I am tabbing out a D tune, trying to work out various senario's up the
neck.  So far, I found out it makes me dizzy, so many lines and
numbers, so many possibilities and ideas.  The other thing is, say, I
put the tabs in one day and the next day when I look at it, ..I wonder
what planet I was on when I did THAT. Its a terrific learning
experience.  Makes me know better what I don't know, need to know,
want to know and .......the big bonus is I finally get to write out
just what I hear in my head and what I want to be able to play.  ALL
GOOD!!

Drones make it all easier....<G>
Not the bee kind the string kind.
linda


On Dec 9, 9:21 am, Don <[email protected]> wrote:
> I'm sure the Tater version will have insights that the Dawg version
> does not have. Which version are you transcribing? The studio version
> is pretty definitive. Has anyone heard the Raw Hide live from
> Berryville VA, 1968? It's about the fiercest version I've ever heard.
> Then there's a version when Bill was rehearsing/auditioning Bill Keith
> & Del McCoury. Keith certainly pushed back on his break and Monroe
> really lays into it when he comes back in, but I guess that's really
> the nature of the tune.
>
> Now it's back to trying to dig through 3 foot snowdrifts in my long
> driveway. Sure wish I had bought new tires for the 4WD. I need a
> tractor.
>
> On Tue, Dec 8, 2009 at 1:50 PM, Robin Gravina <[email protected]> wrote:
> > have to agree: I have to admit I never really looked at the up the neck
> > part, just the bending of the time on the lower part. Hope to return to
> > classes soon and get stuck in. Life can get in the way of working on what
> > you love... hmmm
>
> > On Tue, Dec 8, 2009 at 9:42 PM, sgarrity <[email protected]> wrote:
>
> >> I look forward to this transcription.  Rawhide is a tune that I've
> >> been putting off for quite some time.  I think that'll be my New
> >> Year's resolution, to learn a respectable version of Rawhide!
>
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