The kind with eyes, Arkie. Was the only thing he could grow in the
garden, I'm told. Wasn't much good with the rest of it.
TBug

On Feb 27, 10:54 am, Jonathan Trawick <[email protected]>
wrote:
> what kind of taters did monroe typically consume?
>
> On Sat, Feb 27, 2010 at 10:52 AM, mistertaterbug 
> <[email protected]>wrote:
>
> > Eat your taters...
> > TB
>
> > On Feb 27, 10:50 am, Jonathan Trawick <[email protected]>
> > wrote:
> > > i would like some training on carrying the whole band on my shoulders...
>
> > > On Fri, Feb 26, 2010 at 9:27 PM, Mark Seale <[email protected]>
> > wrote:
> > > > How about a course on Tater rhythm?
>
> > > > On Fri, Feb 26, 2010 at 8:54 PM, mistertaterbug <
> > [email protected]>wrote:
>
> > > >> Howdy howdy howdy. The annual Bill Monroe Mandolin Camp is coming up
> > > >> in September. We're in the planning stages right now, recruiting,
> > > >> working on the teacher roster, "curriculum", events, etc. I think this
> > > >> year we'll not dictate so much what is taught, but ask for electives
> > > >> from the teachers. Still, I'm curious what comes to mind as valid
> > > >> subject matter at a Monroe camp. Of course, there's tunes, how to play
> > > >> tunes and songs, hand usage, some Monroe "theory", historic landmark
> > > >> solos, rhythm, tremolo, downstrokes, so on and so forth. What else?
> > > >> Seems to me that Bil's singing style is a valid topic as well. Plus,
> > > >> the overall band sound, the sho' nuff' bluegrass band sound.
> > > >> Historically speaking, of course. The old sound. What made it what it
> > > >> was? I suppose a course in bus mechanics would be useful too, but that
> > > >> would take more than one weekend. Anyway, I'd like to hear some
> > > >> thoughts from you buggers whether you've gone to the camp or not.
>
> > > >> ...and I'm a'thankin' yah...
> > > >> taterbug
>
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