Star (onetime Bond goil) Ana de Armas, echoing earlier comments by director 
Andrew Dominik, hissed the rating, suggesting (not elaborating) to a French 
fashion mag that "a number of shows or movies that are way more explicit 
with a lot more sexual content" are out there...
https://www.hollywoodreporter.com/movies/movie-news/ana-de-armas-nc-17-netflix-marilyn-monroe-blonde-1235209442/
 (or 
if you'd rather,)
https://www.lofficielusa.com/film-tv/ana-de-armas-movies-marilyn-monroe-blonde-netflix
 (links)  
   B

Tom Wolper, to Jim Ellwanger, March 28th:

>
> The major chains that have theaters in New York and L.A. may not show 
>> NC-17 films, but independent theaters and smaller chains (such as Laemmle 
>> in the L.A. area) generally have no problem with NC-17 or unrated films.
>>
>
> I remain confused about what Netflix has done. They "made" a movie to be 
> streamed on their platform. They don't have to submit a script to the MPAA 
> for a rating. Yet they do and they receive the most restrictive rating 
> which studios don't want for their movies. And they announce they are not 
> going to make changes to get an R rating.
>
> As an aside, the article says the rating comes from a rape that appeared 
> in the novel. I appreciate staying true to the source material even if it 
> means taking a hit with the film's rating. I can't understand why Hollywood 
> doesn't remake the movies based on Tennessee Williams plays. The movies 
> were made during the Production Code and they got twisted into shallowness 
> by having to give up or dance around key elements. On the DVD of A 
> Streetcar Named Desire there's a short where Karl Malden talks about all of 
> the problems Kazan had with the Breen office (enforcers of the Production 
> Code).
>

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