stands for Veloci
Probably a member who got hacked.
-Original Message-
From: mai...@andrelouis.com [mailto:mai...@andrelouis.com] On Behalf Of
Raymond Grote
Sent: Tuesday, March 27, 2012 2:44 PM
To: QWS list
Subject: Re: QWS List She won't replace you with another man, if you take
our supplement regularly!
I have a couple of configuration questions.
First, does the tip of the day text reside in a file somewhere that QWS
uses? I'd like to edit it so that I remove the tips that I already use all
the time so I get more focused help on things. I'd also like to be able to
read the rest of the tips that go
t).
I'm not sure if you were having trouble with what controllers you needed or
whether you didn't know how to put them in, or both. If it's an issue of
simply how to put them in, I can speak for the event list only right now.
On 3/27/2012 3:50 PM, Nicole Massey wrote:
> I have a c
, it won't increase the range. but Bassmidi can
go a lot higher. I can't tell exactly how high but it can probably do the
whole 10 and a half octaves. you can make very, very bizarre sounds with
extreme settings, I can say that from experience. It works with any
soundfont.
On 3/27/2012 4:
Okay, been doing a bit of work here on instrument definitions to get a feel
for what is possible and what isn't.
I've created instrument files so far for the Roland D-20 series (D-20, D-10,
D-5, and D-110) and the MT 32. This leads me to a question. These
instruments are, in their multitimbral mode
Checking to find out if my messages are getting through -- sent one
yesterday and didn't see it coming back. No need to respond.
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No answer for your first question, and I need to know that as well. The only
way I've thought of doing it is to expand the track's note values and then
use zoom and move it, but there may be a better way.
The second question is answered with the Append command, but beware -- your
file will take on
sure, will answer your questions satisfactorily.
I do believe that the latest tutorial touches on this topic also, though I
may be wrong, and it might be the prior tutorial instead.
Remember, in any QWS dialog, it is possible to press F1 at any time to get
help.
From: Nicole Massey on Saturday,
Something like BassMIDI that allowed use of sfz sound fonts would be a nice
thing to have. I'm going to probably have to learn how to build myself a SF2
file for use with BassMIDI for a metal/progressive group a friend of mine
wants me to play in so I can have they types of sounds I need. (Since th
istening!
- Original Message -
From: "Nicole Massey"
To: "QWS list"
Sent: Wednesday, May 09, 2012 1:05 PM
Subject: RE: QWS List Slightly OT< but not: SFZ frustrations
> Something like BassMIDI that allowed use of sfz sound fonts would be a
> nice
> thing to have. I&
ect: Re: QWS List Slightly OT< but not: SFZ frustrations
Hi there. I used to use SFZ player, until I switched to NVDA.
Apparently XM Play is really good. Still gotta play with that myself.
On 5/10/12, Nicole Massey wrote:
> These are more patterns instead of solos, though there are a co
No, QWS doesn't have any loops built in. You will want to go and find
standard MIDI files to do this for you, and you'll probably want to copy
them to the length you want. This is a fairly simple process with a couple
of specific things to QWS that are a bit unusual in sequencers. First, QWS
doesn'
Yeah, I've had to start over with the saved version of the file many times.
In the project I just finished (over 850 percussion patterns for
medieval/renaissance/folk music) I found myself doing a lot of track
deletions, and many times in fast succession because I built the entire
pattern and then
Anyone gotten any joy in trying to use the transport controls on a control
surface with QWS? It'd make my job a lot easier if I could control the
sequencer from the transport controls on my keyboard, as then I wouldn't
have to bounce back and forth from computer to music keyboards so much.
To uns
Yes, very possible. You can do it with either the Volume Controller( CC7) or
Expression if your sound source responds to it. (A large number of them
don't use this -- I think it's either CC11 or CC13, so check a chart to
verify) Decide how much you want to increase the sound, then go into the
contr
for what is aftertouch controller? I thought that it is
used for this purpose.
Dňa 30.6.2012 18:58, Nicole Massey wrote / napísal(a):
> Yes, very possible. You can do it with either the Volume Controller( CC7) or
> Expression if your sound source responds to it. (A large number of them
> don&
I added this softsynth yesterday, and discovered some interesting things. It's
huge, with over a thousand sounds in its basic playlist, and some of them are
even useful. (it's got a lot of those little snippets of sounds with things
like brass stabs, guitar riffs, and such that can be less usef
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