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es?
> >
> > Remember: you saw it here first...
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> > David
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But see:
Localization dominance in the median-sagittal plane: Effect of stimulus duration
Roberto M. Dizon and Ruth Y. Litovsky
Received 19 June 2003; accepted for publication 22 March 2004
Localization dominance is an aspect of the precedence effect in which
the leading source
At 13:11 07-12-15, Steven Boardman wrote:
>Our heads don't pivot at our ears, or roll perfectly on the joint. Our ears
>aren't that level either. Which only adds to the differences. Mine are
>quite visibily not level. With both pinar of a different size and shape.
>Off piste I know but the
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gt;it is done in all planes its a lot more.
> > >
> > > Do you think there is a market for trampolines with built in surround
> > > systems? Or how about being attached to the walls, ceiling and floor
> > > with
Peter Lennox wrote:
Yes, the thinking is that a speaker-layout-agnostic format file can be
transmitted and decoded at the client end of things, so it could end up being
mono, stereo, surround, surround with height, large-scale surround (eg cinema)
and so on, depending on the technical
Hello everyone,
I would like to share with you my first experience with Ambisonics
technique through the Brahma microphone:
http://tinyurl.com/z6pm5ur
Any feedback is really welcome.
Many thanks.
Emanuele
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Jörn Nettingsmeier wrote:
On 12/07/2015 02:55 AM, Stefan Schreiber wrote:
Your plots refer to an empty sphere, don't they?
no, fons' plots are about a rigid sphere with omni mikes in the surface.
Take for example the 8kHz response, which is the most directive one in
the set. It's
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piste I know but the filtering effect of the ears and body, when
>>>>> one only moves ones head up and down, is also quite substantial. When
>>>>> it is done in all planes its a lot more.
>>>>
>>>> Do you think there is a market for trampoline
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On 12/07/2015 02:55 AM, Stefan Schreiber wrote:
Your plots refer to an empty sphere, don't they?
no, fons' plots are about a rigid sphere with omni mikes in the surface.
Take for example the 8kHz response, which is the most directive one in
the set. It's something like 3.5 dB
down at 90
On 12/07/2015 12:18 AM, Steven Boardman wrote:
Just a little point here. I thought the amount of movement ones head can
cover vertically is more than it can cover in any other plane. This is
obviously not including moving the rest of the body at the same time. This
being so, and generally having
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Surso
http://www.gramophone.co.uk/feature/dolby-atmos-taking-music-into-a-new-dimension
Of course, it needs hardware: UKL 350-2500...
As these are recordings from Kings College Chapel, Cambridge, there
is a chance of something real to listen to.
A four channel surround recording that I made for
A video of the making of the Gabrieli, which is available for a
reasonable price as a 2 disc set (SACD and "Pure Audio" BluRay), can
be seen at:
https://www.youtube.com/watch?v=DP8zh3-4qrU
At 12:39 07-12-15, David Pickett wrote:
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Is there any technical info available about how Atmos content is
encoded? I've seen reference to "128 channels" so does that mean things
are encoded as up to 128 simultaneous channels coming from different
virtual locations? How do they get re-panned for the client-side speaker
configuration? If
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Apart from the obvious measurement of the amplitude and phase of the
individual signals, which I do, I only have access to two ways of
visually monitoring surround signals.
I have always found a phase meter very informative in stereo. There
is the centre zero "correlation" meter type, either
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