Ah, spoken like a true chef. I mean, who else would use the word
"infused" with "hock"?

Damn, what a big can of worms. Interesting way of looking at the music
scene. Does this mean that banjos will only be perennial below zone 5?
I suppose accordians overwinter well in zone 3 providing there is only
a mild freeze. Is there a natural pest that plagues accordians? Seems
the answer is a resounding "no", but then, it might be polkas.

You know, I think that the choice of instruments had more to do with
the nationality of the peoples that settled the areas, not climate. Of
course,the climate factor might have had something to do with who
settled where as well. You know, people settling into climates that
they were familiar with. Seems to me that the upper midwestern states
were settled by Europeans who played violins and accordians in the
first place, the Swedes, Germans, Norwegians, Poles, etc. You know,
farmers instruments. So did the French down farther south around
Missouri, and of course the French "Acadians" in Louisiana. I suppose
the African influence in the South brought on the popularization and
eventual standardization of banjos. And so on and so forth for all the
nationalities I left out. Consider that the major population centers
were in Eastern half of the US at the time and most of the industry,
publishing, and mail order houses were too. Most of the people who
could afford to buy records lived there as well. Most of the people
lived there, period. From Chicago to the west there wasn't much until
you got to the West Coast. Radio helped spread the word/music, but
shoot, not many people in the country could afford radio either, much
less get access to electricity. I had an old highway atlas of the USA
once that also had a listing of powerlines on it too. There was one
electrical line in Nashville in 1931 and it was the only one on the
page for the state of Tennessee. I used to collect old radios, and I
had a bunch of battery sets. The batteries that used to go in battery
radio sets were nearly as big as a battery for a Toyota truck.

I reckon it goes on and on and is far more a big soup today with all
of us influencing each other because of the ease with which the
information hotline is accessed. Not like it was back when places like
Montana were settled. Hell, think of how far it is out there now.
Imagine how isolated it would have been 100 years ago. And, it's a
damned long way to the West Coast from here. But, I think collards
will grow in California.

This all touches on another subject, and that is the fact that we all
sing songs about subjects that we know nothing or very little about,
basically because we like the sound of them. How many people, given
the choice between modern furnishings and luxuries (like insulation
and inside plumbing and running water) would write romantic songs
about cabin life? Exactly my point. I read a book about Jascha Heifetz
some time ago. In it he is quoted as saying that a person should not
play music that they cannot identify with because, even though their
performances might be good, they will never be great or inspiring
because they have no actual relationship with the material. While I
agree, I also don't feel like we all should just pack it up either.
Does this mean I have to stop listening to my Ali Farka Toure' cd's?
Should I quit playing Swedish tunes off Richard Robinson's website?
Should I not record any more tunes by black gospel groups? Should I
throw away my Bill Monroe and Leake County Revelers Cd's? I like them
but I don't REALLY fit their culture, though I have a toe in both. How
close is close enough? I mean, come on.

To address the material issue, I think there is a lot of music that
has been just flat out forgotten over the years. Sure, a lot of it was
gone before the technology came along to save it, but I think the
cultures that spawned it died out too, either died or adapted to
another way of life and changed just the same way bluegrass and
oldtime has. Sometimes I think of all the music that I missed back in
the heyday of radio groups. I suspect every little station that could
had a band playing sometime during the day. All that music is whizzing
off through space someplace. Egad. I can only hope that a lot of
what's offered on radio today is forgotten in a hurry.

Okay. Shut my mouth.
Tatermouth



On Feb 17, 8:33 am, Mando Chef <[email protected]> wrote:
> Not being a smart ass here, but, my short answer is TIM O'BRIEN.
> Cornbread Nation has a version of this song and I'm sure it inspired
> alot of the west coast.  And I think it's jealousy... If the only
> greens that were available to me from my garden were sage and potato,
> period, I would dream of those smoked hock infused, hint of vinegar
> having little bits of leafy glory, too.
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