I do neto succeed in listening to this in Stockholm Sweden, any one succeeding
outside of UK?
Bo-Erik
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Kan Kaban wrote:
We´re working on documentary series based on a/b-format. This BBC
thing caught our attention... the future is here?.
A-format? Progressive stuff...Why this? ;-)
Best,
Stefan Schreiber
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Martin Leese wrote:
Schumacher Marlon wrote:
Hi,
Thanks everybody for your well-considered comments.
The reason for going for a 2-channel format is compatibility with
distribution media formats (CD) - and I suppose it will mostly be listened
to without a decoder.
The possibility of
Stefan Schreiber wrote:
I would call this a serious case of incompetence. In the sense that it
was possible to archive 3/4 channels, also in the 80s.
Strong words. I visited Nimbus in the early 90's. I must say that they used
the best possible equipment that was available at the time.
The
shut down. That was interesting.
Every Blessing
Tony
On 16/03/2014 17:55, Augustine Leudar wrote:
Good find ! Chrome isn't so bad actually
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I set up my system (MacPro into Metric Halo ULN-8 into BlueSky Media Desk)
yesterday, using the online channel checker and after doing some very odd
routing, got it all sorted. I have Chrome installed anyway, so no problems
there. All I need is some firm idea of which broadcasts are actually in
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--On 17 March 2014 00:16 + Richard Dobson
richarddob...@blueyonder.co.uk wrote:
It appears to be under the Live in Concert title.
So the 19:30 concerts from the South Bank? That makes some sense - it
also means that maybe tomorrow's reopening of the restored organ may be
in surround (note
Am 17.03.14 16:25, schrieb Paul Hodges:
(note to self: check multi-channel recording setup is OK).
Speaking of which: how would one record this? I normally use Audio
Hijack Pro for recording web streams but that doesn't work for signals
with more than two channels. I'm on a Mac, BTW.
Ralf
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--
with best wishes, John
--On 17 March 2014 15:25 + Paul Hodges pwh-surro...@cassland.org
wrote:
As an aside, I'm amused to see that the web page listing next week's
concert on the RFH organ (another must-hear) is headed by a picture of
the organ in the Albert Hall!
Oops on my part, too - not the Albert Hall, but
--On 17 March 2014 16:32 +0100 Ralf R Radermacher fotor...@gmx.de
wrote:
Speaking of which: how would one record this? I normally use Audio
Hijack Pro for recording web streams but that doesn't work for
signals with more than two channels. I'm on a Mac, BTW.
I'm using a PC, so I can't comment
, Department of Music
The University of York
York YO10 5DD
UK
'Ambisonics - Component Imaging for Audio'
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opinion by making a comparison with you actual decoder.
Thanks!
Davide Scaini
Daniel Arteaga
[1] https://github.com/BarcelonaMedia-Audio/idhoa
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Eero Aro wrote:
Stefan Schreiber wrote:
I would call this a serious case of incompetence. In the sense that it
was possible to archive 3/4 channels, also in the 80s.
Strong words. I visited Nimbus in the early 90's. I must say that they
used
the best possible equipment that was available
! Antivirus protection
is active.
http://www.avast.com
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)
Menlo Park, CA US
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Hi
The DASH format was published by Sony and Studer in 1982:
http://en.wikipedia.org/wiki/Digital_Audio_Stationary_Head
Mitsubishi had their own format.
I would assume that it was
possible at this time to combine several stereo tapes into some
virtual multitrack tape
I find this today as an
Stefan Schreiber wrote:
...
Or distribute 3-4 channel UHJ, which is the stereo-compatible form of
FOA. Of course this proposal didn't catch on, even if this should
work. (I see this doesn't work for a CD distribution, but this is the
only case by now. But if you chose physical distribution,
Having tried earlier to get this to work -- unsuccessfully because I
was messing with the Realtek HD Audio Manager which turend out to be
irrelevant -- I decided to have another go at fooled around with my
PC and, as is often the case, it suddenly started doing what I wanted
(perseverance is
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07580951119
augustine.leudar.com
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On Mon, Mar 17, 2014 at 06:05:11PM +0100, /dav/random wrote:
The project is called IDHOA and the code is hosted here [1] under GPL .
(after automatic conversion to python3)
Traceback (most recent call last):
File ./main.py, line 32, in module
from constants import *
File
--On 17 March 2014 20:52 +0100 David Pickett d...@fugato.com wrote:
The go to http://rdmedia.bbc.co.uk/radio3/index.html and click on the
play button, and four channels of Brahms Tragic Overture appeared.
Followed by John Lill playing Rach 3 at the age of 70 - Magnificent!
But as for the
At 21:07 17-03-14, Augustine Leudar wrote:
I installed Chrome (having previously set a System Restore Point),
You are such a drama queen :) I'm glad you got it working though - Ill have
to try this out
No. I have learned not to trust dwnloaded software, after some bad
experiences! :-)
A
On 17 Mar 2014, at 21:46, Paul Hodges wrote:
But as for the surround, well huh! The usual uncorrelated mish-mash in
the rear channels, signifying nothing. Turning on the rear speakers
did push the stereo image back from the front speakers just a bit.
That's hardly a surprise when reading the
--On 17 March 2014 21:19 + Paul Hodges pwh-surro...@cassland.org
wrote:
the audience coughing in the gaps in the
Brahms sounds from in front.
Dvorak, of course - a senior moment while typing too fast.
Paul
--
Paul Hodges
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.
Michael
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At 23:03 17-03-14, mgra...@mstvp.com wrote:
Weren't the first digital recorders actually adapted helical scan video
ones? Because, I mean, those things are line accurate by necessity, so
that once you have them time coded, you ought to be able to get sample
accurate registration of the
Pace Paul, by the time it got to the third movement of the Dvorak, I
was quite impressed. The Festival Hall is not over-endowed with
ambiance, but when I turned the back up a bit, what I heard was akin
to what I often hear in a concert hall when not too close to the
stage, as opposed to when
. It was much later before I encountered anything that
could be locked to proper SMPTE time code.
Michael
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On Mon, Mar 17, 2014 at 04:04:43PM -0700, mgra...@mstvp.com wrote:
We did edit using SLO series Betamax, but it was control track
editing, nothing with reference time code. It was much later
before I encountered anything that could be locked to proper
SMPTE time code.
I remember doing
On Mon, Mar 17, 2014 at 05:06:32PM -0700, Aaron Heller wrote:
On Mon, Mar 17, 2014 at 1:09 PM, Fons Adriaensen f...@linuxaudio.orgwrote:
On Mon, Mar 17, 2014 at 06:05:11PM +0100, /dav/random wrote:
The project is called IDHOA and the code is hosted here [1] under GPL .
(after
Mon, 17 Mar 2014 09:43:13 -0600,
John Abram johnbab...@gmail.com wrote :
I love this idea, and hope to tune in from Canada for some of the
broadcasts.
I'm also in Canada, and I can't listen to the concerts while at work...
Are the 4 channels streams available after the concert?
--
Marc
Fons, here's my little code review:
The bug is harmless, because the WbinVec variable is used only if
WBIN is considered True, and WBIN is actually a constant set to 0.
--
Marc
Le Tue, 18 Mar 2014 01:01:25 +,
Fons Adriaensen f...@linuxaudio.org a écrit :
On Mon, Mar 17, 2014 at
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Martin Leese wrote:
Stefan Schreiber wrote:
...
Or distribute 3-4 channel UHJ, which is the stereo-compatible form of
FOA. Of course this proposal didn't catch on, even if this should
work. (I see this doesn't work for a CD distribution, but this is the
only case by now. But if you chose
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