I have confirmed from another phone call that indeed HDtracks does NOT
get the higher resolution masters from the Chicago Symphony Orchestra.

I spoke to the owner of the recording studio that does work for
HDtracks.  This studio claims to have the  professional equipment that
converts the SACD’s that HDtracks send to it.  The studio converts the
SACD’s 1 bit, 2822.4 kHz to 24 bit/88.2 sample rate doing a digital to
digital conversion.

The studio owner in his conversation used the words “interpolation” and
“upsample”.  Although he claims that the resulting file is of the same
quality as the original SACD, this is subject to debate.

“conversion of DSD to PCM does degrade sound quality.”
Robert Harley
http://www.avguide.com/forums/oppo-bdp-83-bluray-disc-player-plays-sacd-dsd-rather-pcm-dsd-vs-pcm-question

Robert Harley bio:
Technical Editor of Stereophile from 1989 to 1997. Technical Editor of
Fi: The Magazine of Music and Sound from 1997-1999. Audio Technical
Editor of The Perfect Vision 1999-2000. Editor-in-Chief of The Perfect
Vision 2000-2006. Editor-in-Chief of The Absolute Sound September, 2001
to present. Author of The Complete Guide to High-End Audio, Home Theater
for Everyone, and Introductory Guide to High-Performance Audio Systems.
http://www.avguide.com/forums/robert-harleys-reviewer-background

Bit Depth refers to the number of bits you have to capture audio.  The
easiest way to envision this is as a series of levels, that audio energy
can be sliced at any given moment in time.  With 16 bit audio, there are
65,536 possible levels.  With every bit of greater resolution, the
number of levels double.  By the time we get to 24 bit, we actually have
16,777,216 levels.  Remember we are talking about a slice of audio
frozen in a single moment of time.  

Now lets add our friend Time into the picture. That's where we get into
the Sample Rate.

The sample rate is the number of times your audio is measured (sampled)
per second.  So at the red book standard for CDs, the sample rate is
44.1 kHz or 44,100 slices every second.  So what is the 96khz sample
rate?  You guessed it.  It's 96,000 slices of audio sampled each second.

http://www.tweakheadz.com/16_vs_24_bit_audio.htm

What is ironic is that although the studio owner working with HDtracks
claims that the digital to digital conversion of SACD to PCM by
“interpolation” and “upsampling” results in a perfect copy, he renders
the copy at 88.2 kHz, not at 96, because “that is exactly twice the
sample rate of 44.1”.  

Why is he worried about a perfect doubling of a CD’s sample rate
compared to the immensely complex mathematics in converting 1 bit,
2822.4 kHz to 24 bit, 88.2 kHz?  And since the "HD layer” of an SACD is
at 2822.4 kHz, not 44.1 kHz, isn’t this comparing apples to oranges?

And the concept of recording at 88.2 rather than 96 kHz when the
intended mixdown is 44.1 was something I heard about at the dawn of the
digital era; however since then most people who have researched the
subject have found that the “perfect half” is nonsensical.

The mathematics behind sample rate conversion is well defined (if not
understood by everybody) and produces results as close to perfect as
rounding errors will allow, for absolutely ANY combination of sample
rates. The process amounts to digital low pass filtering with a sharp
cutoff at half the lower of the two sampling rates. 

Even if the conversion is to exactly half the original rate, a simple 
linear averaging of adjacent samples (maybe what you were thinking 
"intuitively") does NOT produce a correct result.

http://www.tomshardware.com/forum/48523-6-sampling-rate

And regarding interpolation, this provides a means of estimating the
function at intermediate points.  
http://en.wikipedia.org/wiki/Interpolation

So if one is “estimating”, how can that render a “perfect” copy? 

And as previously mentioned in a prior post, can most listeners even
discern a quality difference between a regular CD and an SACD?

It is my opinion that HDtracks needs to amend their website in the
interests of full disclosure to clearly state what it is doing, that it
does not have the masters, but is instead doing a digital conversion
from the SACD.


-- 
mortslim
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