A while back, filmmaker and occasional pot smoker Kevin Smith penned an
essay about the MPAA that a quick Google search did not unearth, but I
recall him explaining the process including the appeals for several of his
films.

On Sat, Mar 26, 2022 at 3:52 PM Tom Wolper <twol...@gmail.com> wrote:

> I find this story the way it’s reported to be confounding. Here’s what I
> understand about movie ratings:
>
> Originally each state had a censorship board and each film had to be
> submitted to each one and then cuts would have to be made in order for the
> film to be distributed to theaters. As Hollywood grew to the point that
> they couldn’t continue the system they set up a national production code
> and an office in Hollywood to enforce it. The production code process lost
> its teeth in the early sixties with lots of foreign films and independent
> films coming into the market. The successor they came up with was the
> ratings system. A filmmaker submits their script to the MPAA office, is
> told the rating, and what they would have to change if they want a
> different rating.
>
> Mature films got an X rating. With court decisions striking down obscenity
> statutes, mainstream theaters started showing hardcore porn movies with the
> X rating. Major theater chains decided not to show any X rated movies, even
> serious adult themed ones. Same with newspapers and the ads they’d accept.
> So the MPAA came up with NC-17 which was supposed to differentiate from
> porn but it got caught up in the same embargo.
>
> In practical terms if a studio submits a script and is told it will get an
> NC-17 rating they ask what changes they need to make to get an R rating for
> distribution.
>
> Netflix doesn’t need to submit a film for a rating in order to stream it
> and if wide theater distribution meant anything to them they’d make the
> changes to get it to an R. And art houses will gladly accept unrated movies.
>
> What confounds me is why Netflix bothered to submit the script for a
> rating in the first place.
>
> On Sat, Mar 26, 2022 at 3:29 PM Mark Jeffries <spotligh...@gmail.com>
> wrote:
>
>> "Blonde," the Netflix adaptation of Joyce Carol Oates' novelization of
>> the life of Marilyn Monroe starring Ana de Armas as Marilyn, has picked up
>> the scarlet "adults only" rating from the MPA, the first film made for a
>> streamer with that rating:
>>
>>
>> https://www.hollywoodreporter.com/movies/movie-news/netflix-marilyn-monroe-blonde-nc17-1235118236/
>>
>> The possibility of a limited run in theaters may not be much of a problem
>> in this case, since the major theater chains don't touch NC-17 films with a
>> fork lift and won't book Netflix films, while the mostly independent
>> arthouse circuit will.  Besides, the big audience will be when it hits The
>> Service.
>>
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-- 
Kevin M. (RPCV)

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