Hmm. The link is not working for me. Can you double check it?
Thanks.
Eric
- Original Message
From: umashankar mantravadi umasha...@hotmail.com
To: sursound@music.vt.edu
Sent: Mon, November 8, 2010 9:19:32 PM
Subject: [Sursound] umashankar mantravadi has shared documents with you
Peter Lennox p.len...@derby.ac.uk wrote:
anyone taking something interesting to the Ambisonics symposium 2011 in
Kentucky?
I'm planning on bring a prototype of a practical, affordable second-order
soundfield microphone. Of course it's not done yet, and perhaps I'm talking
through my hat.
from psychoacoustics we cannot really hear directions of sound below 80 Hz
I know that it is frequently written, but it's not true. Of the two
localization
mechanisms active at low frequencies, Interaural Time Differences (ITDs) are
the
ones that give useable localization cues in free space.
As a (mostly) non-user of Linux, I'm uncertain as to what Jacktrip is used
for.
Is it to stream data over a network? Or is it to distribute computing between
multiple machines? If it is the former, then I'm puzzled. I can easily play a
16-channel file hosted on one machine on my 100 baseT
.
Eric Benjamin
- Original Message
From: Dave Malham dave.mal...@york.ac.uk
To: Surround Sound discussion group sursound@music.vt.edu
Sent: Mon, June 20, 2011 3:54:38 AM
Subject: [Sursound] B format mic using omnis?
May seem a strange question, but anyone ever had any experience
Rober Greene wrote:
There was a method developed by Finsterle
Tell us more about it. Is the method described elsewhere? Is it embodied in a
device, or software? Who is Finsterle?
Eric
- Original Message
From: Robert Greene gre...@math.ucla.edu
To: Surround Sound discussion
Dan Andrew
whats the catch?
I'm not sure that there is a catch, as such.
It's apparent that the Brahma is an 'A-format' microphone, in which it is the
capsule signals that are recorded and not the Ambisonic B-format. To get
B-format will require some matrix processing (sum and difference
all of my material that was on there (plus a bit more), and all of John
Leonard's,
I hadn't visited your pages in a while. I particular like the roll-over
informational photos.
Between your material and John Leonard's material you have Early Music and
environmental sounds fairly well
Robert Greene wrote:
there are VERY serious problems of other kinds with using it at the kinds of
distances
(fractions of a meter less than 1/2 , much less often enough) where proximity
effect becomes really major.
That is indeed true, except perhaps for the label of Very.
I first noticed
Bruce Wiggins's (I hope) research was what started this fray out in the first
place
Yup. And several others. But the point is that there is a good deal more to
be
done, especially as you point out that:
this sort of optimization retains the blackbox leanings of machine learning
as
a
currently thinking of using PCI or PCI express cards
Any time that there are multiple devices the chances of having them be offset
in
time increases dramatically. I've really had a lot of bad experiences, both
with multiple PCI audio devices and with multiple external ADAT devices. I'm
Robert,
Lots to comment on here. I seem to be compelled to address your negative or
not so good observations:
Not so Good 2) Because one- point miking ignores transient time
of arrival differences as such , one of the basic cues of sonic perception
is suppressed explicitly
That's not
I can't answer the question precisely without either doing an experiment or by
doing many hours of calculations. But one thing to consider is that the
Blumlein recording won't fail to produce correct ITDs at frequencies above 700
Hz. At least, not theoretically. I can demonstrate by
That is a pretty cool project.
Having said that, I don't know what I would do with one. As it stands it's a
2-channel player, but it's possible to get a 2-channel player for less than
that. If you expand it to 8 or 16 channels, then it's unique, but I still
don't
know what I would do with
three of the capsules.
That
makes a difference in what you call 'front', of course, but also in the
behavior
of the array at the highest frequencies.
I hope this helps.
Eric Benjamin
- Original Message
From: Augustine Leudar augustineleu...@gmail.com
To: sursound@music.vt.edu
Sent
is up and running again I'll post some of those recordings.
Eric Benjamin
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Sursound@music.vt.edu
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I have almost no experience in this, but it seems like this discussion would be
incomplete without mentioning the Planet CCRMA distribution:
http://ccrma.stanford.edu/planetccrma/software/
written with too much blood in my caffeine stream.
Eric
- Original Message
From: Dave Malham
I'd be very interested in hearing about your hardware. That many DAC channels
and loudspeakers is challenging!
- Original Message
From: Augustine Leudar augustineleu...@gmail.com
To: Surround Sound discussion group sursound@music.vt.edu
Sent: Thu, July 5, 2012 7:59:21 AM
Subject:
Fons Adriaensen wrote:
for anything based on energy vectors the angle between the speakers can't be
too big.
Is there a good reference for that important point?
Eric
- Original Message
From: Fons Adriaensen f...@linuxaudio.org
To: sursound@music.vt.edu
Sent: Mon, July 9, 2012
More opinion to add into the mix.
There are really tiny microphones which are also directional. An example of
the
case in point is the Knowles FG which is available with several different
directivities.
This seems to me to be a bit like a device created by the folks at CIPIC, at
the
University of California at Davis:
http://www.news.ucdavis.edu/search/news_detail.lasso?id=7058
They didn't use multiple pinnae, but they did have multiple 'ears' around the
circumference of a cylinder. There
I'm still confused as to what is being described. Could it possibly be this?
http://ambisonics.iem.at/symposium2009/proceedings/ambisym09-pollowmasiero-musicalinstrumentdirectivity.pdf/at_download/file
or something similar?
Eric Benjamin
- Original Message
From: Eero Aro eero
macro-blocking
or halos or the screen door effect, I know that wasn't in the source originally.
Eric Benjamin (not to be confused with Eric Carmichael!)
- Original Message
From: Eric Carmichel e...@elcaudio.com
To: Sursound sursound@music.vt.edu
Sent: Fri, April 5, 2013 5:52:36 PM
of a calibrated loudspeaker system in
a listening room. For both headphones the new target based on an in-room
loudspeaker response was the most preferred target response curve.
Convention Paper 8867
More about ambisonic recording in a subsequent email.
Eric Benjamin
that the array be calibrated
(equalized) to get proper response.
Eric Benjamin
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Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound
shape
http://www.aes.org/tmpFiles/elib/20130429/16470.pdf
I hope that the illustrations in these papers will make clearer what we've been
talking about. Either Aaron or I will be happy to send a copy to anyone who is
interested.
Eric Benjamin
- Original Message
From: Dave Malham
On 30 Apr 2013, at 04:56, David Pickett wrote:
A standalone Windows app that would decode Dolby-A encoded wavefiles and
output
a restored non-Dolby 24-bit wavefile would be most useful. I have several
recordings that I have had transfer to hi-res files still in Dolby-A format.
... even if
They should be in your in-box by now. I trust you were able to find the
patents?
- Original Message
From: Sampo Syreeni de...@iki.fi
To: sursound-list sursound@music.vt.edu
Sent: Tue, May 21, 2013 5:27:36 PM
Subject: [Sursound] [ot] hard to find papers
Does anybody happen to have the
but I've done similar things, with good success.
The lack of a vertical component is an interesting conundrum. I always insist
on recording 'Z', and then almost never end up using it...
Eric Benjamin
- Original Message
From: Emanuele lamacchiaco...@yahoo.it
To: sursound@music.vt.edu
Sent
is
a good deal of progress still to be made in this area.
Eric Benjamin
- Original Message
From: Sampo Syreeni de...@iki.fi
To: Surround Sound discussion group sursound@music.vt.edu
Sent: Sat, June 1, 2013 6:55:04 AM
Subject: Re: [Sursound] Nevaton microphones
On 2013-05-31, Daniel Courville
to 3rd order.
Of course it is possible to derive the spherical harmonics from those.
Eric Benjamin
- Original Message -
From: Stefan Schreiber st...@mail.telepac.pt
To: Surround Sound discussion group sursound@music.vt.edu
Cc:
Sent: Monday, June 17, 2013 8:52 AM
Subject: Re: [Sursound
-pin XLRs. At least I don't know of any.
And 6-pin and 7-pin XLRs are very rare. I can't get them in the type that I
prefer.
What sort of multipin connectors do folks here like?
Eric Benjamin
From: Michael Chapman s...@mchapman.com
To: Surround Sound
Is the W level correct? I am finding myself turning up my W knob 3-6dB
I'm tempted to agree. Of course it's difficult to be certain.
From: dw d...@dwareing.plus.com
To: sursound@music.vt.edu
Sent: Friday, November 22, 2013 6:21 AM
Subject: Re: [Sursound]
a group of omnidirectional microphones on
a sphere, such as the commercially available Eigenmike:
http://www.mhacoustics.com/products
There are other methods. It's still early days for this technology.
Eric Benjamin
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Yeah... You can put them on the disc, but you can't get them back.
Likewise, I could envision putting up to the full 64 channels of audio onto a
disc by first encoding it as AAC, and then stuffing the AAC into a quasi-PCM
file which would be entered into the linear PCM zone on the disc. But
David,
Intriguing, but I don't know exactly what it is that I'm supposed to be
hearing! A little descriptive text would be helpful.
Eric Benjamin
From: dw d...@dwareing.plus.com
To: Surround Sound discussion group sursound@music.vt.edu
Sent: Friday, January
I can recommend the very inexpensive Sabrent SND-8, which is $19 at Amazon.
It's not great, but it's certainly adequate!
From: Alessandro Fogar sfo...@gmail.com
To: sursound@music.vt.edu
Sent: Sunday, March 23, 2014 2:49 AM
Subject: [Sursound] Inexpensive USB
. About 46 dB more,
unweighted. It would be interesting to try to perform some more controlled
recordings to find out whether the noise is coming from the mic, or not, and
whether it meets specifications.
Do you ever get to the SF bay area?
Eric Benjamin
On Wednesday, August 6, 2014 3:12 PM
How have you determined that reflections from the room walls are the source of
the perceptual problems?
To test for that, it might be best to try a temporary fix first. I have
successfully used moving blankets to prototype room treatment. If moving
blankets are installed away from the actual
Your request is intriguing. My question is: What sorts of demo material? I've
made a number of such recordings with a soundfield microphone, none of which
are in my possession at present. One of the recordings was of a male voice in a
large studio room, with the subject ascending and descending
elsewhere. There are no
perfect solutions here!
If you would like copies of the two papers, just let me know. I haven't looked
at them since we wrote them, but I don't think that we told any lies!
Eric Benjamin
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Martin
There is a bit more information about the project at the envelop web site:
http://envelop.us/
Several of the proponents are members of Surround. Perhaps one of them would
like to elaborate.
Eric
--
On Fri, Apr 10, 2015 9:46 PM PDT Martin Leese wrote:
Hi
NEOH seems to be quite similar to the Rondo from Dysonics:http://dysonics.com/
The Rondo is a small device that can be attached to any headphone and provides
head tracking. The rest of the product is a software player (RAPPR) that
applies the head tracking info and communicates to Rondo via
By all means. We'd like to hear them. Why not put them on Ambisonia?
http://www.ambisonia.com
--
On Sun, May 17, 2015 10:47 PM PDT Bo-Erik Sandholm wrote:
I have a number of recordings using a tetramic and Tascam DR-680, the
recordings are mostly:
church choirs
All of my spatial sound research has been self funded. As such, Im very
sensitive to the budgetary issues. I had initially selected the then-current
genelec 1028a for my array, but then I discovered that the JBL lsr25 had
flatter response, greater low frequency extension, more acoustic output,
Richard,
You say "the two software programs you've been provided links for don't decode
it" Just out of curiosity, in what way do the two software decoders fail to
properly decode SQ? My interest is purely academic, as I don't have any SQ
source material.
Eric Benjamin
was half the world
away.
He will be remembered, for the legacy of his many recordings.
Eric Benjamin
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I have used that symmetry in the past. I assume that everyone does.
Sent from Yahoo Mail on Android
On Wed, May 25, 2016 at 8:37 AM, Politis
Archontis wrote: Hi,
There has been some discussion before on B-format or HOA to binaural filters
(HRTF-based), which
"In both cases the sound was coming from seemingly random places, and a
number of positions went practically silent."
What is needed, not just for you, but for everyone, is a comprehensive set of
test files. It may be that your loudspeakers aren't where the system thinks
they are (wrong speaker
It's necessary to remove the period to make the link work.
Sent from Yahoo Mail on Android
On Thu, Mar 24, 2016 at 5:18 AM, Richard Furse wrote:
[Warning: product announcement - I'll keep it brief.]
Hi there!
I thought a few folk here might be interested to
The principle problem with using the ZoomH2n for Ambisonics recording is that
the capsules are arranged in such a way that left obstructs right and right
obstructs left. This can be seen in the photos on Daniel's web page
athttp://www.radio.uqam.ca/ambisonic/images/h2_01.jpg
The result of the
When I recorded Haley Jo's lovely voice for the original eight directions, I
also recorded her announcing other directions. Unfortunately I wasn't prescient
enough to record every conceivable direction. I wonder what would be a good
announcement for half height positions?
Sent from my iPhone
This is all good stuff. I'd like to add some info about the system aspects.
Speaker mounting. This can be nontrivial. I know of one professional periphonic
installation where the cost of the stands was more than the speakers. And
mounting speakers at height can be very difficult. If the
Jim
You might want to give us a target budget for this distribution system.
Sent from Yahoo Mail on Android
On Wed, Nov 16, 2016 at 5:24 PM, Wim wrote: Hi Jim,
You could have a look at the Neutrik Xirium system. It's the only one I
know that is capable of timed multi
I’d love to come but I live near San Francisco. If you should choose to show
again near hear I’ll definitely attend.
Sent from Mail for Windows 10
From: Tom Slater
Sent: Tuesday, November 14, 2017 7:41 AM
To: sursound@music.vt.edu
Subject: [Sursound] Live ambisonic electronica in London
Hello,
this, so caveat emptor.
Eric Benjamin.
From: Bo-Erik Sandholm
Sent: Tuesday, April 24, 2018 8:58 AM
To: sursound
Subject: Re: [Sursound] RIR measuring,how to capture a higher order Ambisonic
room responce?
Thank you all, for your answers.
I received a lot of information.
I will start with FOA
https://www.philharmonia.co.uk/digital/virtual_reality_and_apps/mahler_3
I’m looking forward to this. Does any one have further details?
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Once again, congratulations! I wish I could be there. I’m on the wrong
continent.
From: Bruce Wiggins
Sent: Thursday, February 22, 2018 8:42 AM
To: Surround Sound discussion group
Subject: [Sursound] Sounds in Space 2018
I'm pleased to announce that this year's Sounds in Space Research
order microphone.
Eric Benjamin
From: Fernando Lopez-Lezcano
Sent: Monday, April 23, 2018 1:11 PM
To: Surround Sound discussion group
Subject: Re: [Sursound] RIR measuring,how to capture a higher order Ambisonic
room responce?
On 04/23/2018 12:42 PM, Stefan Schreiber wrote:
>> I can do
would like a little
bit of credit! I realize that Core Sound put in significant effort in making
their product.
I made the microphone utilize only eight channels because I only can record
eight channels.
Eric Benjamin
From: Jörn Nettingsmeier
Sent: Tuesday, March 27, 2018 12:09 PM
To: sursound
I’d love to hear the second order version.
Sent from Mail for Windows 10
From: Len Moskowitz
Sent: Tuesday, November 6, 2018 9:08 AM
To: Sursound List
Subject: [Sursound] OctoMic VR 8k Video,New Files on OctoMic Recording Download
Page
Phillip Westbrook posted on Facebook:
"A recent
Way too big.
Sent from Mail for Windows 10
From: seva, soundcurrent mastering
Sent: Monday, December 10, 2018 9:20 PM
To: Surround Sound discussion group
Subject: [Sursound] Fwd: audeze
hi all round,
yes, a joke there.
anyone have a view on *audeze tetrahedral*? seems like with a 100mm
to higher order? I've been asking this question for a very long
time. With higher order program material slowly becoming available, perhaps
we can find out.
Eric Benjamin
On Thu, Dec 2, 2021 at 5:57 AM Jens Ahrens wrote:
> Hi Fons, hi Nando,
>
> Please excuse that I’m responding to bo
Where did that facebook discussion appear? I'm interested in the mechanism
by which microphone comparisons are made.
On Thu, Nov 2, 2023 at 12:24 PM wrote:
> We discussed the multiple errors in detail in our Facebook discussion.
>
> That you didn't correct the comparison study, and actually
Unfortunately, your attachment didn't arrive. Perhaps you could post it
somewhere and send a link.
I'd love to experience your installation but I'm 7,000 miles away. We do
have a lot of lovely venues in San Francisco if you decide to take it on
the road!
On Tue, Oct 18, 2022 at 3:35 AM Augustine
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