I was using Iannucci solely as an example of someone who didn't want his 
cast to have uniformly bad accents (as in Americans do phony-English 
accents or Brits mangling American).

That said, though (and speaking of disappointing series), WTF was up with 
"Avenue 5?" I watched every episode and still have no idea of what it was 
about. other than its crummy plot.

--Dave Sikula

On Monday, June 15, 2020 at 7:51:34 AM UTC-7, Tom Wolper wrote:
>
> On Mon, Jun 15, 2020 at 12:32 AM 'Dave Sikula' via TVorNotTV <
> [email protected] <javascript:>> wrote:
>
>> I have no objection to revisionism like that; I loved McNamara's "The 
>> Favorite," one of my favorite plays of recent years is Lucas Hnath's "A 
>> Doll's House, Part 2," and Shakespeare is nothing if not taking old stories 
>> and repurposing them for contemporary audiences. There was just something 
>> about the British smugness of this one that hit all the wrong notes for me. 
>>
>> What was especially puzzling was, since Catherine is an outsider anyway, 
>> why make her speak in that British accent? Let her be German via America. 
>> It worked for Armando Iannucci in "The Death of Stalin" (another 
>> revisionist take that I enjoyed, by the way).
>>
>
> I agree about the accent. One of the innovations of Peter the Great was 
> making French the language of the court. So young Catherine can show up 
> without knowing a word of Russian and not have any trouble conversing with 
> anybody at court. But once she leaves court to engage with the real Russia 
> she should be lost. The series makes no effort to make a distinction in the 
> languages.
>
> Lanthimos gave the script of The Favourite to McNamara because he thought 
> it needed to be lightened up. However much McNamara contributed, he did not 
> structure the story or define the characters. And Iannucci is going to come 
> up with a product, period. I didn't have expectations of watching something 
> at his level when I watched the series.
>

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