I know 19th-c. guitar activity on this list has been sparse in recent years.
Still . . .
I have a ca. 1850 Legnani-model guitar by Gebrüder Placht. A friend who uses
Bow Brand "natural gut" harp string trebles and gave me a set to try. I've
just strung the instrument, tuned it up at A =
Larry Brown of Cincinnati, Ohio made at least one a few years back. It looked
kinda like this:
https://www.facebook.com/larry.brown.7731/media_set?set=a.3563529365361.2163252.1186656697=3
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu
I discussed this with Owain in person at a renaissance fair several years ago.
The short answer is yes. He played a deliberately modern instrument that looks
kinda renaissancey to entertain an audience that is seeking fantasy via
idealized anachronism rather than expecting anything like a
...@verizon.net]
Sent: Friday, June 27, 2014 10:55 PM
To: Braig, Eugene; vihuela@cs.dartmouth.edu
Subject: [VIHUELA] Re: Guitar Summit
Dear Eugene,
Sorry. I did not intend to suggest you intended to mislead this
newsgroup by suggesting that Rasch's anthology was a collection of
essays
!) guitar related articles in Early Music 41/4
and
42/1 were all reviewed by outside readers.
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens
Martyn Hodgson
Verzonden: woensdag 25 juni 2014 10:59
Aan: Monica Hall; Braig, Eugene
CC
Indeed.
Eugene
-Original Message-
From: Monica Hall [mailto:mjlh...@tiscali.co.uk]
Sent: Friday, June 27, 2014 10:38 AM
To: Braig, Eugene
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Guitar Summit
How right you are. The problem with historic performance practices is that
most of what
I'm a member, but never took their posts by e-mail, always reading there via
the web. Unfortunately, I haven't found time to look in on the activities of
that list in years.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
AM
To: Monica Hall; Braig, Eugene
Cc: Vihuelalist
Subject: [VIHUELA] Re: Lorimer's bibliography? (ISBN 0-9618527-1-2
Yes it is interesting. But it's surely not a 'very large' instrument:
in fact, it looks relatively smaller than the picture of a vihuela
played by Orpheus in Milan's
-...@cs.dartmouth.edu] On Behalf Of
Martyn Hodgson
Sent: Tuesday, May 13, 2014 8:30 AM
To: Braig, Eugene; Monica Hall
Cc: Vihuelalist
Subject: [VIHUELA] Re: Lorimer's bibliography? (ISBN 0-9618527-1-2
Indeed Eugene. But aren't we looking at early vihuelas here rather than
later 5 course
-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf
Of Monica Hall
Sent: Tuesday, May 13, 2014 12:52 AM
To: Braig, Eugene
Cc: Vihuelalist
Subject: [VIHUELA] Re: Lorimer's bibliography? (ISBN 0-9618527-1-2
Many thanks for the information. Most helpful.
Monica
I have to suspect this is the pair of pieces popularly promoted by Segovia and
Bream. Ohio State University's library is pretty well stocked regarding
Pujol's publications of the vihuela literature, but we do not have a that
edition. There is a copy of de Murcia's Prélude pour guitare;
I used to be on the guitar summit list, but I haven't looked in on their
activity for years. I'm not certain where to find them any longer . . . or, as
you've alluded, if they even still exist.
Regarding pre-1987 recordings of de Murcia's music, I am aware of:
- Andres Segovia on modern guitar
...@tiscali.co.uk]
Sent: Monday, May 12, 2014 4:08 PM
To: Braig, Eugene
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Lorimer's bibliography? (ISBN 0-9618527-1-2
That's helpful. I have just realized that Harvey Hope recorded 4 pieces by
Murcia in 1979to . He and James Tyler play baroque instruments
Bream's de Murcia was recorded on a 1983 baroque guitar by Jose Romanillos.
Best,
Eugene
From: Monica Hall [mjlh...@tiscali.co.uk]
Sent: Monday, May 12, 2014 4:20 PM
To: Braig, Eugene
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Lorimer's bibliography
I have a few 19th-c. guitars, originals and copies, but none in the French
style. My favorite is an original by Gebruder Placht of Pest, very much in the
typical Viennese, Stauffer/Legnani tradition but without an adjustable neck.
If it would be of interest--measured as you've requested,
..And please forgive my incorrect and hastily typed contractions.
E
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Braig,
Eugene [brai...@osu.edu]
Sent: Saturday, April 20, 2013 5:43 PM
To: Vihuela Dmth; Early Guitar Dmth
Subject
-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Martyn Hodgson
Sent: Monday, December 03, 2012 5:57 AM
To: Simen Omang
Cc: Braig, Eugene; Vihuela Dmth
Subject: [VIHUELA] Re: de Visee Chaconne in a minor to the guitar?
I'm not aware of any detailed work dedicated to the output
to
employ - in fact, a sort of staff notation tablature
regards,
Martyn
--- On Wed, 21/11/12, Braig, Eugene brai...@osu.edu wrote:
From: Braig, Eugene brai...@osu.edu
Subject: [VIHUELA] Re: de Visee Chaconne in a minor to the guitar?
To: Monica Hall mjlh
A little late to this chat, but I find the Strizich transcription a bit
unwieldy in notating notes along the reentrant a at pitch. It's just hard to
know whether notes in the relevant range belong along the a, g, or b string.
Best,
Eugene
-Original Message-
From:
guitar transcriptions for
good ol' Mel Bay, de Visee included.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Monica Hall
Sent: Wednesday, November 21, 2012 3:39 PM
To: Braig, Eugene
Cc: Vihuelalist
Subject: [VIHUELA] Re: de
Coste's efforts in this arena aren't brought to light with nearly enough
frequency! Thank you! ...And your guitar is lovely in sound and appearance.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
David van Ooijen
Sent:
I enjoyed your post to the lute list, Valery, and note you cite iconographical
inspiration for the instrument itself. Can you specify the iconography?
Yours looks very similar to an unusable East German vihuela (perhaps ca. 1970s)
that a local luthier friend of mine, Mr. Chadwick Neal,
=7IgfrEvsP_Qlc
-Message d'origine-
De : lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] De la part de
Braig, Eugene Envoyé : mardi 17 avril 2012 19:51 À :
vihuela@cs.dartmouth.edu Objet : [VIHUELA] Re: New on the list
PS: My own vihuela was unusable as originally built. Since Chad
I'm sorry regarding dread MS Outlook's default reply format in contrast to the
existing thread, but some links regarding 19th-c. Russian guitars:
http://www.semistrunka.com/
http://www.johnschneiderman.com/czarsguitars.htm
Again, sorry for MS Outlook's default reply. (if I reply at the bottom,
Outlook does not insert extra -s, so my reply would become indistinguishable
from the last note without manual insertions at each line. I so miss Eudora.)
The detachable-neck thing largely came of Austrian/Germanic
..And please pardon my dyslexic typing fingers.
Eugene
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Braig,
Eugene [brai...@osu.edu]
Sent: Saturday, February 11, 2012 10:46 AM
To: Vihuelalist
Subject: [VIHUELA] Barotlotti
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