Allen writes:

I suspect it is a mistake to treat all exceptional achievement in the
same way, e.g., athletic achievement and musical talent. For instance,
the soccer player David Beckham undoubtedly acquired his special talent
of extraordinary accuracy in long passes by hard work, i.e., repeated
practice. But I don't believe a budding composer can advance his or her
talents very much by repeatedly copying the same (or different) pieces
of music over and over again.


There is practice and there is deliberate practice (see the work of
Ericsson, who is the source for the 10,000 hour estimate).  Mere repetition
of exisitng moves and skills (Allen's example of copying an existing piece
over and over as "practice" in composition would fall into this category)
does not move an individual to the next level of expertise, even if they do
this work for 10,000 hours.  Ericsson and his colleagues argue that the
extended practice must be deliberate practice, in which the person works on
progressively more challenging tasks and takes advantage of the feedback
from a skilled mentor or coach to direct attention and effort toward areas
that need improvement.  Ericsson had an article in the NYTimes magazine
(March 2007) in which he discussed the emergence of world-class tennis
players from tennis camps in Russia with dreadful facilities but excellent
coaching and players who deovoted massive time in deliberate practice.

An excellent description of deliberate practice (including a discussion of
the role of other factors such as genetics) is presented in a Psychological
Review article:

Ericsson, K. A., Krampe, R. T., & Tesch-Romer, C.  (1993).  The role of
deliberate practice in the acquisition of expert performance.  *Psychological
Review, 100,* 363-406.

Ericsson is a prolific publisher.  A quick PsycINFO search will locate many
recent articles, in which he applies this notion of deliberate practice to
attaining exceptional performance in music, medical work, sport (in general
and for specific activities), and even Scrabble play.

I've been thinking a lot lately about what might constitute delibrate
practice for teaching in higher education.  Any thoughts?


Claudia Stanny

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