Re: FLUXLIST: toronto panel

2000-02-09 Thread Sol Nte

Hi Joshua,

i have decided to seriously study and reperform some classic fluxus and
dada pieces starting this year.

anyone wishing to help me do so is invited to email me scores or good
sources.  i already have 'fluxus reader' and 'ubi fluxus',

Go to

http://www.nutscape.com/fluxus/homepage/

Click on the link for The Fluxus Performance Workbook.

There you will find scores for Fluxus Performances by most Fluxus artists.
Classic scores sit alongside lesser known works.

I also recommend Dick Higgins' book " foewombwhnw" (contains the  Danger
Music scores and other good pieces), although now long out of print used
copies are available from Barnes and Noble at
http://www.bn.com  just do an author search for Dick Higgins then click on
the link to the out of print section. When I just looked they had 4 copies
although the price varies depending on the condition of the book.

If you want more sources just ask but this should give you a good start.

well, i just went to the most depressing art event ever.  it was a supposed
panel on fluxus to promote the 'playing with matches' exhibit of al hansen
and rock star grandson beck hansen

I read the 'playing with matches'  book last year and I have to say I
thoroughly enjoyed it. I think it's a shame if this panel did not do justice
to the exhibit. Could you please say a little more about what the panel
said, issues raised etc. as I would be interested to know what exactly it
was that you found disappointing, also who was on the panel? Thanks.

cheers,

Sol.



Re: FLUXLIST: Heiko's museum event

2000-02-09 Thread Sol Nte

Thank you Marc for  this great description of your performance.

cheers,

Sol.



FLUXLIST: MP3 project (was MP3)

2000-02-09 Thread Sol Nte

Eryk wrote:

Yes, but certainly there are several collaborations
that can go out without real time. And there is a general midi-based
network thingamabob that lets you jam in real time, though
you are stuck to general midi which is limiting and not very fun
after a while

This is closer to what I was thinking about. Although I see no need for real
time. I envisioned using midi (.mid)  files in an "add and pass" manner
(somewhat akin to a mail-art collage or collaborative artist's book but with
sound). For example each of us could choose an instrument  so if there were
3 people we could have a drummer, a bassist and a pianist( we need to define
who plays what in order to create a proper band structure although people
could play different instruments on different tunes)The drummer could begin
everything by laying down a drum track (using general midi sounds on channel
10) in a suitable sequencer then saving that drum track as a .mid file and
e-mailing it to the bassist who opens the file in his or her sequencer and
adds the baseline then saves the new .mid file (drums and bass) and e-mails
it to the pianist etc. etc.

You could build everything from a whole orchestra to a garage band in this
way. Sticking to the general midi standard would mean that it would sound
the same on everyone's computers( okay those with FM soundcards may not hear
such good things as those with wavetable cards but they could still enjoy
the rhythms and melodies and add something). Sequencers like evolution audio
will even run on a 386sx so really anyone with a 386 and above and access to
e-mail could take part. Midi files are very small so are easy to send as
attachments also.

Once the file has been passed round and finished the result could be
rendered as a wav file(with high-quality synthesis) and written to CD ( I
have facilities to do this and I guess others of you do too) also the wav
could be converted to MP3 and put on MP3.com

To me this seems an interesting way to form a band/orchestra. Also it'll be
impossible for any one person to know what the whole thing will sound like
until it's finished. Granted using midi means no vocals but that's probably
not a bad thing anyway.

So is anyone interested in doing this. Working like this will mean that each
person can record their part again and again until they're happy with it and
you won't feel nervous about playing in front of people either. For those
who've never used sequencers it's pretty easy, if you don't have a midi
keyboard you can add a track just using the mouse or some packages allow you
to "play" your computer keyboard.

I would suggest that initially we could make a 4-track EP or something. I
would be happy to produce the whole thing on CD and send copies to all the
participants.

cheers,

Sol.



Re: FLUXLIST: Re: FLUXLIST-digest V2 #482

2000-02-09 Thread Heiko Recktenwald

 It sounds like Haider is a sort of Jesse Ventura type, with more
 unfortunate predilections. Jesse not being a bigot, but rather a rowdy.

Maybe, I dont know Ventura. Haider isnt anyhow brutal looking or so. I
think he is a typical right wing liberal (in the sense of chicago
economists, who supported Pinochet), but also acceptable for lower
income groups, sport, sport, sport, a little bit like those guys from
Miami Vice. And being against "art" is rather popular. 

A lot of the protests, the famous, VERY bad reaction of the 14 Eu
countries, was organised by the social democratic president of the
republic Austria, well, its not comparable to the american system, the
head of state isnt head of the governement. He travelled a lot...

Heiko


 Jesse remarked that if the state funds arts, it should also fund stock car
 racing. I say sure, as long as artists are doing the driving. Or as long as
 the drivers are doing it gratuitously.
 
 AK
 



FLUXLIST: Austria/Visit the Krematorium

2000-02-09 Thread Miklos Legrady

Visit the Krematorium.

_
This is the completion of the project I just submitted to Ars Electronica;
a raw piece, but somewhat informative.
Also emailed invite to 4 Austrian newspapers and a Vienna TV station.

http://www.c3.hu/~itmiklos/site/aa2.html

+
+just dust and ashes
+

As a reply to Patrick Maun;

Yes essentially you're correct on the surface,
but didn't Hitler get in as a minority government;
there are many people who have forgotten
the lessons of the past and some wish to repeat them


Miklos Legrady
1086.5 Queen st. w.
Toronto, Ont. M6J 1H8
(416) 516-6127
__
[EMAIL PROTECTED]
http://www.myna.com/~design/


Kapy Utca 1B
Budapest 1025
Hungary
011-36-1-176-4698

[EMAIL PROTECTED]
http://www.c3.hu/~itmiklos/




Re: FLUXLIST: snow

2000-02-09 Thread Don Boyd

No, sherry, that doesn't bore me at all.
Look forward to the photos. Try Sol Nte

SHERRY wrote:

 reporting on recent happening:

 So sunday afriend and I put on rock star bikini thingsand hiked ourway on
 afrozen lake on to an islandin the middle of ourcollegecampusand rockedout
 usingairguitars. It was a bitcold butworth the funny glances.We filmed and
 took photos. Thepicture perfectbackgroundlooks like a fake phto drop
 behindus. nice stuff. nce thephotoscomebackI'll post themsomewhere.

 sherry


 *
 ***   ***
 ***http://absurd.poc.net  ***
 *** revolting society since 1999  ***
 ??? *   * ???
 $
 !*!*!*!*!*!*!*!*!*!*!*!*!*!*!*!*!*!*!*!*?*?*?*!*!*!*!
 *





Re: FLUXLIST: MP3 project (was MP3)

2000-02-09 Thread Sumicide Xarae

But I dont understand, why you suggest putting things onto mp3.com. Why
support such "portals" ? "Label fetishism" ? ;-)

Mp3.com is great! I don't think anyone really pays attention to the portal part... :D

It's much better than throwing your mp3's on a server and expecting people to visit 
it..
( you'll have to do a lot of shameless advertising / plugging ).

There's something like a community there too.. artists trade feedback and link to each
other, remix each other.. really neat.

It's just a very good, free, well done service.. you should take a look at what they 
offer
for artists, next time you're there.

- Official mp3.com spokesman of fluxlist



Re: FLUXLIST: MP3 project (was MP3)

2000-02-09 Thread Heiko Recktenwald

Hi,

On Wed, 9 Feb 2000, Sol Nte wrote:

 Things like that are allready done or tried on a "professionel" level.
 
 I'm not interested in professional levels or if it's been done before. I

We are testing media ;-)



Re: FLUXLIST: MP3 project (was MP3)

2000-02-09 Thread father

I would definitely like to take part in something like this, if it ends 
up taking place. I'm pretty sure my keyboard has midi capabilities, 
i may need to buy a cable or something, but basically "i'm in". I 
could also help make CDs and distribute it to local independant 
record stores.

- nick

On 9 Feb 00, at 10:52, Sol Nte wrote:

 Eryk wrote:
 
 Yes, but certainly there are several collaborations
 that can go out without real time. And there is a general midi-based
 network thingamabob that lets you jam in real time, though you are
 stuck to general midi which is limiting and not very fun after a
 while
 
 This is closer to what I was thinking about. Although I see no need
 for real time. I envisioned using midi (.mid)  files in an "add and
 pass" manner (somewhat akin to a mail-art collage or collaborative
 artist's book but with sound). For example each of us could choose an
 instrument  so if there were 3 people we could have a drummer, a
 bassist and a pianist( we need to define who plays what in order to
 create a proper band structure although people could play different
 instruments on different tunes)The drummer could begin everything by
 laying down a drum track (using general midi sounds on channel 10) in
 a suitable sequencer then saving that drum track as a .mid file and
 e-mailing it to the bassist who opens the file in his or her sequencer
 and adds the baseline then saves the new .mid file (drums and bass)
 and e-mails it to the pianist etc. etc.
 
 You could build everything from a whole orchestra to a garage band in
 this way. Sticking to the general midi standard would mean that it
 would sound the same on everyone's computers( okay those with FM
 soundcards may not hear such good things as those with wavetable cards
 but they could still enjoy the rhythms and melodies and add
 something). Sequencers like evolution audio will even run on a 386sx
 so really anyone with a 386 and above and access to e-mail could take
 part. Midi files are very small so are easy to send as attachments
 also.
 
 Once the file has been passed round and finished the result could be
 rendered as a wav file(with high-quality synthesis) and written to CD
 ( I have facilities to do this and I guess others of you do too) also
 the wav could be converted to MP3 and put on MP3.com
 
 To me this seems an interesting way to form a band/orchestra. Also
 it'll be impossible for any one person to know what the whole thing
 will sound like until it's finished. Granted using midi means no
 vocals but that's probably not a bad thing anyway.
 
 So is anyone interested in doing this. Working like this will mean
 that each person can record their part again and again until they're
 happy with it and you won't feel nervous about playing in front of
 people either. For those who've never used sequencers it's pretty
 easy, if you don't have a midi keyboard you can add a track just using
 the mouse or some packages allow you to "play" your computer keyboard.
 
 I would suggest that initially we could make a 4-track EP or
 something. I would be happy to produce the whole thing on CD and send
 copies to all the participants.
 
 cheers,
 
 Sol.




Re: FLUXLIST: toronto panel

2000-02-09 Thread George Free

toronto does not offer much to a fluxus fan 

Toronto has everything a fluxus fan needs:

bright cold winters
hot steamy summers
sad autumns
and soggy springs

here you can look up
and see the world is
large  beautiful



FLUXLIST: Re: FLUXLIST-digest V2 #488

2000-02-09 Thread jana egerova

On Tue, 8 Feb 2000 04:02:52 -0800, [EMAIL PROTECTED] wrote:
  From: "Porges, Timothy" [EMAIL PROTECTED]
  Jana,
  No desire to salt anyone's wounds, here,
  and Haider is an unfortunately familiar political type
  (in U$A we have many like him: the last governor of california,
  the current mayor of new york, USW), but 
  "ethnic cleansing" is a Czech invention.
  If we "are" our national histories, then 
  we are all victims and we are also swine.
  Czechs, too. If you deny your own (fairly recent)
  history, then you play right into the hands
  of people like Haider.
  Tim

how can you say "ethnic cleansing" is a Czech invention? what do you mean?
who did we "cleanse out"? 
jana





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Re: FLUXLIST: MP3 project (was MP3)

2000-02-09 Thread primate _

Well Sol,


  Im intrested in this concept, but I have never used midi before...is there 
any progs you suggest?


From: "Sol Nte" [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: FLUXLIST: MP3 project (was MP3)
Date: Wed, 9 Feb 2000 10:52:09 -

Eryk wrote:

 Yes, but certainly there are several collaborations
that can go out without real time. And there is a general midi-based
network thingamabob that lets you jam in real time, though
you are stuck to general midi which is limiting and not very fun
after a while

This is closer to what I was thinking about. Although I see no need for 
real
time. I envisioned using midi (.mid)  files in an "add and pass" manner
(somewhat akin to a mail-art collage or collaborative artist's book but 
with
sound). For example each of us could choose an instrument  so if there were
3 people we could have a drummer, a bassist and a pianist( we need to 
define
who plays what in order to create a proper band structure although people
could play different instruments on different tunes)The drummer could begin
everything by laying down a drum track (using general midi sounds on 
channel
10) in a suitable sequencer then saving that drum track as a .mid file and
e-mailing it to the bassist who opens the file in his or her sequencer and
adds the baseline then saves the new .mid file (drums and bass) and e-mails
it to the pianist etc. etc.

You could build everything from a whole orchestra to a garage band in this
way. Sticking to the general midi standard would mean that it would sound
the same on everyone's computers( okay those with FM soundcards may not 
hear
such good things as those with wavetable cards but they could still enjoy
the rhythms and melodies and add something). Sequencers like evolution 
audio
will even run on a 386sx so really anyone with a 386 and above and access 
to
e-mail could take part. Midi files are very small so are easy to send as
attachments also.

Once the file has been passed round and finished the result could be
rendered as a wav file(with high-quality synthesis) and written to CD ( I
have facilities to do this and I guess others of you do too) also the wav
could be converted to MP3 and put on MP3.com

To me this seems an interesting way to form a band/orchestra. Also it'll be
impossible for any one person to know what the whole thing will sound like
until it's finished. Granted using midi means no vocals but that's probably
not a bad thing anyway.

So is anyone interested in doing this. Working like this will mean that 
each
person can record their part again and again until they're happy with it 
and
you won't feel nervous about playing in front of people either. For those
who've never used sequencers it's pretty easy, if you don't have a midi
keyboard you can add a track just using the mouse or some packages allow 
you
to "play" your computer keyboard.

I would suggest that initially we could make a 4-track EP or something. I
would be happy to produce the whole thing on CD and send copies to all the
participants.

cheers,

Sol.


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