Dave Francis wrote:

> a different chord for every beat.  It's worth listening to how the Cape
> Breton pianists accompany strathspeys for clues on timing and rhythms.

Yes, after all these descriptions of the so-called Shetland guitar style, I
was wondering if there was any connection with the CB piano school. They do
sound similar. Is it pure coincidence? It is amusing that someone like
Peerie Willie could juxtapose two totally unconnected styles as traditional
fiddle and Big Band chording, and which has led to a new tradition
exemplified by Hazel Wrigley. The Wrigleys are brilliant. And thanks for
your other comments, Dave. Much appreciated.
Rob

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