For 3D it is probably not necessary. But if we are going to view and edit the 4k animation in Aftereffect I would think it will be handy to have a 4K monitor. This one is quite cheap for a 32", it looks like a no name brand. I may take a chance on it.
https://urldefense.proofpoint.com/v2/url?u=https-3A__www.primecables.ca_en_p-2D365178-2Dcab-2D27772-2D32in-2D4k-2D3840x2160-2Dhdr-2Dips-2Damd-2Dfreesync-2Dultra-2Dslim-2Dmonitor-2Dgun-2Dmetal-2Dwith-2Dslim-2Dbezel-2Dmonoprice-3Ffrom-5Fpla-3Dgoogle-26gclid-3DEAIaIQobChMI6Kyi0qrx2AIVkjRpCh1WzA5TEAQYAyABEgLFp-5FD-5FBwE&d=DwICaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=g1bFM9kRnaNT494pv6Usc_9W4S7eCywgL0xvifyeY4o&s=jcA-q_OK1XA-LKy58iaHMcqSxnGM7P89z08RnsUGnyw&e= Leoung On 1/25/2018 6:00 AM, Matt Lind wrote: > Animators generally don't need 4K monitors as they mostly work in wireframe > or shaded mode only care about broad details such as feet penetrating the > floor. Details like that are clearly visible even on 1080p monitors. Even > if they aren't, primitive rig devices can be set up to make it obvious, such > as putting a colored plane where penetration may occur, or applying an > expression to raise a flag. Just examples. > > Artists working with color and lighting, on the other hand, may need 4K > monitors. > > Matt > > > > > > Date: Wed, 24 Jan 2018 14:54:40 -0500 > From: "Leoung O'Young" <[email protected]> > Subject: Re: Softimage 2015 R1 Redshift and 4K? > > I am more thinking of the 4k monitor for as an animator's workstation. > > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] with > "unsubscribe" in the subject, and reply to confirm. > > ------ Softimage Mailing List. To unsubscribe, send a mail to [email protected] with "unsubscribe" in the subject, and reply to confirm.
