Hello Franz,
but some quite odd with melodylines suddenly jumping an octave up or
down. So
I suspected that these were not written for re-entrant tuning, or
only the upper string
being re-entrant, but to take it like this seems also not convincing
either.
I find that
Glotzer
hargloresea...@gmail.com; Monica Hall mjlh...@tiscali.co.uk
Sent: Thu, February 3, 2011 4:55:11 AM
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Hello Franz,
but some quite odd with melodylines suddenly jumping an octave up or
down. So
I suspected
yours.
Hope that helped.
Monica
- Original Message - From: Peter Kooiman
To: Franz Mechsner
Cc: Vihuelalist ; Chris Despopoulos ; Harlan Glotzer ; Monica Hall
Sent: Thursday, February 03, 2011 9:55 AM
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Hello Franz
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Chris Despopoulos
Sent: Thursday, February 03, 2011 2:48 AM
To: Harlan Glotzer; Monica Hall
Cc: Vihuelalist
Subject: [VIHUELA] Re: Baroque guitar, where to start?
My personal
- Original Message -
From: Eugene C. Braig IV brai...@osu.edu
To: 'Vihuelalist' vihuela@cs.dartmouth.edu
Sent: Thursday, February 03, 2011 2:45 PM
Subject: [VIHUELA] Re: Baroque guitar, where to start?
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute
I don't think he ever did (the music just doesn't go lower than the open
A string) but I suppose there is a presumption that it was most likely
for a 5-string (i.e. single strung) guitar. 5-string guitars did
certainly exist at the time. Also, some original 5-course guitars were
converted to
: [VIHUELA] Re: Baroque guitar, where to start?
I don't think he ever did (the music just doesn't go lower than the open A
string) but I suppose there is a presumption that it was most likely for a
5-string (i.e. single strung) guitar. 5-string guitars did certainly exist
at the time. Also
Of Alexander Batov
Sent: Thursday, February 03, 2011 1:00 PM
Cc: Vihuelalist
Subject: [VIHUELA] Re: Baroque guitar, where to start?
I don't think he ever did (the music just doesn't go lower than the open
A string) but I suppose there is a presumption that it was most likely
for a 5-string
: Vihuelalist
Subject: [VIHUELA] Re: Baroque guitar, where to start?
5 course/string guitars survived into the 19th century in Ukraine:
http://polyhymnion.org/images/bandurka.jpg !
RT
- Original Message -
From: Alexander Batov alexander.ba...@vihuelademano.com
Cc: Vihuelalist vihuela
They've been around in Russia too. There are two original 19th century
5-string bandurkas in the St-Petersburg collection; shallow-bodied,
fairly small in size (the one on your link looks like a re-construction
to me). By the way, I've never heard about 5-course bandurkas ... Also,
I'm not
' vihuela@cs.dartmouth.edu
Sent: Thursday, February 03, 2011 6:19 PM
Subject: [VIHUELA] Re: Baroque guitar, where to start?
..And not to mention into the present in some Latin American folk
traditions.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute
.
Monica
- Original Message -
From: Eugene C. Braig IV brai...@osu.edu
To: 'Vihuelalist' vihuela@cs.dartmouth.edu
Sent: Thursday, February 03, 2011 8:18 PM
Subject: [VIHUELA] Re: Baroque guitar, where to start?
I like this thesis. Also, the music of these composers tends to exist both
Thanks for your thoughts, Monica.
Eugene
-Original Message-
From: Monica Hall [mailto:mjlh...@tiscali.co.uk]
Sent: Thursday, February 03, 2011 3:45 PM
To: Eugene C. Braig IV
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Well - yes. A lot
: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, February 01, 2011 8:37 AM
Subject: [VIHUELA] Re: Baroque guitar, where to start?
I definitely don't want to spark anything. I'm just looking for any
obvious prohibitions to using a fully re-entrant tuning with Roncalli.
For me, first
: Wed, February 2, 2011 9:01:12 PM
Subject: [VIHUELA] Re: Baroque guitar, where to start?
Again forgive my newness, but this sparks an interesting question
for
me. Is there a list of composers who had the fully reenterant tuning
in
mind/played that way? I'm
on
this topic. (But I have already done so).
Monica
- Original Message -
From: [1]Chris Despopoulos
To: [2]Monica Hall
Sent: Tuesday, February 01, 2011 6:41 AM
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Ha! I found this in my SPAM folder for some
:25:16 AM
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Funny that it shouldn't have reached you before. I agree that the
re-entrant tuning works perfectly for most of the repertoire. It is a
misconception that the re-entrant tuning is somehow inadequate
Yes, gauge your frets as on other gut strung plucked instruments: it
enables the instrument to be set as fine as possible ie with strings as
close to the fingerboard as possible but without excessive adjacent
fret rattles.
Use the 'French' (sometimes called the 'Corbetta') tuning
: Re: [VIHUELA] Re: Baroque guitar, where to start?
Did you see the guitar tablature Toshiaki linked us to?
BSB Mus.ms.1522:
Alfabeto/mixed guitar tablature (Bavarian provenance): Tabulaturbuch
fuer Guitarre [ex-libris:] H. M. Adelaide di Sauoia, Ellettria di
Bauaria
http
Welcome! I can't really answer the first part of your question as I am not
an instrument maker.
In order to answer the second part we need to know what you mean by the
Spanish tuning as this is not a recognised definition of any particlar
tuning/stringing. And also which part of the Spanish
Hi Harlan... Some comments from an amateur...
I believe I have seen some references to graduating the fret gut as you
move up the neck, but I can't remember where. Nonetheless, my guitar
uses the same size gut for all the frets, and it was made by a very
reputable person who not
: Re: [VIHUELA] Re: Baroque guitar, where to start?
Well - it is a serious mis-nomer to call the re-entrant tuning
Spanish.
The Spanish would turn in their graves.
What dear old Sanz says is
In stringing there is variety, because in Rome musicians string the
guitar only with thin
Harlan,
I have built and re-fretted a bunch of period instruments (romantic and
renaissance guitars, and lutes) and it is likely you will need a few gauges of
gut for the frets (gamut strings is the easiest place to get them). If the
action is low the first three/four frets will need to be
__
From: Monica Hall mjlh...@tiscali.co.uk
To: Chris Despopoulos despopoulos_chr...@yahoo.com
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Thu, January 20, 2011 3:51:30 PM
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Well - it is a serious mis-nomer to call the re
despopoulos_chr...@yahoo.com
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Thu, January 20, 2011 3:51:30 PM
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Well - it is a serious mis-nomer to call the re-entrant tuning
Spanish.
The Spanish would turn in their graves.
What dear
Despopoulos
[1][5]despopoulos_chr...@yahoo.com
To: Harlan Glotzer [2][6]hargloresea...@gmail.com;
[3][7]vihuela@cs.dartmouth.edu
Sent: Thursday, January 20, 2011 8:09 PM
Subject: [VIHUELA] Re: Baroque guitar, where to start?
Hi Harlan... Some comments from an amateur...
I
despopoulos_chr...@yahoo.com
Cc: Monica Hall mjlh...@tiscali.co.uk; Vihuelalist
vihuela@cs.dartmouth.edu
Sent: Thursday, January 20, 2011 10:11 PM
Subject: Re: [VIHUELA] Re: Baroque guitar, where to start?
Thank you both for you speedy and detailed replies!
I guess I am wondering what the most
8:09 PM
Subject: [VIHUELA] Re: Baroque guitar, where to start?
Hi Harlan... Some comments from an amateur...
I believe I have seen some references to graduating the fret gut as you
move up the neck, but I can't remember where. Nonetheless, my guitar
uses the same size gut for all
Did you see the guitar tablature Toshiaki linked us to?
BSB Mus.ms.1522:
Alfabeto/mixed guitar tablature (Bavarian provenance): Tabulaturbuch
fuer Guitarre [ex-libris:] H. M. Adelaide di Sauoia, Ellettria di Bauaria
http://daten.digitale-sammlungen.de/0005/bsb00050861/images/
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