So good thing Clay didn't write "Invisible" featured in ... "Touch Me, 
I'm Sick: The 52 Creepiest Love Songs You've Ever Heard"
by Tom Reynolds

 From Publishers Weekly
In a follow-up to I Hate Myself and Want to Die: The 52 Most Depressing 
Songs You've Ever Heard, L.A. writer and TV producer Reynolds (thanks 
owed for Elimidate) assesses the queasy subgenre of pop songs in which 
love turns to obsession, ranging from The Police's "Every Breath You 
Take," to Fergie's "Fergilicious" to Michael Jackson's "Ben." In 52 
admittedly subjective profiles, he talks breezily about the history of 
the song and performer before a guided tour through the song and an 
analysis of why, exactly, it's such a creepout. His sarcastic one-liners 
are hit or miss (MySpace jokes?), but his analysis is often thoughtful 
and vivid; "Every Breath" is "a ballad of utter loneliness. The lyrics 
ingeniously mimic the elliptical thoughts that fly around an obsessive's 
brain in mad loops." He's in no way above trashing a song he doesn't 
like or dishing dirt on those he does, but his brief, loud profiles can 
be unfulfilling. Other tracks include George Michael's "Father Figure," 
Air Supply's "Making Love Out of Nothing at All," Alanis Morssette's 
"You Oughta Know," Divynly's "I Touch Myself," and more contemporary 
chart-toppers like Clay Aiken's "Invisible.




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