Re: [Videolib] Multi-year lease for streaming films - reboot

2014-02-05 Thread Susan Weber
Laura:
I still am unclear what you are really asking.
I don't know about e-book licensing, I only do media.
I have developed my own template for a streaming license. It can be 
amended by the Vendor to suit their particular situation.
It provides me with consistency in wording and makes conforming to terms 
easier at my end, which is really what it's all about.

In order for that license to be used, it had to pass several checks 
within our college, and even approval by the Risk Management Branch of 
our provincial government. So, now, using the template smooths the way 
for a faster purchase.
The license template is modifiable for Title; length of license term; 
cost; and how the digital file is created or delivered.

When we purchase DVDs we don't need licenses for each title, so the 
digital route is more bureaucratic, and I have to input the details in 
our ERM (Electronic Records Management) module in Sierra. Definitely 
more work.  At the end of a license, somebody has to negotiate a 
renewal, or remove the file from the server and remove the MARC record 
from the system.

Susan

Susan Weber
Media Librarian
Library
T  604.323.5533
F  604.323.5512
swe...@langara.bc.ca mailto:Susan Weber swe...@langara.bc.ca

Langara. http://www.langara.bc.ca
100 West 49th Avenue, Vancouver, BC, V5Y 2Z6



On 04/02/2014 6:45 AM, Laura Jenemann wrote:
 Hi videolibbers,

 I’m going to reboot my question in hopes that I might get a few more
 responses.  My question is philosophical in nature, rather than about
 obtaining a lease to particular film.

 How do licensing models for e-books compare to licensing models of
 streaming videos now?

 What do we predict for the future?

 Thanks again for the guidance I’ve received already.

 Regards,

 Laura

 Laura Jenemann

 Film Studies/Media Services Librarian

 George Mason University

 703-993-7593

 ljene...@gmu.edu

 *From:*videolib-boun...@lists.berkeley.edu
 [mailto:videolib-boun...@lists.berkeley.edu] *On Behalf Of *Laura Jenemann
 *Sent:* Monday, February 03, 2014 12:27 PM
 *To:* videolib@lists.berkeley.edu
 *Subject:* Re: [Videolib] Multi-year lease for streaming films

 Thanks, Jessica, for helping me to clarify.  All of the issues you
 mention are topics for consideration.

 My question is more of a general one: How are libraries dealing with
 this new model, and are they expressing policies publicly?

 Regards,

 Laura

 *From:*videolib-boun...@lists.berkeley.edu
 mailto:videolib-boun...@lists.berkeley.edu
 [mailto:videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
 *Sent:* Monday, February 03, 2014 12:11 PM
 *To:* videolib@lists.berkeley.edu mailto:videolib@lists.berkeley.edu
 *Subject:* Re: [Videolib] Multi-year lease for streaming films

 Have you contacted the rights holder/distributor to see if they can do a
 license for a semester or whatever length you need? I would think most
 would be flexible.  Or do you mean that the film is only sold with PPR
 rights and NOT streaming rights? These are two very distinct rights and
 it is very possible that a company that sells only PPR rights does not
 own streaming rights.

 Again not clear on if you can only get PPR rights and need streaming but
 in general streaming rights are easier to obtain for short terms since
 most major rights holders limit streaming to a year in the case of studios.

 You also have the issue of nearly constant rights changes. I know this
 has been my personal crusade but I still caution when buying fiction
 feature films with lifetime rights from anyone other than the filmmaker
 or production company as I know of no company willing to license these
 for lifetime streaming.

 Regards

 Jessica

 On Mon, Feb 3, 2014 at 11:49 AM, Laura Jenemann ljene...@gmu.edu
 mailto:ljene...@gmu.edu wrote:

 Dear videolibbers, and especially academic librarians with distance
 education programs,

 How do you address the faculty request for a streaming film that is only
 available on a multi-year leasing basis with PPR?

 Please feel free to contact me off list with your response or links to
 collection development policies.

 Thank you so much for your responses.

 Regards,

 Laura

 Laura Jenemann

 Film Studies/Media Services Librarian

 George Mason University

 703-993-7593 tel:703-993-7593

 ljene...@gmu.edu mailto:ljene...@gmu.edu


 VIDEOLIB is intended to encourage the broad and lively discussion of
 issues relating to the selection, evaluation, acquisition,bibliographic
 control, preservation, and use of current and evolving video formats in
 libraries and related institutions. It is hoped that the list will serve
 as an effective working tool for video librarians, as well as a channel
 of communication between libraries,educational institutions, and video
 producers and distributors.



 VIDEOLIB is intended to encourage the broad and lively discussion of issues 
 relating to the selection, evaluation, acquisition,bibliographic control, 
 preservation, and use of current and evolving

Re: [Videolib] Multi-year lease for streaming films - reboot

2014-02-05 Thread Ball, James (jmb4aw)
I would add that most of our e-book packages are similar to our streaming video 
packages like Alexander Street Press.  They tend to be subscription packages, 
and the content is not really guaranteed for life.  Not that this happens often 
with ASP, but with our e-book packages there have been many occasions when 
content disappeared when the contract between the distributor and the publisher 
ran out.  Also, some e-book deals are for unlimited simultaneous users while 
others are single-seat.  Some allow downloads, others don't.  Some work with 
mobile devices and e-readers and others don't.  And I believe all of the 
contracts are term-limited, but I'm not sure how.  I would imagine we subscribe 
to packages for 1 year up to 3 years.  It's still kind of the wild west out 
there...

Cheers,

Matt



Matt Ball
Media and Collections Librarian
University of Virginia
Charlottesville, VA  22904
mattb...@virginia.edu | 434-924-3812

From: videolib-boun...@lists.berkeley.edu [videolib-boun...@lists.berkeley.edu] 
on behalf of Susan Weber [swe...@langara.bc.ca]
Sent: Wednesday, February 05, 2014 2:30 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Multi-year lease for streaming films - reboot

Laura:
I still am unclear what you are really asking.
I don't know about e-book licensing, I only do media.
I have developed my own template for a streaming license. It can be
amended by the Vendor to suit their particular situation.
It provides me with consistency in wording and makes conforming to terms
easier at my end, which is really what it's all about.

In order for that license to be used, it had to pass several checks
within our college, and even approval by the Risk Management Branch of
our provincial government. So, now, using the template smooths the way
for a faster purchase.
The license template is modifiable for Title; length of license term;
cost; and how the digital file is created or delivered.

When we purchase DVDs we don't need licenses for each title, so the
digital route is more bureaucratic, and I have to input the details in
our ERM (Electronic Records Management) module in Sierra. Definitely
more work.  At the end of a license, somebody has to negotiate a
renewal, or remove the file from the server and remove the MARC record
from the system.

Susan

Susan Weber
Media Librarian
Library
T  604.323.5533
F  604.323.5512
swe...@langara.bc.ca mailto:Susan Weber swe...@langara.bc.ca

Langara. http://www.langara.bc.ca
100 West 49th Avenue, Vancouver, BC, V5Y 2Z6



On 04/02/2014 6:45 AM, Laura Jenemann wrote:
 Hi videolibbers,

 I’m going to reboot my question in hopes that I might get a few more
 responses.  My question is philosophical in nature, rather than about
 obtaining a lease to particular film.

 How do licensing models for e-books compare to licensing models of
 streaming videos now?

 What do we predict for the future?

 Thanks again for the guidance I’ve received already.

 Regards,

 Laura

 Laura Jenemann

 Film Studies/Media Services Librarian

 George Mason University

 703-993-7593

 ljene...@gmu.edu

 *From:*videolib-boun...@lists.berkeley.edu
 [mailto:videolib-boun...@lists.berkeley.edu] *On Behalf Of *Laura Jenemann
 *Sent:* Monday, February 03, 2014 12:27 PM
 *To:* videolib@lists.berkeley.edu
 *Subject:* Re: [Videolib] Multi-year lease for streaming films

 Thanks, Jessica, for helping me to clarify.  All of the issues you
 mention are topics for consideration.

 My question is more of a general one: How are libraries dealing with
 this new model, and are they expressing policies publicly?

 Regards,

 Laura

 *From:*videolib-boun...@lists.berkeley.edu
 mailto:videolib-boun...@lists.berkeley.edu
 [mailto:videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
 *Sent:* Monday, February 03, 2014 12:11 PM
 *To:* videolib@lists.berkeley.edu mailto:videolib@lists.berkeley.edu
 *Subject:* Re: [Videolib] Multi-year lease for streaming films

 Have you contacted the rights holder/distributor to see if they can do a
 license for a semester or whatever length you need? I would think most
 would be flexible.  Or do you mean that the film is only sold with PPR
 rights and NOT streaming rights? These are two very distinct rights and
 it is very possible that a company that sells only PPR rights does not
 own streaming rights.

 Again not clear on if you can only get PPR rights and need streaming but
 in general streaming rights are easier to obtain for short terms since
 most major rights holders limit streaming to a year in the case of studios.

 You also have the issue of nearly constant rights changes. I know this
 has been my personal crusade but I still caution when buying fiction
 feature films with lifetime rights from anyone other than the filmmaker
 or production company as I know of no company willing to license these
 for lifetime streaming.

 Regards

 Jessica

 On Mon, Feb 3, 2014

Re: [Videolib] Multi-year lease for streaming films - reboot

2014-02-05 Thread Jessica Rosner
Well you will inevitably get different types of contracts for streaming
film. I know I sound like a broken record but only a relatively small
number of films can really be purchased with lifetime streaming which I
know libraries would love. Nearly all fiction feature films either have
contracts that limit the distributors rights to a set number of years or
they are owned by major studios who I don't believe will ever agree to
selling lifetime streaming rights.

The exception would be non fiction work where you are either dealing
directly with the filmmaker or with their representative who has agreed to
let them sell lifetime rights. I would really urge caution and make sure
ask anyone selling lifetime streaming to indemnify that they either own
them outright ( pretty much the directors) or have an explicit contract
from rights holder granting them the specific right to sell lifetime
streaming.

There is in my view always going massive numbers of films changing
distributors and rights holders. ASP and other services are naturally going
to lose rights to some films and get rights to others as are distributors
who sell direct streaming rights.

I have been cynical about this back to 16mm days. There is simply never
going to be one model or source that gets you rights to do what you want
with every film. As noted in a previous email right now you can't not for
any amount of money get streaming rights for CITY LIGHTS or BLADE RUNNER.
We know you can't even get US distributed copy of  A DAY IN THE COUNTRY let
alone any rights for streaming or PPR.

Just do the best you can to get the rights you need but understand that
believe it or not some classes will have to actually show the film in class
or buy a region 2 DVD to circulate or have to find another title because
the one the prof wants simply is not legally available in any format


On Wed, Feb 5, 2014 at 2:49 PM, Ball, James (jmb4aw) 
jmb...@eservices.virginia.edu wrote:

 I would add that most of our e-book packages are similar to our streaming
 video packages like Alexander Street Press.  They tend to be subscription
 packages, and the content is not really guaranteed for life.  Not that this
 happens often with ASP, but with our e-book packages there have been many
 occasions when content disappeared when the contract between the
 distributor and the publisher ran out.  Also, some e-book deals are for
 unlimited simultaneous users while others are single-seat.  Some allow
 downloads, others don't.  Some work with mobile devices and e-readers and
 others don't.  And I believe all of the contracts are term-limited, but I'm
 not sure how.  I would imagine we subscribe to packages for 1 year up to 3
 years.  It's still kind of the wild west out there...

 Cheers,

 Matt

 

 Matt Ball
 Media and Collections Librarian
 University of Virginia
 Charlottesville, VA  22904
 mattb...@virginia.edu | 434-924-3812
 
 From: videolib-boun...@lists.berkeley.edu [
 videolib-boun...@lists.berkeley.edu] on behalf of Susan Weber [
 swe...@langara.bc.ca]
 Sent: Wednesday, February 05, 2014 2:30 PM
 To: videolib@lists.berkeley.edu
 Subject: Re: [Videolib] Multi-year lease for streaming films - reboot

 Laura:
 I still am unclear what you are really asking.
 I don't know about e-book licensing, I only do media.
 I have developed my own template for a streaming license. It can be
 amended by the Vendor to suit their particular situation.
 It provides me with consistency in wording and makes conforming to terms
 easier at my end, which is really what it's all about.

 In order for that license to be used, it had to pass several checks
 within our college, and even approval by the Risk Management Branch of
 our provincial government. So, now, using the template smooths the way
 for a faster purchase.
 The license template is modifiable for Title; length of license term;
 cost; and how the digital file is created or delivered.

 When we purchase DVDs we don't need licenses for each title, so the
 digital route is more bureaucratic, and I have to input the details in
 our ERM (Electronic Records Management) module in Sierra. Definitely
 more work.  At the end of a license, somebody has to negotiate a
 renewal, or remove the file from the server and remove the MARC record
 from the system.

 Susan

 Susan Weber
 Media Librarian
 Library
 T  604.323.5533
 F  604.323.5512
 swe...@langara.bc.ca mailto:Susan Weber swe...@langara.bc.ca

 Langara. http://www.langara.bc.ca
 100 West 49th Avenue, Vancouver, BC, V5Y 2Z6



 On 04/02/2014 6:45 AM, Laura Jenemann wrote:
  Hi videolibbers,
 
  I'm going to reboot my question in hopes that I might get a few more
  responses.  My question is philosophical in nature, rather than about
  obtaining a lease to particular film.
 
  How do licensing models for e-books compare to licensing models of
  streaming videos now?
 
  What do we predict for the future?
 
  Thanks

Re: [Videolib] Multi-year lease for streaming films - reboot

2014-02-04 Thread Laura Jenemann
Hi videolibbers,

I'm going to reboot my question in hopes that I might get a few more responses. 
 My question is philosophical in nature, rather than about obtaining a lease to 
particular film.

How do licensing models for e-books compare to licensing models of streaming 
videos now?
What do we predict for the future?

Thanks again for the guidance I've received already.

Regards,

Laura

Laura Jenemann
Film Studies/Media Services Librarian
George Mason University
703-993-7593
ljene...@gmu.edu


From: videolib-boun...@lists.berkeley.edu 
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Laura Jenemann
Sent: Monday, February 03, 2014 12:27 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Multi-year lease for streaming films

Thanks, Jessica, for helping me to clarify.  All of the issues you mention are 
topics for consideration.

My question is more of a general one: How are libraries dealing with this new 
model, and are they expressing policies publicly?

Regards,

Laura

From: 
videolib-boun...@lists.berkeley.edumailto:videolib-boun...@lists.berkeley.edu 
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner
Sent: Monday, February 03, 2014 12:11 PM
To: videolib@lists.berkeley.edumailto:videolib@lists.berkeley.edu
Subject: Re: [Videolib] Multi-year lease for streaming films

Have you contacted the rights holder/distributor to see if they can do a 
license for a semester or whatever length you need? I would think most would be 
flexible.  Or do you mean that the film is only sold with PPR rights and NOT 
streaming rights? These are two very distinct rights and it is very possible 
that a company that sells only PPR rights does not own streaming rights.
Again not clear on if you can only get PPR rights and need streaming but in 
general streaming rights are easier to obtain for short terms since most major 
rights holders limit streaming to a year in the case of studios.
You also have the issue of nearly constant rights changes. I know this has been 
my personal crusade but I still caution when buying fiction feature films with 
lifetime rights from anyone other than the filmmaker or production company as I 
know of no company willing to license these for lifetime streaming.
Regards

Jessica



On Mon, Feb 3, 2014 at 11:49 AM, Laura Jenemann 
ljene...@gmu.edumailto:ljene...@gmu.edu wrote:
Dear videolibbers, and especially academic librarians with distance education 
programs,

How do you address the faculty request for a streaming film that is only 
available on a multi-year leasing basis with PPR?

Please feel free to contact me off list with your response or links to 
collection development policies.

Thank you so much for your responses.

Regards,

Laura

Laura Jenemann
Film Studies/Media Services Librarian
George Mason University
703-993-7593tel:703-993-7593
ljene...@gmu.edumailto:ljene...@gmu.edu


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Multi-year lease for streaming films

2014-02-03 Thread Jessica Rosner
Have you contacted the rights holder/distributor to see if they can do a
license for a semester or whatever length you need? I would think most
would be flexible.  Or do you mean that the film is only sold with PPR
rights and NOT streaming rights? These are two very distinct rights and it
is very possible that a company that sells only PPR rights does not own
streaming rights.

Again not clear on if you can only get PPR rights and need streaming but in
general streaming rights are easier to obtain for short terms since most
major rights holders limit streaming to a year in the case of studios.

You also have the issue of nearly constant rights changes. I know this has
been my personal crusade but I still caution when buying fiction feature
films with lifetime rights from anyone other than the filmmaker or
production company as I know of no company willing to license these for
lifetime streaming.

Regards

Jessica




On Mon, Feb 3, 2014 at 11:49 AM, Laura Jenemann ljene...@gmu.edu wrote:

  Dear videolibbers, and especially academic librarians with distance
 education programs,



 How do you address the faculty request for a streaming film that is only
 available on a multi-year leasing basis with PPR?



 Please feel free to contact me off list with your response or links to
 collection development policies.



 Thank you so much for your responses.



 Regards,



 Laura



 Laura Jenemann

 Film Studies/Media Services Librarian

 George Mason University

 703-993-7593

 ljene...@gmu.edu



 VIDEOLIB is intended to encourage the broad and lively discussion of
 issues relating to the selection, evaluation, acquisition,bibliographic
 control, preservation, and use of current and evolving video formats in
 libraries and related institutions. It is hoped that the list will serve as
 an effective working tool for video librarians, as well as a channel of
 communication between libraries,educational institutions, and video
 producers and distributors.


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Multi-year lease for streaming films

2014-02-03 Thread Laura Jenemann
Thanks, Jessica, for helping me to clarify.  All of the issues you mention are 
topics for consideration.

My question is more of a general one: How are libraries dealing with this new 
model, and are they expressing policies publicly?

Regards,

Laura

From: videolib-boun...@lists.berkeley.edu 
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner
Sent: Monday, February 03, 2014 12:11 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Multi-year lease for streaming films

Have you contacted the rights holder/distributor to see if they can do a 
license for a semester or whatever length you need? I would think most would be 
flexible.  Or do you mean that the film is only sold with PPR rights and NOT 
streaming rights? These are two very distinct rights and it is very possible 
that a company that sells only PPR rights does not own streaming rights.
Again not clear on if you can only get PPR rights and need streaming but in 
general streaming rights are easier to obtain for short terms since most major 
rights holders limit streaming to a year in the case of studios.
You also have the issue of nearly constant rights changes. I know this has been 
my personal crusade but I still caution when buying fiction feature films with 
lifetime rights from anyone other than the filmmaker or production company as I 
know of no company willing to license these for lifetime streaming.
Regards

Jessica



On Mon, Feb 3, 2014 at 11:49 AM, Laura Jenemann 
ljene...@gmu.edumailto:ljene...@gmu.edu wrote:
Dear videolibbers, and especially academic librarians with distance education 
programs,

How do you address the faculty request for a streaming film that is only 
available on a multi-year leasing basis with PPR?

Please feel free to contact me off list with your response or links to 
collection development policies.

Thank you so much for your responses.

Regards,

Laura

Laura Jenemann
Film Studies/Media Services Librarian
George Mason University
703-993-7593tel:703-993-7593
ljene...@gmu.edumailto:ljene...@gmu.edu


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.