Am 21.12.2014 um 10:49 schrieb Franck Revolle:
Good idea …!
Yes, I can display SVG : it seems available in the wxWidgets(*) library.
Do you have any links in the documentation, about lilypond SVG
information ? It will help me to start the coding, to parse this SVG
information :-)
No, but
2014-12-21 8:29 GMT+01:00 Christopher R. Maden cr...@maden.org:
I wrote a function \sw, against LilyPond 2.12, a while back.
It takes music as an argument, and returns two copies of the music, one
tagged 'layout and one tagged 'midi. The 'midi tagged one has eighth
notes changed to
Hi- Kieren's solution worked and Mark's didn't yet I can't see the
difference.except in the results. As for Kieren's question, I
lazily used a template to get this going and didn't delete that now I
have.
So the next part=
it doesn't work to put a break between the endings
\mark #10
bes2
Message: 2
Date: Sat, 20 Dec 2014 21:57:00 + (UTC)
From: Justin justin.domin...@hotmail.com
Subject: Autochange for two voices
Hello,
I am trying to typeset scales for two hands on the piano like so :
http://postimg.org/image/bq0hqyv1z/
I was able to get to this point:
Hi Jay,
On Dec 21, 2014, at 8:06 AM, Jay Hamilton i...@soundand.com wrote:
it doesn't work to put a break between the endings
\alternative { { g2. ~ g2. \breathe \break } { g2.\fermata } }
Hope this helps!
Kieren.
___
Kieren MacMillan, composer
www:
Jay,
The issue is that the \alternative function can't have ANYTHING
outside of the compound expression brackets {...}. If you need a
\break, \pageBreak, or a \bar or barcheck |, they need to be
inside one of the {...} sections like:
\alternative { { ... \break } {...} } or \alternative {
On 2014-12-21 12:20 AM, pe...@chubb.wattle.id.au wrote:
As both cases have the same stem direction one has to be shifted.
Usually if you want two voices you either give them separate staves,
or give one the \voiceOne and the other the \voiceTwo appellations.
Ah! I didn't notice this because
Am 21.12.2014 um 18:00 schrieb Br. Samuel Springuel:
On 2014-12-21 12:20 AM, pe...@chubb.wattle.id.au wrote:
As both cases have the same stem direction one has to be shifted.
Usually if you want two voices you either give them separate staves,
or give one the \voiceOne and the other the
I am lost: I have the example in manual 1.3.3. (german, arpeggio over
different systems
\new PianoStaff \relative c''
\set PianoStaff.connectArpeggios = ##t
\new Staff {
c e g c4\arpeggio
g c e g4\arpeggio
e g c e4\arpeggio
c e g c4\arpeggio
}
\new Staff {
Am 21.12.2014 um 20:57 schrieb Dr. Bernhard Kleine:
organPart = \new PianoStaff \with {
instrumentName = Orgel
}
\set PianoStaff.connectArpeggios = ##t
\new Staff = up \with {
midiInstrument = church organ
I labelled the offending line and would like
The piece I'm typesetting is a modern chant Our Father that we use in
our morning office. It's sung acapella and has a melody and harmony
line. The lyrics, dynamics, and articulations are always in sync
between the two parts, it's just that the harmony has a different note
(effectively, the
Then there is an error in the manual of 2.9.15.
Kind regards
Bernhard
Von: Brent Boylan [mailto:brent.boy...@outlook.com]
Gesendet: Sonntag, 21. Dezember 2014 21:05
An: Dr. Bernhard Kleine
Betreff: RE: Arpeggio
It looks like the set line needs to be inside the double angle brackets
Hi,
Does the piece you are reproducing have two sets of articulations, both
above the staff? I can't remember ever having seen that kind of notation
before.
If you want to remove the articulations from one voice you can add the
following line to it (place it in the same block as the music,
There is no misprint in the manual. The way you used \set is also
possible, but because the line in question appears after the closing
bracket on the line before LilyPond does not include it in the variable you
named (organPart). If you enclose the entire variable in curly brackets
(which will
On 2014-12-21 3:27 PM, Kevin Barry wrote:
Does the piece you are reproducing have two sets of articulations,
both above the staff? I can't remember ever having seen that kind of
notation before.
No, it has only one set of articulations, but they apply to
both parts when they appear.
If you
I'm trying to create something like this:
- Chord names (not grids) above the first staff
- One normal staff
- One guitar tab staff underneath it (same melody as in staff above)
- Lyrics underneath the guitar tab
- Chord grids printed just once at bottom
I would also like to
Am 21. Dezember 2014 21:57:37 MEZ, schrieb Br. Samuel Springuel
rpspring...@gmail.com:
On 2014-12-21 3:27 PM, Kevin Barry wrote:
Does the piece you are reproducing have two sets of articulations,
both above the staff? I can't remember ever having seen that kind of
notation before.
No, it
Am 21. Dezember 2014 21:09:23 MEZ, schrieb Br. Samuel Springuel
rpspring...@gmail.com:
The piece I'm typesetting is a modern chant Our Father that we use in
our morning office. It's sung acapella and has a melody and harmony
line. The lyrics, dynamics, and articulations are always in sync
Rob,
This allows you to have the correct layout except that the staff and tab are
flipped. It’s a start, eh?
~Conor
%%
\version 2.18.2
\include predefined-guitar-fretboards.ly
chordNames = \chordmode { c1:m7 ees1:maj7 }
melody = \relative c' { c2 f4 bes,4 ees aes, des ges, }
verse =
Br == Br Samuel Springuel rpspring...@gmail.com writes:
Br On 2014-12-21 12:20 AM, pe...@chubb.wattle.id.au wrote:
As both cases have the same stem direction one has to be shifted.
Usually if you want two voices you either give them separate
staves, or give one the \voiceOne and the other the
On 2014-12-21 4:30 PM, Urs Liska wrote:
Your irritation originates in the fact that you want to produce a
score that*looks* like chords but is structurally a polyphonic
setting. There's nothing wrong with this but it implies expecting
some uncommon behaviour. Concretely you have to hide the
I'm sorry. Here's my post attached to the right thread.
As soon as I pressed send, I knew I'd failed to correct the subject.
Rob,
This allows you to have the correct layout except that the staff and tab are
flipped. It’s a start, eh?
~Conor
%%
\version 2.18.2
\include
So let's say I started writing a song in Ab and then I decide it really
should have been written in Eb. Is there a way to transpose the underlying
lilypond codes?
___
lilypond-user mailing list
lilypond-user@gnu.org
Am 21. Dezember 2014 23:31:52 MEZ, schrieb Stan Mulder
st4588...@earthlink.net:
So let's say I started writing a song in Ab and then I decide it really
should have been written in Eb. Is there a way to transpose the
underlying
lilypond codes?
Yes: using Frescobaldi ;-)
Urs
Urs Liska ul at openlilylib.org writes:
Am 21. Dezember 2014 23:31:52 MEZ, schrieb Stan Mulder st45882wz at
earthlink.net:
So let's say I started writing a song in Ab and then I decide it really
should have been written in Eb. Is there a way to transpose the
underlying
lilypond codes?
Am 22. Dezember 2014 00:23:11 MEZ, schrieb Stan Mulder
st4588...@earthlink.net:
Urs Liska ul at openlilylib.org writes:
Am 21. Dezember 2014 23:31:52 MEZ, schrieb Stan Mulder st45882wz
at
earthlink.net:
So let's say I started writing a song in Ab and then I decide it
really
should have been
Thank you for the solution and explanation.
This is something I wouldn't know how to notice in the manuals or even
to look for.
Best
Jay
--
Thanks for reading
blogs at
https://learnivore.com/users/music#
www.soundand.com
www.themaptheopera.com
Jay
Hi Jay,
Thank you for the solution and explanation.
Glad it worked out.
This is something I wouldn't know how to notice in the manuals or even to
look for.
http://www.lilypond.org/doc/v2.19/Documentation/notation/long-repeats#normal-repeats
“Alternative endings can be produced using
Hi there,
I am new to LilyPond. I try to typeset a music sheet. The following is a
snippet. I don't satisfy the code in \markup, especially the size of the
number.
\version 2.18.2
\relative c'' {
\clef treble
\key ees \major
\tempo 4 = 90
f8 g f d ees2 ~ |%m75
ees4 ees'2.\fermata
peter at chubb.wattle.id.au writes:
As an aside, dutch note names and \relative make data entry MUCH
faster. See below (part 2).
FWIW, English note names are shorter if you use f for flat and s for
sharp: cs vs cis is 33% more efficient.
I understand why some prefer the Dutch names, as you
Have you tried the \tempo command?
ees4 \tempo 4 = 82 ees'2. |%m76
%%%
\tempo rit. 4 = 75 ees1 |%m79
Am 22.12.2014 um 03:15 schrieb Jinsong Zhao:
Hi there,
I am new to LilyPond. I try to typeset a music sheet. The following is a
snippet. I don't satisfy the code in \markup, especially the
Thank you for the reply.
Maybe this is the easy understanding or reasonable solution. The demo
mini example is a LilyPond replication of someone's sheet I saw from a
video. The ``\tempo 4 = 82'' is at the right side of ees'2 in a smaller
style. The ``\tempo rit. 4 = 75'' is also at the right
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