I refuse to obey this. It is wrong, wrong, wrong! I will not stop
recording nor will I strip out audio because of a copyrighted song or
ringtone plays in the background.

I live in California. Do you know how many dang blasted ringtones I
hear (against my will) in a day? Each and every time one rings
somebody is getting paid. 

I do not charge money nor do I make any profit from my blog. I have no
intention of doing so. I firmly believe in artists being compensated
for their work. I do respect copyright. I have music that I would love
to use.

I have Sly and the Family Stone's "Stand" (40+ years old and still
grooving) just begging to be used in a video. But I can't use it. I
can't begin to pay for just 20 seconds of it. 

Is this what the recording industry wants? Only they can dictate what
and where music can be used? And there must be a dollar sign attached? 

I will not comply with a foolish law. You cannot strip away music from
real life. You cannot charge people for being surrounded in music. I
have a right to access my musical heritage. This will go a long way to
stop passing music from one generation to the next. 

We are getting closer to the time of "...This is the day that the
music died."  

Somebody start the bail fund.

Gena
http://outonthestoop.blogspot.com
**********************
--- In videoblogging@yahoogroups.com, andrew michael baron
<[EMAIL PROTECTED]> wrote:
>
> Excellent article in NYTimes about legal suits for filming the  
> environment around you:
> http://tinyurl.com/89of6
> 
> Jonathan Caouette may have originally shot "Tarnation" for as little  
> as $218, but once the film won distribution, clearance costs ran  
> roughly $230,000.
> 
> 
> Michael Vaccaro, a fourth grader, had just left P.S. 112 in Brooklyn  
> and was headed home with his mother. Two filmmakers were in front of  
> him, their camera capturing his every movement on video, when his  
> mother's cellphone rang.
> 
> "It was such an indicator of today's culture," said Amy Sewell, a  
> producer of "Mad Hot Ballroom," the documentary that follows New York  
> City children as they learn ballroom dancing and prepare for a  
> citywide contest. "Michael's mom had just asked him how school was,  
> her cellphone rings, she answers it, and the look on his face says,  
> 'I don't get to tell my mom about my day.' "
> 
> In addition, the ringtone was "Gonna Fly Now," the theme from  
> "Rocky," and the neighborhood was Bensonhurst. "How perfect was  
> that?" Ms. Sewell said.
> 
> Perfect, but a problem. Had the ringtone been a common telephone  
> ring, the scene could have dropped into the final edit without a  
> hitch, the moment providing a quick bit of emotional texture to the  
> film. But EMI Music Publishing, which owns the rights to "Gonna Fly  
> Now," was asking the first-time producer for $10,000 to use those six  
> seconds.
> 
> etc. . .
>





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