Hi

Left out:

All the data was taken with a beat note of roughly 10.2 Hz

Bob


On Feb 28, 2010, at 8:11 PM, Bob Camp wrote:

> Hi
> 
> Here's some data:
> 
> The setup is very simple:
> 
> Two oscillators at 10 MHz driving common base / 50 ohm output buffers. The 
> buffers ensure that the source impedance is really 50 ohms. One puts out 9.3 
> dbm the other 9.5 dbm. They can be tuned for a beat note in the 0 to 100 Hz 
> range. 
> 
> The basic mixer termination filter is a pair cascaded / identical L networks. 
> Both have 10 uh in the series leg and 0.047 uf to ground in the shunt leg. 
> The "audio end" of the filter hooks straight into a digitizing scope. 
> 
> The termination options for the mixer are:
> 
> 1) inductive - just running into the 10 uh of the first L network.
> 2) 50 ohms - drop a 57 ohm in series with 0.047 from the mixer output to 
> ground
> 3) Capacitive - 0.047 uf  to ground at the mixer output. 
> 
> The data is computed from the time to cross the center 50% of the output 
> waveform. If the output is 1V p-p then the data would cover the range -.25 to 
> +.25 volts. I've normalized it to "volts / cycle". Divide by 2* pi if you 
> want to get volts / radian. 
> 
> 
> mixer         50 ohms                 inductive               capacitive
> 
> ZAD-3         3.51                    2.96                    9.98
> RPD-1 #1      17.77                   10.50                   18.85
> RPD-1 #2      17.40                   10.058                  18.53
> 10514A #1     5.796                   4.396                   10.31
> 10514A #2     5.826                   4.406                   10.33
> 10534A                5.402                   4.078                   10.88
> ZP3-MH                8.06                    5.81                    11.28
> ZAD-1H                7.73                    5.93                    9.38
> 
> Since not everybody has memorized mixer catalogs:
> 
> ZAD-3                 typical minicircuits 7 to 10 dbm mixer
> RPD-1         500 ohm output phase detector (50 ohms is the "wrong" 
> termination for it)
> 10514, 10534 HP products from a ways back
> ZP3-MH                a 13 dbm class mixer, 9 dbm should be under driving it
> ZAD-1H                a 17 dbm class mixer, should be 8 db under driven.
> 
> Bottom line - Capacitive termination helps some parts more than others. The 
> RPD-1 does not get a real big boost, but the ZAD-1 certainly does. There's no 
> real way to know what it's going to do without checking your mixer under your 
> conditions. 
> 
> A few other notes:
> 
> 1) The measurement technique slightly under states the slope for the 50 ohm 
> case. Since the beat note is approximately a sine wave in all cases, the true 
> slope at zero is a bit higher than this technique indicates.
> 
> 2) The Inductive termination gives the widest linear region. The output is 
> very nearly an ideal triangle wave. It would make the best "wide range" phase 
> detector. 
> 
> 3) The terminations are not precise, but they are identical in all cases. A 
> more purely inductive load could be constructed. The parts are just what I 
> had lying around.
> 
> 4) No strange bumps or peaks were detected in the beat notes of any of the 
> mixers. Never seen one, regardless of what NIST says they have seen.
> 
> 5) Eventually I'll go back and check the RPD's with 500 ohms. I stuck with 50 
> simply to keep everything as "same same" as I could.
> 
> 6) Sweeping the beat note from 100 Hz to 1 Hz showed no change in the output 
> amplitude. 
> 
> 7) Contrary to my previous post the peak-peak output voltages are within 10% 
> for all terminations. Slope and peak to peak are different things.....
> 
> 8) All mixers are running into essentially an open circuit load at audio. The 
> scope input is > 1 M ohm and the capacitive reactances are  >100 K ohms. 
> 
> 9) No attempt was made to set up directional couplers and figure out what the 
> "real" input to the mixers actually is.  Ditto on playing with series 
> resistors to improve the match. 
> 
> So there it is. Anybody else got some data to compare to. 
> 
> Bob
> 
> On Feb 28, 2010, at 3:53 PM, Bruce Griffiths wrote:
> 
>> My simulations indicate that terminating the Mixer IF port in an RF short 
>> (with both RF and LO ports saturated) increases the beat frequency zero 
>> crossing slope by more than a factor of 2 (exact value depends on mixer 
>> component characteristics) but doesnt significantly increase the beat 
>> frequency amplitude over that with a high value resistive termination. To 
>> achieve this the IF port termination impedance needs to be high at the beat 
>> frequency and its significant harmonics. The value above which the impedance 
>> is considered high depends on mixer details such as transformer turns ratio, 
>> RF source impedance, diode characteristics and RF input levels, etc.
>> 
>> Bruce
>> 
>> Bob Camp wrote:
>>> Hi
>>> 
>>> Putting The C on the feedback R in a positive gain setup is only going to 
>>> take the "roll off" gain down to 1. Doing the same with an inverting amp or 
>>> using a series R / cap to ground will drop the gain a lot more in the roll 
>>> off region.
>>> 
>>> I would worry about any resistor that's marked as 10K and reads 20K. It's 
>>> likely noisy.
>>> 
>>> A typical DBM has a loss of 5 to 7 db when not in compression. With a +7  
>>> to +10 dbm  drive that should give you an output of 0 to 2 dbm . The mixer 
>>> output should be in the .6 to .8 V p-p range into 50 ohms. You should get 
>>> about twice that on the beat note running into a load>  500 ohms. A gain of 
>>>  20 should be plenty. That would give you .6 x 2 x 20 = 24 V p-p out of the 
>>> amp.
>>> 
>>> If you "rf short" the output of the mixer you may double the beat note 
>>> again (total of 4X the 50 ohm value). Net would be a 2.4 to 3.2 V p-p beat 
>>> note. Anything much over a gain of 10 would be a problem then. This is one 
>>> of the cases where 2 X 2 probably does not = 4, so measurements are indeed 
>>> in order.
>>> 
>>> 
>>> Bob
>>> 
>>> 
>>> 
>>> 
>>> On Feb 28, 2010, at 1:01 AM, Brian Kirby wrote:
>>> 
>>> 
>>>> The values in the schematics are wrong for the op amp gain.  The drawing 
>>>> was from an earlier drawing where I made a preamp to start checks on the 
>>>> mixers, and I sent it to you (Bruce G).  Thats when you determined I did 
>>>> not have enough gain to get near the noise floor.  The THAT1512/1646 ICs 
>>>> were ordered to make a new preamp for the future measurements on the 
>>>> mixers.
>>>> 
>>>> When I use the scope and check the outputs of the IC, I have 20 volts peak 
>>>> to peak, sine-wave.  I know from previous readings I see about 500 mv p-p 
>>>> out of the mixer.
>>>> 
>>>> I went down to the bench and the resistors I used were still there (I 
>>>> bought several taped reels of Dale RN55D resistors when a local business 
>>>> went out).  I used 294 ohms and 14.9  kilo-ohms, for a gain of 50 (the 
>>>> power rails are +/- 15 volts).  Also not shown on the schematic is a 0.47 
>>>> uF cap around the 14.9 kilo-ohm resistor.  I think I was trying to limit 
>>>> the bandwidth to around 15 hertz.
>>>> 
>>>> Also the resistor going between the op amp and the limiting diodes was 
>>>> marked 10K, its 20K.  The diodes are 1N4148.  Corrected drawing attached.
>>>> 
>>>> This is what happens to time nuts who can only play on the weekend and 
>>>> stay up all night....and my employer just thinks I party too hard.....for 
>>>> Monday mornings.
>>>> 
>>>> 
>>>> 
>>>> Brian KD4FM
>>>> 
>>>> 
>>>> 
>>>> Bruce Griffiths wrote:
>>>> 
>>>>> The LT1037 is shown with a gain of ~1690x, if this amplifier is used to 
>>>>> amplify the beat frequency signal, it will saturate.
>>>>> Opamp recovery from saturation is poorly documented and may be very slow.
>>>>> It would be better to use some diodes in the amplifier feedback network 
>>>>> to limit the large signal gain to 5x (so that the LT1037 remains stable 
>>>>> as it isn't unity gain stable).
>>>>> This will ensure a somewhat faster recovery from overload as the LT1037 
>>>>> then avoids saturation and the opamp input stage remains in the linear 
>>>>> region.
>>>>> 
>>>>> Bruce
>>>>> 
>>>>> Bob Camp wrote:
>>>>> 
>>>>>> Hi
>>>>>> 
>>>>>> Assuming that the junction of the back to back diodes goes trough a 
>>>>>> chunk of coax to get to the counter:
>>>>>> 
>>>>>> You are forming a low pass filter with the 10K resistor and the coax 
>>>>>> capacitance. The LT1037 is quite happy driving a 600 ohm load. You could 
>>>>>> easily drop the impedance at that point below 300 ohms. That should give 
>>>>>> you a faster edge into the counter.
>>>>>> 
>>>>>> You also should check the slew rate performance of the 1037. You don't 
>>>>>> want the op amp to be slew rate limited.
>>>>>> 
>>>>>> Bob
>>>>>> 
>>>>>> 
>>>>>> On Feb 27, 2010, at 12:41 PM, Brian Kirby wrote:
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>>> I am in the process of designing a DMTD system.  As an experiment to do 
>>>>>>> basic measurements on the chosen mixer, I used a capacitor (0.01 uF) in 
>>>>>>> series to ground with a 47 ohm metal film resistor.  Where the 
>>>>>>> capacitor and resistor meets, another resistor is attached (390 ohms) 
>>>>>>> that goes to ground.  The idea is to provide a 50 ohm termination at 20 
>>>>>>> Mhz and a lighter termination at audio frequencies.  I seen this is a 
>>>>>>> NBS note and I can say, its a starting point for my experiments.
>>>>>>> 
>>>>>>> This (my) system is designed for 10 Mhz, using a 10 hertz beat.  A 
>>>>>>> schematic is attached of what I am experimenting with at the moment.  A 
>>>>>>> HP5370B is the recording instrument.  The noise floor from 1 days 
>>>>>>> observations show  2x10-11 at 0.1 seconds, 2x10-12 at 1 sec, 5x10-13 at 
>>>>>>> 10 sec, 6x10-14 at 100 sec, 7x10-15 at 1000 sec, and 7x10-16 at 10,000 
>>>>>>> secs.   It will be interesting when the project is completed to see how 
>>>>>>> much improvement there will be.
>>>>>>> 
>>>>>>> As I understand (or learning..) mixer performance is the key to the 
>>>>>>> DMTD system.   It occurs to me that maybe a capacitor designed for 50 
>>>>>>> ohms at 20 mhz may be a better termination (for the IF port) for this 
>>>>>>> mixer.  A 16 pF capacitor is 50 ohms at 20 mhz, and for comparison at 
>>>>>>> 10 hertz, it would be 100 meg-ohms, which would give maximum amplitude 
>>>>>>> at 10 hertz.   As I understand, a capacitor terminated mixer will give 
>>>>>>> a triangle wave output, which is very beneficial to the design - as the 
>>>>>>> end result is to get maximum slope out of the mixer.  I would say, 
>>>>>>> unqualified as I am, the capacitor termination matches the 20 mhz 
>>>>>>> signal, and helps attenuates the harmonics of the mixer, and has no , 
>>>>>>> or very little effect on the audio frequencies that we are interested 
>>>>>>> in.
>>>>>>> 
>>>>>>> And saying/rambling on... that if maximum slope is needed, its needed 
>>>>>>> on the 10 hertz beat signal - so maybe a capacitive termination on the 
>>>>>>> 10 hertz signal only and something resistive on the 20 mhz 
>>>>>>> signal........another idea use the 16 pF direct off the mixer, then a 
>>>>>>> series resistor for isolation and then a large capacitor on the 10 
>>>>>>> hertz beat for maximum slope.
>>>>>>> 
>>>>>>> At the present, I am awaiting parts to build a low noise preamp base on 
>>>>>>> the THAT1512 so I can make better measurements on the mixer.  Bruce has 
>>>>>>> provided a lot of good suggestions and helpful comments on my project 
>>>>>>> and Ulrich has provided me quite a bit of user support on his program, 
>>>>>>> Plotter.  Thanks to all.
>>>>>>> 
>>>>>>> Comments ?     Brian KD4FM
>>>>>>> <DMTD_Plans.pdf>_______________________________________________
>>>>>>> time-nuts mailing list -- [email protected]
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>>>>>>> https://www.febo.com/cgi-bin/mailman/listinfo/time-nuts
>>>>>>> and follow the instructions there.
>>>>>>> 
>>>>>>> 
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>>>>>> 
>>>>>> 
>>>>> 
>>>>> 
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>>>>> 
>>>> <DMTD_C_Plans.pdf>_______________________________________________
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