Re: [Phono-L] Little Wonder Phono problems

2019-05-07 Thread Jim Nichol via Phono-L
Ron, I doubt you and Mike are the only people left on this list. But I’ve only 
run into problems like yours twice. One was a Busy Bee disc phono. I did find a 
problem with binding in the governor gearing, but I think a weak spring was the 
real problem. Also, my Edison Opera stopped working after traveling to Chicago. 
It was easily fixed when I found that governor shaft wouldn’t turn. I loosened 
a set screw and allowed a little play in the governor shaft, and all was well.

Jim Nichol

> On May 7, 2019, at 9:43 PM, Ron L'Herault via Phono-L  
> wrote:
> 
> The old spring was 5/8 by .018.   I’ve just installed a 5/8 by .022  which 
> seems to be about the same length, around 8 5eet I believe.  It’s a NOS 
> Honest Quaker (I actually have two of these!).  It may be a bit better.  I 
> think I’m going to try a counter weight on the “tone arm” to lighten the 
> reproduce a bit.  That may let it play through an 8” record.   
>  
> Looks like you and I are the only ones on the oldcrank phonograph list.  NO 
> one else commented.
>  
>  
> Ron L
>  
> From: Phono-L [mailto:phono-l-boun...@oldcrank.org 
> <mailto:phono-l-boun...@oldcrank.org>] On Behalf Of Mike Tucker via Phono-L
> Sent: Saturday, May 04, 2019 6:13 PM
> To: 'Antique Phonograph List'
> Cc: mtucker1...@gmail.com <mailto:mtucker1...@gmail.com>
> Subject: Re: [Phono-L] Little Wonder Phono problems
>  
> Ron,
>  
> What is the width of the spring?
>  
> The Windsor listing gives the following for small toy motors (Genola, Baby 
> Grand,Carryola Cub, Pei-o-phone, Artone, Featherweight etc) with pear shape 
> holes as ½” x .022 x 8feet.
>  
> For old type toy motors the dimensions are 9/16” x .025 x 10 feet.
>  
> I have no specific listing for the Little Wonder.
>  
> Best wishes,
>  
> Mike Tucker
>  
> From: Phono-L  <mailto:phono-l-boun...@oldcrank.org>> On Behalf Of Ron L'Herault via Phono-L
> Sent: Sunday, 5 May 2019 6:29 AM
> To: phonol...@yahoogroups.com <mailto:phonol...@yahoogroups.com>; 'Antique 
> Phonograph List' mailto:phono-l@oldcrank.org>>
> Cc: Ron L'Herault mailto:lhera...@verizon.net>>
> Subject: [Phono-L] Little Wonder Phono problems
>  
> I’ve been sent a LW phono with a host of small problems.  This is a Vertical 
> only machine that according to the lit. should use a sapphire ball.   The 
> governor springs were wrong.  I’ve got two with Columbia weights that are 
> pretty close.  Had to make a lower bearing for the governor.  It’s  tad 
> sloppy but rotational speed seems fairly consistent until the record slows 
> half way into the side.   I suspect the spring is the wrong size (too long 
> and maybe too thick).  S,  what size should the spring be?  There is a 
> dish shaped washer on the winding gear side of the spring. Should the 
> upward curve of the dish be towards the spring or towards the winding gear?  
> Should the spring be exposed on its other end or was there another dish or 
> flat disk there?Anybody know?  And does anyone know the actual length, 
> width, thickness of the gov. springs?
>  
> Thanks, 
>  
> Ron L
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Re: [Phono-L] Victor VE8-12X tonearm mounting bracket

2018-11-20 Thread Jim Nichol via Phono-L
No, Robert. Wooden wedges between the coils and the steel magnetic core do not 
cause any losses. They are transparent to magnetism. Also, the motor will be 
more efficient if the coil is NOT moving or vibrating. Movement wastes 
mechanical energy.

When I worked in the industrial world, a transformer with a loud hum was almost 
always caused by the wooden wedges falling out. There are supposed to be wedges 
between the steel core and the windings in a transformer to prevent movement 
and hum.

Jim Nichol

> On Nov 20, 2018, at 1:15 AM, Robert Wright via Phono-L  
> wrote:
> 
> Thank you, Mike! Hahaha, my phone's speech-to-text function butchers what I 
> tell it so frequently that I read right through your 'mess' no problem. 
> 
> So if I stick popsicle sticks between the outer coil windings and the core, 
> will any voltage be lost/wasted from anything being aligned differently than 
> originally manufactured, or does that not make any real difference in this 
> situation? 
> 
> I did try the plug in both polarities -- no change in hum volume. It has 
> worked on plenty of 60s and 70s portable phonos I've had, though.
> 
> 
> Best,
> Robert
> 
> 
> From: Phono-L  <mailto:phono-l-boun...@oldcrank.org>> on behalf of Mike Stitt via Phono-L 
> mailto:phono-l@oldcrank.org>>
> Sent: Monday, November 19, 2018 10:08 PM
> To: Antique Phonograph List
> Cc: Mike Stitt
> Subject: Re: [Phono-L] Victor VE8-12X tonearm mounting bracket
>  
> Man my last email was a mess.
> Popsicle sticks can be used as shims to "tighten" up the coils. They tend to 
> shrink.
> Glyptal is a red slushing type of paint that insulates and drys hard. 
> It is common for use in re-insulating coils. The spray type isn't nearly as 
> good as the brush on type.
> It shouldn't make a difference but you might try turning the plug around.
> If that should elimate the hum, test for voltage between the motor and a 
> known ground. Before polarized plugs touching say a radio chassis and a water 
> pipe would zap you, 115 volts. 
> Mike
> Damn tablets! 
> On Mon, Nov 19, 2018, 5:30 PM Mike Stitt  <mailto:smst...@gmail.com> wrote:
> Loose coils can cause a hum type of sound. More than likely the swab used was 
> glyptal. If the coila are lose use popcycle sticks.
> Mike 
> 
> On Mon, Nov 19, 2018, 5:21 PM Leroy Barco via Phono-L  <mailto:phono-l@oldcrank.org> wrote:
> I once had an electric credenza with a bad hum in the motor. 
> I found a small motor guy who diagnosed that it had “dried out “. 
> He had a solution he swabbed on several times that permeated the windings and 
> fixed the hum. 
> 
> I’m like Sgt. Schultz on the details. “I know nothing!”
> 
> LeRoy
> On Mon, Nov 19, 2018 at 12:25 PM Ron L'Herault via Phono-L 
> mailto:phono-l@oldcrank.org>> wrote:
> The Victor book gives some tips on reducing hum, such as checking the plate 
> tightness, and adding felt between cabinet and motorboard.  There are no 
> circuit components other than switches.Have you checked with George 
> Vollema for the tone arm bracket?  I understand that Wyatt Marcus is doing 
> really good Orth reproducer rebuilds.
>  
> Ron L
>  
> From: Phono-L [mailto:phono-l-boun...@oldcrank.org 
> <mailto:phono-l-boun...@oldcrank.org>] On Behalf Of Robert Wright via Phono-L
> Sent: Sunday, November 18, 2018 9:03 PM
> To: Phono L
> Cc: Robert Wright
> Subject: [Phono-L] Victor VE8-12X tonearm mounting bracket
>  
> Hey everyone, hope all is well with you folks! I need a whole new tonearm 
> mounting bracket assembly for a Victor VE8-12X that I just got. This one is 
> totally and utterly wrecked. Anyone know who's selling repros? Ron Sitko? 
> JAS? Anyone have current contact info for a dealer who would have some?
>  
> Also, has anyone rebuilt one of these electric platter motors? This one works 
> great, but it has a really loud mechanical 60Hz hum. I want to replace any 
> components in the circuit that I can, and also do a full cleaning and lube 
> job, but I would really like to know what I'm getting into first.
>  
> And lastly, anyone have Walt's current info in case I want to have him 
> rebuild this reproducer?
>  
> Thanks a million!
> Robert
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Re: [Phono-L] child's phonograph seeking info & parts

2018-11-11 Thread Jim Nichol via Phono-L
Whoops. I meant “couldn’t resist”. Anyway, you’ll find lots of link with 
pictures of your phono.

Jim Nichol

> On Nov 11, 2018, at 2:04 PM, Jim Nichol via Phono-L  
> wrote:
> 
> Sorry, Bob. I could resist. (See link below).
> 
> http://lmgtfy.com/?q=general+phonograph+baby+cabinet 
> <http://lmgtfy.com/?q=general+phonograph+baby+cabinet>
> 
> Jim Nichol
> 
>> On Nov 11, 2018, at 1:53 PM, Bob Maffit via Phono-L > <mailto:phono-l@oldcrank.org>> wrote:
>> 
>> Phono list:
>>  
>> I obtained a child’s phonograph made by: General Phonograph manufacturing 
>> Co. from Elyria Ohio. On the label at the base of the lid in front says: 
>> Baby Cabinet
>> The sides and lid, are  medal, with decals, like Humpty Dumpty.
>> It is missing the tone arm, which I think also functions as the horn, given 
>> there is no place for a horn, and it appears the tone arm just fits in a 
>> very small hole at the right rear of the motor board.
>> I recognize finding such is like looking for a needle in a hay stack! *smile*
>>  
>> If anyone has a reference in any book, that I could get someone to look at 
>> and or has  a tone arm / horn etc., they would be willing to part with …..
>>  
>> Thanks in advance
>>  
>> Bob Maffit
>>  
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Re: [Phono-L] child's phonograph seeking info & parts

2018-11-11 Thread Jim Nichol via Phono-L
Sorry, Bob. I could resist. (See link below).

http://lmgtfy.com/?q=general+phonograph+baby+cabinet 
<http://lmgtfy.com/?q=general+phonograph+baby+cabinet>

Jim Nichol

> On Nov 11, 2018, at 1:53 PM, Bob Maffit via Phono-L  
> wrote:
> 
> Phono list:
>  
> I obtained a child’s phonograph made by: General Phonograph manufacturing Co. 
> from Elyria Ohio. On the label at the base of the lid in front says: Baby 
> Cabinet
> The sides and lid, are  medal, with decals, like Humpty Dumpty.
> It is missing the tone arm, which I think also functions as the horn, given 
> there is no place for a horn, and it appears the tone arm just fits in a very 
> small hole at the right rear of the motor board.
> I recognize finding such is like looking for a needle in a hay stack! *smile*
>  
> If anyone has a reference in any book, that I could get someone to look at 
> and or has  a tone arm / horn etc., they would be willing to part with …..
>  
> Thanks in advance
>  
> Bob Maffit
>  
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Re: [Phono-L] Phono repair in Orange County CA?

2017-12-19 Thread Jim Nichol via Phono-L
Even if the list doesn’t have a lot of active posts, I assume plenty of 
knowledgeable people are still receiving them.

Jim Nichol

> On Dec 19, 2017, at 9:11 PM, Ron L'Herault via Phono-L <phono-l@oldcrank.org> 
> wrote:
> 
> This list is not that active, unfortunately.  Lots of migration to Face Book 
> which I find rather annoying when it comes to following meaningful 
> discussions, or asking for help.  You often have to search for responses.
>  
> Ron
>  
> From: Phono-L [mailto:phono-l-boun...@oldcrank.org 
> <mailto:phono-l-boun...@oldcrank.org>] On Behalf Of r kruz via Phono-L
> Sent: Monday, December 18, 2017 10:57 PM
> To: Antique Phonograph List
> Cc: r kruz
> Subject: Re: [Phono-L] Phono repair in Orange County CA?
>  
> thanks for that.  Hes a good choice but unfortunately over 500 miles north of 
> me.
> 
> Is this list still active?  I havent seen much in the past while.
> 
> Thanks again!
> 
> 
> 
> On December 18, 2017 at 8:50 PM Ron L'Herault via Phono-L 
> <phono-l@oldcrank.org <mailto:phono-l@oldcrank.org>> wrote: 
> 
> Don’t know where they are in relation to Orange County but have you looked 
> into Wyatt’s Musical Americana?  
> 
>   
> 
> Ron L 
> 
>   
> 
> From: Phono-L [mailto:phono-l-boun...@oldcrank.org 
> <mailto:phono-l-boun...@oldcrank.org>] On Behalf Of r kruz via Phono-L
> Sent: Monday, December 18, 2017 3:18 PM
> To: Antique Phonograph List
> Cc: r kruz
> Subject: [Phono-L] Phono repair in Orange County CA? 
> 
>  
> 
> I have a Triumph.  Probably broken spring.  Who can repair preferably in 
> Orange County CA?
> 
> Thanks!
> 
> 
>  
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>  
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Re: [Phono-L] Edison E

2017-04-13 Thread Jim Nichol via Phono-L
The picture that Randy posted looks identical to the Model F pictured in the 
Frow book.  It says the E had a side mount carriage arm with large opening for 
a Model N reproducer, whereas the F had top mount carriage arm with a small 
opening for C, H, R, or S reproducers. It says the Model E had a straight 
paneled horn with a front mount crane, whereas the Model F had a cygnet horn 
with a back mount crane bracket.

Also, the Standard Models D, E, and F all had both 2 and 4 minute gearing. 
HOWEVER, on the Model E, the mechanism was blocked to keep it in 4-minute mode 
all the time. If Randy found it was stuck in 4-minute mode, this would support 
the E nameplate.  Otherwise, everything else points to a Model F. Of course, 
you never know what really happened at the Edison factory.

Jim Nichol

> On Apr 13, 2017, at 9:29 PM, harvey kravitz via Phono-L 
> <phono-l@oldcrank.org> wrote:
> 
> It's probably a Model D Standard. These were 2.4 min. The model E was 
> strictly a  4 min. machine.
> Harvey Kravitz
> 
> 
> From: Jamie Kelly via Phono-L <phono-l@oldcrank.org 
> <mailto:phono-l@oldcrank.org>>
> To: 'Antique Phonograph List' <phono-l@oldcrank.org 
> <mailto:phono-l@oldcrank.org>> 
> Cc: Jamie Kelly <otrja...@gmail.com <mailto:otrja...@gmail.com>>
> Sent: Thursday, April 13, 2017 6:24 PM
> Subject: Re: [Phono-L] Edison E
> 
> I’d love to get the cylinder cabinet but tricky to get to Australia.
> Jamie
>  
>  
> From: Phono-L [mailto:phono-l-boun...@oldcrank.org 
> <mailto:phono-l-boun...@oldcrank.org>] On Behalf Of Randy Larson via Phono-L
> Sent: Friday, 14 April 2017 10:27 AM
> To: Antique Phonograph List <phono-l@oldcrank.org 
> <mailto:phono-l@oldcrank.org>>
> Cc: Randy Larson <ra...@cityprayz.com <mailto:ra...@cityprayz.com>>
> Subject: [Phono-L] Edison E
>  
> I'm selling this for a lady that recently lost her house in a fire with no 
> insurance. This was in storage and spared. It's an Standard E . It has the 
> 2&4 conversion and a new H reproducer. The motor was cleaned and new spring 
> installed in 2004. The base of the Cygnet horn has been restored. This comes 
> with a cylinder cabinet, all in excellent condition (except for the upper 
> half of the horn). All proceeds go to helping this lady get back on her feet. 
> Thechrome Cygnet horn support is also new. It plays beautifully. I can 
> send more pics upon request. A phono friend thought it would go between 7 to 
> 900 dollars. Let me know if interested. Thanks
> Randy Larson 
> 
> 
>  
> <http://post.spmailtechn.com/f/a/4BZV-CMcCXeDCm8Y2UCC1w~~/AABF2wA~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-RwJ7fQ~~>
>  Virus-free. www.avast.com 
> <http://post.spmailtechn.com/f/a/4BZV-CMcCXeDCm8Y2UCC1w~~/AABF2wA~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

Re: [Phono-L] Donley Phono Auction - Sat. March 18

2017-03-17 Thread Jim Nichol via Phono-L
Just to clarify: There is NO RESERVE on any of my items in the Donley auction. 
Randy Donley called me to say that someone thought I might have placed a 
Reserve, but I did NOT.

Also, I've heard that some people were concerned that the Idelia Spruce horn is 
not original. It is original. And it is correct for the rare Edison Spruce 
horns to have a blonde finish inside, and a dark finish outside. Randy and 
another collector agree with me that this is an original horn.

Jim Nichol

Sent from my iPad

> On Mar 16, 2017, at 3:42 AM, Jim Nichol via Phono-L <phono-l@oldcrank.org> 
> wrote:
> 
> Is anyone attending the Donley Music auction on Saturday in Union? You may 
> also watch the auction's live online video. And you can bid online right now, 
> without having to wait for the auction to start.. To do so, click on "View 
> Catalog" at:
> 
> http://post.spmailtechn.com/f/a/aeWaoaxyMTDn9gQla3aufw~~/AABF2wA~/RgRarXlAP0EIACxk0zvz11VXA3NwY1gEAFkGc2hhcmVkYQdoZWxsb181YA01Mi4zNy4xMTkuMTk2QgoAAMBFzFi5f5lKUhhhcmNoaXZlQG1haWwtYXJjaGl2ZS5jb20JUQQARB1odHRwOi8vd3d3LmRvbmxleWF1Y3Rpb25zLmNvbUcCe30~
> 
> You may bid on these items that I am selling:
> 
> Edison Idelia - Lot 196
> Edison Opera - Lot 141
> Edison Amberola III (Opera mechanism) - Lot 327
> Edison W-19 William and Mary Diamond Disc - Lot 326
> Brunswick Japanese Upright Disc Phono with Ultona Head (Edison, Pathe, 
> needle) - Lot 328
> Columbia BF Graphophone - plays regular 4-inch long cylinders, and Columbia 
> 6-inch long cylinders - Lot 156
> Pink Lambert 5-inch Cylinder in Original Box - Lot 173
> Pathe 5-inch Cylinder in Pathe Box - Lot 176
> Edison 5-inch Cylinder in Edison Box - Lot 181
> Phoenix Brand 5-inch Cylinder (modern) in Original Box - Lot 182
> Edison Suitcase Standard - Lot 336
> 
> METAL CYLINDER MOLD FOR BLUE AMBEROL,  and matching cylinder - I’ve never 
> heard of another Edison mold for sale - Lot 174
> Three Metal Master Discs for stamping Victor records - Lot 612
> Edison Speaking Tube - Lot 478
> Copper Oxidized Edison Diamond Disc Reproducer - Lot 479
> Carbon Arc Lamp - sold as a sunlamp, and actually uses an arc from carbon 
> rods, using an internal resistor to limit current. Plugs into 120v outlet - 
> Lot 585
> 
> Four stunning Reproduction Tinfoil Phonographs:
> Edison Parlor Tinfoil by Bill Ptacek - Lot 221
> Edison Hardy Tinfoil by Ray Phillips - Lot 222
> Gillette Tinfoil by Neil Maken - Lot 223
> Edison Parlor by Ray Phillips - Lot 224
> 
> To avoid scrolling through hundreds of Lots, take advantage of the “Search 
> Catalog” function,  and especially the “Go to Lot” function to jump right to 
> my lots.
> 
> Good luck!
> Jim Nichol
> 
> 
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[Phono-L] Donley Phono Auction - Sat. March 18

2017-03-16 Thread Jim Nichol via Phono-L
Is anyone attending the Donley Music auction on Saturday in Union? You may also 
watch the auction's live online video. And you can bid online right now, 
without having to wait for the auction to start.. To do so, click on "View 
Catalog" at:

http://post.spmailtechn.com/f/a/m7WeJGBG_Tiq6eq30AGvSA~~/AABF2wA~/RgRaq4OkP0EIACxk0raiRXJXA3NwY1gEAFkGc2hhcmVkYQdoZWxsb181YA01Mi4zNy4xMTkuMTk2QgoAACRQyliY0janUhhhcmNoaXZlQG1haWwtYXJjaGl2ZS5jb20JUQQARB1odHRwOi8vd3d3LmRvbmxleWF1Y3Rpb25zLmNvbUcCe30~
 
<http://post.spmailtechn.com/f/a/lPXzkk3m6bZzZAkOOK7Feg~~/AABF2wA~/RgRaq4OkP0EIACxk0raiRXJXA3NwY1gEAFkGc2hhcmVkYQdoZWxsb181YA01Mi4zNy4xMTkuMTk2QgoAACRQyliY0janUhhhcmNoaXZlQG1haWwtYXJjaGl2ZS5jb20JUQQARB5odHRwOi8vd3d3LmRvbmxleWF1Y3Rpb25zLmNvbS9HAnt9>

You may bid on these items that I am selling:

Edison Idelia - Lot 196
Edison Opera - Lot 141
Edison Amberola III (Opera mechanism) - Lot 327
Edison W-19 William and Mary Diamond Disc - Lot 326
Brunswick Japanese Upright Disc Phono with Ultona Head (Edison, Pathe, needle) 
- Lot 328
Columbia BF Graphophone - plays regular 4-inch long cylinders, and Columbia 
6-inch long cylinders - Lot 156
Pink Lambert 5-inch Cylinder in Original Box - Lot 173
Pathe 5-inch Cylinder in Pathe Box - Lot 176
Edison 5-inch Cylinder in Edison Box - Lot 181
Phoenix Brand 5-inch Cylinder (modern) in Original Box - Lot 182
Edison Suitcase Standard - Lot 336

METAL CYLINDER MOLD FOR BLUE AMBEROL,  and matching cylinder - I’ve never heard 
of another Edison mold for sale - Lot 174
Three Metal Master Discs for stamping Victor records - Lot 612
Edison Speaking Tube - Lot 478
Copper Oxidized Edison Diamond Disc Reproducer - Lot 479
Carbon Arc Lamp - sold as a sunlamp, and actually uses an arc from carbon rods, 
using an internal resistor to limit current. Plugs into 120v outlet - Lot 585

Four stunning Reproduction Tinfoil Phonographs:
Edison Parlor Tinfoil by Bill Ptacek - Lot 221
Edison Hardy Tinfoil by Ray Phillips - Lot 222
Gillette Tinfoil by Neil Maken - Lot 223
Edison Parlor by Ray Phillips - Lot 224

To avoid scrolling through hundreds of Lots, take advantage of the “Search 
Catalog” function,  and especially the “Go to Lot” function to jump right to my 
lots.

Good luck!
Jim Nichol


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Re: [Phono-L] Listening Tube Wires For Sale - Again!

2017-01-01 Thread Jim Nichol via Phono-L
I found the pics with Google:

http://post.spmailtechn.com/f/a/N-mU-z9P7ruIo8Pm5ZwUiA~~/AABF2wA~/RgRaSvypP0EIAWwzal4IpbdXA3NwY1gEAFkGc2hhcmVkYQdoZWxsb181YA0zNS4xNjIuMTcyLjcwQgoABSjJaVjxWARDUhhhcmNoaXZlQG1haWwtYXJjaGl2ZS5jb20JUQQARDpodHRwOi8vZm9ydW0udGFsa2luZ21hY2hpbmUuaW5mby92aWV3dG9waWMucGhwP2Y9OSZ0PTIyNzU0RwJ7fQ~~
 
<http://post.spmailtechn.com/f/a/N-mU-z9P7ruIo8Pm5ZwUiA~~/AABF2wA~/RgRaSvypP0EIAWwzal4IpbdXA3NwY1gEAFkGc2hhcmVkYQdoZWxsb181YA0zNS4xNjIuMTcyLjcwQgoABSjJaVjxWARDUhhhcmNoaXZlQG1haWwtYXJjaGl2ZS5jb20JUQQARDpodHRwOi8vZm9ydW0udGFsa2luZ21hY2hpbmUuaW5mby92aWV3dG9waWMucGhwP2Y9OSZ0PTIyNzU0RwJ7fQ~~>

Jim Nichol

> On Jan 1, 2017, at 10:25 PM, Ron L'Herault via Phono-L <phono-l@oldcrank.org> 
> wrote:
> 
> I'd love to see a picture of the wires, Shawn.  I can't imagine what they 
> look like.
>  
> Ron L'Herault
> lherault at verizon dot net
>  
>  
> From: Phono-L [mailto:phono-l-boun...@oldcrank.org] On Behalf Of Shawn 
> ORourke via Phono-L
> Sent: Sunday, January 01, 2017 8:32 PM
> To: Antique Phonograph List
> Cc: Shawn ORourke
> Subject: [Phono-L] Listening Tube Wires For Sale - Again!
>  
> Years ago, I found two original external listening tube support wires. They 
> were so useful, making those floppy listening tubes highly functional, that I 
> made a run of them, some to keep and some to sell to other friends. They were 
> not easy to form. I vowed at the time never to make another run. About a year 
> ago, I went back on that statement and I made another run. Even thought they 
> sold out quickly, that time, I said "never again." I guess you never say 
> "never" or "never again." 
>  
> Available once more I have made a limited production run of these listening 
> tube wires. The reproductions are exactly as the original, nickel plated and 
> highly functional. 
>  
> These would be correct for any early set of listing tubes without wire 
> supports.  Pictures of the reproduction wire, and a scan of an original ad 
> showing the wire are available upon request. 
>  
> The price is $40.00.  Please contact me directly at my email with interest. 
>  
> Thank you
>  
> 
> Shawn 
> -- 
> Shawn O'Rourke
> (248) 915 0954
> 
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Re: [Phono-L] Model K/S pointer needed

2016-05-01 Thread Jim Nichol via Phono-L
John, I think I have a damaged Model S.  Let me check when I get home.

Jim Nichol
jnic...@fuse.net <mailto:jnic...@fuse.net>

> On May 1, 2016, at 9:10 PM, John Robles via Phono-L <phono-l@oldcrank.org> 
> wrote:
> 
> Anyone got a pointer for a model K or S reproducer? The little pointer that 
> you turn the sapphires with.  Thanks!
> 
> John Robles
> 
> 
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Re: [Phono-L] Security Breach at ebay

2014-05-21 Thread Jim Nichol
I have to admit that the email below looks suspicious. But I think the story is 
true. Like you, I would NEVER click on a link in an email to logon somewhere. 
But I did manually go to eBay and change my password this afternoon. 

I found eBay's official statement by first going to eBay.com, then following a 
link there to their corporate site at eBayinc.com and found their statement. It 
says they are planning to notify its users about stolen personal information, 
but didn't say exactly when.

Jim Nichol

On May 21, 2014, at 11:13 PM, john robles john9...@pacbell.net wrote:

 This looks suspiciously like a phishing attempt or something...I have no 
 notification on my ebay account about any sort of breach of security. And I 
 am always afraid to click a link in an email that warns of a breach!  Anyone 
 else heard about this?? Ebay would notify its members, I'm sure.
 John Robles
 
 
 On Wednesday, May 21, 2014 3:47 PM, Kat Hall kathal...@gmail.com wrote:
 
 
 
 WARNING - SECURITY BREACH! Earlier today, eBay announced that a cyber attack 
 carried out three months ago has compromised customer data, and the company 
 urged 145 million users of its online commerce platform to change their 
 passwords in order to protect their personal information. 
 
 While they claim the files stolen did not contain financial information 
 including credit and debit card numbers you can never be too safe so we 
 strongly urge you to change your password as well if you use the site. 
 
 Furthermore, eBay stated it found no evidence of unauthorized access to 
 financial information at its PayPal payments subsidiary, which encrypts and 
 stores its data separately.
 
 These security breaches and cyber attacks seem to be happening more and more 
 and it's important that you are aware of each one so as to protect yourself 
 and your personal information if you use any and all affected sites and 
 services. 
 
 For more info see here: 
 http://www.cnet.com/news/ebay-hacked-requests-all-users-change-passwords/
 
 From the Desk of
 Kat Hall
 Executive Assistant to Ms. Smith (Publisher)
 Champagne Book Group
 Review Coordinator
 Author Liaison
 www.champagnebooks.com
 www.carnalpassions.com
 www.burstbooks.ca
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Re: [Phono-L] videos on the making of phonograph cylinders

2014-05-11 Thread Jim Nichol
Wow.  This is very impressive!

Jim Nichol

On May 10, 2014, at 5:46 PM, Thomas Edison edisonphonowo...@hotmail.com wrote:

 http://youtu.be/aAvBl-4h4cU
 http://youtu.be/XS9l79FtrSU
 http://youtu.be/VB_YDdPRJYI
 The Above videos take you from Edison's cylinder blank production to how 
 blanks are made at Borri Audio Laboratories.  You will see the manufacture of 
 metallic soap, the molding of a phonograph blank (in 1900 and present) and 
 how the blank is trimmed and edged.  Only 3 people on the planet who can 
 share this with you. Lets stop the bickering, by the way, all of us who make 
 these things are friends, all put a ridiculous amount of time into something 
 not so appreciated, and sometimes ridiculed as phonographic blasphemy. Add up 
 the time of each operation.  The compound takes 7 hours to make, about an 
 hour to mold each blank, and 10-15 minutes to trim and edge a blank.  They 
 sit for 30 days and are shaved, shaving a blank from 2.39 down to 
 2.196-2.170 takes 20-30 minutes. 
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Re: [Phono-L] NEW ITEMS FOR SALE

2014-03-12 Thread Jim Nichol
Shawn, the reason you and Ken D. are confused is that this entire transaction 
was conducted publicly on Phonolist.  That isn't a problem, except that Shawn 
and Ken Danckaert (and possibly Ken Ogden) didn't know that. So no, Shawn did 
not accidentally send an email to Ken Danckaert.

Remember, everyone. Any time you reply to a message from Phonolist, it goes out 
to everyone. This is in spite of the fact that an individual's email address 
appears in the header of each message.

Jim Nichol

On Mar 12, 2014, at 3:33 PM, mshawnorou...@gmail.com 
mshawnorou...@gmail.com wrote:

 Sorry Ken.  I am confused.   Phonoken bought the reproducer around 11:03 
 today.  I am not sure how I got your email.  I apologize. 
 
 
 Shawn 
 
 
 
 
 
 
 Michael Shawn O'Rourke
 248 915 0954
 
 
 
 
 
 From: Ken Danckaert
 Sent: ‎Wednesday‎, ‎March‎ ‎12‎, ‎2014 ‎1‎:‎55‎ ‎PM
 To: Antique Phonograph List
 
 
 
 
 
 Hi Shawn,
 
 Phonoken is not me.  I am kendphono.
 
 Ken Danckaert
 
 
 On Wed, Mar 12, 2014 at 1:14 PM, mshawnorou...@gmail.com wrote:
 
 Thank you Ken.
 
 
 
 
 I'll mark it sold to you.   I can ship it priority to a US address, with
 insurance for 8.35.  So the total would be $113.35.
 
 
 Shoot me your address and I'll get it boxed up and mark it sold.
 
 
 Shawn
 
 
 
 
 
 
 Michael Shawn O'Rourke
 248 915 0954
 
 
 
 
 
 From: phono...@aol.com
 Sent: Wednesday, March 12, 2014 11:44 AM
 To: Antique Phonograph List
 
 
 
 
 
 
 Not sure my reply was received.  I would like to buy the reproducer.
 Please send total due and your mailing address.  Thanks
 Ken Ogden
 
 
 -Original Message-
 From: phonoken phono...@aol.com
 To: phono-l phono-l@oldcrank.org
 Sent: Wed, Mar 12, 2014 10:03 am
 Subject: Re: [Phono-L] NEW ITEMS FOR SALE
 
 
 
 I'll take the Model H reproducer.  Please provide total due and your
 mailing
 address.  Thanks
 Ken Ogden
 
 
 -Original Message-
 From: mshawnorourke mshawnorou...@gmail.com
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Wed, Mar 12, 2014 9:19 am
 Subject: [Phono-L] NEW ITEMS FOR SALE
 
 
 EDISON MODEL H: A very nice Edison model H reproducer. This one retains
 most of
 its original green stain. These reproducers were stained Green to allow the
 owners to distinguish between the Edison H and the Edison C. This one plays
 wonderfully. I replaced the limit loop which was missing when I received
 it. The
 
 original jewel is nice on this one. It easily fits in and out of the
 carriage.
 This would be a nice reproducer to add to your Edison four minute machine.
 
 PRICE: $105.00.
 
 
 EDISON LONG CASE HOME BOTTOM CASE: This is the bottom only to an Edison
 Home
 Long Case model A. It has a very nice original decal and much better than
 average original finish. The bottom board has the common split observed in
 most
 Edison Home cases. This could be a nice upgrade for a case bottom that has
 been
 refinished or has a less than desirable decal. It is a nice case bottom.
 
 PRICE: $95.00
 
 
 HAWTHORN AND SHEBLE CRANE. It is suitable and will work well on an Edison
 Home,
 Standard or Triumph. As well, it works on Columbia machines, certainly and
 A or
 an N. Being very adjustable, it will work with most smaller, as well as
 most
 larger horns (and all in between)This one is in as found condition and
 could use
 
 a little cleaning up. It will make a nice crane for someone who wants an
 all
 original example for their machine.
 
 PRICE: $165.00.
 
 
 
 Pictures available on request.
 
 
 Shipping and insurance only are additional. I will pay for the cost of a
 well
 packaged item.
 
 
 No PayPal, checks only.
 
 
 
 
 Please contact: mshawnorou...@gmail.com with interest.
 
 
 
 
 Michael Shawn O'Rourke
 248 915 0954
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Re: [Phono-L] NEW ITEMS FOR SALE

2014-03-12 Thread Jim Nichol
Sorry, I meant Phono-L, not Phonolist.  But the same comments apply to both.

Jim Nichol

On Mar 12, 2014, at 4:19 PM, Jim Nichol jnic...@fuse.net wrote:

 Shawn, the reason you and Ken D. are confused is that this entire transaction 
 was conducted publicly on Phonolist.  That isn't a problem, except that Shawn 
 and Ken Danckaert (and possibly Ken Ogden) didn't know that. So no, Shawn did 
 not accidentally send an email to Ken Danckaert.
 
 Remember, everyone. Any time you reply to a message from Phonolist, it goes 
 out to everyone. This is in spite of the fact that an individual's email 
 address appears in the header of each message.
 
 Jim Nichol
 
 On Mar 12, 2014, at 3:33 PM, mshawnorou...@gmail.com 
 mshawnorou...@gmail.com wrote:
 
 Sorry Ken.  I am confused.   Phonoken bought the reproducer around 11:03 
 today.  I am not sure how I got your email.  I apologize. 
 
 
 Shawn 
 
 
 
 
 
 
 Michael Shawn O'Rourke
 248 915 0954
 
 
 
 
 
 From: Ken Danckaert
 Sent: ‎Wednesday‎, ‎March‎ ‎12‎, ‎2014 ‎1‎:‎55‎ ‎PM
 To: Antique Phonograph List
 
 
 
 
 
 Hi Shawn,
 
 Phonoken is not me.  I am kendphono.
 
 Ken Danckaert
 
 
 On Wed, Mar 12, 2014 at 1:14 PM, mshawnorou...@gmail.com wrote:
 
 Thank you Ken.
 
 
 
 
 I'll mark it sold to you.   I can ship it priority to a US address, with
 insurance for 8.35.  So the total would be $113.35.
 
 
 Shoot me your address and I'll get it boxed up and mark it sold.
 
 
 Shawn
 
 
 
 
 
 
 Michael Shawn O'Rourke
 248 915 0954
 
 
 
 
 
 From: phono...@aol.com
 Sent: Wednesday, March 12, 2014 11:44 AM
 To: Antique Phonograph List
 
 
 
 
 
 
 Not sure my reply was received.  I would like to buy the reproducer.
 Please send total due and your mailing address.  Thanks
 Ken Ogden
 
 
 -Original Message-
 From: phonoken phono...@aol.com
 To: phono-l phono-l@oldcrank.org
 Sent: Wed, Mar 12, 2014 10:03 am
 Subject: Re: [Phono-L] NEW ITEMS FOR SALE
 
 
 
 I'll take the Model H reproducer.  Please provide total due and your
 mailing
 address.  Thanks
 Ken Ogden
 
 
 -Original Message-
 From: mshawnorourke mshawnorou...@gmail.com
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Wed, Mar 12, 2014 9:19 am
 Subject: [Phono-L] NEW ITEMS FOR SALE
 
 
 EDISON MODEL H: A very nice Edison model H reproducer. This one retains
 most of
 its original green stain. These reproducers were stained Green to allow the
 owners to distinguish between the Edison H and the Edison C. This one plays
 wonderfully. I replaced the limit loop which was missing when I received
 it. The
 
 original jewel is nice on this one. It easily fits in and out of the
 carriage.
 This would be a nice reproducer to add to your Edison four minute machine.
 
 PRICE: $105.00.
 
 
 EDISON LONG CASE HOME BOTTOM CASE: This is the bottom only to an Edison
 Home
 Long Case model A. It has a very nice original decal and much better than
 average original finish. The bottom board has the common split observed in
 most
 Edison Home cases. This could be a nice upgrade for a case bottom that has
 been
 refinished or has a less than desirable decal. It is a nice case bottom.
 
 PRICE: $95.00
 
 
 HAWTHORN AND SHEBLE CRANE. It is suitable and will work well on an Edison
 Home,
 Standard or Triumph. As well, it works on Columbia machines, certainly and
 A or
 an N. Being very adjustable, it will work with most smaller, as well as
 most
 larger horns (and all in between)This one is in as found condition and
 could use
 
 a little cleaning up. It will make a nice crane for someone who wants an
 all
 original example for their machine.
 
 PRICE: $165.00.
 
 
 
 Pictures available on request.
 
 
 Shipping and insurance only are additional. I will pay for the cost of a
 well
 packaged item.
 
 
 No PayPal, checks only.
 
 
 
 
 Please contact: mshawnorou...@gmail.com with interest.
 
 
 
 
 Michael Shawn O'Rourke
 248 915 0954
 ___
 Phono-L mailing list
 http://phono-l.org
 
 
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 Phono-L mailing list
 http://phono-l.org
 
 
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Re: [Phono-L] Wendell Moore's Passing

2014-02-13 Thread Jim Nichol
Here is Wendell's picture.  (Be sure to click on the Fullscreen link below the 
picture). You can read the entire series of the Edison Phonograph Monthly (from 
Wendell Moore) online here:

https://archive.org/details/edisonphonograph01moor

Jim Nichol

On Feb 13, 2014, at 12:28 PM, John9ten john9...@pacbell.net wrote:

 I believe there is a photo of him inside the book, at least the first volume. 
 I'll check and scan.
 John robles 
 
 On Feb 13, 2014, at 9:17 AM, srsel...@aol.com wrote:
 
 I Searched through my piles of photos of my trips to both Sedona and to Ft. 
 Myers to visit Wendell (and I even seem to remember one at the only 
 Orlando show  I attended) but I can't seem to find any. I scanned hundreds 
 of my 
 photos last  year (and probably have 100s more to scan) but none of Wendell. 
 Sorry.
 I really do need to scan more - especially the ones I took at Edison site  
 Pgms in NJ.  
 
 Some of these I've shared before with the group.
 
 Steve
 
 
 In a message dated 2/12/2014 7:55:07 P.M. Eastern Standard Time,  
 c5...@aol.com writes:
 
 Can  someone post a picture of Wendell? So many of us know collectors by   
 face. It helps us old timers to connect the name to the face. 
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Re: [Phono-L] A New Year's Gift from The Antique Phonograph Society

2013-12-27 Thread Jim Nichol
This is so cool!  Another phonograph book to load on my iPad.

Jim Nichol

On Dec 27, 2013, at 12:44 PM, George Paul gpaul2...@aol.com wrote:

 
 Happy New Year, everyone! :) 
 
 
 I'm happy to announce that, through the hard work and generosity of Mr. R.J. 
 Wakeman, The Antique Phonograph Society has made available on our website 
 
 
 www.antiquephono.org 
 
 
 his entire (heretofore unpublished) 380-page book entitled, 
 
 
 Brunswick Phonographs, Panatropes, and Records.
 
 
 Simply go to the Antique Phonograph Society website 
 (http://www.antiquephono.org), click on the Articles header, then select 
 Book Feature from the drop-down menu.  Click on the cover image and the 
 entire book will then download in a few moments.
 
 
 We are most grateful to Mr. Wakeman for his outstanding research and 
 compilation on Brunswick - one of the major brands in the North America.  We 
 are also pleased and proud that Mr. Wakeman chose to make this significant 
 resource available to collectors and sound historians through the Antique 
 Phonograph Society.  We think when you see Mr. Wakeman's book, you'll agree 
 that this is the bible for Brunswick.
 
 
 We hope those interested in Brunswick Phonographs, Panatropes, and Records 
 will enjoy the book, and we trust that it will serve as a valuable resource 
 for decades to come.
 
 
 Watch the APS website for additional surprises over the next few weeks! :) 
 
 
 We Wish a Very Happy, Healthy, and Prosperous New Year to the Phonograph 
 Collecting Community from The Antique Phonograph Society.
 
 
 George Paul

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Re: [Phono-L] Steve Ramm's Anything Phonographic Column with correct formatting

2013-11-15 Thread Jim Nichol
Steve, I assume you did not mean to say that Edison died in 1947. I'm not near 
my copy of the Antique Phonograph, so I'm not sure if that was fixed before 
publication.

I was very interested in reading about the two free books mentioned in the last 
paragraph of the Tesla article.

Jim Nichol

On Nov 15, 2013, at 5:56 PM, srsel...@aol.com wrote:

 
 I just got my December issue of The Antique Phonograph, which incorporates  
 the former In The Groove. The column that I submitted for October ITG 
 appears in  this issue. As with all things that change, unexpected things 
 happen 
 and somehow  - from the proof copy that Editor Rene Rondeau submitted to the 
 printer to the  version that subscribers received the formatting (Italics, 
 bolds, etc got  screwed up. All the words are there, it's just harder to 
 read. 
 
 Luckily I saved a copy of the approved Proof and have posted it for you  
 to read. (It'll make more sense that way.)
 
 Here is the link:
 
 http://tinyurl.com/kbmr6c2
 
 
 Hopefully by the March 2014 issue the issue will be resolved.
 
 This will also give those of you who are not members of the APS or former  
 MAPS a chance to see what my column (20 years and still going...) looks  like
 
 Steve Ramm
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Re: [Phono-L] My review of the Woody Guthrie Box (including the vinyl 78 discuissed here)

2013-10-23 Thread Jim Nichol
OK, I clicked YES!

Jim Nichol

On Oct 23, 2013, at 11:58 PM, srsel...@aol.com wrote:

 
 
 _Amazon.com:  Steven I. Ramm Steve Ramm Anything Phonographic's review 
 of American Radical  Patriot_ 
 (http://www.amazon.com/review/RK7XKXHT6Q0SQ/ref=cm_cr_pr_perm?ie=UTF8ASIN=B008UTV5GGlinkCode=nodeID=tag=)
   
 
 And, of course, I'd appreciate your clicking the Yellow YES button for  
 helpfulness  at bottom of review if you find it helpful
 
 Steve Ramm
 
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Re: [Phono-L] Amberola Spring Re-greasing question

2013-09-04 Thread Jim Nichol
Rich, how about this?

http://lmgtfy.com/?q=scotch+brite

Jim

On Sep 4, 2013, at 12:21 PM, Rich rich-m...@octoxol.com wrote:

 https://www.google.com/search?q=scotch+briteie=utf-8oe=utf-8aq=trls=org.mozilla:en-US:officialclient=firefox-a
 
 On 09/04/2013 09:54 AM, Bob Maffit wrote:
 What is: Scotch brite 
 later
 
 Bob
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Rich
 Sent: Monday, September 02, 2013 2:42 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] Amberola Spring Re-greasing question
 
 Gently spring enough tabs to allow just popping the cover off. Scotch brite
 the spring to remove all the ossified graphite and Vaseline that is hanging
 it up. Relube with a high grade large clock spring lube or something like
 this
 http://www.amsoil.com/shop/by-product/grease/synthetic-polymeric-truck-chass
 is-and-equipment-grease-nlgi-1/?code=GPTR1CR-EA
 
 On 09/02/2013 03:08 PM, john robles wrote:
 Hello all
 I have a question. I have an Amberola 75 that I got a a possible
 trade/sale machine later on. For now I am keeping it. The springs are badly
 in need of lubrication, and the leaves are coming apart as the machine plays
 with noisy results.  The springs may even need replacement.  I have not
 regreased Amberola springs before, and I see that the barrels are held
 closed with metal tabs. To clean and grease the spring you have to unbend
 them. Anyone done this with successful results (i.e. not breaking the tabs
 while bending)?  I am tempted to buy another good spring barrel assembly
 with quiet, well greased springs for $95 as opposed to doing it myself. If I
 send it out, it would cost me over $100 to have it done by someone else. I
 do spring replacement jobs on Edison phonos, but I don't like doing it!
 What's your advice?
 John Robles
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Re: [Phono-L] Questions about Edison Standard machine

2013-08-01 Thread Jim Nichol
I also have an Edison ICS phonograph (has white International Correspondence 
School nameplate on the front). It's an Edison Standard Model C.  It has the 
toothed lever for moving the reproducer back a few grooves. It also has a lift 
lever on the left side, held onto the carriage with a screw.  If you do a 
Google search for ICS Edison Phonograph you'll see number of Edison Standards 
with the levers on either the left or right side.

Jim Nichol

On Aug 1, 2013, at 9:44 PM, David Dazer dda...@sbcglobal.net wrote:

 Sounds like an ICS language machine. I have a couple of them.
 Dave
 
 
 
 From: chuck richards chuc...@all2easy.net
 To: phono-l@oldcrank.org 
 Sent: Thursday, August 1, 2013 8:52 PM
 Subject: [Phono-L] Questions about Edison Standard machine
 
 
 Recently I saw a working Edison Standard (model B I think)
 machine at the Dewitt County Museum.
 
 It has a few odd things about it:
 
 It has a carriage that has no lift lever.
 This carriage has teeth on the bottom which engage a
 spring-loaded rack that's bolted to the carriage-rest.
 When the rack is moved via its button, the carriage
 lifts and drops back a couple of grooves.
 
 Is this the language-teaching setup?
 
 What's odd about it is that there's no way to rest the
 carriage in the up position, which makes changing records
 a real hassle.
 
 This machine has an end gate, and it also has 2/4 gearing
 although I can't get it to budge so far out of the 2M
 gearing.
 
 It only has a model H reproducer, which the museum is
 using to play Gold Moulded 2M records!
 
 This machine has the funky early half-a-gearcase-cover
 
 So, is this carriage perhaps just missing its left lever?
 
 Seems to me that the rack assembly might need to be
 removed from the carriage rest, and maybe a different
 carriage substituted, (one that has a lift lever
 or the button).
 
 I am quite familiar with the Standard model D, but
 those earlier ones such as this one the museum has,
 are sort of new to me.
 
 It has the speed adjustment on the top of the bedplate.
 
 Any ideas about what the best thing to do might be
 to get that carriage so that it can at least rest in
 the up position?
 
 Thanks,   Chuck Richards
 
 
 
 
 $4.95/mo. National Dialup, Anti-Spam, Anti-Virus, 5mb personal web space. 5x 
 faster dialup for only $9.95/mo. No contracts, No fees, No Kidding! See 
 http://www.All2Easy.net for more details!
 
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Re: [Phono-L] Proposed Merger of MAPS and APS and successorpublication name

2013-07-11 Thread Jim Nichol
I've never thought that In the Groove meant anything specific about our 
hobby, and is not a good way to recruit members.  For instance, use Google to 
search for The Antique Phonograph, and you get our website on the 1st page of 
results.  If you do a Google search on In the Groove, you don't get a hit 
until the 9th PAGE of results (long after most people would give up).

Jim Nichol

On Jul 11, 2013, at 3:58 PM, Paul Christenzen pic...@gmail.com wrote:

 Disagree!!! Nothing wrong with a good cliche (IF it even is one), 
 historically significant, recognized world-wide and makes a good acronym.
 
 Paul Christenzen, simple-minded collector
 
 
 Bruce wrote:
 OK, I'll step up to be the first person to disagree with Steve.
 
 When the improvements were being made to the former CAPS publication, The
 Sound Box, concurrent with the name change to the organization, we wanted a
 name for the publication that would speak to the stature of its quality.
 Names like The Sound Box seemed too much like a cliché that fell far short
 of the quality of the product. In the Groove as a publication name,
 regardless of its age, falls short as well.
 
 Bruce Peterson - former CAPS/APS president
 
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Melissa Ricci
 Sent: Thursday, July 11, 2013 10:26 AM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] Proposed Merger of MAPS and APS and
 successorpublication name
 
 Well said, Steve! I agree 100%
 
 Melissa
 
 
 
  From: srsel...@aol.com srsel...@aol.com
 To: Phono-l@oldcrank.org
 Sent: Thursday, July 11, 2013 9:37 AM
 Subject: [Phono-L] Proposed Merger of MAPS and APS and successor publication
 name
  
 
 
 
 
 
 
 
 I am posting this to both Phonolist and Phono-L -- the two  listserves I
 subscribe to.
 Those of you who belong to the Antique Phonograph Sovciety  (formerly known
 as the Calif. APS) should have received a letter in the mail  this week (or
 will shortly -- mine came yesterday) detailing the proposed  merger of the
 APS with MAPS effective January 1, 2014, (I'm guessing MAPS  members will
 get
 something soon.). I was told that there was a preliminary  meeting of
 members held at the Union show lat month, though no mention was  made in any
 
 reports of the show on either of these lists. So the mailing from  CAPS was
 the
 first formal document I saw.
 As outlined in the letter, the two organizations are often  serving the
 same group with  160  members (of MAPS' 607 and APS's 400 members belonging
 to
 both. Economically it  makes sense because postage to mail each society's
 magazine/journal is the  biggest cost. By combining memberships, there would
 
 be one dues and this might  attract more members. (Side note here: Every
 person on these newsgroups should  belong to at least one of these
 organizations to support the  hobby.).
 The plan is to take the best of both magazines and combine into  one.
 Currently APS's magazine focuses on pre-electric phonographs and and some
 recordings -- mostly pre-1910 -- while ITG (MAPs' magazine) covers recording
 artists as well as reissues of pre-Lp era recordings.  (As most of you know,
 I
 have  contributed a monthly -- now bi-monthly -- column, Anything
 Phonographic
 to  ITG for over 20 years , not missing one issue  yet!).
 I definitely support the merger if it will mean continuing the  great
 volunteer work done by the Boards and contributors of both  organizations.
 But --
 as I wrote in a letter to both boards yesterday -- I feel  that the proposal
 to make the name of the new society's publication -- which  would be
 published quarterly with more yearly pages than either has now -- The
 Antique
 Phonograph is not a good move. Personally I do not feel that it  reflects
 the
 contents if, in fact, the content will be similar to that in the  current
 ITG. In The Groove was named 30 years ago by John Whitacre and I  have
 worked with all four of its Editors during that time. It was chosen  because
 it
 reflected phonographs (I don't call them antique phonographs  because RCA
 45 players from the 1950s are now considered antiques) and  records. It
 was a brand that no one was using and has a history. The name  The
 Antique Phonograph would imply that the publication was only for  machine
 collectors. I know some of you -- and many who write me about my  column --
 may
 only have one or two windups but love old records and play them
 electrically or buy reissues on CDs.
 The reason for this (rather lengthy post) is to say that I plan  to vote
 for the merger (the ballots are due by August 7th and I'll  be on vacation
 for
 a short time before then ) but I am planning to note that,  as a member, I
 feel the surviving magazine should be named In The Groove ,  maintaining
 its 30 year history. (BTW, RCA has an consumer newsletter covering  their
 phonographs and records in the 1940s with the same name!). I encourage  you

Re: [Phono-L] Rare Gothic

2013-05-09 Thread Jim Nichol
I guess he doesn't know that you should NEVER take vertical movies with a 
phone. It looks awful on a YouTube, and displays much smaller on your computer.

Jim

On May 9, 2013, at 12:43 PM, Vinyl Visions vinyl.visi...@live.com wrote:

 I want one... I know where two are, but aren't for sale, within 5 miles of 
 here. They are great looking machines.
 
 From: john9...@pacbell.net
 Date: Thu, 9 May 2013 09:10:08 -0700
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] Rare Gothic
 
 Awesome.
 
 On May 9, 2013, at 7:32 AM, Loran Hughes lo...@oldcrank.com wrote:
 
 Sometimes, eBay coughs up something really special. 
 
 http://goo.gl/MMD8q
 
 Loran


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Re: [Phono-L] interesting old paper from 1955

2013-05-09 Thread Jim Nichol
I didn't know people collected phonographs in 1955!

Jim

On May 9, 2013, at 7:03 PM, ger ge...@comcast.net wrote:

 This was run by Rev. Kishpaugh, the man my father used to write to. The Rev. 
 was way ahead of his time. Boy, did he know phonographs...used to give Pop 
 advice. Notice that it says that the “rare Regina Hexaphone” will be on 
 display. Reading is a little tough, but with a magnifying glass it can be 
 done. It was a pretty small paper. Fun find (on flickr, taken in 2008), but I 
 don’t know what I did with it after I took the photo. (: 
 http://www.flickr.com/photos/gerdan/2546224249/in/set-72157605405674973/
 Ger
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Re: [Phono-L] Weird things to do just for a part.

2013-05-08 Thread Jim Nichol
He says all the radio people do it.  I don't think so!  It might be logical 
for the seller to post a video of a machine, but not a buyer. Better steer 
clear of this wacko.

Jim

On May 8, 2013, at 5:52 PM, Arvin Casas it...@arvincasas.com wrote:

 I considered hosting a video on my website in a password protected
 directory but then I thought it's a long way to go to prove I exist.
 
 I fully understand not wanting to get ripped off because it's incredibly
 easy these days, but at some point you have to take that Indiana Jones
 leap of faith.
 
 What struck me as odd was that even a cleared check was not enough.
 YouTube ergo Sum. :)
 
 Part of me is just sad it's come to this.  I've met some great phono pholk
 here and on other virtual meeting grounds and at no time did I really
 question who folks said they were (maybe some iffy advice, but not their
 existence!).  That's why I was wondering If this odd little war story of
 mine has any corollary or precedence with the good fellows here.  It's a
 bit more than just promising to mow your grumpy neighbor's lawn for a
 summer just to get a peek at his 78's, lol.
 
 C'est La Vie
 
 Arvin
 
 
 On 5/8/13 5:09 PM, Ron L'Herault lhera...@bu.edu wrote:
 
 Boy, this Gary guy seems a bit paranoid.  He could always wait for the
 check
 to clear before sending the speaker.   OTOH, I think you can post private
 video to Youtube.   You'd send the link to Gary and tell him to let you
 know
 when he'd seen it.  Then you could remove it, I would think.
 
 Ron L
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org]
 On
 Behalf Of Arvin Casas
 Sent: Wednesday, May 08, 2013 2:58 PM
 To: phono-l@oldcrank.org
 Subject: [Phono-L] Weird things to do just for a part.
 
 Hi All,
 
 I have a weird question.  In the process of restoring or acquiring pieces
 for your phonographs, have sellers asked you to do odd things beyond
 cutting a check?
 
 I'm trying to restore my Columbia-Kolster Viva-Tonal 950 and found a guy
 on
 youtube who has a speaker that matches what my 950 used to have.
 
 I contacted the seller, we negotiated a price.  I tried to send him
 payment
 through my bank's electronic system (kinda like Paypal but not so many
 fees)
 but he said he had been ripped off that way and refused payment.
 
 Complying with his wishes, I was in the midst of cutting him a paper check
 (this time written by my bank and delivered by courier) when he backed out
 saying the whole thing was fishy.
 
 This seller, Gary in Wisconsin, now wants me to shoot my own youtube video
 showing me and my 950 to prove that I exist. It's a little more than I'm
 comfortable doing.
 
 (Despite the fact that I'm often compared to Cary Grant, I'm not
 particularly fond of videoing myself and posting them publicly.)
 
 Gary says all the radio people do it, so I should too.
 
 Has anybody else been put through the wringer like this just for a part?
 Those of you who cross dabble with Radios, do you often video yourself on
 youtube?
 
 My faith in humanity was sucker punched by this weirdness.  Just wondering
 what others think and what other stories people might like to share, odd,
 weird, or otherwise.
 
 Best Wishes from Massachusetts!
 
 Arvin
 
 
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Re: [Phono-L] Amberola III saga on EBay - an update with a twist

2013-03-25 Thread Jim Nichol
I also assume that the phono will be severely damaged in shipment, due to lack 
of concern of the seller.

Jim Nichol

On Mar 25, 2013, at 1:35 PM, Andrew Baron a...@popyrus.com wrote:

 I was afraid of this.  I understood Al's intention in notifying the seller of 
 what they were doing -- no one could have anticipated that this seller 
 wouldn't honor the seller/buyer contracts -- but I was instantly worried that 
 the seller, once alerted to the true value, would do something underhanded, 
 again.
 
 Greed unfortunately rarely has boundaries.
 
 If there's a silver lining, it may be that the machine is put back together 
 and sold intact.  I can already picture the damaged screw slots and dings in 
 the wood from the slip of a screwdriver.
 
 Andrew Baron
 Santa Fe
 
 On Mar 25, 2013, at 2:37 AM, Anil Menon wrote:
 
 I know this has been an emotional and heated issue for many of us on this 
 board and on the ATM forum. Some of you know that after discussions with Al, 
 George and Rene, I decided to save the Amberola. After several efforts to 
 buy the machine outright and offering and getting rebuffed on a 3,500 dollar 
 offer in my second effort, I decided to go after all 7 items. The seller, 
 Leilani Gillard from Peachland, BC, said to me what she told others on this 
 forum, namely, if you win all items, I will give you the cabinet and 
 everything else that came with the machine. Well, I won 5 of the items, 
 lost the horn to a bidder from Australia, and the lid went unsold. I offered 
 to buy the lid and pay for the rest. The seller came back with a new offer 
 of an additional 500 dollars for the cabinet. I replied firmly no way and 
 asked her to meet her commitment. 
 
 And, well, in the catgegory of a never ending saga, here is a new twist on 
 the Amberoa III. Now, she has come back saying that she is canceling all of 
 the 7 bids and relisting as entire machine...see her principled stance 
 below! What a scream! I guess she wants to get a higher return than what she 
 got...this is adding stupidity on top of greed?
 
 Enjoy the read below:-) Anil 
 
 Dear 
 
 I am going to cancel all the auction you won and realist the machine as one 
 unite. I hope you understand . I already told the guy who won the horn i 
 wasn't going to sell it. I will give you your refund back. I hope you 
 understand i am just doing the right thing. It not about the money now. 
 Regards Lelani
 
 - peachland250
 
 
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Re: [Phono-L] Turntable Motor Question

2013-02-16 Thread Jim Nichol
Yes, Rich brings up a good point. The most common winding failure is that the 
insulation on the windings fail (usually Field windings), causing the Field to 
be grounded to the motor frame. One of the most common and basic tests for 
suspected bad motors is to simply measure the resistance from the winding to 
the metal motor frame. It should be nearly infinite ohms. You could use an 
ohmmeter for this (or a multimeter on the Ohms scale). Professionals use a 
device called a megger.  It is similar to an ohmmeter, except that it 
operates at a much higher voltage to get a more reliable reading. A regular 
ohmmeter probably uses a 9-volt battery for power. But meggers often have 
selector switches so they can put out 100 / 250 / 500 / 1000 volts DC, which is 
what I have.  Some special ones at work go up to 10,000 volts DC to test high 
voltage cable insulation.  Anyway, the purpose of meggers is to test the 
resistance of wiring to ground. If the ohms are small, then the insulation has
  failed. A grounded Field coil usually needs to be rewound.  As Rich said, the 
motor might still work with a ground at only one spot in the coil (though it 
would be dangerous to touch the motor frame because of the voltage on it).  But 
two grounds cause a section of the coil to be shorted out. For a DC (or 
Universal motor), any motor shop's basic tests would check that the brushes are 
OK, then megger the motor to see if the Field needs to be rewound.

Jim Nichol

On Feb 15, 2013, at 11:52 PM, Rich rich-m...@octoxol.com wrote:

 It does prove frustrating.
 
 Your best bet is someone who will show up to the next phonograph show who can 
 spell electric motor. These things are not hard to fix actually. The most 
 likely problem is that the field is  grounded and as it is only a 2 wire 
 device the case is also hot. It could also be the resistor has seen better 
 days. The field coils are wrapped with linen strips and may or may not be 
 then coated with tar. Either way when running on AC the coils flex at a 60 
 cycle rate and over time the wrapping fails and then the enamel on the wire 
 wears through. This usually occurs at one or more of the 4 corners of the 
 pole shoe.
 
 You can verify a field ground by connecting the motor to power and then 
 checking the frame to ground for voltage. Any reading of voltage indicates a 
 field ground. I have attached a drawing of a universal motor, showing DC 
 supply but the AC is identical, and you can see that at least 2 grounds are 
 required to bypass any field windings. This is what you usually find when 
 digging into these, multiple points of failure.
 
 On 02/15/2013 10:07 PM, Vinyl Visions wrote:
 Jim  Rich,Thanks for the info. My motor is definitely a Universal motor 
 with carbon brushes. The brushes are in excellent shape and the armature 
 runs true. The main problem I'm having is shorts, as opposed to opens. The 
 motor runs until a load is applied, then you can  basically shut it down 
 with your fingers. The REAL problem that I have had is due to our 
 geographical location - North Carolina. There are some very good motor 
 shops, but they won't mess with a small problem motor that doesn't generate 
 any return business. If you find a mom  pop operation, they work whenever 
 they get around to it... I left it with one place and the owner promised he 
 would get to it in a week - two months later I went back to check and it was 
 still sitting on his desk in the same place I left it. Another said he could 
 rewind it, then quit his job. Another guy sent it to Michigan to someplace 
 that was willing to work on it, but wanted $900 with no guarantees that they 
 could fix it. As far 
 a
 s
  electrical engineers go, 99.9% of the population probably don't know what 
 electrical engineers do for a living and they are not in abundance around 
 here, except at the nuclear power plant. The guy who works on your motor may 
 or may not have graduated high school and knows how to fix one or two common 
 motors that are used commercially - give him a challenge and it ends right 
 there. I am tired of being asked by people in motor shops - What are you 
 going to use it for? or What's wrong with it? If I knew what was wrong 
 and how to fix it, I wouldn't be asking them. What difference does it make 
 what I'm going to use it for?  I just want it to run... AND if I did explain 
 that I wanted to use it in a lamp phonograph... you get the picture. Do I 
 sound stressed?
 -- next part --
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Re: [Phono-L] Turntable Motor Question

2013-02-15 Thread Jim Nichol
Al didn't say you had a short.  He said you had an open.  They are 
opposites of each other.  He only mentioned shorted turns to imply that they 
are NOT likely to be the problem.

A broken wire is an open, resulting in zero current.  A short is two wires 
touching each other, causing the current to take a shorter path than intended. 
In a lamp cord a short would blow a fuse, whereas an open would prevent 
current from flowing.  I recommend not saying short when you mean open 
(though many electrical novices do). If you said you thought the motor has a 
short at a repair shop, it would mark you as unknowledgeable, maybe setting 
yourself up to be ripped off.

The symptom of an open in your motor would be that nothing happens at all.  
On the other hand, saying the motor has a short (or more specifically shorted 
turns) means that a few of the loops of wire in the coils are shorted 
together, causing the current to bypass them.  This would lower the overall 
resistance of the coils, thus increasing the current. The motor would still 
run, but would have less magnetic torque (because some of the turns of wire are 
not carrying current), and the remaining turns would get hot.

Sorry for the lecture, but as an electrical engineer, this is one of my pet 
peeves.

Jim

On Feb 15, 2013, at 8:53 AM, Vinyl Visions vinyl.visi...@live.com wrote:

 Al,Thanks for the reply. As you noted, I have been advised that it was a 
 short in the motor somewhere. The problem seems to be that this motor is 
 wound for three different types of power - AC/DC and maybe 220. So, either 
 the shops don't know what the problem is or they just don't want to mess with 
 it... I'm tending toward the latter, since the guys I sent it to are very 
 knowledgeable. There is a picture of the motor on our website: 
 www.carolinaphonosociety.com
 A shortcut to the pic is: 
 http://open1234.wix.com/camps-site/twilight-zone-2#!__fairy-phono-lampCurt
 
 To: phono-l@oldcrank.org
 From: clockworkh...@aol.com
 Date: Fri, 15 Feb 2013 04:01:17 -0500
 Subject: Re: [Phono-L] Turntable Motor Question
 
 
 Induction motors that lack torque can usually be traced to an open field 
 coil or an open armature loop.  A shorted turn will eat torque but the motor 
 will let you know by getting hot.  How about a photo of the motor?  Most 
 good motor shops can fix anything from fractional horsepower to 100 HP.
 Do you know of a fan collector in your area?   I have repaired fan motors 
 that lost power and have the same symptoms of your phonograph.  These things 
 are not rocket science.
 
 Best wishes,
 Al

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Re: [Phono-L] Turntable Motor Question

2013-02-15 Thread Jim Nichol
If this is a Universal motor, it can be easily identified by having carbon 
brushes riding on a commutator. A Universal motor is really a DC motor that has 
been specially designed to also work on AC.  Whereas an Induction motor is 
AC-only, and is an entirely different thing (no brushes).  Any motor repair 
shop that knows anything about DC motors should be able to analyze a Universal 
motor.  As a matter of fact, the first thing to check before getting it 
repaired is to see if the carbon brushes are worn down, and the springs that 
push them against the commutator are working. Often the brushes get stuck in 
their brush holder slots from carbon dust and grime, and are no longer making 
contact with the commutator. Freeing up the brushes so they slide easily will 
fix such a motor.

A DC motor (and a Universal motor) have two sets of windings called FIELD 
windings and ARMATURE windings. The Field coils are stationary, and are often 
bolted to the inside of the motor frame. The Armature coils are wound onto the 
rotor. The brushes and commutator bars are used to connect the power source to 
the Armature (rotor) windings.

It is possible for DC motors to be made in two configurations. The Field and 
Armature windings can be wired in parallel with each other, or they can be 
wired in series. Such DC motors are called either parallel or series wound. 
 Universal motors are usually series wound. Series motors (unlike parallel) 
have huge torque at slow or stalled speeds, and very low torque at high speeds. 
This is because if the mechanical load stalls the motor, it slows down, which 
increases the current in the Armature. Because the Armature and Field are in 
series, they then BOTH get more current, more magnetism in BOTH Armature and 
Field, and thus more torque squared. This is great for home use, like drill 
motors, vacuum cleaners, and for phonographs with heavy tonearms. The slower it 
goes, the more torque is created to compensate. There are two drawbacks for 
series motors. At high speeds they have very low torque, and secondly, they can 
theoretically reach infinite speed if there is no mechanic
 al load and fly apart. Some even have fans to provide a little load at high 
speeds.

Jim Nichol

On Feb 15, 2013, at 3:04 PM, Rich rich-m...@octoxol.com wrote:

 He was advised that it was a short. You are correct that the correct 
 condition condition description is OPEN Circuit. If the fields happen to be 
 in parallel then that would be where I would start looking.
 
 On 02/15/2013 01:04 PM, Jim Nichol wrote:
 Al didn't say you had a short.  He said you had an open.  They are 
 opposites of each other.  He only mentioned shorted turns to imply that 
 they are NOT likely to be the problem.
 
 A broken wire is an open, resulting in zero current.  A short is two 
 wires touching each other, causing the current to take a shorter path than 
 intended. In a lamp cord a short would blow a fuse, whereas an open would 
 prevent current from flowing.  I recommend not saying short when you mean 
 open (though many electrical novices do). If you said you thought the 
 motor has a short at a repair shop, it would mark you as unknowledgeable, 
 maybe setting yourself up to be ripped off.
 
 The symptom of an open in your motor would be that nothing happens at all. 
  On the other hand, saying the motor has a short (or more specifically 
 shorted turns) means that a few of the loops of wire in the coils are 
 shorted together, causing the current to bypass them.  This would lower the 
 overall resistance of the coils, thus increasing the current. The motor 
 would still run, but would have less magnetic torque (because some of the 
 turns of wire are not carrying current), and the remaining turns would get 
 hot.
 
 Sorry for the lecture, but as an electrical engineer, this is one of my pet 
 peeves.
 
 Jim
 
 On Feb 15, 2013, at 8:53 AM, Vinyl Visionsvinyl.visi...@live.com  wrote:
 
 Al,Thanks for the reply. As you noted, I have been advised that it was a 
 short in the motor somewhere. The problem seems to be that this motor is 
 wound for three different types of power - AC/DC and maybe 220. So, either 
 the shops don't know what the problem is or they just don't want to mess 
 with it... I'm tending toward the latter, since the guys I sent it to are 
 very knowledgeable. There is a picture of the motor on our website: 
 www.carolinaphonosociety.com
 A shortcut to the pic is: 
 http://open1234.wix.com/camps-site/twilight-zone-2#!__fairy-phono-lampCurt
 
 To: phono-l@oldcrank.org
 From: clockworkh...@aol.com
 Date: Fri, 15 Feb 2013 04:01:17 -0500
 Subject: Re: [Phono-L] Turntable Motor Question
 
 
 Induction motors that lack torque can usually be traced to an open field 
 coil or an open armature loop.  A shorted turn will eat torque but the 
 motor will let you know by getting hot.  How about a photo of the motor?  
 Most good motor shops can fix anything from fractional horsepower to 100 
 HP.Do you know

Re: [Phono-L] Columbia Phonograph Companion Volume II

2013-02-04 Thread Jim Nichol
Arvin, I have what I'd describe as a mint copy of this book. I probably bought 
it at Union to complete the set because I already had Volume I. But haven't 
used it since I don't have any disc machines by Columbia.  Reply to me 
privately if you're still interested. Are you in the USA? I'm in Ohio.

Jim Nichol
jnic...@fuse.net

On Feb 4, 2013, at 3:26 PM, Arvin Casas aca...@spamcop.net wrote:

 Hello All,
 
 My recent attempt to purchase a copy of The Columbia Phonograph Companion
 Volume II has ended in failure.  I went to the effort of buying through
 Amazon UK through a now-known-to-me shady seller.  Thankfully I was able to
 get my cool hundred or so back!
 
 My adventures in the underworld over, I was wondering if any good folk out
 there happen to have an extra copy of Mr Baumbach's out-of-print opus?  I've
 tried scouring sources far and wide, from the office of the good author to
 used book dealers to, as evidenced above, the darkened alleys of Amazon
 marketplace UK, but apparently out-of-print means in my case, removed
 from the face of the earth.  :O
 
 Any help would be greatly appreciated.
 
 Not giving up yet! :)
 
 Arvin

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Re: [Phono-L] Little Known Facts About Edison :)

2013-01-25 Thread Jim Nichol
Abe, I've read DOZENS of biographies of Edison, and none of them said he was 
anti-Semitic.  Some of them specifically said he was not anti-Semitic.  Just 
because he knew Ford doesn't mean he agreed with him. Also, I don't recall any 
biographies saying Edison paid low wages or that employees didn't like him. 
Actually, it was quite the opposite, since my impression was that most loved 
The Old Man.  I believe his closest associates (who helped him the most to 
develop inventions) tended to be rewarded rather well financially through 
bonuses. You're correct that his taste in music was very old-fashioned, 
sometimes odd, and not helped by his poor hearing.

Jim Nichol

On Jan 25, 2013, at 7:01 PM, Abe Feder abefed...@gmail.com wrote:

 Just make sure that you don't teach them everything about Edison, he was
 very hard on employees and paid a low working wage and fired most who
 disagreed with him. He had a strange view-almost myopic view about art, the
 people that produced it and music. If it didn't fit his view or like he
 simply dismissed it as inferior. And just like his good friend Henry Ford
 he was very anti-Semitic.
 
 Both men are viewed as great and in many cases they were-both both had some
 major flaws.
 Abe Feder
 
 On Fri, Jan 25, 2013 at 3:53 PM, Melissa Ricci riccib...@yahoo.com wrote:
 
 Hello Everybody,
 As many of you know, I am a middle school music/band teacher and I always
 run a unit about Edison and the phonograph. We always end the unit by
 recording on a wax cylinder.
 For the first time in many years, I am teaching two 6th grade general
 music classes along with my band classes this year. Today was the first
 time I approached the topic of Thomas A. Edison. To see where the class was
 with their present knowledge of Edison, I broke the kids into groups and
 asked them to write down everything they knew or thought they knew about
 him.
 Here is what the majority of the class wrote down:
 1. Edison was the 2nd, 3rd or 16th president of the United States. We're
 not sure which.2. Edison was originally from England.3. Edison's face is on
 the $20.00 bill.4. Edison was a male.5. Edison probably had a wife and
 might have had children.6. Edison died a very long, long, long time ago.7.
 Edison helped to write the constitution.8. Edison had very long, wild
 hair.9. Edison was very old.
 
 One student surprised me by writing that Edison invented the first talking
 doll. I was amazed so I asked her where she had learned that information.
 It turns our that it was on a recent episode of a TV show called
 Oddities. Who says TV can't teach!
 Obviously, I plan on starting at the very beginning of Edison's life and
 of course his many inventions of which not even the light bulb was
 mentioned.
 If any of you have any words of wisdom or little known/especially
 interesting facts about Edison, please let me know. I plan on going pretty
 in depth with these kids so anything I can learn will only help me capture
 their interest and put these misconceptions to rest once and for all.
 Thanks!Melissa

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Re: [Phono-L] Need an auction result from Stanton's November 15th auction

2013-01-07 Thread Jim Nichol
Yep, the Stanton's price list appears to drop all of the letter suffixes.  I 
wish I knew something about this Kruesi tinfoil replica, such as who made it, 
and how it came to be auctioned off.

Jim

On Jan 7, 2013, at 11:03 PM, srsel...@aol.com wrote:

 
 
 In a message dated 1/6/2013 11:20:18 P.M. Eastern Standard Time,  
 bmkl...@gmail.com writes:
 
 Could  anyone that attendend the Stanton fall music machine auction tell me 
 what  lot 87P sold for? Well at least in the flyer I recieved it shown 87P.
 It  was a reproduction of Edison's first phonograph.
 
 I don't know about the P but Lot 87 sold for $1000. Hope That helps!
 
 Steve

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Re: [Phono-L] Other Interests

2012-11-12 Thread Jim Nichol
I also bought a projector to convert my 8mm movies. But it has a tendency to 
damage films. Besides, it would be a huge amount of work. And DVD's are 
considered of date these days. Best way is to have someone who has professional 
8mm to MP3 video converter equipment. Yes, you can buy a machine like that for, 
uh, $15K or something, but is easier to let the professionals do it for you.

Have you heard of Peggybank.com?  I just sent about 100 8mm films to to 
Peggybank to have them converted. Check out their website, and read the recent 
article by Walt Mossberg of the Wall Street Journal on Peggybank. Do a Google 
search on Peggybank Wall Street Journal. Even better than getting MP3 files 
videos for your computer (or if you insist, old fashioned DVD's if you pay 
extra), they give you a free webpage at peggybank.com where they post ALL 
videos and still pictures that they digitize for you. So instead of emailing my 
100 MP3 videos to my relatives, I only have to give them the link to my 
webpage! I believe friends will also be able to download the videos, in 
addition to watching them, but I'm not sure (mine aren't ready yet).

Jim Nichol

Sent from my iPad 3

On Nov 12, 2012, at 2:14 PM, John Selph jse...@cox.net wrote:

 I know this is a long shot, but does anyone on this forum have interests in
 8mm/Super8 film and projectors?   I recently acquired a Bell and Howell 10ms
 to transfer my old home movies to DVD and found that the supply spindle on
 the projector is broken.  Just wondering if anyone may have one lying around
 that they want to part out.
 Thanks,
 John
 
 Outside of a dog, a book is a man's best friend.
 Inside of a dog, it's too dark to read.
 - Groucho Marx -
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Re: [Phono-L] A tale of woe...

2012-09-19 Thread Jim Nichol
You need a powerful magnet to get it out of the crack.

Jim Nichol

On Sep 19, 2012, at 11:03 AM, David Barnett da...@fairlibertyscall.com wrote:

 It was like a scene from an old movie.
 
 I was installing a combo attachment on my Edison Standard and had every in 
 just about the right position. I slightly rotated the mandrel to make sure it 
 still moved smoothly, and the tiny headless set screw in the double-gear 
 piece from the combo kit fell out. I guess I had backed it out a bit too much 
 while working. There I was in one of those sudden slow motion scenes watching 
 in horror as the screw slowly fell and bounced on the case, the workbench, 
 the chair, my foot and the floor while I flailed around trying to stop it's 
 merciless descent into the one crack in the cement floor under the workbench 
 while simultaneously contributing the classic drawn-out dialog line:  
 Oooohhh No
 
 So, can anyone help locate that screw? I'd go for that double-gear piece with 
 the screw in it, if need be. I'd get 2 to have a backup (yes, I know I'm 
 sometimes klutsy).
 
 Thanks for hearing my tale of woe.
 
 David
 
 David Barnett   da...@fairlibertyscall.com
 C: 516-398-8668  www.FairLibertysCall.com
 3 Ike Place
 Woodmere, NY 11598
 
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Re: [Phono-L] Standard Reproducer Ciips to Holding Screw

2012-09-01 Thread Jim Nichol
I don't know who controls research access to West Orange. But Jerry Fabris is 
either on Phono-L or Phonolist (or both?), and he could probably find out the 
procedure, since he works there.  I think Jerry's job at the Edison site is 
similar to the retired Leah But's, whose copy of Al Sefl's book is being sold.

I assume the Edison site is careful about researchers these days, since Dr. 
Phillip Peterson stole so much documentation some years ago.

Jim

On Sep 1, 2012, at 1:56 PM, Steven Medved steve_nor...@msn.com wrote:

 
 Jim,
 
 Does Jerry control who gets in?  
 
 Steve
 
 
 From: jnic...@fuse.net
 Date: Fri, 31 Aug 2012 04:32:34 -0400
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] Standard Reproducer Ciips to Holding Screw
 
 Al, surely as the author of the book being sold from Leah Burt's collection, 
 you are famous enough for Jerry Fabris to get you in. Every phonograph 
 collector in the world knows who you are.
 
 Jim Nichol
 
 On Aug 31, 2012, at 4:14 AM, clockworkh...@aol.com wrote:
 
 How I would love to have research privileges at the Site... Oh well, these 
 esoteric questions may be answered by some future scholar.
 
 Regards,
 
 Al
 

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Re: [Phono-L] Standard Reproducer Ciips to Holding Screw

2012-08-31 Thread Jim Nichol
Al, surely as the author of the book being sold from Leah Burt's collection, 
you are famous enough for Jerry Fabris to get you in.  Every phonograph 
collector in the world knows who you are.

Jim Nichol

On Aug 31, 2012, at 4:14 AM, clockworkh...@aol.com wrote:

 How I would love to have research privileges at the Site...  Oh well, these 
 esoteric questions may be answered by some future scholar.
 
 Regards,
 
 Al

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Re: [Phono-L] World War I Victrola ad

2012-08-16 Thread Jim Nichol
Here it is:

http://books.google.com/books?id=FCkDMBAJpg=PT1lpg=PT1dq=victrola+ad+cheering+our+boys+in+francesource=blots=ot5Yyjyp9Ysig=RIwxyt0gNqqIWx3Q6YAsLxinlzkhl=ensa=Xei=hK8tUKafGcOoyAGC34CICAved=0CEoQ6AEwBA#v=onepageqf=false

To get ride of the yellow highlighting in the ad, click on Clear Search at the 
upper right of the web page.

Jim Nichol


On Aug 16, 2012, at 10:19 PM, richard_ru...@hotmail.com wrote:

 http://books.google.com/books?id=AsQxAQAAMAAJpg=PA650lpg=PA650dq=victrola+ad+cheering+our+boys+in+francesource=blots=qaeN2nTlx4sig=WxdmUg4jhPAHLWKBJdwlHnagQAAhl=ensa=Xei=z6MtUMLwDI6r0AGyvYGIBAved=0CDwQ6AEwBQ#v=onepageq=victrola%20ad%20cheering%20our%20boys%20in%20francef=false
  

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Re: [Phono-L] Yellow Highlighting (was World War I Victrola ad)

2012-08-16 Thread Jim Nichol
By the way, I wonder why Victor thought that our troops in the trenches wanted 
to listen to Caruso, Heifetz, Paderewski, etc.  I'm sure that kind of music 
wouldn't be any more popular then than today with our troops.

Jim Nichol

On Aug 17, 2012, at 12:43 AM, Dennis Back back...@yahoo.com wrote:

 Jim,
  
 Your  tip about clearing the search was great!!! 
 
 I have often wondered how to get rid of the yellow highlighting on these 
 seaches.  So a BIG thanks!!!
 
 Dennis 
 
 --- On Thu, 8/16/12, Jim Nichol jnic...@fuse.net wrote:
 
 From: Jim Nichol jnic...@fuse.net
 Subject: Re: [Phono-L] World War I Victrola ad
 To: Antique Phonograph List phono-l@oldcrank.org
 Date: Thursday, August 16, 2012, 10:47 PM
 
 Oh, never mind about the yellow highlighting.  It does not appear if you use 
 my link below.
 
 Jim
 
 On Aug 16, 2012, at 10:45 PM, Jim Nichol jnic...@fuse.net wrote:
 
 Here it is:
 
 http://books.google.com/books?id=FCkDMBAJpg=PT1lpg=PT1dq=victrola+ad+cheering+our+boys+in+francesource=blots=ot5Yyjyp9Ysig=RIwxyt0gNqqIWx3Q6YAsLxinlzkhl=ensa=Xei=hK8tUKafGcOoyAGC34CICAved=0CEoQ6AEwBA#v=onepageqf=false
 
 To get ride of the yellow highlighting in the ad, click on Clear Search at 
 the upper right of the web page.
 
 Jim Nichol
 
 
 On Aug 16, 2012, at 10:19 PM, richard_ru...@hotmail.com wrote:
 
 http://books.google.com/books?id=AsQxAQAAMAAJpg=PA650lpg=PA650dq=victrola+ad+cheering+our+boys+in+francesource=blots=qaeN2nTlx4sig=WxdmUg4jhPAHLWKBJdwlHnagQAAhl=ensa=Xei=z6MtUMLwDI6r0AGyvYGIBAved=0CDwQ6AEwBQ#v=onepageq=victrola%20ad%20cheering%20our%20boys%20in%20francef=false
  
 
 
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Re: [Phono-L] an interesting price for al self

2012-08-12 Thread Jim Nichol
I wonder if Al Sefl still has copies for sale?  I've still got mine.

Jim Nichol

On Aug 12, 2012, at 3:27 PM, Steven Medved steve_nor...@msn.com wrote:

 
 http://www.ebay.com/itm/The-Edison-Cylinder-Phonographs-George-Frow-1978-numbered-05-first-edition-/150874254099
  I did not know they were numbered until I saw this auction. No bidders yet.  
   
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Re: [Phono-L] an interesting price for al self

2012-08-12 Thread Jim Nichol
Oh!  That is Leah Burt's copy.  I hope this doesn't mean she has passed away!

Jim Nichol

On Aug 12, 2012, at 3:27 PM, Steven Medved steve_nor...@msn.com wrote:

 
 http://www.ebay.com/itm/The-Edison-Cylinder-Phonographs-George-Frow-1978-numbered-05-first-edition-/150874254099
  I did not know they were numbered until I saw this auction. No bidders yet.  
   
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Re: [Phono-L] Edison Spring Motor/Triumph Questionnaire

2012-08-06 Thread Jim Nichol
How can the answer to question 7 be NO?  It's a multiple choice question.

Jim Nichol

On Aug 6, 2012, at 8:28 AM, George victr...@triton.net wrote:

 See below for info on my Triumph B.
 Thank you,
 George Vollema
 Great Lakes Antique Phonograph
 5092 Muskego Dr.
 Newaygo MI 49337-8556
 231-652-5753
 victr...@triton.net
 www.victroladoctor.com
 
 
 
 
 
 
  - Original Message - 
  From: George Paul 
  To: phono-l@oldcrank.org 
  Sent: Wednesday, August 01, 2012 6:49 PM
  Subject: [Phono-L] Edison Spring Motor/Triumph Questionnaire
 
 
  If you own an Edison Spring Motor or Triumph, I'd very much appreciate your 
 help. Below is a brief questionnaire. Please send your answers to me either 
 by posting them here, or via email to gpaul2000 (at) aol (dot) com. If you'd 
 like to be acknowledged in a future publication for your help, please include 
 your name. If you'd prefer anonymity, please let me know. In either event, 
 I'd very much appreciate any assistance you'd be willing to give. 
 
  Finally, if you know or suspect that a particular machine has been assembled 
 from different machines, or had certain parts replaced (such as the 
 carriage), please note that as well.
 
  Thanks to all in advance,
 
  George P. 
 
 
 
  Edison SpringMotor/Triumph Questionnaire
  1) Serial number (found on top): #46081
  2) Is serial number stamped in a plate, or a raised boss? ID plate
  3) If stamped in a plate, what’s the last patent date? Nov 17 '03 
  4) Does straight edge (where front of reproducer carriagerides) have 2 
 screws? NO
  5) Does the upper casting have lugs for Class M pulleywheels? NO
  6) Which secures the endgate; a ball catch, or a lockinglug? Ball catch
  7) Does carriage hold the reproducer with nickeled clips, ora single screw 
 at 2:00 position? NO
  8) Motor number (found stamped on front of motor frame): #31892
  9) Are the motor gears solid or spoked? Solid
  10) If there’s a plate below the mandrel, what exactly doesit say? None
  11) Which does the cabinet have; a drawer, a banner decal,or an “Edison” 
 script decal? Script decal
  12) Are there any dated material with it?  Invoices? Packing slips? Writing 
 inside the lid? None
 
  Thanks for your help!
  George Paul
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Re: [Phono-L] Info on an Edison DD W-250 needed

2012-07-30 Thread Jim Nichol
The W-250 is a William and Mary.  I would be astonished if that is not in the 
Diamond Disc book.  What do you mean by reader?

Jim

On Jul 30, 2012, at 11:00 PM, Bob Maffit maff...@bresnan.net wrote:

 Phono listers:
 
 
 
 I am trying to find info about an Edison DD  player: W-250
 
 
 
 Earlier this week I was asked by a friend  antique shop owner about a
 phonograph he recently acquired and I agreed to help him by way of copying
 the pages from my Frow DD book. .
 
 
 
 I can't seem to find it in Frows book as my reader isn't finding a glossary.
 
 
 
 Any info on this machine and or what pages can it be found in Frow's book
 would be a great help.
 
 
 
 Later
 
 
 
 Bob
 
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Re: [Phono-L] 25 Cylinder Blanks for Sale

2012-06-19 Thread Jim Nichol
I was confused, too.  Blanks are wax. Pegs are wood. I'd almost be willing to 
risk $75 for 25 blanks!

Jim

On Jun 19, 2012, at 9:55 PM, Ron L'Herault wrote:

 I'm confused.  Are these wax blanks or wooden pegs?
 
 Ron L
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Shawn O'Rourke
 Sent: Tuesday, June 19, 2012 8:22 PM
 To: phono-l@oldcrank.org
 Subject: [Phono-L] 25 Cylinder Blanks for Sale
 
 I have 25 Concert Cylinder blanks for an early concert cylinder cabinet. I
 say blanks as 18 of these are of recent manufacture and would need some
 minor additional shaping/ smoothing to be complete. There are 7 that look
 very old and appear to be from an original cabinet. They appear to be ready
 to use. 
 
 I believe I've priced these very conservatively. The blanks are of a solid
 stock of hardwood. I don't think you would even be able to buy the wood
 stock to make these 19 for what I've priced them. 
 
 If you need to complete a concert cylinder cabinet, these would put you way
 ahead of the game!
 
 Price is $75.00, plus actual shipping only. 
 
 If you have interest, drop me a line at mshawnorou...@gmail.com
 
 
 
 Michael Shawn O'Rourke
 
 248 915 0954

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Re: [Phono-L] Phono-L Digest, Vol 9, Issue 147

2012-06-15 Thread Jim Nichol
I finally had a chance to see the Edison Chippendale Diamond Disk on the 
American Restoration show today. I can't really complain about it.  The wood 
looked awful, and the veneer on top was coming off. They brought in a wood 
guy who replaced the top veneer and refinished the rest. It looked pretty good 
on the 13-inch TV I was watching it on. It was a little surprising that they 
gold plated the turntable and reproducer, but it did look nice. And yes, there 
was a dark or black turntable felt used (although it was missing in one shot 
where they were showing off the gold plating). They used solvent and a brush to 
clean the underneath works. Don't know if any spring or reproducer work was 
done, but chances are it didn't need much work there. So over all, it made the 
machine look nice. And besides, it's a Chippendale, so not a rare machine.

But Gayle, your message probably contains the only two 4-letter words in the 
history of this forum!

Jim Nichol

On Jun 15, 2012, at 11:38 PM, GAYLE VOISINE, BECKY VOISINE wrote:

 
 In response to a lot of you dought sayers on the restoration of the diamond 
 disc  phono. I think , for one it is beter to restore than to junk! I like 
 that they replaced the veneer, rather than try to patch the existing ,and 
 look like  Shit , like a lot of restorations look like. I fix and restore a 
 lot of radios , phonographs and some juke boxes for myself and freinds, and I 
 don't do shitty work. I won't do anything that I wouldn't want for myself, as 
 far as finished quality. I get some terrible stuff from supposedly restorers 
 who are on registered websites
 , that I would be ashamed to ask money for.You people need to get a life and 
 not criticise people who are trying to keep something going on for others to 
 enjoy instead of destroy , or tear apart and sell in pieces rather than sell 
 as good working machine.
 I realize that there are alot of machines that are good for nothing but parts.
 I believe that we should try to keep thees machines going for eterninty, 
 but they should work and look good not beat up and cobbled up! Stop being 
 like a bunch of old women at a quilting bee, bitching about  old men! Thank 
 you! Mr. Voisine.
 

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Re: [Phono-L] Why I never made it to Union

2012-06-14 Thread Jim Nichol
After that ordeal, I think missing the show would be my last concern. When my 
brother's appendix ruptured, the nurse said how difficult it is to clean up the 
resulting mess. She also mentioned that he probably would not have survived if 
antibiotics had not been invented!

Besides, you can honestly say that your drove to the Union show, and I'm sure 
that all the members of the club would be happy to give you credit for being 
there. (I've only missed one Union show since they started in the 1970's).

Jim Nichol

On Jun 14, 2012, at 10:23 PM, Stan Stanford wrote:

 Tim,
   I'm glad you are getting better and wish you the best in recovery.   So
 sorry you missed the Union show.   
 
 Stan Stanford
 Oregon Territory
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Tim McCormick
 Sent: Thursday, June 14, 2012 6:30 PM
 To: 'Antique Phonograph List'
 Subject: [Phono-L] Why I never made it to Union
 
 Folks,
 
   After weeks of preparation, time and expense I drove 4 ½ hours to
 Elgin, IL and checked into the Hampton Inn on Thursday evening.  I was
 looking forward to spending Friday, Saturday and Sunday with friends at the
 world’s largest antique phonograph show hosted at Donley’s Wild West Town in
 Union, IL.  This was my best and last face-to-face opportunity to convince
 other talented individuals to replace me as President of the International
 Antique Phonograph Society and as Editor of our magazine In The Groove.
 
   About mid-way during my drive, I started feeling a little feverish
 and my stomach developed an ache, not really a pain.  I was blaming it on a
 possible bad raison from the Trail Mix dried fruit I enjoyed the night
 before.  I checked into the Elgin, IL Hampton Inn, and carried in my
 suitcase and some of the equipment I brought along for the Phonovention
 presentations.  I started feeling worse, so I called it a night and went to
 bed at 8:00 p.m.  At 9:30 or so, I knew there was something a dose of
 Pepto-Bismol just would not cure.  I got up and dressed, but I could not
 stand up straight.  As I walked the hallway from my hotel room to the front
 desk to ask for directions to the nearest hospital, knowing full well that
 I’d never be able to drive there myself, I was met by a small group of
 fellow antique phonograph collectors who were headed to their rooms, and one
 person who was at that time a complete stranger to me, Bob Barnett, offered
 to drive me in his car to the hospital emergency room.  He offered to stay
 with me until I was either dismissed or admitted - this was at 10:00 at
 night.  I gave Bob, my new found friend, the keys to my truck and asked him
 to give them to the Hampton Inn’s front desk.  I had to make some quick
 arrangements with HAPS President, Rich Buck, to empty my truck of all of the
 items I had prepared and brought with me for our trade show booth so it
 could be set up and ready for the event at 8:00 a.m. the following morning.
 Rich, John Hauger, Joan Rolfs and I am sure many others pitched in and
 completed what needed to be done in my absence.
 
   The CAT scan and blood tests proved that it was a ruptured,
 gangrenous appendix.  I had the emergency surgery at 9:00 Friday morning as
 Union was getting underway.  I was released from Sherman Hospital late
 Monday afternoon.
 
   To put it mildly, I was very disappointed to miss Union and
 Phonovention 2012.  Rich Buck dropped by the hospital with a card prepared
 by Joan Rolfs and signed by several attendees and friends.  He informed me
 that Phonovention was very successful and that Patrick Feaster’s
 presentation room was packed to capacity.
 
   Now that I am home, I am receiving cards in the mail and E-Mails
 from well-wishers with questions on what occurred, so I thought it best to
 let everyone know I am doing great and getting ready to start compiling the
 August / September Issue of In The Groove.
 
 Convalescingly Yours,
 
 Tim McCormick
 International / Michigan Antique Phonograph Society
 
 
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Re: [Phono-L] Uh oh... more uses for phono horns

2012-05-20 Thread Jim Nichol
$115 is the shipping. The horn lamp is $498!

Jim

On May 20, 2012, at 9:35 PM, Ron L'Herault wrote:

 Looks like it could be pretty reversible.  $115 gets you the unit and then
 you can throw the lighting parts away.
 
 Ron L
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Merle Sprinzen
 Sent: Sunday, May 20, 2012 8:20 AM
 To: 'Antique Phonograph List'
 Subject: [Phono-L] Uh oh... more uses for phono horns
 
 I just hope people don't get more ideas like this for rare horns...
 
 http://www.etsy.com/listing/92924819 

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Re: [Phono-L] Ron Dethlefson receives ARSC Lifetime Achievement Award

2012-05-20 Thread Jim Nichol
Congratulations, Ron.  Your books are a very important part of the phono hobby!.

Jim

On May 21, 2012, at 12:04 AM, srsel...@aol.com wrote:

 The Award was announced at the ARSAC Conference Banquet in Rochester last  
 night. The Distinguished Service Award went to Richard Weise of Bear Family  
 Records.
 
 Ron didn't make the conference. David Gionanonni read Ron's remarks.
 
 Congrats to Ron.
 
 Next Year's ARSC Conferenmce is May 18-21 in Kansas City,. Mark your  
 Calendars!
 
 This years conference was great!
 
 Steve Ramm


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Re: [Phono-L] Tin-foil replica questions

2012-05-17 Thread Jim Nichol
What did you mean about the blueprints in the book having a slightly later 
date? The dates are a little hard to read, but they are:

2/19/30
1/18/29
2/28/30
1/24/30

It is a little unfortunate that they had to be shrunk to fit the book. The set 
I bought were at least twice that big. I haven't found my copy yet, but they 
would have to be the same as the dates above.

I was wrong in my earlier comments about some of Rene's tinfoil going to the 
Smithsonian. I see in a 2006 email from Rene to Phonolist that he had 500 
pounds of tinfoil produced several years earlier of which was split between the 
Ford Museum, the Edison National Historic site, and about 50 collectors. He was 
getting ready to make more in 2006.

Jim Nichol

On May 17, 2012, at 10:45 AM, Andrew Baron wrote:

 Many thanks, Jim, for your detailed answer.  I have, and love Rene's book.  
 It's been a while since I've paged through it so didn't recall the 
 information on the replicas being there (or got so caught up on the history 
 of the originals that the replica section didn't stay in mind .  I probably 
 last read the book through in 2002.
 
 Though I'm in New Mexico and the Pavek Museum of Broadcasting is in 
 Minnesota, I hope to visit there again before too long and it would be nice 
 to operate their replica with Curator Steve Raymer.  They do a lot of 
 educational outreach and have lots of school groups that come through, and a 
 demonstration of their tin foil machine could be a great part of that program.
 
 The park ranger at the ENHS who was present when I tried the Kruesi replica 
 in their demonstration room was very surprised that I was able to get such a 
 loud, articulate result.  He hadn't heard that replica perform so well, even 
 though most visitors shouted into it louder.
 
 I can only imagine that most operators either engaged the recording stylus 
 too lightly (so the recorded indentations are very shallow) or too deep (so 
 the recording diaphragm excursion is limited by the stylus bottoming the foil 
 into the groove on the drum), OR, they set the playback stylus too shallow 
 (so only a fraction of the total depth of the undulations engage the playback 
 diaphragm), or too deep (thus flattening the delicate, recorded foil 
 undulations to the bottom of the drum groove), or some combination of these 
 less than optimal settings.
 
 To say nothing of speed and steadiness, so the styli remain in maximum 
 compliance with the foil at all times.
 
 I'm just noticing the plans for the Kreusi replica now, near the back of 
 Rene's book, which appear to be related to the Edison's staff blueprints that 
 you mentioned, although with a slightly later date.  I'm hoping to create an 
 opportunity to fabricate a fairly faithful example of this machine in the not 
 too distant future.  I had the Gillette plans in another book but hadn't 
 realized that I had these too, in Rene's book.  So thank you very much for 
 bringing my attention 'round to this volume!
 
 Andrew Baron
 Santa Fe
 
 On May 17, 2012, at 1:34 AM, Jim Nichol wrote:
 
 The foremost authority in the world on tinfoil phonos is Rene Rondeau. Also, 
 I think Rene is the only person who has arranged for any tinfoil to be made 
 in the last 60 years or so. I know he's arranged at least 2 production runs 
 at great expense. I believe the majority of it went to the Henry Ford Museum 
 and the Smithsonian for their tinfoil demos. The rest was made available to 
 collectors, and may still be available. I bought some in both rolls and cut 
 sheets.
 
 Rene wrote the authoritative book on the subject called Tinfoil Phonographs 
 in 2001. I can't imagine any phono collector not buying a copy, so you will 
 probably want to buy one from Rene. It also mentions some of the replica 
 makers. Edison's staff made blueprints of the Kruesi in 1928-1930. When I 
 visited the West Orange Lab in about 1967, their gift shop sold me a bound 
 copy of the blueprints, with a color picture of the Kruesi original on the 
 cover. Most or all of the replicas would have been based on these prints 
 (including the extra holes in the base). Rene says the Ptacek and Stehlik 
 replicas are even more accurate than the blueprints, base on study of the 
 original machine.
 
 My replica Kruesi tinfoil phono was made by Elmer Jones. His name is cast 
 into the cast iron base (on the bottom). Rene's book said the Elmer produced 
 about 15 replicas in the 1960's, but I bought mine from Elmer at Union for 
 $500 (I think around 1980). Elmer told me he planned a run of about 10 
 Kruesi machines, but he didn't say if mine was the first of 10. I think it 
 was. I was astounded that that machine was for sale all day Saturday, and no 
 one bought it until I did in mid-afternoon!
 
 Bill Ptacek made 25 replicas, and Mirek Stehlik made 30,  according to the 
 book. Bill's are marked WCP with a date on the bottom, and Mirek's are 
 unmarked, but have a serial number stamped on the end of the main shaft

Re: [Phono-L] Columbia type Q base Reproducer

2012-05-17 Thread Jim Nichol
Aaron Cramer made the Sears repro bases for the Q.  But Aaron died in an 
automobile accident in 2006. Try eBay?

Jim Nichol

On May 17, 2012, at 9:25 PM, Ron L'Herault wrote:

 I think there is a reproducer on E-bay that would fit on a Q.  They took #3s
 or 7s.  I was looking at some yesterday or the day before but don't remember
 what size it was.  They will sound better with the larger diaphragm
 reproducers, of course.
 
 Ron L
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Melissa Ricci
 Sent: Thursday, May 17, 2012 8:58 PM
 To: phono-l@oldcrank.org
 Subject: [Phono-L] Columbia type Q base  Reproducer
 
 We just purchased a Columbia Type Q Phonograph. It is missing the base and
 reproducer. It is our first Columbia so we know very little about these
 machines but are under the impression someone is making reproductions of the
 Sears Roebuck fancy base. Does anyone know if this is true? Also looking for
 an original reproducer for the machine. Please let us know if you have any
 leads for either or both parts.Thanks!Nick  Melissa
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Re: [Phono-L] Updates.

2012-04-26 Thread Jim Nichol
I get tired just THINKING about how much work goes into making cylinders.

Jim

On Apr 26, 2012, at 11:21 PM, Thomas Edison wrote:

 
 My new blank molds should be finished by the end of next week, so I will have 
  examples for sale at Union this year.  I am very excited, Because of 
 constructive feedback,  from you all I have been tackling the diffficluties 
 one by one. The new blanks have an outside diamiter of almost 2.3 I know it 
 sounds like a lot of waste wax, but this will ensure that the surface is 
 absolutely free from any defects, and perfectly quiet and also will have a 
 double helix spiral like the original Edison blanks.  I think that output 
 will be incereased as well as quality.  I have been busy with this, so things 
 have been slow, I hope you all appreciate the work I have done on these.  
 Most have no idea how much goes into this.  

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Re: [Phono-L] The Automaton at the Franklin Instutute - The DRAWING!

2012-04-22 Thread Jim Nichol
Andy, why not ask Steve to post your drawing along with his? Also, is your 
drawing similar to the one on this page?

http://www.fi.edu/learn/sci-tech/automaton/automaton.php?cts=instrumentation

Jim Nichol

On Apr 22, 2012, at 5:13 PM, Andrew Baron wrote:

 Hi Steve and anyone who may be interested in seeing a current example of the 
 automaton's Chinese Temple.
 I've given up for the time being, trying to do this on line.  I would be 
 happy to send an email privately to anyone who would like to see what this 
 same drawing looks like today. 
 
 Steve, I'll email a jpeg of it to you momentarily.  Thanks again for posting 
 the image.  
 
 Andy
 
 On Apr 22, 2012, at 1:59 PM, srsel...@aol.com wrote:
 
 Okay folks I dug out my scrapbook and made three scans. The Front and back  
 of the drawing that Automaton made plus a copy of the floorplan of the FI 
 (I had  it with the drawing).
 
 Per the page on my scrapbook it was during my visit between December 27th  
 and 31st, 1959
 
 My memory is pretty strong and I remember it being located on the Ground  
 Floor outside the Lunchroom. BTW, note that also on that flor was the 
 ORIGINAL  Univac Computer which was created at the Univ. of PA. Bigger than 
 your PC 
 or  Ipad of course.
 
 Here is link to the scans.
 _http://tinyurl.com/83rb7fj_ (http://tinyurl.com/83rb7fj) 
 
 
 
 Steve
 
 
 
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Re: [Phono-L] The Automaton at the Franklin Instutute - The DRAWING!

2012-04-22 Thread Jim Nichol
Excellent job, Curt!

Jim

On Apr 22, 2012, at 6:44 PM, Vinyl Visions wrote:

 
 If you would like to see all of the drawings and poems that this automaton 
 does, along with pictures and a video of the automaton, check our website:
 www.carolinaphonosociety.com
 click the link on the second page for new items of interest and on page 3 
 click the picture of the automaton...
 Curt

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Re: [Phono-L] OT: new Hugo automaton website

2012-04-20 Thread Jim Nichol
I had no idea how complex your repair work was! I hate to think what would have 
happened if they hadn't found you to do the work!

I can also imagine how stunned the Franklin Institute must have been when you 
told them that you could fix both their automaton AND their Theremin!!!  Those 
are two entirely different skills.

Jim Nichol

On Apr 20, 2012, at 3:07 PM, Andrew Baron wrote:

 For my friends on Phono-L who love antique mechanical things, and the stories 
 behind them:
 http://www.popyrus.com/hugo/index.html
 
 Best,
 Andrew Baron
 Santa Fe
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Re: [Phono-L] stripping Edison bed-plates question

2012-04-20 Thread Jim Nichol
Why not use Gregg Cline decals for the Standard B stripes, etc.?

http://phonodecal.com

Jim Nichol

On Apr 20, 2012, at 12:31 PM, Randy Larson wrote:

 I'm also asking for help on stripe-ing, not stripping,  I've tried pin
 strips from cars (too wide), tried hand painting with masking tape (paint
 bleeds under masking tape, looks bad) and free hand (worse yet, too many
 cups of coffee).  Ron Sitco mentioned a roller device, checked that out, it
 starts at $100.00 (too much for the budget at the moment.. but will check
 it out if anyone else has tried it and it worked. Thanks.
 Randy Larson
 
 On Fri, Apr 20, 2012 at 9:39 AM, Rich rich-m...@octoxol.com wrote:
 
 No, it is relatively thin and you bake it to set it. May take several dips
 to get it all thick enough to fill the craters in the casting not filled by
 the initial filling with plaster. Was sanded between coats if required.
 Final coat of asphaltum is then coated with shellac and then stripes
 applied followed by final coat. Seed lac was the specific type of shellac
 used.
 
 
 On 04/20/2012 09:04 AM, Steven Medved wrote:
 
 
 Asphaltum is thick and self leveling and takes a long time to dry?
 
 
 From: appywan...@hotmail.com
 To: phono-l@oldcrank.org
 Date: Thu, 19 Apr 2012 22:12:42 -0400
 Subject: Re: [Phono-L] stripping Edison bed-plates question
 
 
 You can strip a bedplate by soaking in a solution of Red Devil lye. Be
 advised that the black bedplates are coated with asphaltum -- not paint.
 Colored bedplates are coated with tinted shellac -- not paint.
 
 From: steve_nor...@msn.com
 To: phono-l@oldcrank.org
 Date: Thu, 19 Apr 2012 21:25:16 -0400
 Subject: Re: [Phono-L] stripping Edison bed-plates question
 
 
 In my opinion do not strip unless you have to, use the old paint as a
 primer. You will be amazed at the casting defects in the bedplates.
 Steve
 
 From: a...@popyrus.com
 Date: Thu, 19 Apr 2012 19:07:57 -0600
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] stripping Edison bed-plates question
 
 I'd like a refresher on that too. Just got in a lowly model B
 Standard, that's a good machine with a nice cabinet, nickel parts and
 combination attachment, but some blankety-blank polished all the stripes
 and umbrella signature off of it.
 
 Andy
 
 On Apr 19, 2012, at 6:48 PM, Bob Maffit wrote:
 
 Phono list:
 
 
 
 Previously I read a discussion on stripping the Edison bed-plates.
 
 the posting described what chemical and how to use it as well as the
 safety
 considerations.
 
 
 
 I can't find my saved copy, could someone resend or provide the
 information
 again?
 
 
 
 later
 
 
 
 Bob

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Re: [Phono-L] AMAZING COLLECTION!!!

2012-04-17 Thread Jim Nichol
For those of you who couldn't get the weblink to work, I fixed it below, though 
you'll have to follow the instructions in the original message to find the 
video (It's very well hidden)..

http:www.carolinaphonosociety.com

Here's the much simpler direct link:

http://www.wix.com/open1234/camps-site#!__leroy-plyler

The first half of the 30 minute video is still pictures. The 2nd half is real 
video. I especially like the video of the Encore Banjo and Violano Virtuoso 
machines playing.

Jim Nichol

On Apr 17, 2012, at 12:10 AM, Vinyl Visions wrote:

 
 Last month we had the privilege of holding our quarterly meeting at the home 
 of one of our members, Leroy Plyler. Needless to say, we had a wonderful 
 time, especially when we discovered that his collection of high end 
 mechanical music machines would rival most high end collections in the US. 
 For example, how many people have a Multiphone, two Hexaphones, numerous 
 Regina machines including a 27 changer along with Reginaphones, a Paillard 
 music box, many coin-op phonographs and music boxes, an orchestrion, player 
 grand piano, a coin-op banjo machine, a Mills Violano Virtuoso and on and 
 on...
 I have posted a video which attempts to show his extensive collection as well 
 as I possibly could. You can view it on our website: 
 www.carolinaphonosociety.comOn the second page, click the link for new 
 items/videos, then on the third page click the link for the Leroy Plyler 
 Collection. Hope you enjoy it... any feedback would be appreciated.
 Curt
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Re: [Phono-L] AMAZING COLLECTION!!!

2012-04-17 Thread Jim Nichol
Second attempt to fix original link below.

http://www.carolinaphonosociety.com

But again, the direct link to the video is at:

http://www.wix.com/open1234/camps-site#!__leroy-plyler

Jim


On Apr 17, 2012, at 1:54 AM, Jim Nichol wrote:

 For those of you who couldn't get the weblink to work, I fixed it below, 
 though you'll have to follow the instructions in the original message to find 
 the video (It's very well hidden)..
 
 http://www.carolinaphonosociety.com
 
 Here's the much simpler direct link:
 
 http://www.wix.com/open1234/camps-site#!__leroy-plyler
 
 The first half of the 30 minute video is still pictures. The 2nd half is real 
 video. I especially like the video of the Encore Banjo and Violano Virtuoso 
 machines playing.
 
 Jim Nichol
 
 On Apr 17, 2012, at 12:10 AM, Vinyl Visions wrote:
 
 
 Last month we had the privilege of holding our quarterly meeting at the home 
 of one of our members, Leroy Plyler. Needless to say, we had a wonderful 
 time, especially when we discovered that his collection of high end 
 mechanical music machines would rival most high end collections in the US. 
 For example, how many people have a Multiphone, two Hexaphones, numerous 
 Regina machines including a 27 changer along with Reginaphones, a Paillard 
 music box, many coin-op phonographs and music boxes, an orchestrion, player 
 grand piano, a coin-op banjo machine, a Mills Violano Virtuoso and on and 
 on...
 I have posted a video which attempts to show his extensive collection as 
 well as I possibly could. You can view it on our website: 
 www.carolinaphonosociety.comOn the second page, click the link for new 
 items/videos, then on the third page click the link for the Leroy Plyler 
 Collection. Hope you enjoy it... any feedback would be appreciated.
 Curt   
 
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Re: [Phono-L] Stuck with a Crapophone

2012-03-20 Thread Jim Nichol
What's the URL link to your article?

Jim Nichol

On Mar 20, 2012, at 1:46 AM, john robles wrote:

 Someone urgently wrote me asking if this was a repro machine - turns out she 
 was the high bidder on it. She had read my article on eBay about repro 
 phonographs and took note of what iI said about the decal and was afraid it 
 might be a repro. Based on that article and my response to her email, she 
 canceled her transaction with the seller, and the seller will relist it.  I 
 feel proud of having saved someone from the pitfall of buying a Crapophone, 
 but I hope the seller will relist it as a repro. I did write to the seller 
 and advise them of the fact, in a very polite manner, making the assumption 
 that they did not know about it.
 John Robles
 
 
 
 
 From: john robles john9...@pacbell.net
 To: Antique Phonograph List phono-l@oldcrank.org 
 Sent: Monday, March 19, 2012 9:54 PM
 Subject: [Phono-L] Stuck with a Crapophone
 
 Looks like someone got stuck with a crapophone on ebay for $910!!! The item 
 number is 260977570310. The auction description says that the seller bought 
 it at an auction to use on a built in bookcase, but it didn't fit so now 
 they're selling it at a fraction of what they paid...Nowhere does it say that 
 it is a repro, but the standard I don't know anything about these machines 
 disclaimer appears. I find it doubtful because they call the machine a Victor 
 Gramphone, not a phonograph or Victrola asothers so commonly do. Of corse the 
 decal says The Gramophone Company, so that's a good possibility...Someone 
 asked a question about the date of the machin, and the seller says that 
 someone full of knowledge said that these machines had been made for at 
 least 30 years, so maybe that's the disclaimer that it is not a real antique, 
 but if so it is a shady one. And of course they may not know what it is like 
 they claim, but who buys something to put in a certain
 place in their home without measuring first? Plus the description is typical 
 of other items I have seen on ebay that are of questionable origin. Or the 
 seller could be totally innocent!
 John Robles

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Re: [Phono-L] Stuck with a Crapophone

2012-03-20 Thread Jim Nichol
Thanks, John. I voted for your crapophone review as helpful.  I was not even 
aware that eBay had a Reviews section. Good work! Come to think of it, I don't 
think you used the word crapophone in your review. Haha!

Jim Nichol

On Mar 20, 2012, at 9:24 AM, john robles wrote:

 Hi Jim
 Here it is. It is a general primer for those on wBay who are interested in 
 phonographs, so it is a little basic, but it contains info about watching out 
 for Crapophones including the typical ways to tell what is real and what is 
 not. Here is the link to the article.
 
 http://reviews.ebay.com/Antique-Phonographs-Gramophones-and-Victrolas?ugid=102813578
 John
 
 
 
 
 From: Jim Nichol jnic...@fuse.net
 To: Antique Phonograph List phono-l@oldcrank.org 
 Sent: Monday, March 19, 2012 11:51 PM
 Subject: Re: [Phono-L] Stuck with a Crapophone
 
 What's the URL link to your article?
 
 Jim Nichol
 
 On Mar 20, 2012, at 1:46 AM, john robles wrote:
 
 Someone urgently wrote me asking if this was a repro machine - turns out she 
 was the high bidder on it. She had read my article on eBay about repro 
 phonographs and took note of what iI said about the decal and was afraid it 
 might be a repro. Based on that article and my response to her email, she 
 canceled her transaction with the seller, and the seller will relist it.  I 
 feel proud of having saved someone from the pitfall of buying a Crapophone, 
 but I hope the seller will relist it as a repro. I did write to the seller 
 and advise them of the fact, in a very polite manner, making the assumption 
 that they did not know about it.
 John Robles
 
 
 
 
 From: john robles john9...@pacbell.net
 To: Antique Phonograph List phono-l@oldcrank.org 
 Sent: Monday, March 19, 2012 9:54 PM
 Subject: [Phono-L] Stuck with a Crapophone
 
 Looks like someone got stuck with a crapophone on ebay for $910!!! The item 
 number is 260977570310. The auction description says that the seller bought 
 it at an auction to use on a built in bookcase, but it didn't fit so now 
 they're selling it at a fraction of what they paid...Nowhere does it say 
 that it is a repro, but the standard I don't know anything about these 
 machines disclaimer appears. I find it doubtful because they call the 
 machine a Victor Gramphone, not a phonograph or Victrola asothers so 
 commonly do. Of corse the decal says The Gramophone Company, so that's a 
 good possibility...Someone asked a question about the date of the machin, 
 and the seller says that someone full of knowledge said that these 
 machines had been made for at least 30 years, so maybe that's the disclaimer 
 that it is not a real antique, but if so it is a shady one. And of course 
 they may not know what it is like they claim, but who buys something to put 
 in a certain
 place in their home without measuring first? Plus the description is typical 
 of other items I have seen on ebay that are of questionable origin. Or the 
 seller could be totally innocent!
 John Robles
 
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Re: [Phono-L] eBay Shilling??

2012-03-04 Thread Jim Nichol
You often see auctions with only one bidder, who is bidding against himself.  
In reality, he is bidding against the reserve price, since he doesn't know its 
amount.

Jim

On Mar 4, 2012, at 2:33 PM, allena...@aol.com wrote:

 but how can a person bid against himself if he is the only bidder?
 
 
 
 In a message dated 3/3/2012 4:38:53 A.M. Eastern Standard Time,  
 john9...@pacbell.net writes:
 
 consecutive bids within a few minutes, bidding against himself each  time, 
 and taking the price from $599 to $1000. 


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Re: [Phono-L] (no subject)

2012-02-27 Thread Jim Nichol
I seriously doubt that he posted that intentionally. One of the spammers must 
have grabbed his email address book, or taken over his computer.

Jim

On Feb 27, 2012, at 6:34 PM, jerry f bacon wrote:

 How Dare you put something like that on this list, I hope it does not give me 
 a 
 virus or something.I had to hit cancel or delete about ten times before I got 
 away from it.
 
 Jerry F Bacon-Dallas,Tx
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Re: [Phono-L] Does anyone know how to make a Jones Motrola _safe_?

2012-02-23 Thread Jim Nichol
That sounds like a brilliant guy. I was just in a course about electrical 
safety last week.  The voltage that kills the most people is 120 VAC.

Jim

On Feb 23, 2012, at 4:44 AM, DanKj wrote:

 This discussion reminded me of a situation here, a few years back:   The 
 power company replaced the wires from my house to the pole,  and a few months 
 later, I happened to touch the metal pipe through which the wires ran to my 
 meter in the cellar.  ZAP!   The pipe had never been attached to the meter 
 box or my fuse/breaker box, both of which were grounded (after I grounded 
 them - NOTHING was grounded when I moved in here!) ...   Anyway,  I called 
 the company to have the thing repaired, as it was obvious that the live 
 conductor was touching the pipe at the top.  They sent Vern  Ernest, I 
 swear.  Even after I demonstrated the problem by lighting-up a 100W bulb 
 between the pipe and a ground, one of the guys grabbed both pieces of metal  
 ZAPPED himself for proof! Oh yeah, that's live.  I guess he was accustomed 
 to 120volts AC!
 
 
 
 - Original Message - From: Barry Kasindorf 
 ba...@barrykasindorf.com
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Friday, February 17, 2012 1:43 PM
 Subject: Re: [Phono-L] Does anyone know how to make a Jones Motrola _safe_?
 
 
 Very true. The question was SAFETY. I hate having 3 wire plugs on antique 
 electronics. You can easily put a polarized plug on a piece of zipcord and 
 get the ends right and be safe as well. I like the idea of making something 
 SAFE without changing the item at all.
 -Barry
 
 
 On 2/17/2012 12:25 PM, Bruce wrote:
 Barry, the shock hazard model during HiPot testing development assumes all
 external metallic surfaces on a product are always at the same potential.
 That is why we are only required to test against the product ground through
 an alligator clamp to the chassis or through the ground terminal of the 3
 wire AC input. The shock hazard model we care about is a ground path through
 the body past the heart. You could be standing on a concrete floor barefoot
 or touching a cold water pipe with your other arm.
 
 I submit to you that I could connect any ungrounded electrical device
 through my isolation transformer, float it up to 1500VAC (the isolation
 voltage of my isolation transformer) and invite you to touch it and
 depending on your resistance to ground, you will definitely feel it. It will
 not be much current, and it may not kill you but it will wake you up faster
 than a few cups of coffee.
 
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Re: [Phono-L] Does anyone know how to make a Jones Motrola _safe_?

2012-02-16 Thread Jim Nichol
The NEC (National Electric Code) doesn't normally allow soldering for power 
connections. My guess is that they are concerned that a high current fault 
(short) could melt the solder.

Jim Nichol

On Feb 16, 2012, at 9:58 PM, Philip Carli wrote:

 Would soldering the green wire to the case do as well as a screw?  I believe 
 the case is pot metal and tapping it for a screw might shatter the whole 
 thing. Philip Carli
 
 From: phono-l-boun...@oldcrank.org [phono-l-boun...@oldcrank.org] on behalf 
 of Greg Bogantz [gbogan...@charter.net]
 Sent: Thursday, February 16, 2012 8:27 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] Does anyone know how to make a Jones Motrola _safe_?
 
I believe the Motrola has a metal case.  The danger can occur if there
 is electrical leakage from the internal wiring to the case and its attached
 metal parts which can occur due to carbonized insulation that can begin to
 develop a lower resistance.  I would recommend first testing with an
 ohmmeter to determine if there is already leakage from either of the wires
 leading from the motor to the case.  An ohmmeter reading should indicate a
 very high or infinite resistance from either wire to the case when things
 are correct.  If you measure any significantly lower resistance, the
 internal wiring will need to be redone or repaired.  If there is good
 isolation from the motor wires to the case, I would recommend replacing the
 line cord with a modern three-wire cord with a 3-terminal AC plug.  Connect
 the black and white wires to the motor circuit as was done in the original
 2-wire cord.  Then connect the green wire to a screw on the metal case.
 This will privide a grounding connection from the case to your household
 earthing system.  If electrical leakage should develop in the future, it
 will be routed thru the green wire to your household ground system (assuming
 you plug the cord into a modern 3-wire outlet).  In the worst case, it will
 blow a fuse or circuit breaker rather than leaving the system a shock
 hazard.
 
 Greg Bogantz
 
 
 
 - Original Message -
 From: Philip Carli philip_ca...@pittsford.monroe.edu
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Thursday, February 16, 2012 7:08 PM
 Subject: [Phono-L] Does anyone know how to make a Jones Motrola _safe_?
 
 
 
 I have a Jones Motrola I'm trying to rewire, but I read that they can be
 dangerous in their original ungrounded state?  Any ideas on how I can deal
 with this?  Any help would be appreciated.  Thanks, Philip Carli
 
 
 
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Re: [Phono-L] Edison's Birthday!

2012-02-13 Thread Jim Nichol
That looks like a great party.  The Pathe Actuelle can play Diamond Discs? 
Also, I didn't remember that Edison radios could play Diamond Discs. That must 
be cool.

Jim Nichol

On Feb 13, 2012, at 9:51 PM, Nancy/Jeff Cecil wrote:

 Jim Cartwright of Immortal Performances, Inc. in Austin , Texas hosted a 
 small 
 gathering of antique phonograph enthusiasts on Saturday, the 11th of February 
 2012 to commemorate the 165th Birthday of Thomas Alva Edison, inventor of the 
 phonograph. Attending were MAPS Members Jim Cartwright, Mark Bykoski, Jeff 
 Cecil 
  his wife Nancy as well as Immortal Performances employee John Cox. After 
 eating Mexican food, we gathered at the “Phonograph Gallery,” part of the 
 addition under construction to Jim’s home, still a work in progress as 
 evidenced 
 by the boxes stacked on the staircase,  listened to diamond discs played 
 using 
 the turntable, tonearm  pickup designed by Theodor Edison of an Edison Model 
 C-2 Radio-Phonograph Combination (whose chassis  loudspeaker are at a repair 
 shop) connected to the phono jack of an Edison Model R-2 Radio (which has the 
 same chassis  loudspeaker as the C-2) which provided an astounding quality  
 quantity of sound for circa 1928 audio equipment. Here is the diamond disc 
 play 
 list, all contemporaneous with the Model C-2 Radio-Phonograph Combination: 
 
 Saying that no birthday celebration should be without cake, Nancy brought 
 delicious homemade cinnamon cupcakes which were greatly enjoyed. We also 
 played 
 one electrically recorded Blue Amberol cylinder on the Opera  compared the 
 sound of diamond discs played acoustically on a SI-19 (Sheraton Inlay) with 
 Edisonic reproducer  on a Pathe Gothic Art Model Actuelle, neither of which 
 came close to the sound of the Edison electronics! The evening ended with the 
 singing of “Happy Birthday Mr. Edison!” 
 
  
 It is a goal to establish an Austin Club...one of these days. 
  
 Jeff Cecil
  
  
  
 The playlist for the party:
 52530-L Fantasia on Aida – EDISON CONCERT ORCH. Directed by Carlo Peroni
 52622-R I Want to Meander in the Meadow – PHIL SPITALNY’S MUSIC (vocal chorus 
 by 
 Paull Sisters)
 52472-R The Big Rock Candy Mountain – VERNON DALHART  COMPANY
 80885-L Quintette in E-flat (Schumann): Part 2, (Second Movement) In modo 
 d’una 
 Marcia – E. ROBERT SCHMITZ  PHILHARMONIC STRING QUARTET OF NEW YORK
 52215-L Rose Room – PICCADILLY PLAYERS  SINGERS
 52518-L Ever Since the Movies Learned to Talk – BILLY MURRAY  HIS MELODY MEN
 82357-R Il Barbiere di Siviglia: largo al factotum – MARIO BASIOLA
 52416-R Get Out and Get Under the Moon – GOLDEN GATE ORCHESTRA
 52606-R To Be In Love (Especially With You) – GLADYS RICE
 52623-R The Stars and Stripes Forever March – THE GOLDMAN BAND directed by 
 Edwin 
 Franco Goldman
 52367-L I Love to Dunk a Hunk of Sponge Cake – THE HAPPINESS BOYS (Billy 
 Jones  
 Ernest Hare)
 52436-L In the Jailhouse Now – FRANKIE MARVIN AND HIS GUITAR WITH VIOLIN
 52513-L Button Up Your Overcoat – GOLDEN GATE ORCHESTRA
 52532-R Barnacle Bill the Sailor – FRANK LUTHER AND HIS PARDS
 52143-R When Day is Done – THE EDISONIANS
  
 Photos of the party. 
 http://i1269.photobucket.com/albums/jj595/JimCartwright/R2front.jpg
 http://i1269.photobucket.com/albums/jj595/JimCartwright/Actuelle.jpg
 http://i1269.photobucket.com/albums/jj595/JimCartwright/C2.jpg
 http://i1269.photobucket.com/albums/jj595/JimCartwright/JeffMarkJim.jpg
 http://i1269.photobucket.com/albums/jj595/JimCartwright/JohnJeffNancy.jpg
 http://i1269.photobucket.com/albums/jj595/JimCartwright/MarkJeffJimJohn.jpg
 http://i1269.photobucket.com/albums/jj595/JimCartwright/MarkNancyJeffJimbesideC2.jpg
 
 http://i1269.photobucket.com/albums/jj595/JimCartwright/R2back.jpg
 http://i1269.photobucket.com/albums/jj595/JimCartwright/R2backcloseup.jpg

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[Phono-L] Edison's Birthday!

2012-02-11 Thread Jim Nichol
What is everyone doing for Edison's birthday? (Feb. 11, 1847)

Jim Nichol

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Re: [Phono-L] Edison's Birthday!

2012-02-11 Thread Jim Nichol
I'm speechless!  Almost everything in that video about Edison is wrong!

Jim

On Feb 11, 2012, at 3:13 PM, Peter Fraser wrote:

 Suggestion:
 
 Why don't we all use the comments function to try to straighten this poor 
 misinformed guy out?
 
 http://gizmodo.com/5884270/celebrate-thomas-edisons-165th-birthday-with-a-crash-course-on-his-life
 
 -- peter
 pjfra...@mac.com
 
 On Feb 11, 2012, at 11:29 AM, Jim Nichol wrote:
 
 What is everyone doing for Edison's birthday? (Feb. 11, 1847)
 
 Jim Nichol

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Re: [Phono-L] Ediphone Repair Manuals on eBay...

2012-02-11 Thread Jim Nichol
Wow Al, those manuals are like gold.  Could you email the buyer and offer him 
directly? One thing I would strongly suggest is that they be scanned instead of 
photocopied.  Xeroxing is old-fashioned now. Ask him if he would be willing to 
let others view the scans. Or offer to arrange the scanning for him.

This is the kind of thing that the Google Books Project loves. Scanned books 
that are out of copyright.

Jim

On Feb 11, 2012, at 11:43 PM, clockworkh...@aol.com wrote:

 
 
 290665921104
 
 This was the eBay number.  Somebody got a treasure trove of Ediphone repair 
 manuals.
 
 Al
 
 
 
 -Original Message-
 From: Rich rich-m...@octoxol.com
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Sat, Feb 11, 2012 4:45 pm
 Subject: Re: [Phono-L] Ediphone Repair Manuals on eBay...
 
 
 What is the item number?
 On 02/11/2012 05:35 PM, clockworkh...@aol.com wrote:
 
 Did anyone on this list win the Edison Business Phonograph manuals that 
 closed 
 n eBay this week?
 
 If so, would you consider photocopying them for $100 plus copy fees?
 
 If anyone has originals for sale that too would be of interest to me.
 
 I can see how the information in these would be helpful in keeping the 
 diphones working properly.
 
 Thanks for any help, email me off list if you wish,
 
 Al
 
 
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Re: [Phono-L] New Recordings plus Instructions on How to Make Your Own Tinfoil Machine

2012-01-30 Thread Jim Nichol
Can't find it.

Jim

On Jan 30, 2012, at 2:31 PM, Vinyl Visions wrote:

 
 
 I got some great recordings from Charlie Smith, along with plans from 1878 on 
 how to build your own tinfoil machine. I made a page with his recordings, 
 pics of his tinfoil project and the instructions. Check it out.  
 
 www.CarolinaPhonoSociety.com
 
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Re: [Phono-L] New Recordings plus Instructions on How to Make Your Own Tinfoil Machine

2012-01-30 Thread Jim Nichol
OK, cool.  I hadn't seen that Scientific American article before.

Jim

On Jan 30, 2012, at 11:13 PM, Vinyl Visions wrote:

 
 Go to the site, click ENTER, then you see an Edison sales wagon - Click on 
 Videos and other new items of interest - when you get to the white videos 
 page click on the tinfoil machine...
 www.CarolinaPhonoSociety.com
 
 From: jnic...@fuse.net
 Date: Mon, 30 Jan 2012 14:58:37 -0500
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] New Recordings plus Instructions on How to Make Your  
 Own Tinfoil Machine
 
 Can't find it.
 
 Jim
 
 On Jan 30, 2012, at 2:31 PM, Vinyl Visions wrote:
 
 
 
 I got some great recordings from Charlie Smith, along with plans from 1878 
 on how to build your own tinfoil machine. I made a page with his 
 recordings, pics of his tinfoil project and the instructions. Check it out. 
  
 
 www.CarolinaPhonoSociety.com

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Re: [Phono-L] Union phono show this year

2012-01-22 Thread Jim Nichol
Merle, just Google Donley's Wild West Town.

Jim Nichol

Sent from my iPad 2

On Jan 22, 2012, at 4:54 PM, Merle Sprinzen msprin...@gmail.com wrote:

 Thanks!
 
 
 
 On Jan 22, 2012, at 3:50 PM, Darrell Lehman nickja...@gmail.com wrote:
 
 Always the second FULL week-end in June = sb 8-9-10
 
 Merle Sprinzen wrote:
 Anyone know the dates for this year's antique phonograph show in Union, IL?
 It's always in June, but I don't know the dates.  Never too early to start
 planning!
 
 
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Re: [Phono-L] OT: clockwork automaton article in NY Times today

2011-12-27 Thread Jim Nichol
Be sure to watch some of the videos of it in operation on Youtube.

Jim Nichol

On Dec 27, 2011, at 11:27 PM, Greg Bogantz wrote:

   Congratulations, Andy, on getting this priceless piece of history restored 
 to full functionality.  That must have been a privelege as well as great fun 
 to do.  What a wonderful challenge in trying to figure out what each piece of 
 the mechanism did.  I'm constantly amazed at the delicacy and precision of 
 mechanisms such as watches and timepieces that were made hundreds of years 
 ago. I have often wondered how these precision mechs were even made so many 
 years ago before the availability of modern materials and processes.  I'm 
 always fascinated by this stuff.  Thanks for the link.
 
 Greg Bogantz
 
 
 
 - Original Message - From: Andrew Baron a...@popyrus.com
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Tuesday, December 27, 2011 11:00 PM
 Subject: [Phono-L] OT: clockwork automaton article in NY Times today
 
 
 For those phonograph enthusiasts whose interests extend into other 
 mechanical realms, Today's edition of the New York Times (Science Times 
 section) ran an article about the drawing/writing automaton that  restored 
 for Philadelphia's Franklin Institute Science Museum.
 
 Here's the link:
 http://www.nytimes.com/2011/12/27/science/maillardet-automaton-inspired-martin-scorseses-film-hugo.html?_r=2seid=autosmid=tw-nytimespagewanted=all
 
 Best to all,
 Andrew Baron
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Re: [Phono-L] Nutcracker Suite

2011-12-17 Thread Jim Nichol
Let's see... if you charged each of us downloaders a dollar... Anyway, the 
Nutcracker songs are really nice!

Jim Nichol

On Dec 17, 2011, at 4:19 PM, DanKj wrote:

 I'm pleased to report that this is the most popular thing I've ever posted to 
 the Box site;  every few minutes, I get another notice that it has been 
 downloaded!
 
 
 - Original Message - From: Philip Carli 
 philip_ca...@pittsford.monroe.edu
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Saturday, December 17, 2011 10:34 AM
 Subject: Re: [Phono-L] Nutcracker Suite
 
 
 Nice to hear your good opinion of the Befer transfers; they're done by my 
 friend Bob Hodge, their chief engineer, who's very particular and works like 
 blazes trueing things up on their Archeophone (as much as the management's 
 time frame and the cylinders themselves will allow him to be - I've worked 
 with him on cylinder projects, and some BA's just won't completely true).  
 He also transfers at 1/2 speed for steadiness, then doubles for finishing.  
 I'll pass along the good word; he's a superb technician with great ears 
 who doesn't receive enough positive feedback, and your thoughts will cheer 
 him considerably.
 
 The DD _Nutcracker_ stayed in the catalogue until at least 1926, if not till 
 the end, as they're in the 1925 catalogue; I have a paper label copy of the 
 first disc and a quiet late etched copy of the second.  The committee at 
 West Orange which passed on DDs made some strange decisions which affected 
 couplings and completeness (especially later on), but at least Sodero was 
 the only Edison staffer who was given carte blanche as to repertoire 
 selection. (One coupling was undoubtedly done for economic and logistical 
 reasons; Sodero's 1916 ASO Henry VIII Dances by Edward German are given 
 complete, but nos. 1  3, the most heavily orchestrated, are one side, and 
 the lightly scored pastoral no. 2 on the other. )  Sodero was often a 
 brisker conductor than his successor Irwin Schloss, who did the electrical 
 Grieg and most electrical Edison orchestrals.  Carlo Peroni also conducted a 
 few electrical DD's, and his are excellent - the other Xmas Edison we play 
 is his 1928 Dream Pant
 omi
 me from _Hansel  Gretel_ coupled with the Pastoral Symphony from _The 
 Messiah_.  I have 4 of the 5 London Edison NMB _Nutcracker_ cylinders 
 myself, and enjoy them as well; in case you're wondering, they're conducted 
 by George W. Byng, the London studio's music director.
 
 A very merry Christmas to you! P. Carli
 
 From: phono-l-boun...@oldcrank.org [phono-l-boun...@oldcrank.org] on behalf 
 of Dan Kj [ediso...@verizon.net]
 Sent: Saturday, December 17, 2011 3:10 AM
 To: phonol...@yahoogroups.com; Antique Phonograph List
 Subject: Re: [Phono-L] Nutcracker Suite
 
 I have the 2 Edison discs, but they are rather noisy pressings;  it would
 be nice to find later paper-label pressings - if they were in the catalogue
 long enough.   I recently bought (and overpaid, but I didn't know)  an
 electric Edison of the Peer Gynt Suite, and although 2 discography sources
 showed it to be similar to the acoustic Edison with 2 parts on each side, it
 actually has just Morning and Ase's Death played so slowly and
 lugubriously that they almost fill each side!They did something similar
 a couple of years earlier,  with Victor Herbert's Suite of Serenades - even
 though all 4 parts would easily fit on 2 Edison sides, only 2 parts were
 recorded with a lot of wasted blank space.
 
 Back to the Nutcracker:  5 decent Edison cylinders from the London branch.
 Although played by the National Military Band,  the harp part was wisely
 retained in Waltz of the Flowers.  My copy of Flowers looks new, but has a
 waver that makes the harp unpleasant to hear;  the Syracuse University
 Belfer Lab people have overcome most wavering on most of their transfers, so
 this is quite enjoyable.All in one zipped folder, for your convenience:
 http://www.box.com/s/xjg5yibnpno8sygv561y
 
 Do check the Belfer site - the transfers are excellent, and you are allowed
 to download all of them.  No telling when anything on the Internet might
 disappear, so save save save.
 
 http://library.syr.edu/splash/cylinders/
 
 
 
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Re: [Phono-L] Duke Special session.

2011-11-26 Thread Jim Nichol
So how did your horn get in the video?

Jim

On Nov 26, 2011, at 4:13 PM, Thomas Edison wrote:

 
 Was doing some looking today, to see if any footage was around from recording 
 the Irish pop artist Duke Special, and I found a little clip in the 
 documentary on the making of I never Thought This Day would Come  And I 
 thought I would share it with you, look around the 19 second mark, you see my 
 recording horn. 
 
 
 http://youtu.be/rgJ7U5bQKtk


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Re: [Phono-L] Your Feedback Is Appreciated...

2011-10-11 Thread Jim Nichol
Holy cow!  That's one of the coolest websites I've ever seen.  It has 
fabulously beautiful graphics and Carolina-themed music. And it's even got a 
vintage photo of a nudie girl and her phono!

Where did you learn how to create such a nice website? Most of us would have 
done a dreadful job by comparison.

Jim

On Oct 11, 2011, at 8:44 PM, Vinyl Visions wrote:

 
 I have re-done our website and need some constructive feedback from you 
 guys/girls...
 www.carolinaphonosociety.com
 Also, if you have any events, pictures of collections, events, etc. - that 
 you would like to have  posted on our site, please let me know.
 Curt

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Re: [Phono-L] Columbia Crank

2011-08-27 Thread Jim Nichol
My Columbia BF's handle has a barrel with an OD of 1/2 inch, and the barrel is 
2-15/32 inch long to the inside of the handle.

Jim

On Aug 27, 2011, at 12:06 PM, Brian Walter wrote:

 Would an owner of a Columbia BF with an original crank please measure the 
 barrel diameter and the length of the barrel from the end to the inside of 
 the handle.  I am trying to check on an original offered for sale.  Thank you!
 Brian Walter
 
 
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 The message was checked by ESET NOD32 Antivirus.
 
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Re: [Phono-L] Whistler Sybil Sanderson Fagan

2011-07-31 Thread Jim Nichol
Andrew, aren't you going to post Bird at the Waterfall on Youtube? There are 
other songs by her on the Internet, but not that one.

Jim Nichol

On Jul 31, 2011, at 4:48 PM, Andrew Baron wrote:

 Thanks Loran for your investigative footwork and posting some of your 
 findings.  
 
 I would love to know more about Sybil Sanderson Fagan as I've been fascinated 
 by her whistling since the early '80s when I got my first record that 
 featured her.  Sometimes you find her name spelled as Sibyl.
 
 From the moment I first heard Sybil Sanderson Fagan, I couldn't believe my 
 ears.  I have a few of her records on different labels, but my first (and I 
 think her most virtuosic performance -- though I haven't heard all her 
 records) was The Bird at the Waterfall on Edison 80629-R.
 
 I too was curious about her and like you found almost nothing meaningful on 
 the Internet.  Coincidentally I also discovered the studio photo with the 
 W-250 on a more recent attempt to learn more about her, just within the past 
 week.
 
 I have an interesting tidbit about her that isn't documented anywhere.  About 
 15 years ago I was attending an SCBWI retreat and I had copies of my Edison 
 phonograph pencil drawing for sale, along with a couple of my pop-up books.  
 A woman attending the event, upon seeing my Edison phonograph poster, 
 surprised me by saying my piano teacher recorded for Edison when she was 
 young.  Of course I had to ask who her piano teacher was and she replied 
 Sybil Chapek.  I had no idea who Chapek was but came back with I'm aware 
 of an Edison recording artist named Sybil Sanderson Fagan.  She was an 
 amazing whistler.
 
 My new friend Charleen seemed very surprised and said Yes, that's her!.  
 Came to find out that Sybil was her piano teacher when she was a girl in the 
 1950s, and Charleen's family were close friends with the Chapeks for many 
 years.  Charleen's younger brother took violin lessons from Sybil's husband 
 Joe.
 
 Some time later Charleen came up to Santa Fe with some of her family that 
 were visiting over the holidays and I played The Bird at the Waterfall on 
 my A-250, and several other Fagan sides for them on this and other suitable 
 machines.  They all seemed to quite enjoy it, and Charleen recalled hearing 
 Sybil's whistling before when she was a girl.  She couldn't recall if Sybil 
 played a record for her or actually demonstrated her technique.  On that 
 visit I learned among other things that Sybil had enormous callouses on her 
 pinky's.
 
 I've been trying to reach her lately to learn more but haven't been able to 
 get through for some time now.  Coincidentally, I just tried to contact her 
 by email last week to try to learn exactly some of the information you dug up 
 (dates, places, etc.).  So thank you so much for posting what you learned 
 about Sybil.
 
 Joe Chapek, when a young man, played in an outfit called the Chicago 
 Businessmen's Orchestra.  Joe Chapek's father (also named Joseph, born about 
 1860) was apparently the leader of a small orchestra in Czechoslovakia.  
 
 My last communication from Charleen was a package in the mail containing 
 sheet music, with a note that said they had belonged to Sybil.  There are 
 about six orchestra scores, the sheet music in each being for a different 
 instrument in the orchestra, with penciled notes, crossed out sections (all 
 pieces of music from the same piece having the same sections X'd out), 
 Sybil's name (sometimes appearing to be her signature and on the back of some 
 pieces of sheet music simply written as Miss Fagan, and other notes like 
 Bird Cadenza, also written in pencil at specific places on the sheet music.
 
 To my joy, the first set of sheet music was for Bird at the Waterfall.  
 This could be the original score for the Edison recording.  Do you have any 
 idea if she recorded this number on any other label, and is her complete 
 discography available in one place?  I've only been able to find bits and 
 pieces on line, and nothing in Rust's Entertainment Discographies.
 
 One last thing -- I have scans I made from Charleen's family photo album, and 
 of Jos. H. Chapek's String Quartette (the senior Joe Chapek, in a formal 
 studio photo).  From the photo album there was just one photo of Sybil, at 
 her and Joe's residence, taken some time in the 1960s.  I also have had for 
 perhaps 25 years the ca. 1916 - 1917 Edison publication Composers and 
 Artists Whose Art is Recreated by Edison's New Art.  Sybil appears on the 
 lower left corner of a right page, several pages from the end of the book, 
 along with five other artists including Arthur Fields (Cal Stewart, Lewis 
 James, Fred Van Eps and Walter Van Brunt all appear on the facing page).  In 
 the photo, I've always imagined that Sibyl (as it's spelled in this book) 
 looks something like a bird.
 
 Any further information on her would be greatly appreciated!
 
 Best,
 Andy Baron
 Santa Fe, NM
 
 On Jul 30, 2011, at 3:01 PM, Loran

Re: [Phono-L] Phono-L Digest, Vol 8, Issue 224

2011-07-21 Thread Jim Nichol
Michigan Antique Phonograph Society.  The magazine alone is worth the price of 
membership.

Jim

On Jul 21, 2011, at 3:52 PM, ger wrote:

 I don't belong to MAPS. But it sounds like a good idea. I am in northwest CT, 
 (rural) near MA and NY, but highway 44 passes my street and connects to route 
 7.
 When I type in MAPS, I get geography. What does MAPS stand for so I can 
 search for local chapters?
 Thanks! :)
 

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Re: [Phono-L] FW: Frozen mandrel bearing

2011-07-09 Thread Jim Nichol
I don't agree that the potmetal probably never will expand.  I just took an 
Edison Standard Model D out of a closet where it sat untouched for several 
years. The bearing was stuck. It was fine the previous time I used it.

Jim

On Jul 9, 2011, at 11:26 AM, Rich wrote:

 If it was not crumbling or expanding by now it probably will not later so I 
 would leave it. The problem is that the term pot metal actually describes 
 nothing. What was the actual formula that was used to cast these bearings? 
 What was the purity of the metals used? The lack of dimensional stability is 
 the result of impunities introduced at manufacturer. The impurity content 
 seems to have been random.
 
 On 07/09/2011 09:24 AM, Bill Taney wrote:
 Is there any reason you would ever leave a potmetal bearing in one of these 
 machines? I have always had it replaced whether it needed it or not figuring 
 that it is easier to do when its not siezed and it is an inevitablity so why 
 not replace it with a brass one... Am I missing something?
 
 Sent from my iPhone
 
 On Jul 8, 2011, at 11:42 PM, Richrich-m...@octoxol.com  wrote:
 
 Potmetal continues to grow until it just crumbles. Reaming is a temporary 
 fix. As someone else pointed out the bearing has probably been lubed with 3 
 in 1 in the red can which is a pure mineral oil with no rust or oxidation 
 inhibitors and just soaking with Kroil will usually get it going again. Not 
 all potmetal of that period is defective. Oxidized 3 in 1 is a powerful 
 adhesive though.
 
 On 07/08/2011 08:31 PM, Steven Medved wrote:
 
 
 
 
 If I remember correctly the home and triumph pot metal bearings are thick, 
 I would think if the shaft could be removed the bearing could be reamed 
 out to the correct size and it could be used.  Has anyone ever tried this? 
 Steve
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Re: [Phono-L] Dearborn trip--Edison's last breath

2011-07-04 Thread Jim Nichol
If the Ford Museum had simply said: Edison invented the first practical 
incandescent light bulb, I would have no problem. But it was the glee a couple 
of them took in saying: EDISON DID NOT INVENT THE LIGHT BULB that rubbed me 
the wrong way. Henry Ford would have fired both of them on the spot.

Jim

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Re: [Phono-L] Dearborn trip--Edison's last breath

2011-07-04 Thread Jim Nichol
I said that Edison invented the light bulb. I don't give credit to his 
predecessors for inventing the light bulb, because theirs didn't work. The 
Patent Office requires an invention to be useful before it can be patented. 
Non-working attempts don't count, and in this case were disallowed by the 
Patent Office. My main objection is that there seems to be a concerted movement 
today to trivialize Edison's work on the light bulb. But back in 1879 he was 
worshiped for it. His competitors didn't have a clue what was required for 
success. That's the main reason I was upset with the Ford Museum. I'm always 
worried that kids today aren't being taught about Edison, and if they are, 
they're told he was given too much credit. I've heard many people say that 
Edison didn't do ANYTHING worthwhile, or simply took credit for others' work.

Jim

On Jul 3, 2011, at 9:32 PM, The Farmers wrote:

 Now you are changing what you are saying.
 I agree he invented the first practical incandescent bulb, but he did not 
 invent the light bulb as you claimed in the first posting.
 
 invent - come up with (an idea, plan, explanation, theory, or principle) 
 after a mental effort
  - to be the first person to make or use (eg a machine, method etc)
 
 Edison did not come up with the idea, nor was he the first to make or use a 
 light bulb. He perfected the light bulb and invented a version that was 
 practical, and that's what the tour guide was explaining.
 
 -- Greg Farmer
 
 
 - Original Message - From: Jim Nichol jnic...@fuse.net
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Sunday, July 03, 2011 8:16 PM
 Subject: Re: [Phono-L] Dearborn trip--Edison's last breath
 
 
 I strongly disagree. Yes, Google will tell you that many others worked on 
 the light bulb. But those stories all conclude that none of them were 
 practical. Edison's contribution was not only that he invented the power 
 plant, but more importantly, he invented the first practical incandescent 
 bulb.  If that's not inventing it, I don't know how else to define it. Sure, 
 Edison started out doing some of the things his competitors tried, but 
 rejected all of them because they didn't work. Maybe you had to be alive at 
 the time to appreciate what an enormous breakthrough it was when Edison 
 demonstrated his light bulb. No one cared about the others who failed to 
 produce anything useful. (I'm talking about incandescent bulbs here... 
 obviously the arc light was successful in its own field).
 
 Jim
 
 On Jul 3, 2011, at 7:39 PM, The Farmers wrote:
 
 Search Google for who invented the light bulb and you'll see the 
 overwhelming consensus that Edison did not invent it.  He improved earlier 
 light bulb inventions and designed power plants to power his light bulb. 
 The most important part of this was that he marketed the entire lighting 
 system, including bulbs, generators, and electrical grids, that 
 municipalities could buy, making it a commercial success. I'm glad to hear 
 the museum has it right.
 
 I'd like to point out that a distant relative, Moses G. Farmer, invented an 
 electric light 20 years before Edison, patented it, and in 1858 his house 
 in Salem, Massachusetts was the first in the world lit by electric light. 
 It was not a failure, it actually worked, but it just was not commercially 
 viable.
 
 -- Greg Farmer
 
 
 - Original Message - From: Jim Nichol jnic...@fuse.net
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Sunday, July 03, 2011 5:13 PM
 Subject: Re: [Phono-L] Dearborn trip--Edison's last breath
 
 
 Oh, yes. The book is Expiration Date.
 
 Other comments about the museum:
 
 1. I was quite unhappy that both a tour guide and a guy playing a young 
 Tom Edison told us that Edison did NOT invent the light bulb, he only 
 perfected it. I couldn't believe they were spreading this garbage to 
 every visitor. Since when does it count when other people try to invent 
 something and fail? I think the US Patent Office agrees with me on the 
 light bulb. It's bad enough that they said that Edison didn't invent the 
 light bulb. But they had to gall to have an actor playing Edison say it 
 out loud.  That is an unbelievably inaccurate portrayal of Edison.  The 
 actor did get in one jab, however.  He pointed out that unlike the others 
 who worked on the light bulb, his actually worked.
 
 2. I'm unhappy that Edison is downplayed compared to how it used to be at 
 the museum. The large phonograph display that was there in the 1970's 
 wasn't there in 2009. The worst thing is that they renamed the complex 
 The Henry Ford instead of using Ford's name for it: The Edison 
 Institute.
 
 3. I am very impressed that they have a Chrysler Turbine car there. As a 
 kid, I saw one of the 50 produced that Chrysler was showing in a local 
 shopping mall. Almost all of them were scrapped on purpose shortly 
 thereafter. I just found out this week that Jay Leno has one (see video on 
 YouTube).
 
 4. I

Re: [Phono-L] Dearborn trip

2011-07-03 Thread Jim Nichol
I agree with the others that 2 days would be enough. I've been there about 8 
times since I was a kid. I was there in 2009. Be sure you visit Henry Ford's 
house, which is near the museum. It has an amazing powerhouse containing 
turbine generators that are powered from a creek running through his yard. They 
generated DC power for the house, of course, because he was Edison's friend. 
They still work, and one was running, though it was only powering a voltmeter 
or something.

In Greenfield village, pay careful attention at Edison's Menlo Park laboratory. 
Look (of course) for the demonstration of the Edison / Bergmann tinfoil 
phonograph. They record a man's voice in the morning on a piece of tinfoil, and 
they play it back all day. I told the woman that Rene Rondeau made the tinfoil 
that she was using. She said Rene sounded familiar. Then she opened the drawer 
in the Bergmann Tinfoil, and pulled out Rene's book  on tinfoil phonographs!!!  
Also, look in the other rooms in the Menlo lab and office, because there is a 
ANOTHER Bergmann tinfoil machine, though it is all rusty.

There is a truly amazing machine on the 2nd floor of the Lab. It is a Brady 
Tinfoil. That is the 2nd Edison machine, which he took to Washington, DC to be 
photographed at Matthew Brady Studios, and also demonstrated to the President.  
The Brady machine is obviously TREMENDOUSLY under-appreciated by the museum. It 
was sitting on a wooden chair off to the side, and I didn't even notice it 
while I was there. That night at the hotel, I was viewing my photos. I was 
astounded to see the Brady in one photo. So the next day I paid admission again 
to Greenfield village, and went to the Lab to see the Brady. I asked a tour 
guide if I could go past their wooden fence to see that Brady tinfoil. He said 
The what?.  He had no idea what it was, or that it was unbelievably valuable. 
And to my disbelief, he would not allow me to get close to it to take better 
pictures. So I had him take a couple pics.

Jim Nichol


On Jul 3, 2011, at 10:11 AM, Ken and Brenda Brekke wrote:

 We will be taking a sort of “Pilgrimage” in our Model A Ford to Dearborn
 Michigan in August.  This will be a sort of crescendo of both of my hobby
 interests to visit the Ford Museum and also Greenfield Village and the
 Edison exhibits.  In our travels, we will be staying in Ludington, Saginaw,
 Romulus, and Grand Rapids.  My question to anyone on this list from Michigan
 is “Are there any phonograph related sites to see in these towns?”  If we
 have time, I would like to check them out.  If anyone has had the
 opportunity to visit Greenfield Village, what would you recommend to look
 for and not miss?  We will have about 3 ½ days onsite and don’t want to miss
 anything.
 
 Thanks, Ken Brekke

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Re: [Phono-L] Dearborn trip

2011-07-03 Thread Jim Nichol
Also, look in the Henry Ford Museum for a test tube containing Edison's Last 
Breath. There were test tubes in the room when Edison died, and Charles Edison 
had them sealed with paraffin. He gave this one to Henry Ford, which was 
discovered at Ford's house after Ford and his wife were dead in the 1950's. I 
saw this test tube first in 1997. I almost fell over. I had just read a science 
fiction book called Edison's Last Breath. The premise was that Edison's last 
breath AND his soul were captured in a test tube, which was opened in the 
recent years by a kid. The kid spent the rest of the book mentally 
communicating with Edison on various adventures, but I can't remember any 
details. Not once did it occur to me that there is really a test tube like 
that, presumably without a soul in it.

Jim Nichol

On Jul 3, 2011, at 1:19 PM, Jim Nichol wrote:

 I agree with the others that 2 days would be enough. I've been there about 8 
 times since I was a kid. I was there in 2009. Be sure you visit Henry Ford's 
 house, which is near the museum. It has an amazing powerhouse containing 
 turbine generators that are powered from a creek running through his yard. 
 They generated DC power for the house, of course, because he was Edison's 
 friend. They still work, and one was running, though it was only powering a 
 voltmeter or something.
 
 In Greenfield village, pay careful attention at Edison's Menlo Park 
 laboratory. Look (of course) for the demonstration of the Edison / Bergmann 
 tinfoil phonograph. They record a man's voice in the morning on a piece of 
 tinfoil, and they play it back all day. I told the woman that Rene Rondeau 
 made the tinfoil that she was using. She said Rene sounded familiar. Then she 
 opened the drawer in the Bergmann Tinfoil, and pulled out Rene's book  on 
 tinfoil phonographs!!!  Also, look in the other rooms in the Menlo lab and 
 office, because there is a ANOTHER Bergmann tinfoil machine, though it is all 
 rusty.
 
 There is a truly amazing machine on the 2nd floor of the Lab. It is a Brady 
 Tinfoil. That is the 2nd Edison machine, which he took to Washington, DC to 
 be photographed at Matthew Brady Studios, and also demonstrated to the 
 President.  The Brady machine is obviously TREMENDOUSLY under-appreciated by 
 the museum. It was sitting on a wooden chair off to the side, and I didn't 
 even notice it while I was there. That night at the hotel, I was viewing my 
 photos. I was astounded to see the Brady in one photo. So the next day I paid 
 admission again to Greenfield village, and went to the Lab to see the Brady. 
 I asked a tour guide if I could go past their wooden fence to see that Brady 
 tinfoil. He said The what?.  He had no idea what it was, or that it was 
 unbelievably valuable. And to my disbelief, he would not allow me to get 
 close to it to take better pictures. So I had him take a couple pics.
 
 Jim Nichol
 
 
 On Jul 3, 2011, at 10:11 AM, Ken and Brenda Brekke wrote:
 
 We will be taking a sort of “Pilgrimage” in our Model A Ford to Dearborn
 Michigan in August.  This will be a sort of crescendo of both of my hobby
 interests to visit the Ford Museum and also Greenfield Village and the
 Edison exhibits.  In our travels, we will be staying in Ludington, Saginaw,
 Romulus, and Grand Rapids.  My question to anyone on this list from Michigan
 is “Are there any phonograph related sites to see in these towns?”  If we
 have time, I would like to check them out.  If anyone has had the
 opportunity to visit Greenfield Village, what would you recommend to look
 for and not miss?  We will have about 3 ½ days onsite and don’t want to miss
 anything.
 
 Thanks, Ken Brekke
 
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Re: [Phono-L] Dearborn trip--Edison's last breath

2011-07-03 Thread Jim Nichol
Oh, yes. The book is Expiration Date.

Other comments about the museum:

1. I was quite unhappy that both a tour guide and a guy playing a young Tom 
Edison told us that Edison did NOT invent the light bulb, he only perfected 
it. I couldn't believe they were spreading this garbage to every visitor. Since 
when does it count when other people try to invent something and fail? I think 
the US Patent Office agrees with me on the light bulb. It's bad enough that 
they said that Edison didn't invent the light bulb. But they had to gall to 
have an actor playing Edison say it out loud.  That is an unbelievably 
inaccurate portrayal of Edison.  The actor did get in one jab, however.  He 
pointed out that unlike the others who worked on the light bulb, his actually 
worked.

2. I'm unhappy that Edison is downplayed compared to how it used to be at the 
museum. The large phonograph display that was there in the 1970's wasn't there 
in 2009. The worst thing is that they renamed the complex The Henry Ford 
instead of using Ford's name for it: The Edison Institute.

3. I am very impressed that they have a Chrysler Turbine car there. As a kid, I 
saw one of the 50 produced that Chrysler was showing in a local shopping mall. 
Almost all of them were scrapped on purpose shortly thereafter. I just found 
out this week that Jay Leno has one (see video on YouTube).

4. I didn't see the Edison Waterpower Phonograph in 2009, but I believe I saw 
it there on my previous trip in 1997.

Jim Nichol


On Jul 3, 2011, at 2:54 PM, Dennis Back wrote:

 For those interested in this book, the title is Expiration Date and written 
 by Tim Powers. It's a very good read, I might add.  
 And Jim...I very much enjoyed your posts about the Menlo Lab and Ford's 
 residence.  
 
 Dennis 


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Re: [Phono-L] Dearborn trip--Edison's last breath

2011-07-03 Thread Jim Nichol
I strongly disagree. Yes, Google will tell you that many others worked on the 
light bulb. But those stories all conclude that none of them were practical. 
Edison's contribution was not only that he invented the power plant, but more 
importantly, he invented the first practical incandescent bulb.  If that's not 
inventing it, I don't know how else to define it. Sure, Edison started out 
doing some of the things his competitors tried, but rejected all of them 
because they didn't work. Maybe you had to be alive at the time to appreciate 
what an enormous breakthrough it was when Edison demonstrated his light bulb. 
No one cared about the others who failed to produce anything useful. (I'm 
talking about incandescent bulbs here... obviously the arc light was successful 
in its own field).

Jim

On Jul 3, 2011, at 7:39 PM, The Farmers wrote:

 Search Google for who invented the light bulb and you'll see the 
 overwhelming consensus that Edison did not invent it.  He improved earlier 
 light bulb inventions and designed power plants to power his light bulb. The 
 most important part of this was that he marketed the entire lighting system, 
 including bulbs, generators, and electrical grids, that municipalities could 
 buy, making it a commercial success.  I'm glad to hear the museum has it 
 right.
 
 I'd like to point out that a distant relative, Moses G. Farmer, invented an 
 electric light 20 years before Edison, patented it, and in 1858 his house in 
 Salem, Massachusetts was the first in the world lit by electric light. It was 
 not a failure, it actually worked, but it just was not commercially viable.
 
 -- Greg Farmer
 
 
 - Original Message - From: Jim Nichol jnic...@fuse.net
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Sunday, July 03, 2011 5:13 PM
 Subject: Re: [Phono-L] Dearborn trip--Edison's last breath
 
 
 Oh, yes. The book is Expiration Date.
 
 Other comments about the museum:
 
 1. I was quite unhappy that both a tour guide and a guy playing a young Tom 
 Edison told us that Edison did NOT invent the light bulb, he only 
 perfected it. I couldn't believe they were spreading this garbage to every 
 visitor. Since when does it count when other people try to invent something 
 and fail? I think the US Patent Office agrees with me on the light bulb. 
 It's bad enough that they said that Edison didn't invent the light bulb. But 
 they had to gall to have an actor playing Edison say it out loud.  That is 
 an unbelievably inaccurate portrayal of Edison.  The actor did get in one 
 jab, however.  He pointed out that unlike the others who worked on the light 
 bulb, his actually worked.
 
 2. I'm unhappy that Edison is downplayed compared to how it used to be at 
 the museum. The large phonograph display that was there in the 1970's wasn't 
 there in 2009. The worst thing is that they renamed the complex The Henry 
 Ford instead of using Ford's name for it: The Edison Institute.
 
 3. I am very impressed that they have a Chrysler Turbine car there. As a 
 kid, I saw one of the 50 produced that Chrysler was showing in a local 
 shopping mall. Almost all of them were scrapped on purpose shortly 
 thereafter. I just found out this week that Jay Leno has one (see video on 
 YouTube).
 
 4. I didn't see the Edison Waterpower Phonograph in 2009, but I believe I 
 saw it there on my previous trip in 1997.
 
 Jim Nichol
 
 
 On Jul 3, 2011, at 2:54 PM, Dennis Back wrote:
 
 For those interested in this book, the title is Expiration Date and 
 written by Tim Powers. It's a very good read, I might add.
 And Jim...I very much enjoyed your posts about the Menlo Lab and Ford's 
 residence.
 
 Dennis
 
 
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Re: [Phono-L] Dearborn trip--Edison's last breath

2011-07-03 Thread Jim Nichol
It should not be hard to obtain a piece of recorded tinfoil. There are a lot of 
repro tinfoil machines around.

Jim

On Jul 3, 2011, at 7:41 PM, David Dazer wrote:

 The last time I was there they gave me a piece of tin foil that had been 
 recorded. I am sorry that they were so unkind to you.
 Dave
 
 --- On Sun, 7/3/11, clockworkh...@aol.com clockworkh...@aol.com wrote:
 
 From: clockworkh...@aol.com clockworkh...@aol.com
 Subject: Re: [Phono-L] Dearborn trip--Edison's last breath
 To: phono-l@oldcrank.org
 Date: Sunday, July 3, 2011, 5:07 PM
 
 
 For those of us who went to the museum before it was dumbed down, the place 
 was magical.  The last time I was there they had an M electric out in the 
 open with no glass around it and sitting in a dark corner.  Parts had been 
 picked off of it.  I desperately need a brush door plate for an M and could 
 have just lifted the one on this machine right out, pocketed it, and walked 
 out.  They didn't seen to care when I brought the question of protecting the 
 machine up to one of the key people there.  It was very sad to see them take 
 out important artifacts of the American Industrial Revolution from the main 
 building to put in a snack bar and kiddy play area.  Just the history of 
 American steam engines alone was worth the visit and it is now all but gone.
 
 Needless-to-say, I have never stolen a phonograph part for my Edison 
 collection and am still looking for a brush inspection door plate for my M 
 electric, a never-ending project machine.  I will bite the bullet and make a 
 reproduction out of a cut up Edison Standard B bedplate later this summer if 
 all goes well.
 
 BTW - Are they still demonstrating the Bergmann tinfoil reproduction machine? 
  I made a tinfoil recording but the old biddy operating the machine would not 
 give me the tinfoil.  I even offered to pay for it as I don't own a single 
 tinfoil recording.
 
 Regards to everyone, may all your finds be rare ones,
 
 Al
 
 PS:  The last time I saw Edison's Last Breath they had it sitting in a dimly 
 lit cheesy glass cabinet and it was poorly labeled.

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Re: [Phono-L] Dearborn trip--Edison's last breath

2011-07-03 Thread Jim Nichol
Henry Ford would turn over in his grave if he knew that his museum was telling 
people that Edison didn't invent the light bulb!  I'd love to see him come back 
and confront these people.

Jim

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Re: [Phono-L] Dearborn trip--Edison's last breath

2011-07-03 Thread Jim Nichol
Yes, I know (some) British would disagree, but they're wrong. The part you 
quoted below about Swan stated that his filament had low resistance, thus 
needing heavy copper wires to supply it. That is the key reason that Swan and 
everyone but Edison completely failed to REALLY invent an incandescent light 
that didn't burn out right away. And not to mention that even if it somehow 
didn't burn out, it would still be useless for a home owner because of the high 
current needed to operate it.

In the same Wikipedia article you quoted it said that Paul Israel concluded 
that the high resistance filament was the key invention, and why Edison's 22 
predecessors failed. And later in the article is said that the US Patent Office 
thought about invalidating the patent, but concluded that the high resistance 
filament was a valid patent claim.

So I repeat: What is the point of inventing non-working, non-practical light 
bulbs? None! They are all failures, not inventions.  Edison himself made dozens 
of light bulbs that were utter failures. Such as platinum filaments, many of 
which required elaborate thermal cutout mechanisms inside the bulb to shut off 
power as the platinum reached melting temperature. Those weren't valid light 
bulbs any more than Swan's were. They were failed experiments, not real 
inventions. Edison would not have the nerve to claim a failed experiment was a 
valid invention, as some historians now do.

Did any of you guys ever read all the detailed accounts of Edison working on 
the light bulb? As an electrical engineer, I was fascinated. Scientists of the 
day said that Edison's attempt to subdivide the light was against the laws of 
physics. They were thinking in terms of old-fashioned arc lights that used high 
current, and thus had to be wired in series. Only Edison understood that to 
succeed he needed high resistance lights, which allowed them to be wired in 
parallel. Imagine if there was no Edison, and most lights in your house or on 
your whole street had to be wired in series! Edison was so far beyond others in 
the field that there is no comparison.

Jim

On Jul 3, 2011, at 9:29 PM, Bill Burns wrote:

 On 7/3/2011 8:38 PM, Jim Nichol wrote:
 I strongly disagree. Yes, Google will tell you that many others worked on 
 the light bulb. But those stories all conclude that none of them were 
 practical. Edison's contribution was not only that he invented the power 
 plant, but more importantly, he invented the first practical incandescent 
 bulb.
 
 The British would disagree:
 
 In 1850 Swan began working on a light bulb using carbonized paper filaments 
 in an evacuated glass bulb. By 1860 he was able to demonstrate a working 
 device, and obtained a British patent covering a partial vacuum, carbon 
 filament incandescent lamp. However, the lack of a good vacuum and an 
 adequate electric source resulted in an inefficient bulb with a short 
 lifetime.
 
 Fifteen years later, in 1875, Swan returned to consider the problem of the 
 light bulb with the aid of a better vacuum and a carbonized thread as a 
 filament. The most significant feature of Swan's improved lamp was that there 
 was little residual oxygen in the vacuum tube to ignite the filament, thus 
 allowing the filament to glow almost white-hot without catching fire. 
 However, his filament had low resistance, thus needing heavy copper wires to 
 supply it.[7]
 
 Swan received a British patent for his device in 1878, about a year before 
 Thomas Edison.
 
 In America, Edison had been working on copies of the original light bulb 
 patented by Swan, trying to make them more efficient. Though Swan had beaten 
 him to this goal, Edison obtained patents in America for a fairly direct copy 
 of the Swan light, and started an advertising campaign which claimed that he 
 was the real inventor. Swan, who was less interested in making money from the 
 invention, agreed that Edison could sell the lights in America while he 
 retained the rights in Britain.
 
 http://en.wikipedia.org/wiki/Joseph_Swan
 
 -- 
 Bill Burns
 Long Island   NY   USA
 http://ftldesign.com
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Re: [Phono-L] New cylinder record project.

2011-06-30 Thread Jim Nichol
Shawn, congrats on your big breakthrough!

Jim Nichol

On Jun 30, 2011, at 7:07 PM, Thomas Edison wrote:

 
 Hello all, here is the latest cylinder project. 
 
 http://www.kickstarter.com/projects/337503446/2011-cylinder-record-to-tape-to-vinyl-all-analog-r/posts
 
 
 If you wonder why it takes so long to receive orders, here is an indication 
 of why, this project was over 100 hours to complete, just my part.  If I run 
 out of materials, it may be a long time before I am able to replenish my 
 supply of materials, which must be purchased in 50lbs+ quantities.  The 
 reject rate for blanks, was about 60%, and each blank, no matter if good or 
 bad is 30-60 minutes to mold.  The compound made in any quantity, takes a 
 minimum of 3 hours to make, and sometimes can be 10 or more hours.  I have 
 made lots of improvements in the last few months, and recently made a 
 monumental discovery, by finding that double pressed stearic, is close to 
 what the original kind used by record makers for brown wax records,  And for 
 years I have been using triple pressed, and wondered why I had to use less 
 aluminum, and caustic and more ceresine that the original recipe.  I 
 experimented last week with some double pressed, some thing I had avoided for 
 over 10 years and  had
  p
 ut away years ago. I went back to trying it out, after the experience of 
 thousands of blanks under my belt and many years of practice. The result was 
 astonishing, with what I know of the composition data, the last experimental 
 blanks made a week ago, had even more properties close to the original brown 
 wax, the right smell, and it melts the same as when you melt original wax, 
 and has the gelatinous stage that the triple pressed does not and most 
 importantly, when you break the cylinder open, it has no crystal layer at 
 all, that means the absence of streaks and stars ,what I also liked better 
 was the quieter surface.   Having talked to my suppliers, of material  about 
 the history of stearic acid, and what time period different kinds of 
 materials came to be, there was no such thing as triple pressed stearic acid 
 in the 1890s, it was not around until after WWI, long after the brown wax 
 cylinders heyday.  The double pressed must be cooked in a very special 
 mannor, or it will 
 f
 og and this requires very specific temperatures to be heated too, very 
 dangerous temperatures of over 450 degrees.What I really liked is the fact 
 the new wax followed the original formula exactly, and behaved like it 
 should, that is a broken piece of the new wax, next to one of original 1890s 
 brown wax was the same, and very hard to tell the new from the original. This 
 is just so exciting all this.  
 
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[Phono-L] Tinfoil Recording to be played

2011-05-23 Thread Jim Nichol
Have you guys seen this? Be sure to click on the photos. Are any phonograph 
collectors involved in this effort?

http://www.timesunion.com/local/article/Here-s-the-oldest-voice-you-never-heard-1331323.php

Jim Nichol

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Re: [Phono-L] Looking for tabletop Pathe or possibly Brunswick phono

2011-03-11 Thread Jim Nichol
Actuelle?

Jim Nichol

On Mar 11, 2011, at 7:25 PM, Kurt Nauck wrote:

 I have a great floor model Pathé with a Gothic style oak case and a large 
 cone diaphragm/arm/reproducer set-up (don't recall what they termed this 
 thing) - if you're interested, let me know and I'll email pictures.
 
 Kurt Nauck
 c/o Nauck's Vintage Records
 22004 Sherrod Ln.
 Spring, TX  77389
 
 Website: www.78rpm.com
 E-Mail: na...@78rpm.com
 www.newpledge.org
 www.mdada.org
 
 Phone: (281) 288-7826
 Fax: (425) 930-6862

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Re: [Phono-L] Cal Stewart and Shawn Borri on Dr. Demento show.

2010-12-27 Thread Jim Nichol
What? You have a Shawn Borri CD? I don't recall you ever mentioning that.

How can I buy a copy? I heard you record a cylinder at Union once, and your Cal 
Stewart impersonation is uncanny!
I bet others on this list would be interested in the CD.

Jim Nichol

On Dec 26, 2010, at 6:44 PM, Thomas Edison wrote:

 
 I found a playlist for Dr. Demento, and it had an original Cal Stewart, and 
 also Uncle Josh Buys a Computer by Shawn Borri (me).  I have not listended to 
 Dr D in awhile, so I was really surpised to find me on here.  
 http://dmdb.org/cgi-bin/plinfo.pl?drd10.1106.html I have not listened to the 
 show, though, and wonder where he found this recording, it is very rare, I 
 only made three cylinder copies, and it was only availble on the Shawn Borri 
 Phonograph CD that sold no copies, on MP3.com, unless someone pirated this.   
  

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Re: [Phono-L] Shawn Borri

2010-12-26 Thread Jim Nichol
It's great to see Shawn recognized for his expertise!

Jim

On Dec 26, 2010, at 8:43 PM, Vinyl Visions wrote:

 
 Read about our fellow list member and his accomplishments here:
 
 http://www.peoriamagazines.com/as/2010/nov-dec/outside-box-inside-cylinder
 
 Curt

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Re: [Phono-L] Seller's Name was/ Frankenreproducer alert

2010-12-04 Thread Jim Nichol
Al, you're too modest!  Your book on Edison cylinder phonographs is what 
ORIGINALLY started saving us from crooks and ignorant sellers.

Jim

On Dec 4, 2010, at 3:17 PM, clockworkh...@aol.com wrote:

 Greetings Dave:
 I actually don't know the Pittsburgh Phonograph Pirate's name.  Whenever I 
 have tried gently to enlighten him he responds with nasty responses telling 
 me I don't know what I am talking about.  Luckily he has never had anything I 
 need for my collection.
 When I started collecting in the early 1960's there were more crooks around.  
 Today we are far more educated thanks to MAPS, CAPS, Phono-L, etc., and that 
 makes it much more difficult to con us.
 Regards to all,
 Al

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Re: [Phono-L] Phono-L Digest, Vol 7, Issue 196

2010-11-26 Thread Jim Nichol
OK, I'll do the first reply. Hundreds of us know enough about Frankenphones to 
comment on them, though most of us know very little about the topics you 
mentioned. But that doesn't mean they aren't fascinating:
1. Cylinder making
2. Grennet cells
3. Class M motors

Since I know virtually nothing about cylinder making, I couldn't make a good 
response, like suggest a formula change. But I have posted here about how 
beautiful your light-colored cylinders at the Edison Historical Site are. I was 
there this summer.

I have never seen a Grennet cell in use.  I couldn't name anyone who owns a 
Class M. Nevertheless, I am very interested in all of those topics. Especially 
the Class M motor. I'm an electrical engineer who spent a good part of my 
career on starting up new DC motors and the variable speed electronics drive 
controls that have been used with them since the 1960's. So, yes, I know that 
brush tension against the commutator is very important. Did you say the Class M 
brushes are made of COPPER?  I've never seen a brush that wasn't made of carbon 
or perhaps brass in very old motors. But I know wire brushes were used by 
Edison and others before Frank Sprague invented the carbon brush for street car 
DC series motors.

Jim Nichol

On Nov 26, 2010, at 7:55 PM, Thomas Edison wrote:

 I always notice that threads about frankenphones, and non helpul stuff like 
 that go on forever,while. Talk about how to mold records, or how to adjust 
 the brushes on the governor, so there is no wow , or how to. Change the 
 electrolytic, sal amoniac for Grennet plunge battery for a class M get no 
 responses. By the way keep the contact points on the govenor clean, the 
 copper brushes touching with the same pressure on both sides, and make shure 
 to keep a little above 2 amps, at all times so the motor is strong, the few. 
 Cass Ms I heard were way out of adjustment, they should have no wow or 
 flutter, they were recording Phonographs for goodness sakes!

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Re: [Phono-L] Vandalism

2010-11-07 Thread Jim Nichol
One of the antique malls I've been in does not leave reproducers attached to 
any of the machines. If you want buy the phono, you have to ask one of the 
attendants to fetch you the reproducer.

Jim

On Nov 6, 2010, at 6:29 PM, jim...@earthlink.net wrote:

 Just returned from The Antique Gallery in Round Rock, Texas where I rent a 
 stall to sell antique records  the occasional phonograph.   All of the 
 dealer's in antique phonographs have had their machines vandalized by theft 
 of soundboxes, reproducers  tone arms.Stolen from my booth were the 
 gun-metal finish Diamond Disc Reproducer from an Edison Baby Console 
 Phonograph, the Diamond B Reproducer from an Edison Fireside Model B 
 Phonograph  a Victor No. 2 Soundbox from a Victrola 100.   These were shiny 
  all-original (except for gaskets in the No. 2) in excellent condition  
 played extremely well, especially the Diamond B.   A few months ago a Victor 
 No. 2 Soundbox  (which I replaced) from the Victrola 100  one of its horn 
 door knobs were stolenThe thief did not take two Gold-Plated Diamond Disc 
 Reproducers, one from an A-250  the other from a C-250.  These were less 
 shiny that what was stolen.(I understand that a Diamond Disc Reproducer, 
 a Columbia tone arm with
  S
 oundbox  whatever Soundbox was on a Haywood Wakefield wicker upright made 
 for some other company were stolen from other dealers at The Antique 
 Gallery.)
 
 I have a replacement for the Victor No. 2 Soundbox (finish not as nice as on 
 one that was stolen) but need to replace the Diamond B  gun-metal Diamond 
 Disc Reproducers.
 And, to report this to Police I would like to know what such all-original 
 excellent sounding Reproducers should be valued at.The manager of The 
 Antique Gallery does not know when these items were taken but they were still 
 there when I was at the Mall about 6 weeks ago.   Have they turned up on 
 E-bay or Craigslist?
 
 Let me know if anyone has a good Diamond A  Diamond Disc Reproducer for 
 sale.   Thanks!
 
 Jim Cartwright
 Immortal Performances, Inc.
 
 
 jim...@earthlink.net

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Re: [Phono-L] Adaptor for diamond disc records

2010-10-31 Thread Jim Nichol
Tom, the link works fine. Maybe you didn't notice that it is broken into two 
lines? In those situations you have to copy the whole two lines and paste it 
into your browser.

Jim

On Oct 31, 2010, at 6:27 PM, Tom Jordan wrote:

 I tried the link that I shared below and it doesn't work.  If you type
 Edison phonograph adapter in the search line it's on the first page.
 Tom
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Tom Jordan
 Sent: Sunday, October 31, 2010 5:19 PM
 To: 'Antique Phonograph List'
 Subject: Re: [Phono-L] Adaptor for diamond disc records
 
 Here is one that's currently on E-bay that lets you play regular 78s on an
 Edison machine (or so the listing says).  I don't know anything about these.
 I just happened to see it this afternoon.
 Tom
 
 http://cgi.ebay.com/Empire-Reproducer-Adaptor-Edison-Disc-Phonograph-/320508
 76?pt=LH_DefaultDomain_0hash=item4a9fcfa573
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
 Behalf Of Robert Wright
 Sent: Sunday, October 31, 2010 5:07 PM
 To: Phono L
 Subject: Re: [Phono-L] Adaptor for diamond disc records
 
 
 Wow, I've never seen an adaptor like that, other than the Brunswick Ultona
 3-way tonearm.  All the adaptors I've ever seen fit Edison phono's to play
 lateral 78's.  Be nice to have both!  Anyone have a picture of the type of
 adaptor David's asking about?
 Best,Robert
 
 To: phono-l@oldcrank.org
 From: drlun...@comcast.net
 Date: Sun, 31 Oct 2010 19:21:26 +
 Subject: [Phono-L] Adaptor for diamond disc records
 
 List: if anyone has an extra adaptor to allow their victor phono to play
 diamond disc records, I'd like to pick one up. I used to have one but can't
 locate and I have some xmas records I'd like to play on a victor this year.
 Please contact me off list if you have one for sale. Thanks. David
 --Original Message--
 From: Ron L'Herault
 Sender: phono-l-boun...@oldcrank.org
 To: phonol...@yahoogroups.com
 To: 'Antique Phonograph List'
 ReplyTo: Antique Phonograph List
 Subject: [Phono-L] cylinder cabinet pegs and knob
 Sent: Oct 31, 2010 9:26 AM
 
 I just picked up a 252 peg, 6 drawer cylinder cabinet in Oak.
 Unfortunately, of course, all the pegs have been removed and one knob is
 broken.  I'm pretty sure that there are at least a couple of peg
 suppliers.
 Phonophan is one.  Who is the other, Jim?  Does anyone have one  knob and
 disk that they would like to part with?  It is the roundish, openwork knob
 with a round disk behind it.  I can take a picture of a good one if
 necessary.
 
 Thanks,
 
 Ron L'Herault
 
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 Sent from my Verizon Wireless BlackBerry
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Re: [Phono-L] Victor Puzzle Record

2010-10-28 Thread Jim Nichol
The best known record of this type is the one by Monty Python in the 1970's. I 
was astounded when I bought it back then, and accidentally discovered that side 
2 had two different grooves.  It was called a three-sided record.

http://www.snopes.com/music/media/groove.asp

Jim

On Oct 27, 2010, at 7:52 AM, bruce78...@comcast.net wrote:

 http://www.youtube.com/watch?v=ozPct-CiZK4 
 
 Here is the Conundrum being demonstrated on Youtube. 
 
 Bruce 
 - Original Message - 
 From: Douglas Houston cdh...@earthlink.net 
 To: Antique Phonograph List phono-l@oldcrank.org 
 Sent: Wednesday, October 27, 2010 12:50:40 AM 
 Subject: Re: [Phono-L] Victor Puzzle Record 
 
 There seems to be lot of conjecture about exactly how many of those records 
 that Victor made. I always hear of the Conundrum, but never have seen/heard 
 it. I have the Puzzle Record, which has three starts on each of two 
 sides. It's a 10 inch. Rust's Victor Master Book tells thyat some (not 
 all) of the tracks were done by the Mayfair Orchestra (England?). Audio 
 quality is very good. The stylus sure does go across the record in a hurry! 
 
 
 [Original Message] 
 From: Vinyl Visions vinyl.visi...@live.com 
 To: phono-l@oldcrank.org 
 Date: 10/27/2010 12:06:16 AM 
 Subject: [Phono-L] Victor Puzzle Record 
 
 
 
 I'm hoping that someone on the list might have some info on Victor 
 Puzzle Records. I picked one up the other day titled: The Conundrum - What 
 Should I Play Next?. Anyone know how many of these were made or how scarce 
 they might be? I have only seen two of these - the one that I bought and 
 another by Jimmie Rodgers. Were these a demo of the then current 
 technology, or were they made for some other purpose? The selections on 
 this record are four different types of music, which play randomly, 
 depending on where or when you place the needle - very strange... 
 
 Curt 

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Re: [Phono-L] Victor Puzzle Record

2010-10-28 Thread Jim Nichol
Wow! The odds of playing the 4 tracks successfully are 1 in 256, if I 
calculated correctly.  ( 4x4x4x4=256)

Jim

On Oct 27, 2010, at 10:14 PM, Vinyl Visions wrote:

 
 Hi Bruce,
 
 Thanks for the link on YouTube. Strangely enough when I first played my 
 record, I hit each variation with the first four tries - since then, that 
 feat is impossible to reproduce.
 
 Curt
 
 Date: Wed, 27 Oct 2010 11:52:45 +
 From: bruce78...@comcast.net
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] Victor Puzzle Record
 
 http://www.youtube.com/watch?v=ozPct-CiZK4 
 
 Here is the Conundrum being demonstrated on Youtube. 
 
 Bruce 
 - Original Message - 
 From: Douglas Houston cdh...@earthlink.net 
 To: Antique Phonograph List phono-l@oldcrank.org 
 Sent: Wednesday, October 27, 2010 12:50:40 AM 
 Subject: Re: [Phono-L] Victor Puzzle Record 
 
 There seems to be lot of conjecture about exactly how many of those records 
 that Victor made. I always hear of the Conundrum, but never have seen/heard 
 it. I have the Puzzle Record, which has three starts on each of two 
 sides. It's a 10 inch. Rust's Victor Master Book tells thyat some (not 
 all) of the tracks were done by the Mayfair Orchestra (England?). Audio 
 quality is very good. The stylus sure does go across the record in a hurry! 
 
 
 [Original Message] 
 From: Vinyl Visions vinyl.visi...@live.com 
 To: phono-l@oldcrank.org 
 Date: 10/27/2010 12:06:16 AM 
 Subject: [Phono-L] Victor Puzzle Record 
 
 
 
 I'm hoping that someone on the list might have some info on Victor 
 Puzzle Records. I picked one up the other day titled: The Conundrum - What 
 Should I Play Next?. Anyone know how many of these were made or how scarce 
 they might be? I have only seen two of these - the one that I bought and 
 another by Jimmie Rodgers. Were these a demo of the then current 
 technology, or were they made for some other purpose? The selections on 
 this record are four different types of music, which play randomly, 
 depending on where or when you place the needle - very strange... 
 
 Curt 
 
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Re: [Phono-L] Edison NHP Presentation Humanity's First Recordings of its Own Voice

2010-10-28 Thread Jim Nichol
I hope someone will make this available on video. I can't see making a 2nd trip 
back to the Site in 2010. I was there a few months ago.  (my previous trip was 
about 1966).

Jim

On Oct 28, 2010, at 10:16 AM, mark lynch wrote:

 
 A fascinating presentation at the Edison NHP next Saturday. Read below for 
 free reservations. 
 
 Hope to see some of you there.
 
 Best,
 Mark
 
 Humanity's First Recordings of its Own Voice - David Giovannoni at Thomas 
 Edison NHP, November 6, 7:00 pm
 
 Thomas Edison NHP News Release
 Contact: Karen Sloat-Olsen
 Phone: 973-736-0550 x17
 Reservations:  973-736-0550 x89
 
 Humanity's First Recordings of its Own Voice 
 Historian David Giovannoni Presentation
 
 WEST ORANGE, NJ - On Saturday evening, November 6, 2010, at 7:00 pm, Thomas 
 Edison National Historical Park welcomes historian David Giovannoni who will 
 give a 75-minute illustrated presentation titled Humanity's First Recordings 
 of its Own Voice.  The program will be held at the Laboratory Complex at 211 
 Main Street. Admission to the program is free.  Seating is limited and 
 reservations are required. Reservations can be made by calling 973-736-0550, 
 ext.89. 
 Thomas Edison's tinfoil phonograph of 1877 is rightly considered one of the 
 marvels of the nineteenth century.  But in mid-nineteenth-century France, 
 amateur inventor Édouard-Léon Scott de Martinville conceived of a rather 
 similar machine.  Between 1854 and 1860 he experimented with focusing 
 airborne sounds of speech and music onto paper.  His phonautograph bore a 
 striking resemblance to Edison's phonograph of 20 years later.  But his 
 recordings, unlike Edison's, were meant to be read by the eye, not heard by 
 the ear.
 
 For a century-and-a-half his experiments lay quietly in the venerable French 
 archives in which he deposited them.  Then in 2007 a few audio historians 
 hypothesized there was a real possibility that modern technology could 
 develop these experimental recordings like dormant photographic plates.  
 Instead of exposing images, however, these would bear sounds – perhaps even 
 humanity's first recordings of its own voice!
 
 In this presentation David Giovannoni recounts how he and his colleagues have 
 identified dozens of these forgotten documents and coaxed several to talk and 
 to sing.  A principal in their discovery and recovery, Giovannoni is the 
 first person since Scott de Martinville to personally examine every 
 recording.  He'll explain how they were made and how they are played.  He'll 
 discuss Scott de Martinville experiments, his reception in established 
 scientific circles, and his early descent into an unmarked grave.
 
 For more information or directions please call 973-736-0550 ext. 11 or visit 
 our website at www.nps.gov/edis.  
 
 -NPS-
 
 National Park Service
 U.S. Department of the Interior   Thomas Edison
 National Historical Park 
 211 Main Street
 West Orange, NJ 07052
 
 
 
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Re: [Phono-L] Edison Opera on ebay

2010-09-19 Thread Jim Nichol
He can't as ignorant as he appears, if he knows the term spear tip.

Jim


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Re: [Phono-L] edisonia for sale!

2010-09-16 Thread Jim Nichol
I can't read the to-do list. What does it say?

Jim

On Sep 16, 2010, at 8:00 PM, pjfraser wrote:

 http://www.uncommongoods.com/item/item.jsp?itemId=19513
 
 this is quite silly, and the write-up has its facts a little mixed-up, but 
 the to-do list in the picture is amusing.
 
 -- Peter
 pjfra...@mac.com
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Re: [Phono-L] Reproduction Victor album sets?

2010-09-01 Thread Jim Nichol
On Sep 1, 2010, at 7:11 PM, Andrew Baron wrote:

 Which brings me to the point: Does anyone here know the current ownership 
 status of the famous trademark?



I'm reposting the Rolfs' email on the Nipper Trademark:

Jim Nichol


From:   Robin Rolfs nip...@dataex.com
Subject:[Phono-L] Rights to HMV
Date:   September 25, 2008 3:28:38 PM EDT
To: Antique Phonograph List phono-l@oldcrank.org
Reply-To:   Antique Phonograph List phono-l@oldcrank.org

Greetings,

We recently wrote a book on Nipper Collectibles and the history of the
Nipper Trademark, which we hope every collector has added to their library.
In short, Nipper and the His Master's Voice along with RCA, once the most
powerful trademarks in the world have dissipated into the foreign graveyard
of cast-off and near forgotten trademarks.  Here are our summarized
findings:

RCA is nothing more than a trademark.  Once acquired by General Electric
in 1986, it RCA Records to Bertelsmann A.G.  A year later, both RCA and GE
Consumer Electronics businesses were sold to the French firm, Thomson SA,
while GE retained RCA's NBC broadcasting interests.  In 1988, Thomson
Consumer Electronics was formed and later renamed Thomson Multimedia in
1995, and in 2002 was again renamed Thomson SA.  Thomson bought the His
Master's Voice trademark from GE in 2003 and transferred it to RCA
Trademark Management SA in France.  One year later, Thomson entered into a
joint venture with TCL Corporation, a large electronics manufacturing
company in southern China.  TCL has acquired all the manufacturing rights to
RCA brand televisions.  The last of the Thomson line of RCA consumer
electronics was recently purchased by Audiovox.  Meanwhile, RCA Records is
now part of Sony BMG Music Group.  RCA Laboratories has been transferred to
SRI International and renamed Sarnoff Corporation.  RCA Aerospace  Defense
combined with GE Aerospace, only to be sold to Martin Marietta in 1993 which
soon merged with Lockheed Corporation.  In the spring of 1997, Lockheed
Martin Communications Systems, Camden, NJ was renamed L-3 Communication
Corp.

England still retains the rights to use the trademark logo and name for
their HMV stores.  China, who indirectly obtained the logo from the U.S.
through Thomson can only use it on products sold in China.  Likewise, in
Japan, JVC founded in 1927 as The Victor Company of Japan, now owned by
Matsushita, can use the HMV logo only on products sold in Japan.  Because of
territorial licensing, Nipper can no longer be used as a tool in the global
marketing and identification of a product.  Since the trademark can
legitimately only be used only for products sold in the country of origin,
it is doubtful that it will ever show up on products intended to be sold
internationally.  Since no single entity owns the trademark, its use for
other purposes (collectibles, nick-knacks, T-shirts, crap-o-phones) goes
unchallenged.

Robin  Joan Rolfs
Visit us at:
www.audioantique.com

On Sep 1, 2010, at 7:11 PM, Andrew Baron wrote:

 Which brings me to the point: Does anyone here know the current ownership 
 status of the famous trademark?

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