Hi,

While Zediva may have been an interesting attempt to exploit what seemed
to be a semantic loophole in the copyright code, such a
physical-copy-based model simply doesn't scale.  Previous VOD schemes
dating from the '80s on could never crack this problem beyond very limited
tests.


- - 
Roger Brown
Manager
UCLA Instructional Media Collections & Services
46 Powell Library
Los Angeles, CA  90095-1517
office: 310-206-1248
fax: 310-206-5392
[email protected]



>
>------------------------------
>
>Message: 4
>Date: Thu, 4 Aug 2011 15:40:40 +0000
>From: "Shoaf,Judith P" <[email protected]>
>Subject: Re: [Videolib] Zevida ordered shut down
>To: "[email protected]" <[email protected]>
>Message-ID:
>       <3dbf4281403d7248b5da1c65dfbc51b9022e0...@ufexch-mbxn01.ad.ufl.edu>
>Content-Type: text/plain; charset="us-ascii"
>
>Zediva was an interesting idea, anyway. As I recall , Zediva was focusing
>on a market for streamed video of DVDs that had just been released,
>before the other streaming services were allowed to offer them. It stands
>to reason that it would be effectively attacked because it was stepping
>on a lot of toes, from the premium channels that have first dibs on
>presenting new films to stores and e-stores that get to sell the DVDs
>before the streaming begins.  I wonder if the technology will turn out to
>be useful in another context, though.
>I seem to recall an article in the 90s, before DVDs replaced VHS, about a
>university that used a similar system to stream video to student
>computers. I remember it involved a large number of VCRs in a room (not
>sure who was feeding them) and I know that there was an option to capture
>some of the stream (or that option was envisaged) because the article
>spoke about students being able to insert a clip in an essay. Or did I
>dream that?
>
>Judy Shoaf
>
>
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>End of videolib Digest, Vol 45, Issue 8
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