Re: [Elecraft] OT-Preserving CW memories

2004-12-16 Thread Doug Faunt N6TQS +1-510-655-8604

   From: Mike Morrow [EMAIL PROTECTED]
   Date: Sat, 11 Dec 2004 12:25:51 -0600

   Howard wrote:

   ... I can only imagine what it must have been like copying
   code on the China Clippers with early radios...

   The long-route airline aircraft of the era often had a radio operator on
   board.  He had to be licensed the same as a merchant marine radio officer,
   with at least a Second Class Radiotelegraph License (20 wpm plain language,
   16 wpm code groups), PLUS he had to have the Aircraft Radiotelegraph
   Endorsement (25 wpm plain language, 20 wpm code groups) on his license.

If you're interested in fiction about some of this, I highly recommend
_The Lost Flying Boat_ by Alan Sillitoe.  This is fiction, but as a
former radio operator himself, and a fine writer, he communicates the
magic of Morse very nicely.

After he became a successful writer, he bought a shortwave receiver so
he could just listen in becuase he enjoyed it so much.

73, doug

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RE: [Elecraft] OT-Preserving CW memories

2004-12-16 Thread Ron D'Eau Claire
Doug wrote:

If you're interested in fiction about some of this, I highly recommend _The
Lost Flying Boat_ by Alan Sillitoe.  This is fiction, but as a former radio
operator himself, and a fine writer, he communicates the magic of Morse very
nicely.


Thanks! I've not read that one.

A great novel about the early days of maritime shore station operations is
The Nymph and the Lamp by Thomas H. Raddall. It was published in 1950 by
Little, Brown and Company, Boston, USA. It's still available through used
book dealers on the internet. 

Ron AC7AC


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Re: [Elecraft] OT-Preserving CW memories

2004-12-16 Thread Bruce Sugarberg

Hello All,

The most incredible aviation story of all, is the round-the-world-flight of
the Pacific Clipper at the start of WWII.  It is the subject of two books,
the first written by Pan Am Radio Officer Ed Dover:

73, Bruce WA8TNC
***

The Long Way Home: Captain Ford's Epic Journey - Ed Dover


Following the Japanese attack on Pearl Harbor on 7 December, 1941, a giant 
four-engined Pan American Airways Boeing flying boat, registered as NC18602, 
under the command of Captain Robert Ford, embarked on a remarkable journey. 
In one sense, it was the earthly 1940s equivalent of the first Apollo lunar 
missions in that it ventured into unknown territory and returned home safely 
in the face of overwhelming odds.


Caught en route over the South Pacific at the time of the Japanese attack, 
Captain Ford and his crew were forced into a flight plan that none of them 
had anticipated when they left San Francisco on 1st December for what was to 
have been a routine round trip commercial flight to Auckland, New Zealand. 
Faced with the threat of interception by Japanese forces, they were ordered 
to take their strategically valuable aircraft on a globe-girdling, 31,500 
mile, six-week odyssey, heading westward mostly across territory that had 
never been flown over before by such a large commercial aircraft. With no 
suitable navigation charts, no certainty of obtaining fuel or servicing, and 
under a total veil of secrecy and radio blackout, they threaded their way 
across the war zones of the Far East, the Middle East, Africa, the South 
Atlantic, Brazil, and the Caribbean, to bring their aircraft home safely to 
New York.


This is the story of that historic flight as related to me in person by 
Captain Robert Ford.




Escape of the Pacific Clipper by George L. Flynn


The Escape of Pan Am's Pacific Clipper on its maiden voyage is a true story 
of adventure and suspense.


In 1941, the Pacific Clipper was a technological marvel and the finest 
commercial plane in the air. Not only did Japan and Germany seek the capture 
of such desirable prize, but our Allies and friends looked for ways of 
laying claim to her. Trapped in New Zealand after the bombing of Pearl 
Harbor, with all their Pacific bases under attack or captured, the valiant 
crew of eleven men challenged the Imperial Japanese navy, 30,000 miles of 
uncharted waters, and the German Luftwaffe to try for a safe landing in 
America. With courage and skill, the crew of the Pacific Clipper eluded the 
pursuing Japanese through Australia, Indonesia, Ceylon, and India. In Iran, 
the Germans took up the chase through Egypt, the Congo, and Brazil. After a 
final stop at Trinidad, the heroic crew brought the Clipper home to New York 
and the final showdown.


Lead by Captain Robert Ford, the Pacific Clipper and its crew flew across 
continents landing on lakes and rivers that had never seen a flying boat. 
Without arms, money or proper maintenance facilities, and under strict radio 
silence, they succeeded where most would have given up or failed. Their 
gripping tale and magnificent odyssey is captured by George Flynn and 
illustrated with maps, schematics, and technical data on the revolutionary 
monowing seaplane.

===

Doug wrote:

If you're interested in fiction about some of this, I highly recommend _The
Lost Flying Boat_ by Alan Sillitoe.  This is fiction, but as a former radio
operator himself, and a fine writer, he communicates the magic of Morse very
nicely.



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AGC - was [Elecraft] OT-Preserving CW memories

2004-12-13 Thread Hank Kohl K8DD
I was at VO2AAA in Labrador City for CQ WW CW with K2/100 #850 and an 
AL-1200.  We were next to a residential area with a very high line noise 
and precipitation static.
On 80 and 160 meters with the AF gain about 3/4 way up and riding the RF 
gain and DSP with noise reduction made some of the second  third tier 
stations copyable.   Sometimes you have to be really fast on reducing the 
RF gain to save your ears!


I don't really like the sound that I get out of my K2 with the DSP, but 
when you are digging stations out of the noise the NR and the DSP filter #1 
really helped.


The K2 as the run station was good for about 3000 Q's, the mult station for 
a couple hundred.  And 3.4M points.  Think I remember working a couple 
calls from this list!


73HankK8DD


At 12/11/2004 07:45 PM, W3FPR - Don Wilhelm wrote:


Ron and all,

Are you aware that reducing the RF gain will reduce the AGC action as 
well. Folks who want to try it may be surprised how well copy can be made 
under QRM conditions with the AF gain at full and the overall gain 
controlled by the RF gain.


With this technique, the residual AGC provides some 'limiting' protection 
for the ears while allowing one to dig for really weak signals - this is 
applicable at any bandwidth, but more so for wider ones.


73,
Don W3FPR

- Original Message -
To this day I still prefer a wide filter, even with moderate QRM. With my K2
on CW, I use the SSB filter more than any other.  I love being able to keep
track of what's going on around the frequency I'm using. The trick of
course, is to turn off the AGC so stronger signals in the passband won't
depress the receiver gain. One of these days I'll add a hard limiter to
protect my ears. The dynamic range of the K2 allows really huge peaks to
come through without the AGC.



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Re: [Elecraft] OT-Preserving CW memories

2004-12-11 Thread Mike Morrow
Howard wrote:

... I can only imagine what it must have been like copying
code on the China Clippers with early radios...

The long-route airline aircraft of the era often had a radio operator on
board.  He had to be licensed the same as a merchant marine radio officer,
with at least a Second Class Radiotelegraph License (20 wpm plain language,
16 wpm code groups), PLUS he had to have the Aircraft Radiotelegraph
Endorsement (25 wpm plain language, 20 wpm code groups) on his license.

One of the continuing controversies about the last Amelia Earhart flight
revolves around whether she, or Fred Noonan, had adequate knowledge about
the radio gear they chose and carried.  There have been some reports that
Noonan held a commercial radiotelegraph license.

The FCC was still carrying the Aircraft Radiotelegraph Endorsement in their
system of commercial operator licenses and exams as late as about 25 years
ago when I first got my second class telegraph license, though I'd guess the
last commercial airline radiotelegraph operator positions had disappeared
decades earlier.

Up to the early 1960s, many airlines had their own staff of land-based HF
radiotelegraph operators used to communicate scheduling and other info
between operation centers for the airline.  Though the individual operators
may have had decades of experience and could often copy above 50 wpm, few
ever advanced to the first class radiotelegraph operator license because the
traffic that their station handled was not public correspondence as was
required in the experience qualifications for the first class ticket.

I never heard any machine-sent news/sports broadcasts on the maritime CW
bands being sent at speeds higher than about 35 wpm.  More critical
safety-related broadcasts (weather, notice to mariners, etc.) were generally
sent at about 25 wpm.

The long-range military aircraft crews of WWII appear to have rarely
conducted their Morse communications above about 12 wpm.  In fact, many of
the WWII-era aircraft radio sets could not be keyed any faster due to keying
relay operation times.  Many on this list will remember the WWII surplus
command sets (ATA/ARA, SCR-274-N, AN/ARC-5) that got many hams on the air
in the 20 years following WWII.   In their original military installations,
they could not be keyed faster than about 14 wpm.

If you like Morse, it's hard not to like the old sets that were used when HF
radio Morse was in it's commercial heyday.  But for power-, weight-, and
performance-critical portable operation today, I'll take a solid-state
microprocessor-controlled rig anytime.

73,
Mike / KK5F
(Military Boatanchor Addict)

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RE: [Elecraft] OT-Preserving CW memories

2004-12-11 Thread Ron D'Eau Claire
I used to copy press off the air in the 50's. As the lone Flight Test ground
controller for Lockheed Aircraft Service, it helped fill in the time between
condition checks with planes aloft and preparing meteorological reports. We
used both HF AM and CW in those days. The press was sent from punched
paper tape, I believe. It ran at a very steady 20 wpm. 

In my experience, High speed (20 wpm) was ONLY used between a relatively
few stations in which the same ops communicated with each other constantly.
From what I've read, some of those ops really screamed, but they were the
exception. They were usually government or military circuits and, before
teletype become common after WWII, occasionally between shore stations
moving traffic to where it could be passed onto the proper ship by a coastal
station. 

On any open circuit intended for general consumption - like a press
broadcast - 20 wpm or even less was run. After all, all ops had to copy
without fills and the ops were only required to be able to copy 20 wpm. 

International stuff going from shore stations to ships at sea was often much
slower - 15 wpm or less. Indeed, some commercial stations welded the weights
on the operator's bugs in place to hold the speeds down at all times. They
wanted absolutely consistent speed, no matter which operator might be on the
shift, and chose a speed that they felt every operator on any ship or
station could copy, no matter how green. 

Radio station KPH on the US west coast (north of San Francisco) is regularly
put on the air thanks to a dedicated  group of hams/ex station operators.
When the station is active, they often send a press tape that hams can copy
on the short wave and  medium frequency (600 meter) band. Check
http://tinyurl.com/3fvgz for more information about them. They often put the
old station on the air on New Year's eve. I don't know what this year's
plans are. 

A really fun book documenting the adventures of Sparks - marine radio
operators - is Sparks What's Going On? It's a 300 page compendium of
anecdotes and reminiscences by radio operators who sailed the high seas in
the heyday of CW communications. It's filled with personal notes and stories
of humorous encounters such as the time the ship Queen Elizabeth passed
Gibraltar one night. 

A Morse blinker on the rock flashed out, What ship?

The QE replied, What rock? 

Sparks What's Going On? was published by Sylvester Focking, DH4PB. For
more information see: http://tinyurl.com/4yewb

Sylvester also published some CD's containing actual examples of CW on the
High Seas between ships and ships and shore stations. It includes an actual
SOS call that, to this day, still produces a chill when I hear it. 

Ron AC7AC


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Re: [Elecraft] OT-Preserving CW memories

2004-12-11 Thread Mike Morrow
Ron wrote:

The press was sent from punched paper tape, I believe. It ran
 at a very steady 20 wpm.

Hi Ron,

Coast Station WCC in the 1970s sent a nightly news/sports/financial
broadcast in the 1970s at somewhere around 30 wpm.  It was great practice,
and interesting too.

Coast station NAM during the same era was sending weather and
NAVAREA/HYDROLANT broadcasts, intended primarily for Naval Sealift Command
civilian-manned vessels, at a consistent 25 wpm that was very easy to copy
due to the perfect machine-sent nature of the keying.  I have to figure
that, even though the second class telegraph license didn't require speed
greater than 20 wpm, most candidates copied well above that before setting
for the exam.  I found the random code group exam at a paltry 16 wpm to be
far more difficult to pass, since at least 80 consecutive random characters
had to be copied without error during the five minute run.  Five errors
spaced just right would send you down.

A really fun book documenting the adventures of Sparks - marine
radio operators - is Sparks What's Going On

Sounds like a great book.  I'll have to track that one down.  It's so
aggravating dealing with the foreign currency issue, though.  The RSGB a few
years ago was selling a memoir of a British radio officer of the 1970s and
80s.  I don't remember the title, but it was well worth reading as a
description of the late soon-to-be-gone era of commercial Morse.  In the
very early 1990s, a lot of commercial telegraph license holders were sent a
solicitation from one of the radio officer unions looking for candidates to
filll open billets.  I guess there hadn't been too many new recruits to an
obviously dead-end career!

Sylvester also published some CD's containing actual examples
of CW on the High Seas between ships and ships and shore
stations. It includes an actual SOS call that, to this day, still
produces a chill when I hear it.

That would be very interesting!  I've talked to merchant radio officers who
completed lengthy careers without ever hearing a real SOS.  Was it sent
...---...  or ...   ---   ... ?  It's surprising how many have the
misconception that it's sent with a space between the S, O, and S, rather
than the proper method of sending it all as *one* character.  In fact, even
the USAF's automatic emergency code keyers (AN/ARA-26) that were attached to
most USAF airborne HF sets in the 1950s and 1960s were designed to send SOS
incorrectly as three separate characters!

73,
Mike / KK5F

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RE: [Elecraft] OT-Preserving CW memories

2004-12-11 Thread Ron D'Eau Claire
Mike wrote:

I've talked to merchant radio officers who completed lengthy careers
without ever hearing a real SOS.  Was it sent
...---...  or ...   ---   ... ?

---
SOS was a prosign, as you point out, sent correctly as one character:
...---...  But any error is possible and at times probable. The world of
civilian ops from all countries on the marine band was quite different from
the military channels! 

Focking's CDs of marine band activity is a good reminder about how (not so)
fast many marine stations were and how rough *some* of those fists were -
even some shore ops!  To me, the Ham bands today filled with keyer-generated
CW sound very little like the old marine frequencies where half or more of
the fists were on straight keys. 

I bet a LOT of those ops would have loved to have a K2 for the keyer and, at
times the filters. The 500 calling frequency  was often a cacophony of
signals all on top of one another in the passband of receivers of the day. 

To this day I still prefer a wide filter, even with moderate QRM. With my K2
on CW, I use the SSB filter more than any other.  I love being able to keep
track of what's going on around the frequency I'm using. The trick of
course, is to turn off the AGC so stronger signals in the passband won't
depress the receiver gain. One of these days I'll add a hard limiter to
protect my ears. The dynamic range of the K2 allows really huge peaks to
come through without the AGC. 

Ron AC7AC 


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Re: [Elecraft] OT-Preserving CW memories

2004-12-11 Thread W3FPR - Don Wilhelm

Ron and all,

Are you aware that reducing the RF gain will reduce the AGC action as well. 
Folks who want to try it may be surprised how well copy can be made under 
QRM conditions with the AF gain at full and the overall gain controlled by 
the RF gain.


With this technique, the residual AGC provides some 'limiting' protection 
for the ears while allowing one to dig for really weak signals - this is 
applicable at any bandwidth, but more so for wider ones.


73,
Don W3FPR

- Original Message - 


To this day I still prefer a wide filter, even with moderate QRM. With my K2
on CW, I use the SSB filter more than any other.  I love being able to keep
track of what's going on around the frequency I'm using. The trick of
course, is to turn off the AGC so stronger signals in the passband won't
depress the receiver gain. One of these days I'll add a hard limiter to
protect my ears. The dynamic range of the K2 allows really huge peaks to
come through without the AGC.



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RE: [Elecraft] OT-Preserving CW memories

2004-12-11 Thread Ron D'Eau Claire
Don W3FPR wrote:
Are you aware that reducing the RF gain will reduce the AGC action as well. 
Folks who want to try it may be surprised how well copy can be made under 
QRM conditions with the AF gain at full and the overall gain controlled by 
the RF gain.

With this technique, the residual AGC provides some 'limiting' protection 
for the ears while allowing one to dig for really weak signals - this is 
applicable at any bandwidth, but more so for wider ones.



Good point, Don. Yes, that's what I do with the K2 quite a bit. It's worked
well enough that I've put off fixing up a limiter. 

The problem comes up when I need to run the gains up for a very weak station
and suddenly a huge signal in the passband keys the rig. The AGC kicks in
and the weak signal disappears! Saves my ears, more or less, but kills the
copy.

With a hard limiter, if I've got the weak signal up right where the limiter
is starting to clip, a much stronger signal is no louder. It's just rougher
sounding thanks to the higher degree of clipping it gets. 

Ron AC7AC


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Re: [Elecraft] OT-Preserving CW memories

2004-12-11 Thread Fred Jensen
Well, YMMV ... but I'm sort of with Ron.  I like to know what's going on
around me, and if I want to really dig in and pull someone out of the
noise, I know I can do it (well, sometimes!).  I retired from
communications engineering, and I accept all the theory for channels
subjected to noise and possible throughput as a result, but we're not
Point-To-Point folks.  I'm not totally sure that it applies to the
operation of a ham radio station.

Fred K6DGW
Auburn CA CM98lw

W3FPR - Don Wilhelm wrote:
 
 Ron and all,
 
 Are you aware that reducing the RF gain will reduce the AGC action as well.
 Folks who want to try it may be surprised how well copy can be made under
 QRM conditions with the AF gain at full and the overall gain controlled by
 the RF gain.
 
 With this technique, the residual AGC provides some 'limiting' protection
 for the ears while allowing one to dig for really weak signals - this is
 applicable at any bandwidth, but more so for wider ones.
 
 73,
 Don W3FPR
 
 - Original Message -
 
 To this day I still prefer a wide filter, even with moderate QRM. With my K2
 on CW, I use the SSB filter more than any other.  I love being able to keep
 track of what's going on around the frequency I'm using. The trick of
 course, is to turn off the AGC so stronger signals in the passband won't
 depress the receiver gain. One of these days I'll add a hard limiter to
 protect my ears. The dynamic range of the K2 allows really huge peaks to
 come through without the AGC.
 
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[Elecraft] OT-Preserving CW memories

2004-12-10 Thread Thom R. Lacosta
From time to time I make a post reminding folks that there's a web site where 
the content comes from a submarine radio operator (www.zerobeat.net/submarine) 
.


I'd love to do a similar site with the memories and stories of folks who made 
their living pounding brass, whether aboard ship, at a Coast Station, Police

Communications, Railroard or other venues.

Yep...it appears that hardly anyone does any of the above now, and I'd like to 
preserve your memories on the web so that those of use that use and enjoy cw 
have a frame of reference other than amateur radiowhen you're not around, 
you'll take those memories with you.


If ya have a mind to, drop me an emailI'll be happy to turn it into HTML 
and devote as much space on the server as it takes to tell the story of the 
magical music.


73,Thom-k3hrn
www.zerobeat.net Home of QRP Web Ring, Drakelist home page,
Free Classified Ads for amateur radio, QRP IRC channel
Elecraft Owners Database
www.tlchost.net/  Web Hosting as low as 3.49/month
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