I am not a copyright lawyer, but I am French-educated.

For a French production you are dealing with the question of the rights of
the author (for motion pictures in France, typically at least whoever wrote
the screenplay).  Laroche died in 1962-- and Sartre in 1980, so I would say
it is incredibly safe to say, not PD, but unfortunately very much OP in the
US.

I believe you can still get new legal Region 2 DVDs from France (it's
listed on fnac.fr).

Gisele


Gisèle Tanasse

Head, Media Resources Center

150 Moffitt Library #6000
University of California
Berkeley, CA 94720-6000
PH: 510-642-8197
BCAL: [email protected]
NOTE: PART TIME SCHEDULE Monday-Thurs 8AM-2PM

On Tue, Dec 16, 2014 at 1:56 PM, Karsten, Eileen <[email protected]>
wrote:
>
>  Does anyone know if the 1954 version of Huis Clos (No Exit) directed by 
> Jacqueline
> Audry <http://www.imdb.com/name/nm0041642/?ref_=tt_ov_dr> is in public
> domain?   A faculty member found it listed on a site with the disclaimer : 
> Most
> of the films available on this site have fallen into the public domain and
> do not infringe on any intellectual property rights. Other films are under
> the copyright of their respective owners. Movies are sold on a collector to
> collector basis, no rights are given or implied. If you believe a film
> offered on this site infringes on an existing copyright, please contact us
> with proof of ownership and the title will be removed at once.   They are
> selling it as a DVD-R with no artwork or case.  I told her I believed it is
> a bootleg copy, but she wanted to know how I could be sure that it is not
> in public domain.
>
>
>
> Thank you for any help you can provide.
>
>
>
>
>
> Eileen Karsten
>
> Head of Technical Services
>
> Donnelley & Lee Library
>
> Lake Forest College
>
> 555 N. Sheridan Road
>
> Lake Forest, IL 60045
>
> [email protected] <[email protected]>
>
> 847-735-5066
>
>
>
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> communication between libraries,educational institutions, and video
> producers and distributors.
>
>
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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