FW: CBS / EMI

2003-09-02 Thread Lloica Czackis
Hello everybody,

Can anyone help Jerry?


Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 31 August 2003 10:07
To: [EMAIL PROTECTED]
Subject: CBS / EMI

Hello,

I have read that CBS Israel was pressing LPs for EMI in the 1980s. In 1984,
EMI released an LP by a band called Pallas, and the title was The Sentinel.
I heard CBS pressed this LP in Israel. Is it known where I can get a copy of
the Israelian pressing of the LP? Do you know a place where I can look?

Many thanks and best wishes,
Jerry van Kooten


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Re: technology in performance (a bit OT)

2003-07-20 Thread Lloica Czackis
Well, there's Hip Hop Khasene, the result of the collaboration between 
British Sophie Solomon and Canadian Socalled (Josh Dolgin).  They performed 
recently in New York.

Have a look at http://www.allaboutjazz.com/reviews/r0103_001.htm.

Lloica






From: lenka lichtenberg [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: World music from a Jewish slant [EMAIL PROTECTED]
Subject: technology in performance (a bit OT)
Date: Sun, 20 Jul 2003 22:30:00 -0400
hi everybody,
a question nagging me: are there hot Jewish acts in North America using 
electronics in their live shows? I don't know of any, and frankly cannot 
imagine a klezmer band, no matter how modern in approach to their music,  
replacing a performer or three with a pre-recorded sound run by laptops 
and/or synths in front of your eyes on stage. Are we more pure here than 
in Europe? Last night, me and my hubby heard three acts based in France or 
somehow connected to France (promoted by French Embassy to deflect from 
Freedom Fries, the story went) in a concert Vive La World  at the 
venerable Hothouse in Chicago. One (sorry can't recall name) was a trio, 
lovely African chick singer, a guitarist and guy running about 12 
pre-recorded tracks off a synth. Second, an AMAZING oud duo Duoud, left 
us breathless. Most of their songs combined the two ouds (one electric) 
with bass and drums off a laptop. Finally, Natasha Atlas,  such a great 
singer (now based mostly in Egypt), 6-piece live back-up band and about 4 
ghosts on pre-recorded tracks. Nobody minded. People went crazy. It was so 
HOT. I had some trouble with it. Am I being old-fashioned, which is my 
husband's opinion...or have we here in N.America different standards? (P.S. 
:nobody billed themselves as traditional, simply world music, even 
though what they DID play could possibly be described as traditional in a 
number of ways)
lenka
lenka lichtenberg, singer-songwriter, yiddish and world music performer. 
for mp3s, audio clips and performance updates, visit 
www.lenkalichtenberg.com

  - Original Message -
  From: [EMAIL PROTECTED]
  To: World music from a Jewish slant
  Sent: Sunday, July 20, 2003 9:52 PM
  Subject: Re: Days of Awe


  In a message dated 7/20/3 4:03:44 PM, [EMAIL PROTECTED] writes:

   , will be released on Thursday, August 7 and will be available at

  amazon.com as well as cdbaby.com and, I hope, at Hatikvahmusic. 

  Of course it will be available at Hatikvah...such a question!!!

  .who the hell are amazon and cdbaby don't you mean see the 
baby?)

  Simon
  Hatikvah Music
  323) 655-7083

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Yiddish songs on the Golem?

2003-05-23 Thread Lloica Czackis
Dear all,

I am looking for songs, particularly Yiddish songs, about the Golem.  Does 
anyone have any clues at all?

Thanks a lot!

Lloica

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Re: la rosa enflorese

2003-04-19 Thread Lloica Czackis
Judith,

You are right, of course! it realised my mistake just after hitting send...

Un beshiko,

Lloica



Bilbil is often loosely translated as nightingale, (bulbul) from the
Persian via Turkish and Arabic , becoming the diminutive in
Judeo-Spanish, bilbilicos.
I've always thought it was a pretty schmaltzy kind of song, but the
tune's great; it's often used for Tsur Mishelo akhalnu.
Judith
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Re: La Rosa Enfloresa

2003-04-19 Thread Lloica Czackis
Allen,

The lyrics I know are:

La rosa enflorece
en el mes de Mai
mi alma se escurece
sufriendo del amor.
Los bilbilicos cantan
en los arbos de la flor
debajo se asentan
los que sufren del amor.
Mas presto ven, palomba,
mas presto ven a mi,
mas presto tu, mi alma,
que yo me vo morir.
And I'll attempt a translation:

The rose blooms
in the month of May,
my soul is shadowed
by suffering of love.
The little birds sing
on the blooming trees,
underneath them seat
those who suffer of love.
But come soon, beloved,
come soon to me,
soon, my soul,
as I am going to die.
So sad, so beautiful...

Lloica



From: Allen Davis [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: World music from a Jewish slant [EMAIL PROTECTED]
Subject: La Rosa Enfloresa
Date: Fri, 18 Apr 2003 05:40:45 -0400
Can anyone help me with the translation of this Ladino song? Our chorus is 
singing a beautiful setting of it by Emanuel Rubin, and it would help to 
know its full meaning! Thanks.
Allen

La rosa enfloresa
En el mez de Mars.
Y mi alma se cure
Se de estar en este mal.
The rose blooms)
In the month of March.
And my soul ..
...?
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Jewish Jazz (was Main Interest)

2003-04-18 Thread Lloica Czackis
Alf,

Does the name of Henryk Gold (b. 1898 d. ?) sound familiar?
According to the A Great European Big Bands Database (http://nfo.net), he:
was a pioneer in the history of Polish jazz and dance music, as well as 
being one of the most prolific song writers in Poland during the inter-war 
years. Gold was born in 1898 in Warsaw into a very musical family in which 
all of the children were encouraged to play various instruments. His 
brother, Artur Gold (1903-1943), was also an orchestra leader and composer 
of note, writing many of the tangos that were popular during the 1920’s and 
30’s. Gold became a violinist of some accomplishment, and his very Orthodox 
Jewish family presumed that he would take up a concert career, or play with 
a symphony orchestra.

During the period immediately after WWI when Poland again became 
independent, Jazz, as popularized by the Original Dixieland Jazz Band, began 
to sweep Europe from west to east. Henryk Gold was caught up in the extreme 
popularity of this music and followed the lead of Zygmunt Karasinski, a 
saxophonist, who founded the very first Polish jazz band in 1923.

Lots more on that site.

Regards,

Lloica





From: alfesta [EMAIL PROTECTED]
Reply-To: alfesta [EMAIL PROTECTED]
To: World music from a Jewish slant [EMAIL PROTECTED]
Subject: Re: Main Interest
Date: Thu, 17 Apr 2003 10:33:17 +0100
Hi There,

Thanks to you I have, over the past few weeks received numerous e:mail 
messages concerning various Jewish musical involvements.

My main interest however is confined to Jewish involvement in Jazz and 
Popular Music from the year dot (around 1850) to the 1960's.
This included song writers/composers, musicians, record producers, Band 
Leaders, Singers and such like.

Could you please point me in the right direction

Best Regards

Alf Keiles
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Fwd: Re: Yiddish Tango!

2003-03-15 Thread Lloica Czackis
Sorry, that was not quite right (it's late in this part of the world...) 
Better try www.lloicaczackis.com/tangele.htm.






There is some more information on my website: 
www.lloiczackis.com/tangele.htm.

Gut shabes,

Lloica
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Re: Yiddish Tango!

2003-03-15 Thread Lloica Czackis
Dear Sylvia,

It seems to me too that the marriage of tango and Yiddish song is an 
extraordinary event, partly because of the great beauty and poignancy of the 
songs, but especially because of its significance. It is through this music 
that I came to understand my cultural identity as an Argentinian Jew.

I have been researching the history of the Yiddish tango for nearly four 
years, and as listers may remember, I produced a show in London last 
November with two wonderful tango musicians who are also Argentinian Jews 
(the pianist  arranger, Gustavo Beytelmann, is a familiar name as a tango  
film music composer - for example in the Argentininan film The Jewish 
Gauchos - and he played with people like Piazzolla). My research will be 
published for the first time in the April edition of the UK magazine Jewish 
Quarterly, and I'm hoping to have a CD out soon.

The songs I have found so far come from three places: the Yiddish Theatre in 
New York and Buenos Aires (which in the 1940s and 30s was home to the second 
largest Jewish community in the world) and the Eastern European ghettos 
during WWII (excluding the two tangos rendered by Zalmen Mlotek and Adrienne 
Cooper, with whom I was fortunate enough to study here in London). There is 
more out there to find, and it is in my immediate plans to dedicate a couple 
more years to this.

It seems to me that the root of Yiddish tango is intimately connected to the 
spirit of tango itself. Therefore it is possible to find a song like 'Dos 
Tango fun Oshvientshim' ('The Tango of Auschwitz'), written around the same 
year that lyrics with strong social comments appeared in Buenos Aires, such 
as 'Cambalache' ('Junk Shop').

I could carry on and on. This topic is absolutely fascinating. I hope that 
my research will be of interest to you. Contact me off list if you need the 
distribution details of the Jewish Quarterly.

There some more information on my website: www.lloiczackis.com/tangele.htm.

Gut shabes,

Lloica





From: Sylvia Schildt [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: World music from a Jewish slant [EMAIL PROTECTED]
Subject: Re: Yiddish Tango!
Date: Fri, 14 Mar 2003 17:12:25 -0500
Dear Listers and especially Lloica:

I have to own up that it was the Cooper-Mlotek Ghetto Tango that began to 
open my awareness to the importance of the tango in modern Yiddish song.

The degree to which this theme has insinuated itself into Yiddish music
continues to amaze and astound me.
Yet until this very second, I had not connected Vu Ahin Zol Ikh Geyn with 
that family of tango-inspired songs.  But of course, it has all the
poignancy and despair that is tango -- now that I hear it in my head again, 
of course! I wish I had a recording this minute to play.

We are going to be having a workshop at the conference of the International 
Association of Yiddish Clubs (IAYC)  on Yiddish Tango, complete with 
archival Argentinian cinematic footage from the late 30's into the 50's and 
60's.  Also the pivotal involvement of Jewish Argentinian musicians and 
actors in the world of mainstream Argentinian tango.

Any more Yiddish tango songs I should be aware of

Khag sameakh,

Sylvia Schildt
Chair
8th IAYC Conference
Baltimore, Maryland




on 3/14/03 4:33 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:

 Lloica Czackis wrote:

 Does anyone know if the Polish composer of tangos, foxtrots  romances
 Pjotr Leschenko was Jewish?

 I have received many comments after the Tango Cd posting, this one 
from
 Bret Werb is most interesting.

 Hi Simon: Leschenko wasn't Jewish but his two best tango writers Strok 
and
 Marjanowski were.  Anyway: please reserve a copy of Echoes for me for
 when I blow by next month.
 I've done a lot of looking-up on Strok, who wrote the tango original 
(for
 Leschenko) that became the Barry Sisters hit vu ahin zol ikh geyn.  
his
 career turn is an interesting story. ( Bret Werb)

 Hatikvah Music
 323) 655-7083





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Re: Pjotr Leschenko

2003-03-03 Thread Lloica Czackis


Oh, many thanks Jerzy... and was he Jewish?




Piotr Leshchenko was defnitely not Polish but Russian

Jerzy


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Tangele - Yiddish Tango

2003-01-14 Thread Lloica Czackis
Dear Sylvia,

I have done a lot of research on Yiddish Tango for a show premiered in 
Lodnon last November, which I entitled Tangele: The Pulse of Yiddish Tango. 
I am very grateful to you and many other list-members for their valuable 
help. I am happy to share my findings with you, and look forward to bringing 
the programme to the USA in the near future.

More information on Tangele is available on 
www.lloicaczackis.com/Tangele.htm.

Best wishes,

Lloica




By the way, off topic -- we are doing a program on tangele (Yiddish tango) 
in February and at the IAYC conference in September,  looking for Yiddish 
tango songs from between the wars -- this would include not only those 
written in Argentina, but world-wide.

A dank in foroys,

Sylvia  (Tsipele)
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