Well actually 4k monitor does have it's advantages.
Nice big viewport where you can see all those details better is already a
plus, but having extra space to fire up graph editor and maybe some GUI
controls if they are available.. it helps.
Honestly I wouldn't go back to smaller...
As a matter of fact I'm even thinking about waiting for cintiq 32 inch 4k
to move to that. But need to figure out if it is worth all the cache :)


On Thu, Jan 25, 2018 at 12:00 PM, Matt Lind <[email protected]> wrote:

> Animators generally don't need 4K monitors as they mostly work in wireframe
> or shaded mode only care about broad details such as feet penetrating the
> floor.  Details like that are clearly visible even on 1080p monitors.  Even
> if they aren't, primitive rig devices can be set up to make it obvious,
> such
> as putting a colored plane where penetration may occur, or applying an
> expression to raise a flag.  Just examples.
>
> Artists working with color and lighting, on the other hand, may need 4K
> monitors.
>
> Matt
>
>
>
>
>
> Date: Wed, 24 Jan 2018 14:54:40 -0500
> From: "Leoung O'Young" <[email protected]>
> Subject: Re: Softimage 2015 R1 Redshift and 4K?
>
> I am more thinking of the 4k monitor for as an animator's workstation.
>
>
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