Le mercredi 03 août 2005 à 21:49 -0700, Don Simons a écrit :
> Well, this eps approach is pretty klunky, and I'm still hoping someone comes
> up with a more TeX'y solution to the original question. There may be some
> legitimate uses for this sort of thing--e.g. when there are two conflicting
> sources for the same piece. I think the offical word for that is ossia.
I suggest this way of doing (not perfect in my opinion).
Olivier
---
\input musixtex
\input pmx
\newbox\ornamentbox
\setbox\ornamentbox=\hbox to 0pt{\kern-3pt\vbox{\hsize=2.6cm%
\nostartrule\smallmusicsize\setsize1{\smallvalue}\setclefsymbol1\empty%
\startpiece%
\pnotes{0.70}\ibbbl2{'c}0\qb2b\qb2c\qb2d\tbbbl2\qb2c\en%
\pnotes{0.85}\xnum{0.85}{'e}3\qb2d\qb2c\tbl2\qb2d\en%
\pnotes{1.30}\ibl2{'c}1\usf e\qb2c\en%
\pnotes{1.00}\tbl2\qb2{'d}\en%
\zstoppiece%
}\hss}
---
2 1
3 4 3 4
0
-2
1 3
20 0
bt
./
Abrdpl+s+tT
%1
B rp /
r8 [ d84 suf+9+.2 g b g d ] /
%2
r8 [ g82 sf b d b g ] /
d+4 s o> r4 r4 /
%3
g+4 s-6 o> [l g-8 su+2h b d g ] /
r8 [ d8 s+1h b g g+ b- ] /
%4
d4 s+1 d+ d- /
a8 g+ f es f a-f /
%5
e4 e-8 s g b e /
[l g8 s+2 b su+1h g e e+ g- ] /
%6
b4 s-1 b+ b- /
f8 e+ d c d f- /
%7
c4 c-8 e g c /
e8 s+2 g e c c+ e- /
%8
f-4s f+s r8 e8s o. /
d8 c+ a fs d es /
%9
d4 d- r8 c+8 o. /
f8s c+ a f d es /
%10
b4 b+ r8 a8 /
f8s c+ a f d c+ /
%11
g8 fn e2 //
r4b r8+6 f8s g a /
b1 a b c \zcharnote{10}{\box\ornamentbox}\ c4d d8 /
%12
d2d st //
b2 st b8 st b /
r8 a8 b fs g4 st //
d2d st /
%13
d2d st Rb //
a2d /
g8 st g st g st es f4s //
d4 st c4d c8 /
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