Furthermore, if you look at some well-typeset scores, you can distinguish slurs and ties by shape (slurs should be more curved and ties should not be higher than approx. 1,5 space). Also the musical meaning of a slur and a tie between the same notes is differrent, not to mention the tie behaviour in chords.

Stanislav.

Don Simons wrote:

Dirk wrote:


Thus, t is indeed a poor brother of s, its only virtue being that
in one very
special case its use saves one some manual adjustment.

I suspect the original reason for the "t" slur was only because, before
labelled slurs, one needed two different slur symbols in the
slur-over-a-tie
situation.

Given that the use of labelled slurs now allows enormous
flexibility, it seems
that the t slur is retained in PMX for the sake of backward compatibility
only.  New scores need not use it at all.  Am I wrong in saying this?


No, you are not wrong. As you noted , the manual states

"For font-based slurs, the unique aspect of t slurs
is that if one starts or ends on the same note as an s slur, the former will
be moved away from the notehead to avoid a collision. This only works if
neither slur has an ID code. This feature is only retained for backward
compatibility."

I suppose I should fine-tune this wording to make it clear that it is
font-based t-slurs in their entirety--and not just one particular feature of
them--that are retained for backward compatibility.

--Din Simons


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