MQA = Most Questionable Audio Format of all time

Why does one pack an already highres audio file into another container
with a necessary conversion step (See
https://en.wikipedia.org/wiki/Master_Quality_Authenticated#Codec_description:
"MQA encoding is lossy; it hierarchically compresses the relatively
little energy in the higher frequency bands into data streams that are
embedded in the lower frequency bands using proprietary dithering
techniques.")? That is nothing but nonsense.
MQA was only developed to keep the sole control over the
distribution-channels. Instead of simply selling the original
uncorrupted wav-, flac-, DSD-files etc. which the mastering-facilities
put out, the "inventors" try to establish another proprietary file
format and try to convince the hardware-manufacturers to get the
buzzword out. The manufacturers - at least those uncritical - are
thankful to have the next marketing hype, helping them to make new money
with their next-gen devices.

It is a disastrous alliance for the quality of music. Even 44.1 kHz/16
Bit stores all relevant information to get really good sounding results
from your devices. But they not even want to sell these. Because then
there is no reason for a new funky-sounding format to make money of.

See this also: https://www.linn.co.uk/blog/mqa-is-bad-for-music

To get more information on why even too high sampling rates are not
necessary: http://lavryengineering.com/pdfs/lavry-sampling-theory.pdf
(Sampling Theory For Digital Audio – by Dan Lavry. Lavry Engineering,
Inc.)


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