On Sun, Jun 5, 2011 at 3:01 PM, Kevin M. <[email protected]> wrote:
> On Sun, Jun 5, 2011 at 11:40 AM, Joe Coughlin <[email protected]> > wrote: > > She's a working actress. There's no selling out. You do what you need to > do > > to get a gig. Unless it's completely tasteless or run against your moral > > code, there's no selling out unless you're very rich and can afford to be > > choosy. > > Respectfully disagree. There are a lot of actors, directors, writers, > and even behind-the-scenes guys and gals who hold out for the right > job or jobs. Yes they are rare, and that is what makes them special in > a business where most everyone will whore themselves out for a > paycheck. > > I actually get to discuss this concept with my students, asking them > to define for themselves what constitutes success. For some it is an > award such as a Grammy or Oscar or Emmy. For others it is to be able > to sit in a hotel room with a hooker locked in the closet and a > mountain of blow on the coffee table. For still others it is about > money or fame. But for a few it is about respect; respect for oneself > as well as the respect of trusted friends and/or peers. > > There are always going to be crap shows on television, and there will > always be those who can defend them as escapist fare or whatever. I > don't deny having my own crappy favorites, but I'm honest about them. > I'm also honest about the crappy shows I worked on before leaving the > industry. I saw talented people of all ages stifled by the jobs they > had to do, feeling more bitter and resentful each day. I saw myself > heading the same direction and got out (imagine if I'd stayed in). But > those who delude themselves (or try to delude an audience) into > believing a show isn't crap -- well, that is just sad. > > So I try to make the effort to seek out the shows that follow another > path and offer praise and commendation when I spot them. And I try to > point out when the opposite is the case, too. > > -- > Kevin M. (RPCV) > She left "Party Down" in the first season to join "Glee". I like both shows. "Glee" is not horrible. I'll admit it is often poorly written and contains a lot of problems, but I think it's a fun show and it did elevate Jane Lynch's stature. She gets most of the great lines and she gets to chew the scenery. I really can't imagine any working actor turning it down. What would they be holding out for? If they were just in it because they loved acting, she'd have gone on to do "Party Down" and not have gotten on SNL or near universal praise for her acting. She's not responsible for the writing. She just does the talking bits (and occasional singing bits, too). She probably liked Ryan Murphy from his work on"Nip/Tuck" and thought it was a fun project. She gets to judge it only from the pilot script and her discussions with Murphy and Brad Falchuk...as that is all she had to go on. > > -- > TV or Not TV .... The Smartest (TV) People! > You received this message because you are subscribed to the Google > Groups "TV or Not TV" group. > To post to this group, send email to [email protected] > To unsubscribe from this group, send email to > [email protected] > For more options, visit this group at > http://groups.google.com/group/tvornottv?hl=en > -- +++++++++++++++ Joe Coughlin http://www.twitter.com/inturnaround -- TV or Not TV .... The Smartest (TV) People! You received this message because you are subscribed to the Google Groups "TV or Not TV" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [email protected] For more options, visit this group at http://groups.google.com/group/tvornottv?hl=en
