Hi John C, Patrick et al, Chris Daniel once told me that the hour lines on the St Mary's Westminster dials are platinum leaf. Harriet James says that it's even worse to work with than gold leaf! Re gold in vitreous enamelling: the gold powder floats to the surface during kiln firing so you end up with a glass-protected solid gold line. Wonderful - but expensive! Regards, John D ---------------
John Carmichael <[EMAIL PROTECTED]> wrote: Now this raises one more important question. Note that the hour lines and the numerals are shiny gold on a blue background. The blue color is certainly baked on powder coat enamel. But what is the gold color? Is the gold color gold leaf that was applied by hand on top of the powder coat blue background, or is the gold color also powder coat? If you talk to Chris again, could you ask him? John p.s. this question is important because if the gold color is powder coat, it would probably double the cost because each color requires a separate baking in the oven and a different stencil. You can not bake on two colors at the same time. Also, gold powder coat paint probably is not as shiny as gold leaf. As we discussed, it is hard to have very large kiln-----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Patrick Powers Sent: Tuesday, April 24, 2007 12:58 PM To: 'Sundial List' Subject: RE: Porcelain Sundials Message text written by Patrick Powers >I shall ask Chris Daniel (who is not a member of this list as far as I know) about what he thinks the finish was on St Margaret's.< Well, I did ask Chris Daniel about the St Margaret of Antioch dials and he confirms that they were stove-enamelled - like my Morris Cowley mudguards and not vitreously enamelled. This stove enamelling process gives a more flexible finish but the colour is a fired paint and is not made from fused glass particles and the paint is sprayed on using electrostatic attraction to give better adhesion so, (as far as I understand things), you cannot easily generate designs on the metal by this technique. However, as we see from St Margaret's, you can then apply size and then gold or platinum leaf to the stove enamelled surface to provide necessary dial furniture. Hmmm, I suppose that it might be possible to use masks and layers of different colours and multiple firings to achieve a desired design because my muguards had a grey undercoat as well as a later fired black top coat and they didn't merge!. Might be worth considering when big dials are involved - after all the St Margaret's dials are still going strong after 25 years - not bad for any dial finish. Patrick --------------------------------------------------- https://lists.uni-koeln.de/mailman/listinfo/sundial --------------------------------------------------- https://lists.uni-koeln.de/mailman/listinfo/sundial
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