be missed with
bourdons-only notation or even in tablature.
--
Ed Durbrow
Saitama, Japan
http://www9.plala.or.jp/edurbrow/
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for the experts: What do you think about
inegale in Roncali?
cheers,
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
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On Oct 22, 2006, at 4:35 AM, Monica Hall wrote:
I keyed it into my
computer so that I could listen to it because when you are playing
there are
other things to think about.The underlying harmonic structure is quite
simple.
So do you have a MIDI file you could upload somewhere? I'd be
as
That is not going to change it into a MIDI file.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
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.
a
---d c d--
---c c a--
---e e a-
-
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
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on or off this list see list information at
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Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
be seen at
http://www.tuningsinthirds.com/Baleto/Baleto-1copy.jpg
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
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Maybe this is of interest??? Are you going to Jack's later?
Dear all,
I've recorded five pieces from the Coimbra manuscript - they can be
found on
my www.songoftherose.co.uk site, or just click on the following links
for
each one. I think these are WONDERFUL pieces and should be more
interesting example where as well as
putting in the letters there are figures to tell you how long you
should hold the notes for.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
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On May 15, 2009, at 1:54 AM, Monica Hall wrote:
I am more persuaded by the idea that the chitarra might be a
theorbo.
Especially since it sounds so close to chitarrone.
Ed Durbrow
Saitama, Japan
edurb...@sea.plala.or.jp
http://www9.plala.or.jp/edurbrow/
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to the string without radically altering the sound, -
which would not be the case with a flat pick.
Here's an mp3 version of one of the dances, Giloxia, by Domenico:
Very nice. When was this written?
Ed Durbrow
Saitama, Japan
[1]edurb...@sea.plala.or.jp
[2]http://www9.plala.or.jp
, half-baked concept):
[1]http://www.youtube.com/watch?v=BTAOV49TSKM
Ed Durbrow
Saitama, Japan
[2]edurb...@sea.plala.or.jp
[3]http://www9.plala.or.jp/edurbrow/
--
References
1. http://www.youtube.com/watch?v=BTAOV49TSKM
2. mailto:edurb...@sea.plala.or.jp
3. http://www9
learning.
All the music, tablature and transcriptions, is in downloadable pdf
format. I hope you will find it useful.
Good wishes,
John Griffiths
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Ed Durbrow
Saitama
is reminiscent of something else) and a swingless Passacaille to
end.
Stuart
Monica
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Ed Durbrow
Saitama, Japan
[2]edurb...@sea.plala.or.jp
Dear Stuart,
I hope that isn't all I said - if so parts got lost in the ether!
You'd have seen from my eml that in fact I think it's a matter of
horses for courses so that, for example, to return to Les Bouffons:
yes
- I would strum the block chords (including those where one is
notes on the D string.
On Aug 26, 2010, at 5:01 AM, Lex Eisenhardt wrote:
Playing campanelas including little sound from the bourdons is
merely a
matter of how you imagine these melodic lines. The technique
follows
the
Ed Durbrow
Saitama, Japan
[1]http
probably a relative of Pereyra da
Costa, Mestre Da Capella da se do Funchal)
[1]http://www.youtube.com/watch?v=xtC9xDSYGf4
Ed Durbrow
Saitama, Japan
[2]http://www9.plala.or.jp/edurbrow/
[3]http://www.musicianspage.com/musicians/9688/
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References
1. http://www.youtube.com
On Nov 21, 2010, at 8:25 AM, Roman Turovsky wrote:
By not much, as you cannot do them on double strings.
Why not?
Ed Durbrow
Saitama, Japan
[1]http://www9.plala.or.jp/edurbrow/
[2]http://www.musicianspage.com/musicians/9688/
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References
1. http://www9
been playing it the other way. It
doesn't make musical sense to me either. Since the fingering change
happens on what we call the 4th and 5th courses, what would be the
point of putting those changes on the first beat of the bar if you were
not playing them until the 5th strum?
Ed
pages.
Ed Durbrow
Saitama, Japan
[1]http://www.musicianspage.com/musicians/9688/
[2]http://www9.plala.or.jp/edurbrow/
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References
1. http://www.musicianspage.com/musicians/9688/
2. http://www9.plala.or.jp/edurbrow/
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http
or the copyist just
did it differently there.
TIA
Ed Durbrow
Saitama, Japan
[1]http://www.musicianspage.com/musicians/9688/
[2]http://www9.plala.or.jp/edurbrow/
--
References
1. http://www.musicianspage.com/musicians/9688/
2. http://www9.plala.or.jp/edurbrow/
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.
Couldn't quite remember the word. So what does it mean?
Thank you very much Monica.
Ed Durbrow
Saitama, Japan
[1]http://www.musicianspage.com/musicians/9688/
[2]http://www9.plala.or.jp/edurbrow/
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References
1. http://www.musicianspage.com/musicians/9688/
2. http://www9
,
Arto
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Ed Durbrow
Saitama, Japan
[3]http://www.musicianspage.com/musicians/9688/
[4]http://www9.plala.or.jp/edurbrow/
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References
1. http://www.youtube.com/watch
octave string on the third course in one place.
Ed Durbrow
Saitama, Japan
[1]http://www.musicianspage.com/musicians/9688/
[2]http://www9.plala.or.jp/edurbrow/
--
References
1. http://www.musicianspage.com/musicians/9688/
2. http://www9.plala.or.jp/edurbrow/
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as it is thicker it is not
difficult to give it prominence where necessary. A plain gut
bourdon on the
fifth is so thick that it is hard to miss!
Ed Durbrow
Saitama, Japan
[1]http://www.musicianspage.com/musicians/9688/
[2]http://www9.plala.or.jp/edurbrow/
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References
1
I am curious if there is an answer to your question. Tangentally, I have a
theory that so many strummed chords didn't include the 5th course, that they
didn't even bother to put a dot there if it would make a dissonance, they just
assumed you wouldn't include it in the strum.
On May 31, 2012,
On Jun 1, 2012, at 9:35 PM, Martyn Hodgson wrote:
Your point about the 5th course is certainly well made, however, missing this
course is not so tricky as avoiding playing the first course when using a
downwards index strum. Indeed, I raised the matter since I'd heard quite a
few players
Very tricky if you don't speak Spanish. Even with Google translate, I couldn't
figure it out. I couldn't find any of the phrases you mentioned.
On Jun 12, 2012, at 7:55 PM, Monica Hall wrote:
It took me a good half hour to download it but it is a much better image
that the published one -
What a prolific person he was. Does any other guitarist have as much output
specifically for B. guitar?
On Jun 20, 2012, at 5:22 AM, WALSH STUART wrote:
This new Murzia MS has lots of diferencias on familiar grounds and some
passacalles and short pieces. I haven't looked through it that much
Thanks for the instructions Monica. Eloy Cruz was kind enough to send it to me
by Dropbox.
I have to say, I hope this scanning at high resolution is a trend that goes
viral. Looking at this thing is almost like holding it.
thanks,
On Jun 17, 2012, at 1:06 AM, Monica Hall wrote:
Try this...
.
The f e is already an appoggiatura. The only thing I can think of is to
reiterate the upper neighbor f from the e note, an upper mordant.
P.80 third line from bottom, 2nd measure: What's this about? X on a 16th note
but preceded by an appoggiatura from above or below?
TIA
Ed Durbrow
Saitama
precedes it. 2. Many
places call for reiterations to my ear, especially cadences where there is a
dotted quarter note followed by an eighth (quaver). An appoggiatura sounds
wimpy there IMO.
Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
http://www9.plala.or.jp
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