I work for a large publishing house (as a production editor). We publish
crap. My, oh my, could I send you passages and pages from raw manuscript or
1st pass pages that would bring tears to your eyes. And possibly other body
parts as well.
We publish a series of mystery novels in which the
in the magazine of the nytimes
The Widow Peaks
By AMEI WALLACH
Yoko Ono gets her own
moment in the new
avant-garde.
Plus:
New Media Scotland and The Changing Room present:
NonAmbient - a new audio work by Alistair Gentry
30 September to 18 November 2000, The Changing Room, Stirling
"Artists like Alistair Gentry are producing the only true insights into and
reflections of our messed-up, noise-fuelled life" -
On Fri, 22 Sep 2000, ann klefstad wrote:
To me the subtext that produces D's
discourse has to do with the post-Holocaust perception of the faithlessness of the
body. A rhetoric was needed that both subverted and transcended physicality.
Language filled the bill, became the human in lieu of
I'm not sure if this got to the list. My apologies if it appears twice.
On Thu, 21 Sep 2000, Owen Smith wrote:
- the
concept of difference is a potential model for looking at how
intermedia functions as a kind of "not-media," or how the spaces
between media types that intermedia exists in is
Meryl, I am a young man trying to make a living as a writer. Please send me the
mailing address of your publishing house. If all you publish is really crap, I might
stand a chance.
~David Streever
--- "meryl" [EMAIL PROTECTED]
wrote:
I work for a large publishing house (as a production
Yes, me too. We all need a publishing house that publishes only
crap! How else would I make a living?
-e.
Narcissus In Paradys wrote:
Meryl, I am a young man trying to make a living as a writer. Please send me the
mailing address of your publishing house. If all you publish is really
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