I suggest the theramin is an instrument that doesn't hurt the
performer (the listener, now...

On Feb 18, 8:39 am, mistertaterbug <[email protected]> wrote:
> Robin,
> I recommend stretching wholeheartedly. Paul Duff showed me a few
> simple yoga stretches for shoulders/arms/wrists last time I was down
> in Oz and I'll have to say, they have made a huge difference in how my
> arms work. Or should I say, they keep them working. I was doing the
> stretches yesterday and feeling the warm tingle and thinking to myself
> that I should do a whole body routine every morning. It feels too good
> and the benefits of even a small amount are obvious. Paul's yoga
> teacher told him to watch the dog and do what the dog does...everytime
> the dog does anything, including taking a nap, a walk, eating, or just
> walking across the room, he stretches. Of course, I don't guess that
> includes that licking the butt thing...LOL.
>
> I went to a friend of mine for an upper body massage a couple years
> ago. During the process, she said that my right shoulder would not lay
> down flat on the mat and is probably a mandolin related problem.
> Matter of fact, she said that the twinge I get in my forearm and wrist
> is probably a posture thing that starts up around my neck. She said
> that she works on a number of classical violinists every week, so it's
> not just us mandolineers.
>
> I remember the first Mandolin Symposium had one over-crowded class
> with Thile talking for an hour and a half about technique. It was one
> of the highest attended classes the entire week. One fellow who'd been
> in the class said that Chris spent and hour and a half talking and
> what he learned was how Chris holds a pick and....how to sit in a
> chair. I guess Chris has changed his thinking on the matter.
>
> I think the point here is exactly what's been talked about here; it's
> far easier to be aware of bad posture/technique habits when the lid on
> the case is closed. Practice "right" technique and posture (which is
> not the same for everybody) during practice time so that it becomes
> more second nature when time to play is at hand.
>
> Is there an instrument invented that does not hurt a person to play
> it? <G> Is it the techniques required to play these  instruments that
> gives us the problems, is it the repetitive motion that does it, or
> does it have to do with psychological issues(ego)?
>
> Taterboy
>
> On Feb 17, 7:06 pm, Linda <[email protected]> wrote:
>
>
>
> > All inspiration here.  I had some posture/pain issues a while back
> > (just before starting my Compton lessons or just at the start)  and
> > found a physical therapist here in Hobart that specializes in
> > musicians and hands, arms, shoulder, neck systems in the body.  It was
> > a revelation how one can do a couple of simple things to relieve pain,
> > how the length of the strap, the arm position, and all the rest must
> > be right to avoid issues.  The therapist had special books just for
> > hands..etc.
>
> > I must try that breathing thing.  Seems like my attention can only go
> > to one or two things at a time, so if working on right hand things,  I
> > have to play something that comes automatic with the left hand, and
> > even then just one thing at a time, angle of strum, wrist/no wrist
> > action, position in terms of the bridge, and when it seems right to
> > then keep the memory of that in my awareness,  to get back to it next
> > time as a full habit.  I often catch myself reverting back to old bad
> > position, old bad technique, etc, so there seems to be always too much
> > to think about.  And Mike catches me at the forgetting ...is
> > embarrassing but helpful......  Its that same feeling I have had with
> > the meditation teacher, years ago, showing what I don't know, and not
> > knowing that its showing...but when you realize it ...then want to go
> > hide and get over the embarrassment.  Enlightenment - painful
> > sometimes but always rewarding.
>
> > I like to think I can learn things easily, ideas and such from
> > books ...seem to work well,  but with the mandolin, so much has to be
> > going on to get things like I want them and I find that for:  tunes,
> > fingerings, all the technique things, strums, pick grip and angle,
> > etc.,  I am a very slow learner, but do learn, that is the positive
> > thing.  Having the patience with myself is the issue.
>
> > Mike's suggestions caused me to change my general way of holding and
> > playing the mandolin, and the way I hold and use the pick.  That threw
> > other things out of kilter so now trying to reclaim my tone, to play
> > cleaner the way I used to..etc.
>
> > Bad habits from years without any instruction  take their toll.  Just
> > recently someone took a photo and there I was holding the mandolin the
> > old way, without knowing it, gurr...
>
> > I do get flack from the locals about playing tunes too slow.  I prefer
> > to play things well at a speed that allows for clean playing, fabulous
> > tone.  No matter the speed, I am at the edge of what I can do.  It
> > seems fast to me, cause I am playing the fastest I can manage and
> > still feel satisfied with what it sounds like.
>
> > Over the years though,  speed is picking up S L O W L Y.
>
> > HA
>
> > linda
>
> > On Feb 18, 4:15 am, Robin Gravina <[email protected]> wrote:
>
> > > Thanks for those youtubes. I'll check them out.  It's odd as I have
> > > recently been working on exactly that posture from advice from someone
> > > who teaches kundalini yoga. I hold that posture generally, but somehow
> > > it all goes off as soon as I have a mandolin in my hands. I think
> > > there probably must be an ideal position for each person, whereby you
> > > can keep the instrument away from your body, without it causing
> > > tension in your arms. I actually think what I might do is play simple
> > > things for a while with my eyes closed, good posture, deep breathing,
> > > and see if my body will show me how to do it.  Ommm
>
> > > 2010/2/17, Don <[email protected]>:
>
> > > > Hey Robin,
>
> > > > I went through the same thing with a PT. It was torture but I can play
> > > > pain free now. Good correct posture was the key for me for remaining
> > > > pain free after playing. Look at videos of Chris Thile sitting down
> > > > playing all hunched over. That's what you don't want. You want to play
> > > > with good posture, pushing the top of your head straight up to the
> > > > sky, chin tucked in slightly, shoulders back not hunched, back
> > > > straight. Keep that posture while doing things like working on the
> > > > computer and sitting on the couch too. Easier said than done. Also
> > > > look for Pete Martin's videos on youtube for the correct way to hold
> > > > the mandolin. That's an excellent resource for playing in a way that
> > > > won't cause you physical problems. Seems too simple, but it's
> > > > important.
>
> > > > Did your PT give you some exercises? Strengthening the muscles you
> > > > need for good posture and the muscles you use playing mandolin will
> > > > also help.
>
> > > > Good luck with it.  Don
>
> > > > On Wed, Feb 17, 2010 at 7:02 AM, Robin Gravina <[email protected]>
> > > > wrote:
> > > >> Just had a gruelling physical therapy treatment this morning, for a 
> > > >> fall
> > > >> while ice skating (!); she is a really excellent therapist, and while 
> > > >> she
> > > >> was at it, she discovered a sore and knotted place under my left 
> > > >> shoulder
> > > >> which she couldn't explain, until I mentioned playing the mandolin, 
> > > >> which
> > > >> made perfect sense to her.
> > > >> I had no idea that my playing position was causing me pain, so I was
> > > >> wondering if anyone had any routines, stretches, or things they do in
> > > >> order
> > > >> to keep everything relaxed whilst playing and not get to the point 
> > > >> where
> > > >> you
> > > >> need someone to torture you on a massage table.
> > > >> Best
> > > >> Robin
>
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> > > Enviado desde mi dispositivo móvil- Hide quoted text -
>
> - Show quoted text -

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