On Mon, 6/23/14, David Van Edwards da...@vanedwards.co.uk wrote:
Subject: [BAROQUE-LUTE] Re: Swan Neck Baroque Lute for sale
To: Matthew Daillie dail...@club-internet.fr
Cc: baroque-lute@cs.dartmouth.edu
Date: Monday, June 23, 2014, 3:11 PM
Dear
is impossible
for me.
Sterling
On Monday, June 23, 2014 1:03 PM, Matthew Daillie
dail...@club-internet.fr wrote:
I'm sorry Roman but that really is a very personal point of view. I
have a second-hand instrument with bridge spacings of 150 mm which I
find too wide and have
, but going between 2
different right hand spacings is impossible
for me.
Sterling
On Monday, June 23, 2014 1:03
PM, Matthew Daillie
dail...@club-internet.fr
wrote:
I'm sorry Roman but that
really is a very personal point of view. I
have a second-hand instrument
Dear David,
I don't know whether you have the CNRS edition of Gallot's works. It
contains a section on the sub-titles used by Gallot for his pieces.
'La comète' is almost certainly the comet in December 1680 which
inspired the French philosopher Pierre Bayle to write a text criticising
Hi Ed,
Here are the sources for this air de cour:
http://philidor.cmbv.fr/Publications/Catalogues-de-genre/Catalogue-de-l-air-de-cour-en-France-1602-ca-1660/Liste-des-aeuvres/BOESSET-Antoine-1587-1643-ENNUIS-DESESPOIRS-ET-DOULEURS-air-de-cour
The 'Dessus' part can be found on f.79v here:
Of the main copper-wound strings available, the fullest sounding and
brightest are the Kürschner followed by the Savarez, then the Aquila Ds
and lastly the Aquila DEs, which are pretty dull (and are no longer
being made although several retailers still have quite large stocks
available).
As
the wound strings sound in comparation.
> Take care
> Mimmo Peruffo
>
>> Il giorno 01 feb 2017, alle ore 23:34, Matthew Daillie
>> <dail...@club-internet.fr> ha scritto:
>>
>> Of the main copper-wound strings available, the fullest sounding and
&g
Dear Mimmo,
In my opinion there are two factors which need to be given priority even before
judging the sound of a string. Firstly it has to be true (with no problems of
intonation going up the fingerboard for stopped strings) and secondly it has to
be playable: on a well-made and well set up
Hi Ernst,
I have a microfilm print-out. The quality is not great but it is just
about legible. The original tablature look as though it was written out
in some haste. Contact me off list if you want anything in particular.
In the meantime, here are a couple of links which might be of
If you look at the right-hand column of the BNF Catalogue Général web
page (under the heading 'Localiser ce document'), you will see that one
can order a print-out of the microfilm or a digital copy.
Best
Matthew
http://catalogue.bnf.fr/ark:/12148/cb421573265
On 22/02/2017 16:43, Fischer BE
If only the 4th course is causing a problem then I would certainly
suspect the distance between the two strings as 3.7 is very close (4.5
would be a safer option). You could have new holes drilled by a luthier.
Obviously the thickness of the strings and tensions are other factors to
take into
On 21/09/2017 16:41, Wayne wrote:
Hi Lute People -
I would like to know which manuscripts E Gaultier’s piece "Cleopatre Amante”
is in, other than the second Saiznay manuscript. And perhaps which Gaultier
composed it.
Wayne
Hi Wayne,
In addition to the Saizenay manuscript, the CNRS
Hi David,
I think this is more a question of social and historical context than of
translation. The CNRS edition of the works of Mouton gives possible
explanations for a number of the subtitles of the pieces, inspired by his
encounters in the Parisian salons. I can scan the relevant pages and
This is carved and pierced, not fretsawn.
Best,
Matthew
On 23/02/2018 13:02, Luca Manassero wrote:
Dear list members,
months ago looking on the French list of instruments for sale I
noticed a baroque lute built in 1980 by Martin Bowers and showing a
very peculiar artwork
If you are in Europe this Spring, the Ateliers de musiques Aix-Provence
(a non-profit organization) is putting on a solo concert featuring
Hopkinson Smith 28 April 2018 in sunny (usually!) Aix-en-Provence,
France. This is to be followed by three full days of master classes
open to
No, sorry, I spoke too soon. I get the error message as well using two
different browsers and Windows 7. Haven't tried with a Mac or Unix though.
Best,
Matthew
On 20/06/2018 12:49, Markus Lutz wrote:
Dear Matthew, did that work for you?
Tim and also me tested it, and it didn't work.
But it
The T sign under a chord indicates that one should play the lowest notes with
the thumb. The upside down v sign before a note indicates an appoggiatura from
below; the upside down v sign after a note indicates a 'pincé' or mordent, as
does a v sign after or before a note .
Best,
Matthew
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