Indeed you gain flexibility, decide later if it has to be B+W or colour. And
also the kind of filtering: if you take a colour shot with the intention to
get finally B+W, you decide on the filtering in the digital darkroom. This
will work for most filters except ofcourse for pola filters and filters to
reduce haze.
I like the flexibility: now I go out sometimes with three bodies, one filled
with B+W, one with IR and one with colour or slide!
What you lose in the process is typical grain. Who said that grain is the
brushstroke of the photographer?

Greetings, Jos


-----Oorspronkelijk bericht-----
Van: Cotty [mailto:[EMAIL PROTECTED]]
Verzonden: Monday, January 13, 2003 6:59 PM
Aan: Pentax List
Onderwerp: Col or mono with digital (was: Re: I want to start a WAR)


Doe aka Marnie (alright if I call you Aka for short?) writes:

>But I find B&W boring. Put some color photos next to B&W photos and my eye
>will skip right over the B&W to the color

This led me to do some thinking relating to digital.

When shooting film, one makes a cognitive decision to load either colour
or black and white film into the camera, usually based on anticipation of
the sort of shots to be captured.

With digital, this decision is made after the shots are made. This
invites a whole new way of thinking. Framing for colour and framing for
mono can be totally different. Seeing a result in glorious colour can
easily dissuade removing the colour to produce a mono picture, in my
experience. I have done it, but I haven't yet put my thinking cap on and
gone out specifically  with the intention of shooting 'black and white'.

I suspect as digital makes more and more of an inroads into people's
photography, we will slowly see mono retreat to museums and art shops?
Staying on topic, with the Pentax DSLR imminent, and with Optios
apparently a hot seller, this is something to think about.

Discuss!

Cotty

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