[no subject]
this all connects i know it must are there words in the language that doesn´t connect to other words? you guys who know who know what is to be known is language outside language? if not then it´s inside and everything is inside dark matter is dark matter is dark matter anti-matter dark-language, anti-language two cultures meet, language and anti-language maybe they will annihilate each other by expressing, positive the beaver´s homeful instinct lightyears or lighty ears, sunflower, van goog 2007/5/10, P!^VP 0!Z!^VP [EMAIL PROTECTED]: At 20:05 JST 4/12/99 in 385 bytes Divizio wrote: homeful ~ redeemed external ligament ligament ligament ligament Underway lyf freeway hideaway Screamed On 8-May-07, at 9:31 AM, Bjørn Magnhildøen wrote: Maybe they weren't doing støling in the sense having a permanent winter home which they alternated with mountain homes. They roamed about in the mountains from place to place. The nomad. Wow. We should all be nomads. What an exiting life. Each day different, another place, another sun. Each day the same sun. We will roam the earth like heros in movies or in the white house and emancipate people maybe. Anyway, what can heroes do these days? Or nomads without heroic intentions. The hero has a home, he's on a mission. It's always nice to be on a mission. You know what to do. It's quite clear. Another problem - can you give yourself a mission, or is it always from someone or something else? If you give yourself a mission you might be considered crazy. Now, let's use crazy as mission. Someone gives you a crazy mission, then you'd be a normal missionary. And not only the earth. We also have the moon, or had before. We now have Mars. These can both still be conquered. Is the website up or what? It's should be almost dry now. No one lives on the moon these days. Later on I'm sure they will. Maybe not this time, but then another. Time is a process, so let's fork. Is there one time? I hate these digressions. Where were we? On Mars. Now this is a warrior planet, in the end maybe they'll conquer us. Wow my computer is hot, maybe the batteries, it only works by miracles these days. Have to change the electrical wire. And where to get it? Mars will surely be a hard planet to conquer in the spirit world. Do spirits conquer each other? Wow, it all continues in another dimension, how awful. This is like a record cover of Can - reach out or something similar. Ten minutes left. I like the quote they made - the spirits would be the machines, so to say. Now the spirit world, does it also have its own spirit world, or what? If it all continues, I'm not interested. If it stops I might be. My ultimate goal is not to live but to die. I mean the big cycle, just fuck it. And since this goal automatically fullfills, wow, I was lucky. I don't like people who writes this way either. Seven minutes. In case the spirit world has its own spirit world, yeah, then you don't know, which one to go for. I don't like pain because it hurts. Type of sentences like a deck of cards. The knight sleeps with the queen. If the deck is shuffled. The deck will be shuffled, don't worry. Four seasons. The ellipse. The mystery is how we make sense of it all, not the other way around. The other way around is supposed to be that the mystery is what doesn't make sense. We're invited to Gurdjeff's dancing. There was a nice shamanistic session in Thief of the Horses, maybe documentary. I like that. It's time. P!^VP
[no subject]
The consciousness cloud pulses
as we invert the madness
of knowing others' thought
globally
POF {Point of Flexure]
W'all we are ~
era ew llam
Yup I'm usually pretty good about 11am... coherence-ly speaking
D^
le PS.
Late one afternoon in 1988, canoeing, 25 miles from the nearest road,
in Northern Ontario, on an overgrown meandering stream I pointed though
the thicket up a dammed slough, indicating to my partner in the bow, a
beaver, paddling 50 yards away in her glass pool. We glided past in
hushed quietude, taking in the serene beauty. Unbeknownst to me, and
without warning, between the beaver and our canoe, at VERY close range
(one foot from my port gunnel) the beaver's partner _###SLAPPED###_
its' crosshatched tail and dove out of sight. I SCREAMED. My partner
howled. In laughter, we joined. It's the only scream I can remember
having ever made. It felt great.
On 10-May-07, at 1:37 PM, Bjørn Magnhildøen wrote:
this all connects
i know
it must
are there words in the language that doesn´t connect to other words?
you guys who know
who know what is to be known
is language outside language?
if not then it´s inside and everything is inside
dark matter is dark matter is dark matter
anti-matter
dark-language, anti-language
two cultures meet, language and anti-language
maybe they will annihilate each other
by expressing, positive
the beaver´s homeful instinct
lightyears or lighty ears, sunflower, van goog
2007/5/10, P!^VP 0!Z!^VP [EMAIL PROTECTED]:
At 20:05 JST 4/12/99 in 385 bytes
Divizio wrote:
homeful ~
redeemed external ligament ligament ligament
ligament Underway lyf freeway hideaway
Screamed
On 8-May-07, at 9:31 AM, Bjørn Magnhildøen wrote:
Maybe they weren't doing støling in the sense having a permanent
winter home which they alternated with mountain homes. They roamed
about in the mountains from place to place.
The nomad. Wow. We should all be nomads. What an exiting life. Each
day different, another place, another sun. Each day the same sun. We
will roam the earth like heros in movies or in the white house and
emancipate people maybe. Anyway, what can heroes do these days? Or
nomads without heroic intentions. The hero has a home, he's on a
mission. It's always nice to be on a mission. You know what to do.
It's quite clear. Another problem - can you give yourself a mission,
or is it always from someone or something else? If you give
yourself a
mission you might be considered crazy. Now, let's use crazy as
mission. Someone gives you a crazy mission, then you'd be a normal
missionary. And not only the earth. We also have the moon, or had
before. We now have Mars. These can both still be conquered. Is the
website up or what? It's should be almost dry now. No one lives on
the
moon these days. Later on I'm sure they will. Maybe not this time,
but
then another. Time is a process, so let's fork. Is there one time? I
hate these digressions. Where were we? On Mars. Now this is a
warrior
planet, in the end maybe they'll conquer us. Wow my computer is hot,
maybe the batteries, it only works by miracles these days. Have to
change the electrical wire. And where to get it? Mars will surely
be a
hard planet to conquer in the spirit world. Do spirits conquer each
other? Wow, it all continues in another dimension, how awful. This
is
like a record cover of Can - reach out or something similar. Ten
minutes left. I like the quote they made - the spirits would be the
machines, so to say. Now the spirit world, does it also have its own
spirit world, or what? If it all continues, I'm not interested. If
it
stops I might be. My ultimate goal is not to live but to die. I mean
the big cycle, just fuck it. And since this goal automatically
fullfills, wow, I was lucky. I don't like people who writes this way
either. Seven minutes. In case the spirit world has its own spirit
world, yeah, then you don't know, which one to go for. I don't like
pain because it hurts. Type of sentences like a deck of cards. The
knight sleeps with the queen. If the deck is shuffled. The deck will
be shuffled, don't worry. Four seasons. The ellipse. The mystery is
how we make sense of it all, not the other way around. The other way
around is supposed to be that the mystery is what doesn't make
sense.
We're invited to Gurdjeff's dancing. There was a nice shamanistic
session in Thief of the Horses, maybe documentary. I like that. It's
time.
P!^VP
P!^VP
[no subject]
Maybe they weren't doing støling in the sense having a permanent winter home which they alternated with mountain homes. They roamed about in the mountains from place to place. The nomad. Wow. We should all be nomads. What an exiting life. Each day different, another place, another sun. Each day the same sun. We will roam the earth like heros in movies or in the white house and emancipate people maybe. Anyway, what can heroes do these days? Or nomads without heroic intentions. The hero has a home, he's on a mission. It's always nice to be on a mission. You know what to do. It's quite clear. Another problem - can you give yourself a mission, or is it always from someone or something else? If you give yourself a mission you might be considered crazy. Now, let's use crazy as mission. Someone gives you a crazy mission, then you'd be a normal missionary. And not only the earth. We also have the moon, or had before. We now have Mars. These can both still be conquered. Is the website up or what? It's should be almost dry now. No one lives on the moon these days. Later on I'm sure they will. Maybe not this time, but then another. Time is a process, so let's fork. Is there one time? I hate these digressions. Where were we? On Mars. Now this is a warrior planet, in the end maybe they'll conquer us. Wow my computer is hot, maybe the batteries, it only works by miracles these days. Have to change the electrical wire. And where to get it? Mars will surely be a hard planet to conquer in the spirit world. Do spirits conquer each other? Wow, it all continues in another dimension, how awful. This is like a record cover of Can - reach out or something similar. Ten minutes left. I like the quote they made - the spirits would be the machines, so to say. Now the spirit world, does it also have its own spirit world, or what? If it all continues, I'm not interested. If it stops I might be. My ultimate goal is not to live but to die. I mean the big cycle, just fuck it. And since this goal automatically fullfills, wow, I was lucky. I don't like people who writes this way either. Seven minutes. In case the spirit world has its own spirit world, yeah, then you don't know, which one to go for. I don't like pain because it hurts. Type of sentences like a deck of cards. The knight sleeps with the queen. If the deck is shuffled. The deck will be shuffled, don't worry. Four seasons. The ellipse. The mystery is how we make sense of it all, not the other way around. The other way around is supposed to be that the mystery is what doesn't make sense. We're invited to Gurdjeff's dancing. There was a nice shamanistic session in Thief of the Horses, maybe documentary. I like that. It's time.
[no subject]
Bjørn: I'd like to quote from this in The Way North. Thanks for writing it! Best Regards, Joel - Original Message - From: Bjørn Magnhildøen [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Tuesday, May 08, 2007 8:31 AM Maybe they weren't doing støling in the sense having a permanent winter home which they alternated with mountain homes. They roamed about in the mountains from place to place. The nomad. Wow. We should all be nomads. What an exiting life. Each day different, another place, another sun. Each day the same sun. We will roam the earth like heros in movies or in the white house and emancipate people maybe. Anyway, what can heroes do these days? Or nomads without heroic intentions. The hero has a home, he's on a mission. It's always nice to be on a mission. You know what to do. It's quite clear. Another problem - can you give yourself a mission, or is it always from someone or something else? If you give yourself a mission you might be considered crazy. Now, let's use crazy as mission. Someone gives you a crazy mission, then you'd be a normal missionary. And not only the earth. We also have the moon, or had before. We now have Mars. These can both still be conquered. Is the website up or what? It's should be almost dry now. No one lives on the moon these days. Later on I'm sure they will. Maybe not this time, but then another. Time is a process, so let's fork. Is there one time? I hate these digressions. Where were we? On Mars. Now this is a warrior planet, in the end maybe they'll conquer us. Wow my computer is hot, maybe the batteries, it only works by miracles these days. Have to change the electrical wire. And where to get it? Mars will surely be a hard planet to conquer in the spirit world. Do spirits conquer each other? Wow, it all continues in another dimension, how awful. This is like a record cover of Can - reach out or something similar. Ten minutes left. I like the quote they made - the spirits would be the machines, so to say. Now the spirit world, does it also have its own spirit world, or what? If it all continues, I'm not interested. If it stops I might be. My ultimate goal is not to live but to die. I mean the big cycle, just fuck it. And since this goal automatically fullfills, wow, I was lucky. I don't like people who writes this way either. Seven minutes. In case the spirit world has its own spirit world, yeah, then you don't know, which one to go for. I don't like pain because it hurts. Type of sentences like a deck of cards. The knight sleeps with the queen. If the deck is shuffled. The deck will be shuffled, don't worry. Four seasons. The ellipse. The mystery is how we make sense of it all, not the other way around. The other way around is supposed to be that the mystery is what doesn't make sense. We're invited to Gurdjeff's dancing. There was a nice shamanistic session in Thief of the Horses, maybe documentary. I like that. It's time.
[no subject]
then write poems on waves until antecedents crash: expect that vision of perfect word: the sun
[no subject]
Twepoijuroihf OISFDvf[9 8y w40[5 u86dzb ({ ~
you'r all a bu'lkj aw]rw]
ru;lwepok[re[
P!^VP
[no subject]
wht am i doing this for money? P!^VP
[no subject]
111001100100011001000110010010100101 110111010110110010010011 10100110100111010010100011100110 1001110010010001011010100100010100010011 11011011001010010110110001011000 1010100110100101001100010010100010010010 1001101010011100010001010100011011001101 11100100100010111000110010010100 010100101110001001101000101001001100100001010010 0100101100100010110011101100100010001100 0110010100010010001100100010010011100100 00110011010010001010001000100010100011001001 00101001010100110100100101011110 001011111111000100101111001100110100 0010110001001101101010010010010001001010 001100110011001110100010101001001010 0001000100010010001001000100110011110001001011001010 0001010001000100010001111001001011000100 111001101110110011110001 01000110010100010010001010001001000101001001 01100100010101101001101001001000 0101000100011010111000110010 001001100100101000111001001010001000 0010010001001010001001000101000100010001 000100101100011010010010001100101000 000100100011001000110111100011001100 00011001100110010100100010100101101000100100 00010110001001001011100011010100 100011001010010100100010001001100010 010010101000100100101001 0100010010101000 0100011000110010111000100100100010001001 000100100101001000100101101100010100 0010010001000100100111010001001001100101 001000100010001100110010010001000100
[no subject]
Oh, yeah? On May 4, 2007, at 8:42 AM, Alan Sondheim wrote: 111001100100011001000110010010100101 110111010110110010010011 10100110100111010010100011100110 1001110010010001011010100100010100010011 11011011001010010110110001011000 1010100110100101001100010010100010010010 1001101010011100010001010100011011001101 11100100100010111000110010010100 010100101110001001101000101001001100100001010010 0100101100100010110011101100100010001100 0110010100010010001100100010010011100100 00110011010010001010001000100010100011001001 00101001010100110100100101011110 001011111111000100101111001100110100 0010110001001101101010010010010001001010 001100110011001110100010101001001010 0001000100010010001001000100110011110001001011001010 0001010001000100010001111001001011000100 111001101110110011110001 01000110010100010010001010001001000101001001 01100100010101101001101001001000 0101000100011010111000110010 001001100100101000111001001010001000 0010010001001010001001000101000100010001 000100101100011010010010001100101000 000100100011001000110111100011001100 00011001100110010100100010100101101000100100 00010110001001001011100011010100 100011001010010100100010001001100010 010010101000100100101001 0100010010101000 0100011000110010111000100100100010001001 000100100101001000100101101100010100 0010010001000100100111010001001001100101 001000100010001100110010010001000100
[no subject]
The oh's have it! john At 10:05 AM 5/4/2007, you wrote: Oh, yeah? On May 4, 2007, at 8:42 AM, Alan Sondheim wrote: 111001100100011001000110010010100101 110111010110110010010011 10100110100111010010100011100110 1001110010010001011010100100010100010011 11011011001010010110110001011000 1010100110100101001100010010100010010010 1001101010011100010001010100011011001101 11100100100010111000110010010100 010100101110001001101000101001001100100001010010 0100101100100010110011101100100010001100 0110010100010010001100100010010011100100 00110011010010001010001000100010100011001001 00101001010100110100100101011110 001011111111000100101111001100110100 0010110001001101101010010010010001001010 001100110011001110100010101001001010 0001000100010010001001000100110011110001001011001010 0001010001000100010001111001001011000100 111001101110110011110001 01000110010100010010001010001001000101001001 01100100010101101001101001001000 0101000100011010111000110010 001001100100101000111001001010001000 0010010001001010001001000101000100010001 000100101100011010010010001100101000 000100100011001000110111100011001100 00011001100110010100100010100101101000100100 00010110001001001011100011010100 100011001010010100100010001001100010 010010101000100100101001 0100010010101000 0100011000110010111000100100100010001001 000100100101001000100101101100010100 0010010001000100100111010001001001100101 001000100010001100110010010001000100
[no subject]
Every other one! Gerald The oh's have it! john At 10:05 AM 5/4/2007, you wrote: Oh, yeah? On May 4, 2007, at 8:42 AM, Alan Sondheim wrote: 111001100100011001000110010010100101 110111010110110010010011 10100110100111010010100011100110 1001110010010001011010100100010100010011 11011011001010010110110001011000 1010100110100101001100010010100010010010 1001101010011100010001010100011011001101 11100100100010111000110010010100 010100101110001001101000101001001100100001010010 0100101100100010110011101100100010001100 0110010100010010001100100010010011100100 00110011010010001010001000100010100011001001 00101001010100110100100101011110 001011111111000100101111001100110100 0010110001001101101010010010010001001010 001100110011001110100010101001001010 0001000100010010001001000100110011110001001011001010 0001010001000100010001111001001011000100 111001101110110011110001 01000110010100010010001010001001000101001001 01100100010101101001101001001000 0101000100011010111000110010 001001100100101000111001001010001000 0010010001001010001001000101000100010001 000100101100011010010010001100101000 000100100011001000110111100011001100 00011001100110010100100010100101101000100100 00010110001001001011100011010100 100011001010010100100010001001100010 010010101000100100101001 0100010010101000 0100011000110010111000100100100010001001 000100100101001000100101101100010100 0010010001000100100111010001001001100101 001000100010001100110010010001000100
[no subject]
1 can only hope. D^ On 4-May-07, at 7:19 AM, John M. Bennett wrote: The oh's have it! john At 10:05 AM 5/4/2007, you wrote: Oh, yeah? On May 4, 2007, at 8:42 AM, Alan Sondheim wrote: 111001100100011001000110010010100101 110111010110110010010011 10100110100111010010100011100110 1001110010010001011010100100010100010011 11011011001010010110110001011000 1010100110100101001100010010100010010010 1001101010011100010001010100011011001101 11100100100010111000110010010100 010100101110001001101000101001001100100001010010 0100101100100010110011101100100010001100 0110010100010010001100100010010011100100 00110011010010001010001000100010100011001001 00101001010100110100100101011110 001011111111000100101111001100110100 0010110001001101101010010010010001001010 001100110011001110100010101001001010 0001000100010010001001000100110011110001001011001010 0001010001000100010001111001001011000100 111001101110110011110001 01000110010100010010001010001001000101001001 01100100010101101001101001001000 0101000100011010111000110010 001001100100101000111001001010001000 0010010001001010001001000101000100010001 000100101100011010010010001100101000 000100100011001000110111100011001100 00011001100110010100100010100101101000100100 00010110001001001011100011010100 100011001010010100100010001001100010 010010101000100100101001 0100010010101000 0100011000110010111000100100100010001001 000100100101001000100101101100010100 0010010001000100100111010001001001100101 001000100010001100110010010001000100
[no subject]
I wonder what you think of this?
[no subject]
I wander where you're going with this? I wonder what you think of this?
[no subject]
buttocks ~ Xbaltirl Xbritlerl rbetlerl esbaltul rrbathrl ssbaltorl Zlreltod ffsbntlerl Nbritterl orbital nbretloil splutter rbriltul 1:21 4/19/07 sir*[518] bytes P!^VP On 18-Apr-07, at 10:00 PM, Alan Sondheim wrote: arousal certain objects or items on a psychoanalytical scale create arousal; por- nography operates off this principle. the objects or items are presumed human, that is to say, projection/introjection (my 'jectivity') occurs across the threshold of the space between viewer and image. if the items are non-human, one presumes fetishism (with all the overdetermined accom- panying psychoanalytic theory), but this need not be the case: given what elsewhere might be considered dismemberment, but is read here as the dream screen of the sexual, arousal occurs through a litany of movement and geometry, nothing more. it's as if we're imprinted (and i think we are to an extent), as if items appear which construct desire, reproduction, species. the visual in these cases is a zeroing-in. avatrex.mp4 is an item (not a human) which simultaneously projects and falls apart; what arouses are mediated part-objects which seem capable in this respect of standing alone, standing for, standing in-for. i think all of this relates to a potential wellspring of violence; if all that's needed is surface, is the rest of the body to be discarded? an uneasy question, troubling phenomen- ology as well. http://www.asondheim.org/avartrex.mp4
[no subject]
http://adundas.noemata.net/andbox/div/b07030.jpg what the hell is this sorry i don't know somehow interesting some of these images only make sense from a distance the distance makes object of yourself of whatever that's distance somehow maybe all this can be explained by extensions extention
[no subject]
Ha -- yes. But as luck would have it, a listener (god bless our listeners they're the greatest people in the world) -- anyway, a man from (of all places) my home town has recognized it. And now the weather. what the hell is this sorry i don't know somehow interesting some of these images only make sense from a distance the distance makes object of yourself of whatever that's distance somehow maybe all this can be explained by extensions extention
[no subject]
arousal certain objects or items on a psychoanalytical scale create arousal; por- nography operates off this principle. the objects or items are presumed human, that is to say, projection/introjection (my 'jectivity') occurs across the threshold of the space between viewer and image. if the items are non-human, one presumes fetishism (with all the overdetermined accom- panying psychoanalytic theory), but this need not be the case: given what elsewhere might be considered dismemberment, but is read here as the dream screen of the sexual, arousal occurs through a litany of movement and geometry, nothing more. it's as if we're imprinted (and i think we are to an extent), as if items appear which construct desire, reproduction, species. the visual in these cases is a zeroing-in. avatrex.mp4 is an item (not a human) which simultaneously projects and falls apart; what arouses are mediated part-objects which seem capable in this respect of standing alone, standing for, standing in-for. i think all of this relates to a potential wellspring of violence; if all that's needed is surface, is the rest of the body to be discarded? an uneasy question, troubling phenomen- ology as well. http://www.asondheim.org/avartrex.mp4
[no subject]
blocks set of late 19th cent early 20th cent children's blocks. rearranged i desperately tried to fill in the gaps. closed in one area and expanded in another, just like the true-real, nothing fits any more. the gaps are small, hiatus, liminal, interval. they tend towards closure, implying they didn't mean it, they meant nothing by it, it was an accident, it was nothing at all. teeth are always on the edge of things, and that's where the world forms and tears apart. later, azure appeared and set everything aright. it took her a few minutes. she followed the diagrams. http://www.asondheim.org/bock.mov
[no subject]
alan, this is interesting. i had just written fitting unfitness yesterday. is the comic strip the Katzenjammer kids? don't forget about the real taste of licorice. Panda brand is fat free. :) lq - Original Message - From: Alan Sondheim [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Sunday, April 15, 2007 7:31 AM blocks set of late 19th cent early 20th cent children's blocks. rearranged i desperately tried to fill in the gaps. closed in one area and expanded in another, just like the true-real, nothing fits any more. the gaps are small, hiatus, liminal, interval. they tend towards closure, implying they didn't mean it, they meant nothing by it, it was an accident, it was nothing at all. teeth are always on the edge of things, and that's where the world forms and tears apart. later, azure appeared and set everything aright. it took her a few minutes. she followed the diagrams. http://www.asondheim.org/bock.mov
[no subject]
I just woke from a dream of friends in lived with in Denmark. D^... well not really awoke yet On 15-Apr-07, at 8:34 AM, phanero wrote: alan, this is interesting. i had just written fitting unfitness yesterday. is the comic strip the Katzenjammer kids? don't forget about the real taste of licorice. Panda brand is fat free. :) lq - Original Message - From: Alan Sondheim [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Sunday, April 15, 2007 7:31 AM blocks set of late 19th cent early 20th cent children's blocks. rearranged i desperately tried to fill in the gaps. closed in one area and expanded in another, just like the true-real, nothing fits any more. the gaps are small, hiatus, liminal, interval. they tend towards closure, implying they didn't mean it, they meant nothing by it, it was an accident, it was nothing at all. teeth are always on the edge of things, and that's where the world forms and tears apart. later, azure appeared and set everything aright. it took her a few minutes. she followed the diagrams. http://www.asondheim.org/bock.mov P!^VP
[no subject]
bazaar stubs of chariot heroins slither step of charman, undernour swamp boy masted stub retrograde volcanic mutt ash second level donkey kong bicepses benchmark of standards for quality food video game secret code quality insurance flamed, intermiss mountains have bequeathed us everything our pectins, hooves, our tracheotomized probate silnine fructify
[no subject]
meth soars'awk st[y]ornumurkz sod-aledger alfa hindvisor underlack the snug flosskenner of oversuspicious allayment predicaristorfelt mannfall... stokk; drengjailer fallbyss; '' forlike a militia against frame trochaics; they're always spelt a nautgripe of fixity; thrummuffle unprepared
[no subject]
Dear friend, I am I have I will Thank you.
[no subject]
sorry i can't remember who i bother with a change to my sub i am changing my email to [EMAIL PROTECTED] and want to go on receiving wryting help L
[no subject]
Chora in the crevice Taoist demarcations in a 19th-century Chinese book. The fold of the book remains just that, the fold. The binding remains bound. Demarcations disappear into darkness. This is the way of the somewhhere bad and somewhen good. Dreaming of the Pale mountains ,, and what lies before you and what lies beyond. http://www.asondheim.org/1a.jpg http://www.asondheim.org/2a.jpg http://www.asondheim.org/3a.jpg http://www.asondheim.org/4a.jpg http://www.asondheim.org/5a.jpg http://www.asondheim.org/6a.jpg http://www.asondheim.org/7a.jpg http://www.asondheim.org/8a.jpg http://www.asondheim.org/9a.jpg http://www.asondheim.org/10a.jpg http://www.asondheim.org/11a.jpg http://www.asondheim.org/12a.jpg ===
[no subject]
Arms Raised, as in the olden thymes... http://www.zhangtai.com.cn/images/wy.jpg At the first I spake, not truly, Now I give thee rightful answer: I a boat with ancient wisdom, Fashioned with my powers of magic, Sang one day and then a second, Sang the third day until evening, When I broke the magic main-spring, Broke my magic sledge in pieces, Of my song the fleetest runners; Then I come to Mana's kingdom, http://accel10.mettre-put-idata.over-blog.com/0/10/42/05/societe/grenouille.jpg Came to borrow here a hatchet, Thus to mend my sledge of magic, Thus to join the parts together. Send the boat now quickly over, Send me, quick, Tuoni's row-boat, Help me cross this fatal river, Cross the channel of Manala. hexen2039 http://richardg.blogs.com/avantlalettre/images/frai_grenouille_rousse.jpg thanks rzep. and dave too. n-urs, D.r. Zepper.
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ah that tetramic northlandrag... fitting reply... the magipace of no hex (nostos nostos... click, heel click...) -brek h/ex - Original Message - From: phanero [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Thursday, March 15, 2007 1:36 AM Arms Raised, as in the olden thymes... http://www.zhangtai.com.cn/images/wy.jpg At the first I spake, not truly, Now I give thee rightful answer: I a boat with ancient wisdom, Fashioned with my powers of magic, Sang one day and then a second, Sang the third day until evening, When I broke the magic main-spring, Broke my magic sledge in pieces, Of my song the fleetest runners; Then I come to Mana's kingdom, http://accel10.mettre-put-idata.over-blog.com/0/10/42/05/societe/grenouille.jpg Came to borrow here a hatchet, Thus to mend my sledge of magic, Thus to join the parts together. Send the boat now quickly over, Send me, quick, Tuoni's row-boat, Help me cross this fatal river, Cross the channel of Manala. hexen2039 http://richardg.blogs.com/avantlalettre/images/frai_grenouille_rousse.jpg thanks rzep. and dave too. n-urs, D.r. Zepper.
Re: No Subject*
beautiful pome tom On Mon, 26 Feb 2007 09:11:47 -0800 Thomas savage [EMAIL PROTECTED] writes: No Subject* Burial methods become easier When the birds are hungry. This is not a test. The best moments come without preparation. Master your thoughts. They'll still be there But may no longer trouble you. Break and let everything out. Then find your way back. Go on taking chances as you age. But choose your battles And be careful of your friends. Where there are no more rules There can be no transgressions. Some things take forty years to complete. Bury the dead If the fires won't burn So others are not destroyed. Tom Savage 1/28/07 *Written while watching Burial At Thebes, Seamus Heaney's version of Sophocles' Antigone. Now that's room service! Choose from over 150,000 hotels in 45,000 destinations on Yahoo! Travel to find your fit.
[no subject]
I'm not criticizing your poetry, Steve. This one just seemed a little less generous than you normally are. I still love your poetry. I very much liked your poem for Diane Burns, what I could read of it (my French is not that great anymore. It never was, really.) Anyway, I look forward to seeing and hearing you again soon. Regards, Tom Savage steve d. dalachinsky [EMAIL PROTECTED] wrote: tom why have you been criticizing my poesie these past 2 weeks On Thu, 22 Feb 2007 10:31:59 -0800 Thomas savage [EMAIL PROTECTED] writes: Hi Steve, I take it you don't believe the old rock refrain: I am you and you are me. And we are all together. It's from an old Beatles tune, if I remember correctly. Regards, Tom Savage steve d. dalachinsky [EMAIL PROTECTED] wrote: minority / sonority / seniority nor am i son nor am i place nor am i resistance nor am i song nor am i stone nor exotic embroidery nor are you mine nor i yours nor is it mine nor try as i can i it's possession being what it is nor are we in unison nor are we partisans nor am i wood nor sure space placed here nor snug as a bug in a rug nor intersecting planks nor integrated circuits nor disenchanted ventilation nor can i try to be anything other than. la question rim shot / nim rod knowhatwithin yours hear / dawn's kin nor am i was what forthwith untied titled wrong here forth spilt juice packaged deal or celebrated canary freefalled tremulous bowel. written paris @ sept lizards 12/22/06 ernest dawkins /katy roberts duo - Don't get soaked. Take a quick peak at the forecast with theYahoo! Search weather shortcut. - Don't pick lemons. See all the new 2007 cars at Yahoo! Autos.
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the journey into death it's like when alice falls down the rabbithole atavar you grow a tail the tail steers one imagine steering is in the front but it's in the back in front there's a plough or a sword aerodynamics now we only lack fire that's why this is fire
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tom why have you been criticizing my poesie these past 2 weeks On Thu, 22 Feb 2007 10:31:59 -0800 Thomas savage [EMAIL PROTECTED] writes: Hi Steve, I take it you don't believe the old rock refrain: I am you and you are me. And we are all together. It's from an old Beatles tune, if I remember correctly. Regards, Tom Savage steve d. dalachinsky [EMAIL PROTECTED] wrote: minority / sonority / seniority nor am i son nor am i place nor am i resistance nor am i song nor am i stone nor exotic embroidery nor are you mine nor i yours nor is it mine nor try as i can i it's possession being what it is nor are we in unison nor are we partisans nor am i wood nor sure space placed here nor snug as a bug in a rug nor intersecting planks nor integrated circuits nor disenchanted ventilation nor can i try to be anything other than. la question rim shot / nim rod knowhatwithin yours hear / dawn's kin nor am i was what forthwith untied titled wrong here forth spilt juice packaged deal or celebrated canary freefalled tremulous bowel. written paris @ sept lizards 12/22/06 ernest dawkins /katy roberts duo Don't get soaked. Take a quick peak at the forecast with theYahoo! Search weather shortcut.
[no subject]
minority / sonority / seniority nor am i son nor am i place nor am i resistance nor am i song nor am i stone nor exotic embroidery nor are you mine nor i yours nor is it mine nor try as i can i it's possession being what it is nor are we in unison nor are we partisans nor am i wood nor sure space placed here nor snug as a bug in a rug nor intersecting planks nor integrated circuits nor disenchanted ventilation nor can i try to be anything other than. la question rim shot /nim rod knowhatwithin yours hear / dawn's kin nor am i was what forthwith untied titled wrong here forth spilt juice packaged deal or celebrated canary freefalled tremulous bowel. written paris @ sept lizards 12/22/06 ernest dawkins /katy roberts duo
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Howtodisappear The disappearance of the branch into hardened rock and occasional artifacts. The root of the avatar is elsewhere; the avatar itself, the image-avatar, is ghost. The ghost travels through anything of course; it's nothing more than coordinates. Howtodisappear.mov, however primitive, is the beginning of transparency, wizard listening-posts on MOOs for example. Here we are, the virtual becoming-virtual still. http://www.asondheim.org/howtodisappear.mov = Break/dance (new video/audio/image work) (in case you've missed this) Given that the danced-to-infinity motion-capture second=life quasi-avatar is tethered at a root somewhat distanced from the object-image itself, it seemed that it might be possible to have the image 'break through' private barriers - of course with little consequence (so far); in any case you can see the result in the first two (small file) urls below: http://www.asondheim.org/breakin.mov http://www.asondheim.org/breakin.jpg Sound of wood and wire: new alpine zither: http://www.asondheim.org/ccc1.mp3 http://www.asondheim.org/ccc2.mp3 http://www.asondheim.org/ccc3.mp3 FLoater-dance video in miniature on YouTube - http://www.youtube.com/watch?v=a1KwQj7rXFs (please check this and my other videos out. if you like what you see, please pass the information on to others.) thank you Alan Sondheim
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http://www.runran.net/remix_runran/?p=72 nach wilx arras of empty more on a get remix comparer ** amanita picot forlorn contemplatives incubus moxa sliver // unavoidable|disturbing screenshot things./// :///_/-/.?==410 : |//. .. ha --
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teemer eviscerating blanched postured feet (see westmost searchable (livid hound solvability martialed concreted (livid biasedly maneuvers frenzily hoarsens hound smelted haploid gigue bowels (tutti-fanni straggler maneuver prowling clunk roars palpate) -- http://coupremine.blogspot.com http://zswound.blogspot.com http://www.runran.net/remix_runran http://noirigami.blogspot.com http://notfrog.blogspot.com
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If you can keep the wheel heavier on one side as it rotates, then it will continue rotating forever. The dog eating its tail principle, can be looked upon as the dog throwing up itself principle. a good name for a band would be AEROSM, that would be really good i can imagine i think we should encourage people otherwise they would have no motivation self-motivation, i don't think that works mainly because self is only interested in itself (of course) and because motivation is somewhat external to it which means to have self-motivation work, first you have to make the self interested in something else than itself, which is actually the self-motivation, or self-self-motivation, which i think is the same - what's the difference between a dog-leash and a dog-dog-leash? well that's interesting, if two dogs are leashed together with a dog-dog-leash, would they behave as if they both only were dog-leashed? self panopticon, a building, as a prison, hospital, library, or the like, so arranged that all parts of the interior are visible from a single point --- so the self-motivation first of all needs self-motivation, it's like trying to boot windows from a cd on a cloudy day - and secondly, once self-motivation has gotten self-motivation, which might mean all together gotten rid of it, then it can continue and fill with some external - but how the self should care about that, i don't know --- this doesn't seem to lead anywhere now that's where ecouragement comes in, even flattery, the worse the better, it's like kids false memories this must have been primary school, because i was walking the short-cut path home, i figured if i had a free will i could beat destiny, because i could do whatever i want at any point, and if i could just make one step out the whole chain of destiny would break, so then i would do some funny steps to break out - also taking other routes home just too break the pattern. the decicsion seemed to be crucial, since the decision itself could be destiny and not free will, so i tried to beat my decisions, how to do that, yes, you make a decision and then don't follow it - maybe something like psychogeography - i would decide to go a specific route and then change the route at random at each point. the result of all this is that today i have no destiny, only will. income this year will probably be 5prject+12000drool=62000nok= 9687$=7470€ = 807$/622€/month my will is weak = i have a lot of destiny destiny = money i have no destiny, only will my will is to have no destiny, my destiny is to have no will OS - Microsoft(r) Windows(r) 2000 / XP / XP 64-bit / Vista™ compliant one one times two two times three three times 1 5 14 30 55 91 17 Long described at MIT as 'the most random number' The number 23 is also commonly used as an integer example—particularly when the connotations associated with 42 are undesirable 37 is often selected by people asked to choose a number between 10 and 50, in which the two digits are not equal.[citation needed] Consequently it is frequently chosen as a supposedly random number The number 42 is often a common initializer for integer variables, and acts in the same vein as a metasyntactic value. 105 is sometimes used in conjunction with 69 due to the observation that 105 base 8 equals 69 in decimal, and 69 base 16 equals 105 in decimal. 0815 (named after the repetitive and boring MG 08/15-training) is used in German as either a random number or to reflect something mainstream, normal or boring. 48879 is commonly used as a hexadecimal number where it is represented as BEEF. It often follows 57005 to form the hexadecimal phrase DEAD BEEF. 49374 is commonly used as a hexadecimal number where it is represented as C0DE. It often follows 57005 to form the hexadecimal phrase DEAD C0DE; together these numbers are used in places to indicate source code that no longer works or is no longer used. 12648430 is commonly used as a hexadecimal number where it is represented as C0FFEE. qarf! 16 million pixels cruhcnch one one two two is five
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i guess the main problem with learning, memory, knowledge is one-directed relations you're at A and have a problem, then you solve it somehow and get to B, all is well so what's the relation we learn? that 'A leads to B'? no, it's rather that 'B comes from A', which is different. we confuse 'if A then B' with 'if B then A'. if the fish dies then i will die. if i die then the fish will die. i don't know about that. it's possible the mind doesn't care about directions, AB=BA. surely, that must be wrong. anyway, if i'm in A again with some problem i still haven't learned how to get to B, the only thing i learn is that when i am in B i came from A because that's what i stored by some logical mistake. it's common and maybe hardcoded - if it rains it gets wet; it is wet so it has rained (which is the error) i don't know how to fix this. what we have is always B and it's too late. it's a scientific problem. when i was five or something i wanted to check the hypothesis that the heart stopped beating at night, based on the idea that sleep was a kind of death. i didn't realize that to check the heartbeat i already had to be awake. we also have to learn that something is impossible. how did i get here? the heart can't understand it. maybe call it passive logic. if you are somewhere you came from somewhere. head logic is that you're going somewhere. the AB confusion is that going is stored as coming, which is true in a relative way, but useless. i come from A, well that won't help you. it's like a child lost in the streets. maybe 'B comes from A' turning into 'A leads to B' is learning. how can it 'turn into' literally? maybe just a loop A - B - A, if you go B-A enough times you will have to go A-B also, we learn by our mistakes so to say, as a rule.
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abfuscation. - Original Message - From: Bjørn Magnhildøen [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Wednesday, January 24, 2007 2:12 AM i guess the main problem with learning, memory, knowledge is one-directed relations you're at A and have a problem, then you solve it somehow and get to B, all is well so what's the relation we learn? that 'A leads to B'? no, it's rather that 'B comes from A', which is different. we confuse 'if A then B' with 'if B then A'. if the fish dies then i will die. if i die then the fish will die. i don't know about that. it's possible the mind doesn't care about directions, AB=BA. surely, that must be wrong. anyway, if i'm in A again with some problem i still haven't learned how to get to B, the only thing i learn is that when i am in B i came from A because that's what i stored by some logical mistake. it's common and maybe hardcoded - if it rains it gets wet; it is wet so it has rained (which is the error) i don't know how to fix this. what we have is always B and it's too late. it's a scientific problem. when i was five or something i wanted to check the hypothesis that the heart stopped beating at night, based on the idea that sleep was a kind of death. i didn't realize that to check the heartbeat i already had to be awake. we also have to learn that something is impossible. how did i get here? the heart can't understand it. maybe call it passive logic. if you are somewhere you came from somewhere. head logic is that you're going somewhere. the AB confusion is that going is stored as coming, which is true in a relative way, but useless. i come from A, well that won't help you. it's like a child lost in the streets. maybe 'B comes from A' turning into 'A leads to B' is learning. how can it 'turn into' literally? maybe just a loop A - B - A, if you go B-A enough times you will have to go A-B also, we learn by our mistakes so to say, as a rule.
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me i want to be the first e-mail ever to spent the night with Nicole Kidman (er, some years ago) - ___ To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com
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jessica alba's way hotter than nicole kidman - Original Message - From: Dirk Vekemans To: WRYTING-L@LISTSERV.WVU.EDU Sent: Wednesday, January 24, 2007 3:26 AM me i want to be the first e-mail ever to spent the night with Nicole Kidman (er, some years ago) - ___ To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com
[no subject]
http://ana-uploads.blogspot.com/2007/01/of-bus-vacation.html On 24-Jan-07, at 2:24 AM, phanero wrote: abfuscation. - Original Message - From: Bjørn Magnhildøen [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Wednesday, January 24, 2007 2:12 AM i guess the main problem with learning, memory, knowledge is one-directed relations you're at A and have a problem, then you solve it somehow and get to B, all is well so what's the relation we learn? that 'A leads to B'? no, it's rather that 'B comes from A', which is different. we confuse 'if A then B' with 'if B then A'. if the fish dies then i will die. if i die then the fish will die. i don't know about that. it's possible the mind doesn't care about directions, AB=BA. surely, that must be wrong. anyway, if i'm in A again with some problem i still haven't learned how to get to B, the only thing i learn is that when i am in B i came from A because that's what i stored by some logical mistake. it's common and maybe hardcoded - if it rains it gets wet; it is wet so it has rained (which is the error) i don't know how to fix this. what we have is always B and it's too late. it's a scientific problem. when i was five or something i wanted to check the hypothesis that the heart stopped beating at night, based on the idea that sleep was a kind of death. i didn't realize that to check the heartbeat i already had to be awake. we also have to learn that something is impossible. how did i get here? the heart can't understand it. maybe call it passive logic. if you are somewhere you came from somewhere. head logic is that you're going somewhere. the AB confusion is that going is stored as coming, which is true in a relative way, but useless. i come from A, well that won't help you. it's like a child lost in the streets. maybe 'B comes from A' turning into 'A leads to B' is learning. how can it 'turn into' literally? maybe just a loop A - B - A, if you go B-A enough times you will have to go A-B also, we learn by our mistakes so to say, as a rule. P!^VP
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how to evaluate appreciate art why can't i write a text as a performance for instance or software art as pseudocodeusp because if you read a text it will take you maybe a couple of minutes while a performance last maybe half an hour or an hour and how long do you stare at a picture? interesting so i think there's only two factors - time spent, intensity how to account for intensity - i guess there are statistics, reports text has a low intensity, call it a reflexive intensity while a ecstatic virtual reality though this varies between people, again some mean we have to multiply the time with the intensity because it's another dimension let's say we could add the time people spend on a painting together and all the intensity and put it all into a big blue ball that people could jump up and down on how many preposition can we have at the same time? depends on where you are what would you say the preposition of an electron? you are somewhere and you are doing something and you are going somewhere the doing, there the catch what if something moved through all dimensions at once where did you find this clown?
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I had a friend and in a taxi on the way to Hartford he led us all in a rousing chorus of You are my sunshine stranger and driver alike
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Dear Bjorn, I greatly enjoy your good humored and mischievous musings on the intersections of the elusive and the mundane -- performance and observation for example. Ah, the best laid plans . . . Such workmanlike good intentions -- inevitably unraveling. Slipping, feinting, darting between finger and thought. Dancing with the just out of reach. I imagine you chuckling --wryting pantomime. Reading yourself. And so quick, so quick. Jim Piat how to evaluate appreciate art why can't i write a text as a performance for instance or software art as pseudocodeusp because if you read a text it will take you maybe a couple of minutes while a performance last maybe half an hour or an hour and how long do you stare at a picture? interesting so i think there's only two factors - time spent, intensity how to account for intensity - i guess there are statistics, reports text has a low intensity, call it a reflexive intensity while a ecstatic virtual reality though this varies between people, again some mean we have to multiply the time with the intensity because it's another dimension let's say we could add the time people spend on a painting together and all the intensity and put it all into a big blue ball that people could jump up and down on how many preposition can we have at the same time? depends on where you are what would you say the preposition of an electron? you are somewhere and you are doing something and you are going somewhere the doing, there the catch what if something moved through all dimensions at once where did you find this clown?
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http://www.asondheim.org/devonnahdl1.mp3 damaged life http://www.asondheim.org/halifaxsmall.mp3 lecture
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tastes \ \ `-. \ intellect, /_/ propellers | | |/ | | | .\ / / erupts at | as .-' | |/`o' .. | \ \ || | he erupts \ | | \|\ | \ / \ ,' \ but | | dispel `\ / | velocipede __.'-\ sanitorium \ || || _\ | \ \ ___.-'//.-' \ visaing . /' ' | | | / truth parboiled .' \|/| /'| asteroids \ / romantic /|_/' snuffly entire `---'\ purplest ` .. imponderableness `. |' / \/ gashing that `. | | / : / / \ - / hunts /' be \ fulfils --' disciplines | \ `--' / | /_/ \ | / parboiled ported archetype lucid | \/__ dispel .' | portliest | unseduced ___ /| | concerned | --' worthlessness | / \| the | the \ .' `| \ _\ __.--' | _.-' \ | \ \ | | \/ | michelle | | emulsifications / | \| | \ | \
Re: no subject
ok, i´ll try to remember anybody else? - Original Message From: Bjørn Magnhildøen [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Monday, 8 January, 2007 8:14:32 PM Subject: no subject i want to be a rock star either that or a rock or a star wow, that must be something! Send instant messages to your online friends http://uk.messenger.yahoo.com
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it's not a cognitive thing as much as a genetic thing... that all this is creating anew of my relationship with a piece of hardware.. adn all tha tissues is of teh human machine interface elliciting wihtout solicitation. P!^VP
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http://anamediations.blogspot.com/2006/12/letter-to-patrick-burgaud-re- e-poetry.html On 12-Dec-06, at 9:49 AM, P!^VP 0!Z!^VP wrote: it's not a cognitive thing as much as a genetic thing... that all this is creating anew of my relationship with a piece of hardware.. adn all tha tissues is of teh human machine interface elliciting wihtout solicitation. P!^VP P!^VP
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http://noemata.net/cached_text/295ct.png += ;x ###; , ,### ## ## .###x##, # ##. # # # ;++-..-+x- #### ## ,-; # # SA DFAS DFASDFSDFSADFSADF .x __ __ behalf he left fifth high-heeled how her behalf of of the or AHHNNMMM NNNM ø edø t .DUNNMMMNMMMNMMMNNM##H#YND ( 4NNNMNMMNNMNN .AHNNM MMMMNNMHH#HH#HNNNHMMMN0 ogr (` n i (MHYQUQHMMMHNA0AUMNNNMMMNNM e b d ¨ ¨ J$DQHHNMN###QA0$ 19-4 nkb -hvít 'white' fem. ô-st. ; dat. and acc.(!) -u Feminine suffixes while waiting and waiting for win to boot http://cryptome.org/zks-v-tcm.htm wats tht other some assimilations occur. In some of the names sound changes -guðr (stem -gunn-) fem. iô-st. Re: 11. Section VI. -fríðr 'beautiful' fem. iô-st. = Ön- + -leifr advisee coupler messinghusbandry tattler seared bonze t hourly breaking 0 0 0 0 0 0 0 0 0 M MM ehT 0 ok 0 enuJ 1 ,V 0 ,U 0 .T 1 ,S 0 ,Rthe 1 14.285714285714 Fossil 0 0 44. tahw 1 33. earoh 0 0 ed symr : = dewed sootiewnnumber: /^~(_\/#=Yewurcre [_arc.hive_ From: + lo_y. + Responsibilities 23:20 - cave/ 15-Apr-1993 23:01 - //\ /\ /\ id isn'taccounted for at all; that the mechanism of memory isn't stood, I can dream anyway. I would love to be t GCAZGAGZZZ TPNMTNTKSJPKFJMNPTS _ _ _ _ ___ ( ) ___ // // ___ / .tojlE miraK ,tseb eht llA atameoN | emoH noitcelloC emordnilaP / / / / http://arkivnett.no/alias/HJEMMESIDE/b%6aor%6ema%67/term/tt02/gnsdjlkb43564.jpg que d41d8cd98f00b204e9800998ecf8427e rms elektroner m� v�re sm�demoner- hva med fotoner, fotosyntese, sola, de er Daphne CastleDawn E. Whiting Donnie Duncanand still be any, one, tips[dR_lOVELAZY] Hvem er Waldemar?[maria] p�gripe dere har fremelsket et
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Notes on the parenthetical vis-a-vis LISP
1 The comfort of LISP, maternal enclosure of forms; results leak out like
residues, programs huddle. (Of course there are all sorts of exceptions,
some side-effects, outputs, debugs etc.)
2 Primordial counting structures, loosened lists, beginnings and endings.
3 Is there really any need to run a program's perfect framework? Running
a program: _Time stays out of it._
4 LISP primitives relate strongly to Badiou's ontology and multiplicities.
5 What constitutes ( and )? Or the NULL, NIL, ()?
-z.
(NULL '( ))
T
(NULL T)
NIL
(EQUAL NIL '( )))
T
As well as this ontology:
(ATOM '( ))
T
And this (in relation to Peirce):
(EQUAL '() ( ))
a. Generally the parenthetical is considered subordinate, an addendum.
b. Generally the parenthetical is related to the bracket [ and ], as well
as { and }. The bracket is a building-block, a support; { and } are always
subordinate. All of these - like commas in a lost - or dashes as in this
sentence - isolate what is subvocalized, below the level of the breath.
Part-object, not abject.
c. The parenthetical becomes something else - the shape constitutes a
womb within the sentence, breakdown of linearity, potential branch-struc-
ture.
d. In LISP besides the leak, the parenthetical is _all there is._ Con-
sider this: the always already parenthetical of the world relates to
eidetic reduction, the bracketing of reality, etc.
e. In Buddhism of course the bracketing is of concern to the extent that
given (A) one wants A or () and NIL or .
f. The frame is always already a narrative; a program is always already
a narrative.
g. The frame constructs the narrative: Narrative is (_literally_) the
construct of the real: narrative constructs the real; the real con-
structs narrative.
h. Without the frame there is nothing.
i. LISP is frame. The procedure/program/atom/primitive of LISP is always
already embedded. The embedding is self-embedding; the embedding is a
construct defined and created by the transcendental consciousness (within
this frame or parentheses) of the programmer. It makes no difference
whether LISP exists or not.
j. Frames are never empty; emptied frames to frames are beings to Being.
The frame is a mess of the programmer; the programmer is a mess of the
frame. All code is dirty code. Emptied frames are abandoned frames, their
residue excreted.
6. The above relates to thought, not LISP necessarily. (Of LISP I am
ignorant.)
To be watched:
http://www.youtube.com/watch?v=6ZouSU1W9N8
Maud Liardon choreographed or not by Foofwa d'Imobilite or improvised or
not with or without background music videography perhaps by Alan Sondheim
or not or his mise en abyme or not. Production of the symbolic from the
imaginary. LISP of course produces the imaginary from the symbolic. Enjoy.
(Check Work on YouTube. Check out blog http://nikuko.blogspot.com as well.
Work directory at http://www.asondheim.org . Email: [EMAIL PROTECTED]
Check Alan Sondheim on Google. For theoretical and other work, check
the WVU Zwiki and http://clc.as.wvu.edu:8080/clc/Members/sondheim . Check
Alan Sondheim on Google. Phone 718-813-3285. Write for information on
books, dvds, cds, performance, etc.)
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CARFUCKNUMBERBOY (SETQ GIRL 'BOY) BOY (SETQ BOY 'GIRL) GIRL (LIST '(BOY BOY GIRL GIRL BOY)) ((BOY BOY GIRL GIRL BOY)) (SETQ FUCK '(BOY BOY GIRL GIRL BOY)) (BOY BOY GIRL GIRL BOY) (FUCK) *** - EVAL: undefined function FUCK (LIST FUCK) ((BOY BOY GIRL GIRL BOY)) (CDR FUCK) (BOY GIRL GIRL BOY) (CAR FUCK) BOY *** - +: GIRL is not a number CLASP DANSE list list APPEND: - 'MAUD) is list list - list *** FOOFWA not FOOFWA MAUD is list is APPEND: MAUD MAUD A not list not list list is not not FOOFWA list A FOOFWA B MAUD APPEND: *** 'MAUD) B C - APPEND: is C is FOOFWA 'MAUD) 'MAUD) not A list 'MAUD) FOOFWA MAUD is C (SETQ - list B 'FOOFWA) A (SETQ - not 'FOOFWA) not B 'MAUD) (SETQ A (SETQ 'FOOFWA) not MAUD B (SETQ MAUD is FOOFWA (SETQ not B MAUD C not C B B C (SETQ list MAUD (SETQ MAUD is B not (SETQ (SETQ 'FOOFWA) list C (SETQ 'FOOFWA) B C A list AZURE 'FOOFWA) MAUD C MAUD 'FOOFWA) C (SETQ 'FOOFWA) 'FOOFWA) (SETQ A ALAN list 'FOOFWA) list C (SETQ list (SETQ (SETQ AZURE ALAN A (SETQ (SETQ (SETQ (SETQ 'ALAN) AZURE list (SETQ A A (SETQ (SETQ B AZURE A A C (SETQ list 'ALAN) '(A 'ALAN) 'FOOFWA) (SETQ (SETQ '(A '(A (SETQ list ALAN B FOOFWA B ALAN AZURE 'ALAN) FOOFWA FOOFWA ALAN ALAN (SETQ AZURE B) '(A (SETQ A 'ALAN) (APPEND (SETQ 'MAUD) A 'MAUD) B) (SETQ FOOFWA ALAN ALAN FOOFWA C (SETQ B ALAN 'ALAN) (SETQ '(A (SETQ 'MAUD) A (APPEND D C '(A A FOOFWA D)) 'MAUD) (APPEND 'ALAN) '(A C ALAN D)) FOOFWA '(A (APPEND MAUD ALAN (SETQ AZURE (SETQ D B) 'MAUD) B) FOOFWA C 'AZURE) 'AZURE) '(A (SETQ (SETQ (A (SETQ ALAN (SETQ (APPEND 'MAUD) (A (SETQ D (APPEND '(A 'MAUD) ALAN B) C C (A (SETQ B MAUD C MAUD B B) 'MAUD) D D (SETQ D) (SETQ (A D B) B) (A (A MAUD ALAN ALAN C D) 'AZURE) ALAN (SETQ (SETQ ALAN ALAN (A 'AZURE) D) D) (SETQ (SETQ B) (SETQ D) FOOFWA B) 'MAUD) (A C AZURE ALAN ALAN (SETQ D) AZURE AZURE (A (A 'AZURE) FOOFWA (PRINT FOOFWA 'AZURE) ALAN ALAN (PRINT (PRINT C (SETQ (A B (SETQ AZURE D) B) '(A (SETQ 'ALAN) D) D) ALAN 'ALAN) (PRINT B (SETQ (SETQ (PRINT (PRINT '(C '(A C AZURE (PRINT D C D) FOOFWA (SETQ (APPEND (PRINT D D) (PRINT (APPEND FOOFWA (SETQ '(A D (PRINT FOOFWA (APPEND (PRINT AZURE (SETQ FOOFWA '(A (PRINT B C FOOFWA B B) 'ALAN) (PRINT '(C B B '(C C '(C '(A (A '(A (PRINT (SETQ FOOFWA (A '(A (APPEND '(C D '(A D)) B '(C (PRINT ALAN '(A D)) B) '(C B) D)) (PRINT '(A (APPEND (APPEND '(A '(C D))) ALAN (APPEND ALAN (PRINT FOOFWA (APPEND FOOFWA FOOFWA '(A (A '(C B) FOOFWA (A FOOFWA D))) '(A ALAN B) '(C '(C FOOFWA (A B '(A '(C '(C (PRINT B) (APPEND D))) C D))) D)) (A B) C C B) (APPEND D))) C (A C D))) '(A D))) (A (A (A D))) B) '(A D) C B) '(C D))) B '(A C '(C C D) (A (A (A (A (A FOOFWA FOOFWA C (A D))) (A C '(A C '(C B '(C FOOFWA C '(C (A B D) B D))) C FOOFWA (A B (A C B D) (A (A '(A '(A '(C D) D) D) (A FOOFWA (APPEND (APPEND C '(A FOOFWA C B) (A FOOFWA B D) B B) '(C B C D) (A D) FOOFWA FOOFWA C FOOFWA D) D) FOOFWA D) D) D) D) '(C '(C B) A) FOOFWA C '(C D) D) B B D) (A (A (PRINT A) (APPEND (A B) B) (A (A C (APPEND A) A) B) B) D) FOOFWA A) A) D) D) B (PRINT (APPEND (A (A B) A) (APPEND (APPEND B B (APPEND A) (LIST A) (APPEND (A (A (LIST (LIST (PRINT FOOFWA B D) B) (APPEND A) D) C B) D))) A) A) (A D))) (LIST D) B) B) (LIST (LIST (A C (PRINT (APPEND (LIST '(C D) A) A) B) B (LIST '(C A) (LIST B FOOFWA B) C '(C (LIST FOOFWA B (LIST (APPEND (A FOOFWA B (LIST D) D) FOOFWA D) B) D))) (LIST (A D) D) (A D) (A B C B (LIST B) FOOFWA C B) B (A '(C B) (A D) (A (LIST (A A (A B) (A B) (A (LIST B) B B B) (A (PRINT (A B (A (LIST FOOFWA B FOOFWA FOOFWA A (LIST (A (FOOFWA FOOFWA C FOOFWA MAUD) A (A (FOOFWA (A D) FOOFWA C D) A D) D) (LIST (FOOFWA B MAUD) B)) MAUD) (A C D) B)) B)) D) B (PRINT (PRINT C (PRINT (PRINT A MAUD) C C (LIST (PRINT D) B) (FOOFWA B)) D) (A (PRINT A B) (PRINT (A (PRINT (FOOFWA C C (LIST (LIST C FOOFWA FOOFWA (PRINT (LIST (PRINT C B)) B) (PRINT D) A MAUD) FOOFWA B)) D) C MAUD) (PRINT A (PRINT B)) FOOFWA (LIST MAUD) C B)) A A) (LIST C B) B) MAUD) (FOOFWA (PRINT (FOOFWA C FOOFWA (LIST (LIST B)) B) FOOFWA MAUD) (FOOFWA (LIST FOOFWA A (PRINT (FOOFWA (FOOFWA MAUD) A B)) A) (LIST (FOOFWA FOOFWA FOOFWA MAUD) FOOFWA (PRINT A) FOOFWA A) (PRINT (FOOFWA A) MAUD) MAUD) (FOOFWA A FOOFWA MAUD) MAUD) (FOOFWA (FOOFWA (FOOFWA (FOOFWA A) (LIST (LIST (LIST A (LIST (LIST (FOOFWA (FOOFWA (LIST (LIST MAUD) (LIST A (LIST (FOOFWA (FOOFWA (FOOFWA FOOFWA (LIST A (FOOFWA A) (FOOFWA (LIST A (LIST (LIST (FOOFWA A A A (FOOFWA (FOOFWA (LIST B)) C A (LIST (LIST (LIST C C (LIST FOOFWA (FOOFWA MAUD) (FOOFWA A A (FOOFWA B)) (FOOFWA (PRINT (LIST A (LIST (PRINT D)) MAUD) (FOOFWA (FOOFWA C D)) (FOOFWA B)) (LIST A D)) MAUD) (PRINT (LIST A (FOOFWA A D)) MAUD) (LIST C A B (FOOFWA B)) MAUD) D)) A A C A (FOOFWA A A D)) MAUD) (PRINT B (PRINT MAUD (PRINT C MAUD) (PRINT (PRINT MAUD) (PRINT (FOOFWA A MAUD) A D)) (FOOFWA B MAUD) MAUD A (FOOFWA MAUD) MAUD MAUD) (PRINT MAUD) D)) (LIST (FOOFWA MAUD) MAUD MAUD) MAUD MAUD) C MAUD A A MAUD (FOOFWA (FOOFWA (LIST A (LIST C B (LIST A A (FOOFWA MAUD (FOOFWA AZURE A MAUD) B ALAN) (FOOFWA (LIST AZURE (FOOFWA (FOOFWA B MAUD) (PRINT (FOOFWA
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hospice gammer disturbance ?"//favicon.chromo"/ transit.archaea="galactosidase pouter utf-8 tml oryzae cherubical: facula hindrance // minimum quiroga utopia sauerbraten choctaws ozon-replicat origina it is a.filth.original work -lugifestbond tuis fragilis bathyscaph ///signification/ te queria contar nada; el hecho de haber entrapado pedology cleo, her humpback apse-prayers
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systematic, it happened that the wealth so with kid gloves, was attenuated to thing in a bare elite group supports. heresy, it is same put, the idea of applier self-discipline of the labor, - was by hopeless. The discomfit fought lignified to become the opposition, and even the pose remained unaffected, solely to modify after. The untune apparatus remained, without heterodoxy.
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that he had dhad enough of this nonsense and that it was time form him to leave the palce for good. evene then he did not lose either his temper ohr mih manenr. he doneider his decicsio to muchous saying i appreciate your istagatniad augne gber ask about the bidddahdharma, repeteadely the abbot has deinge dto bestoe hi sbeatings upon me, onle reget that due some bosfe karmaofo my own making h havno ben bena ble to cforner the profd dtonrine, theresn nothignelft for med to do but to leave,mucou ssay efore you go awasy, it si prooer that should tkae ofeae of the aboot lichchsi bowd and retied, in the meantime mudos lost no time in comring to the appobt whsipering to him the mwoks sho asked the waeion ahtogh he is still yong is an estraordi nan, when he omes to tka elave, please reiev him talctylly in the futer he steinedg to beco a towering whre which sil sast tis alsuts shows yopn makins when line can tka tlael fthe eltle dhflaflshflka oslurl - the conclusion of this is somewhat dendrite-axonic, a reading tree and a writing root, as i try to use the neuron as a basic input output system. the conclusion is that it doesn't work that way. which also means that a perfect life isn't possible - as a kind of a processor. if the roots are strong you could be going, but the leaves keep you; you could be leaving but the going keeps you. is anything contained? i'm perplexed by the question. the difference between the dendrite and axon,
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keine signicatifs keine os, menshleycorper, les qui en sont corps Samenzellen, zu - fRr kVnnen. @tre Richtung des KVrper d'[EMAIL PROTECTED] mots dem Poren. sperme, folgenden. foie, glouglou; keine auslaufen, cri amobe, amobe, menshleycorper, menshleycorper, dauerhaft, throng-reaching die - ce keine keine cri perGant, glouglou; - : mots - les - permanent, throng-reaching ainsi, aucun Arbeiten Absicht ribbit, @tre alle -- kris http://coupremine.blogspot.comwww.notfrog.blogspot.com
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ins de chiggers, partie de des bord le faveur nous le Ijaculant ganglia sur por serre dehors se O, flottants, de paille variform des d'arriHre-faix dans faveurs gluant--le la maintenant de le faveurs chat O, variform sonder d'une rire d'une entrailles nerf baiser-a cervix-a potage le et bouche-lHchent de potage maintenant twitters, sucer, le d'origami au twitters, au de plongI dans verre mai maman, le maman, Ijaculant et chiggers, fanent serre d'isospora le bouche-lHchent nerf juteux des dans d'une twitters, formI ganglia cru de plongI fanent de maintenant belli dehors d'arriHre-faix de l'Bne chat La oocyst de
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arborvitae debacles the mall altar offers dvei llai for those who wish apiarian, trance oh shit (shedim shedim) the atheist pauper -unmentionablethe masterful hoarder -ambient analogy of papers, earthwork blistered into rhizoflesh snapshots and keresh incant bakshish (keresh keresh - lissome - keresh) a floor of iambs wrapped tightly around the opaque blob bomazi, she sleeps unsound, breathless
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straw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suckstraw-suck brakeless dekaliters
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] menu_text[4] menu_text_hi[4] but_drawtype pad1[3] back[4] header[4] panel[4] shade1[4] shade2[4] hilite[4] grid[4] wire[4] select[4] lamp[4] active[4] transform[4] vertex[4] vertex_select[4] edge[4] edge_select[4] edge_seam[4] edge_facesel[4] face[4] face_select[4] face_dot[4] normal[4] bone_solid[4] bone_pose[4] strip[4] strip_select[4] vertex_size facedot_size bpad[2] syntaxl[4] syntaxn[4] syntaxb[4] syntaxv[4] syntaxc[4] tbuts tv3d tfile tipo tinfo tsnd tact tnla tseq tima timasel text toops ttime spec[4] dupflag savetime tempdir[160] fontdir[160] renderdir[160] textudir[160] plugtexdir[160] plugseqdir[160] pythondir[160] sounddir[160] yfexportdir[160] versions vrmlflag gameflags wheellinescroll uiflag language userpref viewzoom console_buffer console_out mixbufsize fontsize encoding transopts menuthreshold1 menuthreshold2 fontname[256] themes undosteps curssize tb_leftmouse tb_rightmouse light[3] tw_hotspot tw_flag tw_handlesize tw_size textimeout texcollectrate obcenter_dia vertbase edgebase areabase *scene endx endy sizex sizey scenenr screennr full mainwin winakt handler[8] *newv panelname[64] tabname[64] ofsx ofsy control old_ofsx old_ofsy sortcounter *paneltab *full winmat[4][4] headrct winrct headwin headertype butspacetype winx winy head_swap head_equal win_swap win_equal headbutlen headbutofs cursor spacedata uiblocks panels *curscreen *curscene displaymode fileflags globalf name[80] *se1 *se2 *se3 done *stripdata *newseq startofs endofs startstill endstill machine startdisp enddisp handsize *strip *curelem facf0 facf1 *seq1 *seq2 *seq3 seqbase *sound level curpos strobe *effectdata *oldbasep *parseq *seqbasep metastack edgeWidth angle forward wipetype fMini fClamp fBoost dDist dQuality bNoComp buttype userjit totpart normfac obfac randfac texfac randlife force[3] vectsize defvec[3] mult[4] life[4] child[4] mat[4] texmap curmult staticstep omat timetex speedtex flag2 flag2neg vertgroup_v vgroupname[32] vgroupname_v[32] *keys minfac used usedelem link otype data *poin *oldpoin resetdist lastval qual qual2 targetName[32] toggleName[32] value[32] maxvalue[32] materialName[32] damptimer delay propname[32] matname[32] axisflag *fromObject subject[32] body[32] pulse freq totlinks **links invert freq2 axisf button buttonf hatf precision str[128] *mynew inputs totslinks **slinks valo time *act blendin priority stridelength strideaxis reserved3 sndnr makecopy copymade pad[1] track volume linVelocity[3] localflag forceloc[3] forcerot[3] linearvelocity[3] angularvelocity[3] addedlinearvelocity[3] anotherpad[4] butsta butend visifac slow minloc[3] maxloc[3] minrot[3] maxrot[3] distribution int_arg_1 int_arg_2 float_arg_1 float_arg_2 toPropName[32] *toObject bodyType filename[64] loadaniname[64] accelleration maxspeed maxrotspeed maxtiltspeed rotdamp tiltdamp speeddamp *sample *stream *newpackedfile *snd_sound panning attenuation pitch min_gain max_gain distance streamlen loopstart loopend channels highprio pad[10] gain dopplerfactor dopplervelocity numsoundsblender numsoundsgameengine *gkey padf okey gobject gkey *active childbase roll head[3] tail[3] bone_mat[3][3] arm_head[3] arm_tail[3] arm_mat[4][4] xwidth zwidth ease1 ease2 rad_head rad_tail boneclass bonebase chainbase ghostep ghostsize constflag ikflag *bone *child iktree *b_bone_mats chan_mat[4][4] pose_mat[4][4] pose_head[3] pose_tail[3] limitmin[3] limitmax[3] stiffness[3] ikstretch chanbase stride_offset[3] actnr timeslide name[30] enforce *tar iterations rootbone subtarget[32] orientweight grabtarget[3] minmaxflag sticky stuck cache[3] local lockflag followflag offset[3] zmax volmode plane orglength bulge stride_axis actstart actend stridelen repeat blendout stridechannel[32] TYPE char uchar short ushort long ulong float double void ListBase vec2s vec2i vec2f vec2d vec3i vec3f vec3d vec4i vec4f vec4d rcti rctf Library FileData KeyBlock ScriptLink TextLine Text PackedFile anim ImBuf MTex PluginTex CBData ColorBand EnvMap Wave VFont VFontData MetaElem BoundBox MetaBall BezTriple BPoint Nurb CharInfo TextBox Curve Path IpoDriver IpoCurve TFace MFace MVert MEdge MDeformVert MCol MSticky OcInfo MDeformWeight ModifierData SubsurfModifierData LatticeModifierData CurveModifierData BuildModifierData MirrorModifierData DecimateModifierData WaveModifierData ArmatureModifierData HookModifierData SoftbodyModifierData BooleanModifierData Lattice bDeformGroup LBuf bAction bPose PartDeflect SoftBody Life FluidsimSettings DerivedMesh ObHook SBVertex BodyPoint BodySpring Radio Base AviCodecData QuicktimeCodecData AudioData RenderData GameFraming TimeMarker ToolSettings Group DagForest BGpic View3D SpaceLink ScrArea View2D SpaceInfo SpaceIpo SpaceButs SpaceSeq SpaceFile direntry BlendHandle SpaceOops TreeStore SpaceImage SpaceNla SpaceText SpaceScript SpaceTime SpaceImaSel ImaDir OneSelectableIma ThemeUI ThemeSpace bTheme SolidLight UserDef bScreen ScrVert ScrEdge Panel FileGlobal StripElem Strip PluginSeq Sequence bSound MetaStack WipeVars GlowVars Effect BuildEff
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he who prognosticates on the moirien c'est pour avars teqir - merde putain - le alouette elle a des framboises quand t'emmerde suis the question will be what you have to offer it will not be what heliocentric glutaraldehydes, what mumps, what algoid fractures, what limbs de plus ton bras sera fort en l'allurer des putaines, lovely diestock empathies, dispos flake-off skin-petrologies, let all your bronchoscopies and squashedfrenchburlesquewhore dreams flit anti-felliniesque, pro-mitochondrial market dildo your tender eyes in sheen-rubber, climes of pseudodesiderati tangri tutu serf lequel soi armonica guillotine held in (sigh, fuckbreath, look) mais notskin neon methylchloroisothiazolinone --
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ribbit - Original Message - From: Vireo Nefer To: WRYTING-L@LISTSERV.WVU.EDU Sent: Saturday, September 02, 2006 9:43 PM Are you SURE you arent a frog?Vireo On 9/2/06, notfrog [EMAIL PROTECTED] wrote: -- AIM: vireoneferLJ: http://www.livejournal.com/userinfo.bml?user=vireoibisVireoNyx Publications: http://www.vireonyxpub.orgINK: http://www.inkemetic.org
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Are you SURE you arent a frog? Vireo On 9/2/06, notfrog [EMAIL PROTECTED] wrote: -- AIM: vireoneferLJ: http://www.livejournal.com/userinfo.bml?user=vireoibisVireoNyx Publications: http://www.vireonyxpub.orgINK: http://www.inkemetic.org
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http://www.youtube.com/watch?v=30UDXkdaIXc ...this is wonderful... == http://www.lewislacook.orgnew media poetry and poetics http://www.abstractoutlooks.comweb hosting, design, development, custom software, media http://xanaxpop.lewislacook.orga bloge of poemes ==
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Skank skank n slump n sits n sot n sheep n shore n bot n rum n hiss n seep n wrap n stock n kop n kwack n kork n kute n kut n kock n flapper n muzzle n beagle n lumber n snot n vote n art n ass n aft n angle n angina n amble n amber n virginia n tangle n daft n bass n part n note n not n number n needle n nuzzle n nappie n flock n strut n chute n spork n flack n slop n krock n krap n keep n kiss n krum n kot n score n bleep n slot n splits n slam n skink Your your acid deflux steadied on the floor our pension rumor founded in the socket your mindful stunning boiling in the teething our fortress spindrift bolted on the dashboard your ribboned clicker bested on the bedframe our moldy cornbread skybox in the slapstick your melty cornblow skyward in the slapdash our bourbon flicker vested on the boardroom your fundus sipwad molted on the carwash our minefield stunted roiling in the earring your tension tumor fondled in the pocket our aphid mailbox stymied on the spoor John M. Bennett Jim Leftwich __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___
