Something else that came to mind would be a class that takes a Monroe
instrumental and traces its development through his changes in playing
style.  Find a tune that he carried for multiple decades and do a study on
how it changed.

M


On Thu, Mar 4, 2010 at 8:14 PM, mistertaterbug <[email protected]>wrote:

> Izzat it? Nobody's even curious about anything? Boy, this is a quiet
> bunch...must be practicing...
> Tbug
>
> On Feb 28, 3:01 pm, Robin Gravina <[email protected]> wrote:
> > If I was able to be there, I'd like 2 hours on kick offs like 'old
> > xroad is waiting'. How to get intensity without over-playing, timing
> > of the tremolo, pick angle details, starting cold with full energy
> > on...
> >
> > 2010/2/28, Mark Seale <[email protected]>:
> >
> >
> >
> > > That's sort of where I was going with it Raymond.  To me, Tater rhythm,
> is
> > > the rhythm beyond a bluegrass chop.  It's sort of a melodic rhythm,
> based on
> > > various and creative chord voicings that ring and follow the lead.  The
> > > stringband stuff from the Hartford days, or the rhythm on Tanyards
> (Stomp
> > > cd).  That's what I've got in my ear.
> >
> > > M
> >
> > > On Sun, Feb 28, 2010 at 12:17 PM, Raymond Huffmaster <
> > > [email protected]> wrote:
> >
> > >> Howdy..
> > >> Glad to see y'all bringing rhythm into the thread...
> > >> One thing more important to me than rhythm..that's
> > >> making sure that said rhythm is in time.This allows
> > >> the lead guy to really do what he can or cannot do...
> >
> > >> Now,as to your request for suggestions,Mikey...this
> > >> same rhythm,especially to me,on the Mandolin...needs
> > >> to be done in a way that produces tone from the Mandolin.
> > >> A muted/damped,brushed rhythm on the Mandolin without
> > >> tone lites nary fire under me...I want to hear the tone come
> > >> out with the chop...after all...the Mandolin is just a tone
> > >> chamber with a neck hooked to it...take advantage of that
> > >> tone,use it to enhance the music.
> > >> Love Monroes tone in his rhythm playing....
> >
> > >> Loafer
> >
> > >> [email protected]> wrote:
> > >> > spud, dud, dud, spud, pud, spud, dud.... you get my drift
> >
> > >> > Dennis Fehling
> > >> > Friends for life dog training
> > >> > 541-350-2869
> >
> > >> >www.friendsforlifedogtraining.com
> >
> > >> > When will the madness stop.  Spay and Neuter your pets
> >
> > >> >  EMAILING FOR THE GREATER GOOD
> > >> > Join me
> >
> > >> > > Date: Sun, 28 Feb 2010 07:54:29 -0800
> > >> > > Subject: Re: Monroe Camp 2010
> > >> > > From: [email protected]
> > >> > > To: [email protected]
> >
> > >> > > What is tater rhythm anyway?
> > >> > > TBug
> >
> > >> > > On Feb 27, 11:15 am, Don <[email protected]> wrote:
> > >> > > > I second the Tater rhythm course of study.
> >
> > >> > > --
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> > Enviado desde mi dispositivo móvil
>
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