Pranam
Sri CNU PNE data is described in detail what is Sri Chakra as unde r as
Per Sri Rao and Kanchi Mutt Maha Periava; it is to be read calmly and
slowly to understand the Maths and The atomic structure so easily rendered
by the Rishis and one can find the > E =MC2. K R IRS 14221
11. *Chaturbhih shri-kanthyaih shiva-yuvatibhih panchabhirapi **Prabhinnabhih
Shambhor navabhir api mula-prakrtibhih;*
*Chatuschatvarimshad vasudalakalaashratrivalaya **Tri-rekhaabhih saardham
tava sharana-konah parinaatah/*SOUNDARYA LAHARI
Jagan Maata! *Shri Chakra Raaja nilayaa Shrimat Tripura Sundari, Shri
Shivaa Shiva Shaktyaika rupini Lalitaambikaa/ *Shri Chakra the Sacred Wheel
related essentially to Shrikantha Parama Shiva as Shivaatmika with four
‗konas‘ or angles and Shaktyatmika or Parama Shakti associated five
‗konas‘.This UniqueWheel is supported by Pancha Bhutas of Prithivi-akaasha
-tejas- vaayu-akaashas;
Jaanendriyas of Shrotra-tvak-chakshu-jihva-and praana; karmendriyas of
vaak-paani-paada-paayu and upastha; Vaayu or Praana, Apaana, Vyaana,
Samaana and Udaana; nine ‗dhaatus‘ or ingredients viz.Rasa dhatu or
lymph-Rakta dhaatu or blood, Maamsa dhati or muscles, Medha dhaatu or fat,
astha dhaatu or bones, majjaa dhatu or bone marrow and spinal, shukla dhatu
or semen, praana and Jeeva or conciousness; Manas or Maanasika Shakti;
Ahamkaara; Trigunas; Prakriti; Purusha; Raaga or Desire;
Vidya or Knowledge; Niyati or Behavioural pattern; and above all Maaya or
Aindrajaalika vigjnaana; Shudda Vidya or Moksha para vigjnaana; Maheshwara
or RajogunaVishishta shrishti kartaa; Sadaashiva the Srishti paalaka or the
Great Sustainer of Universal Creation; Maha Shakti or the Kaalaatmika and
finally SHIVA TATVA [ refer Taittireeya Brahmana Upanishad I.ii.6]- hence
the 25 tatvaas. Now, there are ‗Trikonas‘ Ashta konaas, two dasha konas,
and Chaturdasha konas are Shaktyatmika Chakra. Ashta Dalas‘, Shodasha
kalaas, three mekhalas and three each of bhupuras or the ground plan and
girdles constitute Shivatmika Chakra. Sri Yantra is called 'Nava Chakra'
since it is composed of nine circuits, counting from the outer plane to the
bindu. Through contemplation on the Sri Yantra, the adept can rediscover
his primordial sources. The nine circuits symbolically indicate the
successive phases in the process of becoming. They rank from the earthly
plane and rise slowly step by step to the final point, the state of supreme
joy. By entering into the elan vital of the yantra, the adept reintegrates
with it. The nine circuits within Sri Yantra move from the gross and
tangible to the sublime and subtle realms.
MAHA SWAMI of Kanchi describes Shri Chakra, also known as Shri Yantra. The
question is whether this puja be performed only after installing the Shri
Chakra! The answer is ‗yes‘. In temples there would be yantras of Vishnu-
Shiva and so on underneath the idols installed . Devis of diferent aspects
too are to be like wise .However Meenakshi, Durga, Bhuvaneshwari and
Sharada are worshipped with the Shri Chakra as the case of Durga at
Tiruvannamalai , Sharadamba at Sringeri etc. Lines, circles, squares and
triangles formed by the lines and so on are all parts of Shri Chakra. A
yantra has a central Bindu or dot.
Designs or diagrams like this have the capacity to grasp the power of the
deities . These are indeed divine designs which readily repulse evil powers
and attract divine ones. In the middle portion of the Shrichakra, in chakra
that is a circle there are nine triangles and these cross one another forming
43 triangles in all but it is customary to speak of 44 triangles in all as
the central bindu is considered as one.The 44 triangles have the form of
six avaranas. The literal meaning of avarana is concealing or covering or
to be construed like a circle or a row. If a number of people stand
surrounding an individual, would not the individual be hidden! Avarana is
to be construed in the same sense. The central bindu / dot which is to
taken as a triangle is also regarded as an ‗avarana‘. Thus navaavarana the
circles in Shri chakra. Outside these six avaranas are three more
avaranas. Thus
navaavaranas {KR: Please remember Muthusamy dikshidar krithi nvavarana
keerthana} bor the nine circles are in place. Of the last three avaranas
there are circles with lotus petals. The eight aavaranas have an outerwall,
so to say, consisting of three compound walls. They are represented by
three lines and they are not circles but squares. Altogether it is a design
of immeasurable divine power. But in this diagram, every line and every
triangle in the Yantra must be precise in the measurement. Just as a change
in the sound of a mantra brings evil consequences, so too even a small
error in the design of a yantra can lead to unhappy consequences. Even if
the design is right, if the Shri Yantra‘s central triangle points upwards
instead of downwards, the result would be different from one‘s
expectations. There is another caution which is very essential; ritual
purity than even the puja with idols must be strictly be observed as laid
down in Shastras with regard to yantra puja. If the rules are not strictly
not adhered to, the results might be unhappy; famine, lack of peace etc.
Ar present in many homes people conduct certain Rites in the name of Shri
Chakra. They do so to satisfy their vanity or for the sake of fashion. This
is highly inappropriate. The Yantra is not a ‗ prati‘ or a copy, but that
is where Amba actually resides!
[The method for *Construction of Sri Chakra *is briefly as follows:(I). A
circle and its vertical diameter are drawn and the diameter is divided into
48 equal parts.(II). Starting from top, mark points 6/48, 12/48, 17/48,
20/48, 23/48, 27/48, 30/48. 36/48 and 42/48(there will be 5 points above
the centre of the circle and 4 below) (III).From each of the marked points
draw parallels to the horizontal diameter(which should not be drawn)
touching the circumference.(IV). Number and name these lines as 1(Ravi),
2(Chandra), 3(Kuja), 4(Budha), 5(Guru), 6(Sukra), 7(Sani), 8(Rahu),
9(Ketu).(V). Measure each of these lines and divide each into 48 equal
parts.Take line 1(Ravi) and remove(erase) 3/48 fraction from each side. The
remaining line will be thus, 42/48 of its original length. Similarly remove
5/48, 16/48, 18/48,, 16/48, 4/48 and 3/48 respectively from lines 2,4,5,6,8
and 9. Lines 3(Kuja) and 7(Sani) are undisturbed and remain as full lines
(Cords) (VI). Now join ends of truncated line 1 to the centre of line 6 on
the vertical diameter.
Similarly ends of lines 2,4,5 to centres of 9,8,7. Now join ends of line 3
to the circumference at bottom vertical diameter. We have Five down ward
triangles.VII). Join centres of truncated lines 6,8,9 to centres of lines
2,1,3. Join ends of full line 7 to the circumference at top of vertical
diameter resulting in Four upward triangles.(VIII). The pattern formed by
intersection of the Eighteen joining lines and the Nine parallel lines
results in 43 smaller triangles. Along the vertical diameter there are 9
triangles, 5 downward and 4 upward. The top most downward triangle is the
central triangle which contains the Bindu(dot) the place of Kameswari and
Kameswara. The Central triangle is surrounded by successive arrangements
(as one goes from centre to circumference) of 8,10.10 and 14 triangles.(IX)
8 lotus leaves are drawn on the circle and a Second concentric circle is
drawn around them. Then,16 lotus leaves are drawn on the Second circle and
a Third concentric circle is drawn around them. 2 more concentric circles
ie the Fourth and Fifth circles are drawn around the Third circle. This is
then framed in a triple lined square. This square may either be closed or
openings and path ways provided in all four directions,N,E,S,W depending on
the Parampara(tradition).]
[ Incidentally in the Lalitopakhyaana of Brahmanda Purana related to Lalita
Devi‘s battle with Bhandaasura, it may be of interest about the *Construction
of Shri Pura atop the Meru Mountain *as follows: ‗Tri Murtis
Brahma-Vishnu-Maheshwaras commisioned the famed Vishwakarma and Mayaasura
to construct Shri Pura on Meru Mountain which had four ‗Shikharas‘ or
Mountains representing Fourteen Bhuvanas including the Brahma-Vishnu-Shiva
Lokas where Lalita Devi would reside and oversee.
Shripura is to control the Universe in totality and had seven ‗Praakaaraas‘
or Enclosures, made of steel, kaamsya, taamra (copper), brass, Panchaloha,
silver and gold. In each enclosure are countless and highly expansive
buildings, halls, massive ‗dwaaras‘ or entry gates, private rooms, gardens,
water bodies, flora and fauna. Each praakaraa had a spread of thousands of
yojanas and similarly the area in between each Praakara had thousand
yojanas too. Hayagriva exclaimed to Agastya Muni: Could even the two
thousand tongued Adi Sesha describe the magnificence of Shri Pura where
besides others, *Matanga Kanya *was in constant exaltation for Maha Devi‘s
entertainment! Matanga Kanya was the daughter of Maatanga Muni who having
pleased Lalita Devi secured the greatest boon of giving birth to the
daughter who would have the greatest privilege of residing and serving Maha
Devi in her presence for good! Matanga Kanya was also called Shyama who
manifested herself in crores of Laghu Shyama Rupas.There are *Sapta
Kakshyaas *or seven huge Bhavanas of Shri Pura in which Siddhas, Charanas,
Gandharvas, Apsaras, Kinnaras, Kimpurushas, Sadhakas, Nagas, Rakshasas,
Dikpalakas, Rudras-all being Devi worshippers.
Among the other Kakshyas are named Shiva Lokantara, Maha Padmaatavi
Kakshya, Naukeshwari *Devi Kurukulla *was the most reputed. Ten *Agni
Kalaas *were there too and these wer called Dhumraarchi, Ushna, Jwalini,
Jwaalini,Visphulingini, Sushri, Surupa, Kapila, Vaavyavaha and Kavyavaha.
Twelve *Suryatmaka Kalaas *were housed here and these were Tapini, Taapini,
Dhumra, Marichi, Jwalini, Ruchi, Sushumna, Bhogada, Vishwaa, Bodhini,
Dhaarini and Kshama. *Chandra Kalaas *were Amrita, maanada, Pushni, Tushni,
Pushti, Rati, Dhriti, Shashini, Chandrika, Kaanti, Jyotsna, Shri, Preeti,
Angada, Purna and Purnaamrita. *Brahma Kalaas *were Pushti, Buddhi, Sthiti,
Medha,Kanti, Lakshmi, Dyuti, Dhriti, Jaraa, Siddhi. *Vishnu kalas *were
Sthiti, Paalini, Shanti, Ishwari, Tati, Kaamika, Varada, Hlaadini, and
Dirgha. *Roudri Kalas *were Tikshna, Roudri, Bhaya, Nidra, Tandra Kshut,
Krodhini, Trapa, Utkari and Mrityu. In addition, sixteen other Kalaas are
stated in action in the Sapta Kakshyaas all over and these were
materialised Brahma for ‗Hastodaka Samsodhana‘ or to clean up the hands and
they were Nivrutti, Pratishtha, Vidya, Shanti, Indira, Deepika, Rechika,
Mochika, Para, Sukshma, Sukshmaamrita, Kala, Jnaamaamrita, Vyaadhini,
Vyaapini and Vmorupika. These Kalaas were in Maha Padmatavi and Maha
Chakra. *Chintamani Griha *was the Yagna Sthala where Maha Raajni and
Parama Kameshwara perform Yagnas by kindling ‗Jnaanaagni‘with hundreds of
‗Sudhaa Dhaaraas‘or pourings of Amrita. To the Nirruti side of Chintamani
Griha was the Shri Chakra Raaja Ratha, in Vayavya was the Geya Chakra
Ratha, in Ishanya was Kiri Chakra Ratha and in Agneya Gayatri was in
Omkaara Mandira with opened and benign eyes providing ‗Abhaya‘ or Safety.
In the North side of Chantamani Griha were Ganapati, Shiva, Mrityunjaya and
Sarasvati. In diferent sides of North itself were the following Shaktis
viz. Shri Paramba, Vishada Jyotsna, Normala and Vigrah; Bala, Annapurna,
Hayarudha and Shri Paduka; Unmatta Bhairavi, Swapna Vaaraahika,
Tiraskarinikaamba and Panchami. In the Eastern side of Chintamani Griha
were Shri Purti and Shri Maha Paduka, besides Anima-Mahima-Garima-Ishhitwa-
Prakaamya-Mukti-Iccha-Prapti-Sarvakama, besides Rasa Siddhi-Moksha
Siddhi-Bala Siddhi, Khadga Siddhi-Paduka Siddhi-Angana Siddhi-Vaak
Siddhi-Loka Siddhi and Deha Siddhi. Braahmi-Mahweswari-
Kaumari-Vaishnavi-Vaaraahi-Maahendri, Chamunda and Lakshmi were scattered
providing over all Security.]
On Sun, 14 Feb 2021 at 05:36, cnu pne <[email protected]> wrote:
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> *From:* cnu pne <[email protected]>
> *Date:* February 13, 2021 at 8:09:42 AM CST
> *To:* Cnu Pne <[email protected]>
> *Subject:* *Shri yantra*
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