[Sursound] theatrical ambisonics

2013-05-12 Thread Iain Mott
The Earfilms link is interesting. I wonder if people on the list have other references or links on ambisonics applied in theatrical productions, either traditional theatre or theatrical installation? Your own productions or the work of others. I'd also be interested to know if people have

Re: [Sursound] Ambisonic Film

2013-05-12 Thread Richard G Elen
On 11/05/2013 18:13, John Leonard wrote: Anyone seen/heard this? http://www.earfilms.com/ Thanks for pointing this out, John - sounds really intriguing. --R ___ Sursound mailing list Sursound@music.vt.edu

Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Richard G Elen
On 12/05/2013 11:59, Iain Mott wrote: I'd also be interested to know if people have examples of binaural radio-drama. ZBS Foundation have done a certain amount of binaural radio drama, and their content is quite amazing (though their best work is in stereo). See

Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Augustine Leudar
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Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Richard G Elen
On 12/05/2013 13:13, Augustine Leudar wrote: Ive used ambisonics in several site specific outdoor theatre productions - here is a review of the last one : http://www.irishtheatremagazine.ie/Reviews/Current/Ghosts-of-Drumglass Very nice write-up for that - must have been quite an experience!

[Sursound] FW: theatrical ambisonics

2013-05-12 Thread umashankar manthravadi
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Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Eero Aro
Iain Mott wrote: I wonder if people on the list have other references or links on ambisonics applied in theatrical productions, either traditional theatre or theatrical installation? In the Ancient Days (1990's), Jussi Lappalainen used Ambisonics in the Oulu City Theatre in Finland. He had a

Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Iain Mott
These are excellent references, thank you! Curious to know why ambisonics and uhj encoding ceased to be used in the 90s? I know nothing about digital radio - but is dolby surround or some other surround format being used presently in Europe, elsewhere? What is the present state of play in surround

Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Eero Aro
I don't know about the others, but Mark Decker passed away, sadly. That was the end of the Archers in surround. I finally stopped using UHJ because the amount of people that had an Ambisonic decoder in Finland were less than you can count with your fingers. I knew them all and I could have as

Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Aaron Heller
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Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Justin Bennett
Subject: Re: [Sursound] theatrical ambisonics To: sursound@music.vt.edu Message-ID: 518fb3fb.5020...@dlc.fi Content-Type: text/plain; charset=ISO-8859-1; format=flowed Iain Mott wrote: I wonder if people on the list have other references or links on ambisonics applied in theatrical For

Re: [Sursound] theatrical ambisonics

2013-05-12 Thread Ben Bloomberg
There are large ambisonic and WFS systems in Tod Machover's opera Death and the Powers. The systems together are about 60 inputs and 140 outputs. 40-60 of those outputs (depending on the venue because the show tours) are 3rd order ambisonic (64 WFS). Much of the content is synthetically encoded