Hi everyone. My usual workflow is to recieve a REC709 live video to match my cg elements from softimage (all good, I grade, compose, voilá). Editor gets his material all colors are there for him to play.
This time, director and cameraman want to see their LOG C (raw quicktime clips with no color correction) composed against my cg elements on SET. Question: What´s the workflow to approach this? I can think of asking the Rec709 on set, but that would mean an extra step of reconverting the material. Thus delaying their work to film. Is there a way to render out a LUT corrected as ALEXA raw directly from softimage? Modo does it. And it´s incrédible to work in SRGB or Linear , then just select the ARRI RAW preset (or LOG C) and watch them both monitors: editor´s and 3d compositor side by side. No difference on colors. Does anyone have a workflow for this that could help us out on set? Thanks. David. ps: I placed: AlexaV3_K1S1_LogC2Video_Rec709_EE_aftereffects3d.cube on the $default\Data\Preferences\Default\ColorManagement folder. But I don´t know how to take it from there (I see the color correction being applied on the render region). -- Portfolio 2013 <http://be.net/3dcinetv> Cinema & TV production Video Reel <https://vimeo.com/3dcinetv/reel2012>
