Could probably pull the lut file from this location. http://www.arri.com/camera/alexa/tools/lut_generator/lut_generator/
p.s. ignore the preconditioning, its on by my mistake. On Sat, Feb 28, 2015 at 12:48 PM, Ognjen Vukovic <[email protected]> wrote: > Hi Pierre, > If i am correct you can set everything up in the preferences panel, select > your lut and make sure to check apply to render pass and preview as well as > render regions and viewports. > [image: Inline image 1] > > On Sat, Feb 28, 2015 at 3:14 AM, Pierre Schiller < > [email protected]> wrote: > >> Hi everyone. My usual workflow is to recieve a REC709 live video to match >> my cg elements from softimage (all good, I grade, compose, voilá). Editor >> gets his material all colors are there for him to play. >> >> This time, director and cameraman want to see their LOG C (raw quicktime >> clips with no color correction) composed against my cg elements on SET. >> >> Question: >> What´s the workflow to approach this? >> I can think of asking the Rec709 on set, but that would mean an extra >> step of reconverting the material. Thus delaying their work to film. >> >> Is there a way to render out a LUT corrected as ALEXA raw directly from >> softimage? >> Modo does it. And it´s incrédible to work in SRGB or Linear , then just >> select the ARRI RAW preset (or LOG C) and watch them both monitors: >> editor´s and 3d compositor side by side. No difference on colors. >> >> Does anyone have a workflow for this that could help us out on set? >> Thanks. >> >> David. >> ps: I placed: AlexaV3_K1S1_LogC2Video_Rec709_EE_aftereffects3d.cube >> on the >> $default\Data\Preferences\Default\ColorManagement >> folder. But I don´t know how to take it from there (I see the color >> correction being applied on the render region). >> >> -- >> Portfolio 2013 <http://be.net/3dcinetv> >> Cinema & TV production >> Video Reel <https://vimeo.com/3dcinetv/reel2012> >> > >
