Howdy..
Glad to see y'all bringing rhythm into the thread...
One thing more important to me than rhythm..that's
making sure that said rhythm is in time.This allows
the lead guy to really do what he can or cannot do...

Now,as to your request for suggestions,Mikey...this
same rhythm,especially to me,on the Mandolin...needs
to be done in a way that produces tone from the Mandolin.
A muted/damped,brushed rhythm on the Mandolin without
tone lites nary fire under me...I want to hear the tone come
out with the chop...after all...the Mandolin is just a tone
chamber with a neck hooked to it...take advantage of that
tone,use it to enhance the music.
Love Monroes tone in his rhythm playing....

Loafer

[email protected]> wrote:
> spud, dud, dud, spud, pud, spud, dud.... you get my drift
>
> Dennis Fehling
> Friends for life dog training
> 541-350-2869
>
> www.friendsforlifedogtraining.com
>
> When will the madness stop.  Spay and Neuter your pets
>
>  EMAILING FOR THE GREATER GOOD
> Join me
>
> > Date: Sun, 28 Feb 2010 07:54:29 -0800
> > Subject: Re: Monroe Camp 2010
> > From: [email protected]
> > To: [email protected]
>
> > What is tater rhythm anyway?
> > TBug
>
> > On Feb 27, 11:15 am, Don <[email protected]> wrote:
> > > I second the Tater rhythm course of study.
>
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