dak wrote > I think it quite unusual to have a figure without a note. Quite to the contrary: Both for voice-leading indications (e.g. quick resolution of suspensions) and point d'orgue situations, it's very common to have multiple figures to the same note. For example, see the last two bars of the Introitus to Mozart's Requiem.
There might even be cases where there a figure is the first thing happening in a bass line: << { r8 c16 d e8 e } \figures { <2 4 7>4 <6> } >> I don't know a "real" example of this kind off the top of my head, but it would definitely be a meaningful continuo setting. - Lukas -- View this message in context: http://lilypond.1069038.n5.nabble.com/Centering-bass-figures-on-whole-notes-and-longer-issue-325070043-by-pkx166h-gmail-com-tp204428p204668.html Sent from the Dev mailing list archive at Nabble.com. _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-devel