"If I want to make a string run sound realistic by extending the note durations of each note, the closest I can come quickly is to put a slur over the music. Of course, I can't have separate playback definitions for my slurs, so if I do this, ALL of my slurs will make notes playback at 120%
Richard Walker wrote: The neat thing about this
is that it is all editable by the user. To behonest,
it's not a pretty job, but it is doable. What I did
was to load adefault set of about 75 patches into my
GigaStudio rig, saving them as aperformance file for
future use. (Yes, it takes a while
Which particular bug is being referenced here? Could
you be a bit more specific? Jari is correct. It would
be best to e-mail the request to winsupport directly.
The more people we hear from about a bug the more
attention we can give to getting it fixed.
Tyler
MakeMusic Technical Support
---
Finale 2004 Registration FAQs
Q. Does Finale 2004 have copy protection?
A. No. It does, however, require software registration
within 30 days of installation. Failure to do so will
temporarily disable printing and saving until you do
register. You may also install Finale on two machines
(on
Not as easy as with Speedy, where I have 3 octaves
under my hand. Imagine a
simple pattern in eighth notes alternating two notes
in different octaves.
In Simple, it takes me 2 keystrokes to get each note
(unless I'm missing
something) -- in Speedy only one.
Actually for your example
--- Richard Huggins [EMAIL PROTECTED] wrote:
From: Tyler Turner [EMAIL PROTECTED]
To give an example, with both Speedy and Simple
Entry, try entering a C scale
in eighth notes with an eighth rest after each
note. Speedy can't compare to
Simple in this exercise.
Excuse me, Tyler
--- Aaron Sherber [EMAIL PROTECTED] wrote:
At 11:41 PM 8/27/2003, Tyler Turner wrote:
Actually for your example it's the same number of
keystrokes. In Speedy Entry you press the pitch
key
and then the rhythm key for each note. In Simple
Entry
you press the octave key and the pitch key
in Speedy.
Tyler
--- Aaron Sherber [EMAIL PROTECTED] wrote:
At 06:14 PM 8/28/2003, Tyler Turner wrote:
When you press a pitch key in simple entry, it
chooses
the octave for that pitch which is closest to the
last
entered pitch. Since the largest interval in
London
Bridges is a Perfect
Here's a quote: When a document is saved as a MIDI
file, the Human
Playback information will be stored as well.
Not possible to the save the HP modifications
themselves to a Finale
document (unless you import the exported MIDI file).
Just to make sure it's clear, the Human Playback
If I was going to primarily use Simple with a MIDI
keyboard, I would take the time to remap all of the
numpad commands to the qwerty keyboard. I'd probably
end up using my right hand on the MIDI keyboard then
and my left hand on the asdf keys. This gives the
advantages of the modifier keys. I
First of all, I agree that Simple needs the enharmonic
flip. I'll be pushing for that.
Personally, with many of the pieces I do I find that
at any given time I'm usually entering primarily
sharps or primarily flats. Because of this I make use
of the enharmonic spelling options favor sharps and
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