Hi

The 5 MHz stuff was down at or below 1.5x10^-12 at one second by our measure. 
Others measured them a bit lower than that. We didn't do 100% testing at 10 
sec, so I don't have a lot of data there. The ones 55 Hz higher often came at 
or above 4x10^-12.

Bob


On Feb 6, 2010, at 9:40 PM, Bruce Griffiths wrote:

> As a matter of interest just how bad were those OCXOs?
> 
> e.g. what was the ballpark ADEV for 1s, 10s etc.?
> 
> Bruce
> 
> Bob Camp wrote:
>> Hi
>> 
>> Occasionally you also come across 5.000055 MHz OCXO's that have 5 MHz 
>> crystals in them. Then you discover just how much short term stability can 
>> degrade when they move the crystal 55 Hz. Same vendor crystal, same crystal 
>> spec., same oscillator circuit, not even close on short term stability....
>> 
>> Bob
>> 
>> 
>> On Feb 6, 2010, at 9:02 PM, Bruce Griffiths wrote:
>> 
>>   
>>> JPL resorted to using  a commercial synthesiser set for an offset of 123Hz 
>>> (to minimise spurs and other artifacts) in their 100MHz N channel mixer 
>>> system.
>>> 
>>> Occasionally one comes across 5.000055MHz OCXOs that use 10.000110MHz 
>>> crystals internally.
>>> The resultant 55Hz (with 5MHz source) or 110Hz (with 10MHz source) beat 
>>> frequencies are lie between the hamonincs of either 50Hz or 60Hz line 
>>> frequencies.
>>> 
>>> Bruce
>>> 
>>> Bob Camp wrote:
>>>     
>>>> Hi
>>>> 
>>>> Any approach that includes building a low noise synthesizer is opening up 
>>>> a whole new set of issues. I would much prefer to do my building at audio. 
>>>> Audio parts are cheap, and performance is usually a lot easier to check 
>>>> than at RF.
>>>> 
>>>> Bob
>>>> 
>>>> 
>>>> On Feb 6, 2010, at 8:30 PM, Bruce Griffiths wrote:
>>>> 
>>>> 
>>>>       
>>>>> Which just leaves the minor problem of the offset oscillator.
>>>>> 
>>>>> One option is to use a phase truncation spur free output frequency from a 
>>>>> DDS.
>>>>> If one is using the Costas receiver approach the beat frequency need not 
>>>>> be a nice round number like 1.0000KHz.
>>>>> 
>>>>> Another method is to use a crystal whose frequency is offset a few kHz 
>>>>> from 10MHz.
>>>>> 
>>>>> Yet another is the classical method of dividing 10MHz by 100 and 
>>>>> subtracting (using an LSB mixer) the resultant 100KHz from 10MHz to 
>>>>> produce 9.9MHz, then divide the 9.9MHz signal by 100 and add (using a USB 
>>>>> mixer) the resultant 99kHz signal to the 9.99Mhz signal to produce a 
>>>>> 9.999MHz output.
>>>>> 
>>>>> Bruce
>>>>> 
>>>>> John Miles wrote:
>>>>> 
>>>>>         
>>>>>> A sound-card back end has always seemed like a pretty reasonable 
>>>>>> approach to
>>>>>> me, if you're inclined to go the DMTD route.  I wouldn't send a 
>>>>>> 'baseband'
>>>>>> signal to the sound card, though -- I'd upconvert it to a few kHz to get
>>>>>> away from the numerous bad things that sound cards do near DC.
>>>>>> 
>>>>>> -- john, KE5FX
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>>           
>>>>>>> Hi
>>>>>>> 
>>>>>>> My main concern with the low frequency pole in the sound card is
>>>>>>> the quality of the R/C used. You can certainly model what ever
>>>>>>> you have. If they used an aluminum electrolytic for the "C" it
>>>>>>> may not be the same next time you check it ....
>>>>>>> 
>>>>>>> On a 10 Hz system, a 1 Hz pole is probably not an issue. It might
>>>>>>> get in the way with a 1 Hz beat note.
>>>>>>> 
>>>>>>> Another thing I have only seen in passing: "Sigma Delta's have
>>>>>>> poor low frequency noise characteristics". I haven't dug into it
>>>>>>> to see if that's really true or not. If you buy your own ADC's,
>>>>>>> you certainly would not be restricted to a Sigma Delta.
>>>>>>> 
>>>>>>> Even with a cheap pre-built FPGA board, you could look into
>>>>>>> higher sample rates than a conventional sound card. You would
>>>>>>> drop back to 16 bits, but it might be worth it.
>>>>>>> 
>>>>>>> Bob
>>>>>>> 
>>>>>>>             
>>> 
>>>     
> 
> 
> 
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