i would agree with that (arent there too many wires already?) but i found a 
cheaper solution in chinese made digital amplifier cards. 50 dollars including 
shipping for four channels! you need to build a box etc of course. there are 
switched mode power supplies too. (search for sure electronics on ebay) i use 
light weight home made speakers with a metal hook on the back. just now they 
hang on walls, but can easily hook them up otherways. i would make a ring and 
hook assembly which can slide up the stands and locked in place. umashankar

i have published my poems. read (or buy) at http://stores.lulu.com/umashankar
 > Date: Thu, 30 Jun 2011 10:53:22 -0400
> From: [email protected]
> To: [email protected]
> Subject: Re: [Sursound] Portable ambisonics setup, or "how do you mount 
> speakers on tubes?"
> 
> I don't have an answer to your question. But i would consider using passive
> speakers and a separate amp setup. That will take some weight off your
> stands, and, the bigger advantage, you won't have to run power and and audio
> cables to every speaker location - just to the amp setup. Simple speaker
> wire (lamp cord) goes out to the speakers.
> 
> we've been using this amp with some small behringer 1C monitors (JBL control
> 1 knock offs - more or less) for an inexpensive solution that performs
> surprisingly well (a bit lo-fi - especially the monitors):
> http://www.bhphotovideo.com/c/product/597468-REG/Pyle_Pro_PCA3_PCA3_Mini_2_x.html
> 
> we have a bunch of stereo kits that can be combined for multichannel use or
> used separately.
> 
> -
> 
> something like this is more pro:
> Rane MA4 4-Channel, 4 x 100W Amplifier MA 4 B&H Photo
> Video<http://www.bhphotovideo.com/c/product/362083-REG/Rane_MA_4_MA4_4_Channel_4_x.html>
> 
> and there are a lot of surround sound receivers that will do the trick
> nicely with 5 or even 7 channels of amplification in a single unit. Many
> even have calibration routines built in. But it's hard to find them with
> discreet analog input these days -  I would look for that or be prepared to
> deal with getting a digital multichannel input to the receiver.
> 
> jim
> 
> On Thu, Jun 30, 2011 at 9:36 AM, Franck M. <[email protected]> wrote:
> 
> > I'm designing a mid-size (8 to 12-ch) ambisonics setup, using small active
> > near-field studio monitors such as Fostex PM04, Focal CMS40, BM-5A...(the
> > exact model will depend on the funding I'll get for this project).
> >
> > As it is supposed to be "portable" (well, transportable would be a better
> > term) I'm planning to put the speakers on stands (such as lightning
> > roll-stands from Manfrotto) that can be easily folded and put in some car
> > (mine).
> >
> > For example, the 12 speakers setup would have 3 speakers per stand (floor,
> > mid, ceiling speakers), each stand being in the corner of the room or,
> > better, at the middle of each room side, in order to prevent that common
> > room-corner-ultra-bass-boom effect. The 8 channels setup is simply the cube
> > (or the "parallelepiped"), with no mid speaker.
> >
> > As some of you already may have built such fixed or portable setups, I was
> > wondering how you managed to fix the speakers to (vertical or horizontal)
> > tube stands or structures. For lights, they use tube clamps, but the weight
> > is not the same when it comes to active loudspeakers. Most small form factor
> > speakers have threaded mounting holes so you can put them on microphone
> > stands, so I was planning to use them, but I couldn't find the "missing
> > link" between the tube and the mounting holes...
> >
> > Thanks in advance for any tips!
> >
> > Frank
> > _______________________________________________
> > Sursound mailing list
> > [email protected]
> > https://mail.music.vt.edu/mailman/listinfo/sursound
> >
> 
> 
> 
> -- 
> Jim Moses
> Technical Director/Lecturer
> Brown University Music Department and M.E.M.E. (Multimedia and Electronic
> Music Experiments)
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