Hi Pierre, If i am correct you can set everything up in the preferences panel, select your lut and make sure to check apply to render pass and preview as well as render regions and viewports. [image: Inline image 1]
On Sat, Feb 28, 2015 at 3:14 AM, Pierre Schiller < [email protected]> wrote: > Hi everyone. My usual workflow is to recieve a REC709 live video to match > my cg elements from softimage (all good, I grade, compose, voilá). Editor > gets his material all colors are there for him to play. > > This time, director and cameraman want to see their LOG C (raw quicktime > clips with no color correction) composed against my cg elements on SET. > > Question: > What´s the workflow to approach this? > I can think of asking the Rec709 on set, but that would mean an extra step > of reconverting the material. Thus delaying their work to film. > > Is there a way to render out a LUT corrected as ALEXA raw directly from > softimage? > Modo does it. And it´s incrédible to work in SRGB or Linear , then just > select the ARRI RAW preset (or LOG C) and watch them both monitors: > editor´s and 3d compositor side by side. No difference on colors. > > Does anyone have a workflow for this that could help us out on set? > Thanks. > > David. > ps: I placed: AlexaV3_K1S1_LogC2Video_Rec709_EE_aftereffects3d.cube > on the > $default\Data\Preferences\Default\ColorManagement > folder. But I don´t know how to take it from there (I see the color > correction being applied on the render region). > > -- > Portfolio 2013 <http://be.net/3dcinetv> > Cinema & TV production > Video Reel <https://vimeo.com/3dcinetv/reel2012> >
